Chords for TUTORIAL - Virtual Riot Makes 'One Two' Bass Sound [FREE PRESET]

When I'm bored I like to do stuff in virtual reality.
It's not on right now though, I'm just looking at a black screen.
What the hell am I doing?
I'm just playing a video _ _ game.
I'm just playing a video game.
My name is Virtual Wright and today I'm showing you the main base patch of my new track 1-2
out on my EP on Disciple called Priesthood Junkies.
And I've got the project file right here, so let's take a look at it.
This whole project file is a huge mess, I'm very sorry for that.
And actually the _ [C] _
_ main base patch was a bit of a lucky shot and a happy accident.
So this is what it sounds like.
_ _ _ _ _ Very very squealy and screechy.
And this is what it sounds like without effects.
No, by itself please. _
_ [Eb] So there's a lot of things going on here and even I forgot a few of them.
So I guess the idea I had was to just use a single saw wave and a very peaky filter
and then lots of distortion to make that peak kind of distort together with the sub
like in those [Ab] old, you know, those screechy massive bases that were really cool around 2012.
So without all the serum effects, oh god now I've got to remember which ones I have been using.
Without all the effects and just the filter and the wave it sounds like [F] this. _
_ [N] So it's literally a saw wave, a sub, some noise and this filter making this resonance.
So with the distortion we're already getting what I was looking for.
This crazy resonance just getting distorted together with the sub creating this kind of noisy-ish, reesey thing.
And then we just add lots of different effects. _ _
And a little low pass here for the rhythm.
Oh god, I've used all eight LFOs in this patch.
Holy cow.
Okay, let's look at this one.
So this one is obviously modulating the cutoff position.
So this is kind of doing the whole melody of it.
While [G] _ another one on eighth notes just opens the volume of the oscillator.
_ _ [A] _ _ So lots of different LFOs at all kinds of different speeds.
And then on top of that we have this kind of crazy effects chain [C] down here. _
I forgot the filter.
_ [G] There we go.
Oh, there's a comb filter in here as well.
So in this effects chain the most important thing is this LFO tool which is just on eighth notes
and even accentuating the eighth note wobble a little more if I change the speed of that.
_ Fun fact, Serum was coded on Windows which is why it's bugging out on [Gb] Mac.
Okay, let's have [C] a listen to it in context because there's a fun thing going on here.
_ _ _ _ [E] _ _ So after four bars it changes to_
_ _ But that's the same patch.
[C] What is happening here?
I can tell you.
So I set up a macro here which is changing the filter position first of all.
So instead of going all the way up to the_
It now only goes a little lower so it starts only reaching this kind of resonance instead of_
[E] And I think it's changing another thing as well and I [Ab] don't even know what.
Is it turning off?
It's changing the comb filter [Gb] position as well.
So it's basically just changing the timbre so much that it almost sounds like two different patches.
[N] _ And the whole general arrangement idea by the way here was_
I think the first thing I came up with when I wrote the song was this intro idea where it's just_
_ _ Something that sounds like a fake-out drop but then it just keeps going and actually becomes the build-up.
[G] _ _ _
And then that's the final end of the build-up and then it goes into the actual drop.
And I started by only making this whole part and then this basically already decided for me what the drop's gonna be like.
It's just [C] gonna be the whole [A]
pattern [Gb] but in loud.
So [G] then that was the result. _
And in the second drop it's basically the same thing just I changed the wavetables.
And I had to flatten it because my laptop was dying so the second drop has the_
Oh and as you can hear the LFO speed is a little slow on this [C] one.
So just a few minor changes to make a huge difference. _ _
Yeah we can do the same thing in the first drop here just by changing the LFO tool [Db] speed.
Finally it's not messing up anymore.
There's some simple delays here which basically do the same thing as a positive comb filter.
[G] They're being automated to turn on and off at times.
I think they're even changing their timing a little bit to change the resonance they are creating.
Just by a few milliseconds but that makes a huge difference.
So yeah one messy patch that was a big happy accident and I'm really happy how it turned out.
I hope you learned something from [Abm] this.
If you did please let me know in the comments.
I'll see you in the next video.
Thank [C] you for watching.
Thanks for [Ab] watching another Disciple video.
[C] And if you like the video [Ab] please click like.
And don't forget to subscribe.
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