Chords for Top 10 Iron Maiden Songs

Tempo:
111.15 bpm
Chords used:

D

E

C

Em

G

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Top 10 Iron Maiden Songs chords
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[Cm]
[Dm] [D]
You'll take their life, but they'll take [E] yours too.
Welcome to WatchMojo.com, and today we're counting down our picks for the top 10 Iron [Am] Maiden songs.
Number 10.
Run to the Hills
[D]
[Am] As the first [Gm] single off their critically acclaimed [A] 1982 album, The [D] Number of the Beast,
Run to the Hills [Am] remains one of Iron [D] Maiden's most highly ranked songs on various [G] heavy metal lists.
[F] [C]
[G]
[G#] [D] Touching on the conflicts between Native American tribes [F] and European settlers,
the Steve Harris [C] penned track provides both sides points of view
[D] and was the band's [A] first song to be released with Bruce Dickinson on vocals.
[G]
[F] Number [E]
[A] [E] 9.
Phantom of the Opera
[G] [A] [Em]
Though [A] the band's solid eponymous debut included notable songs [D] like [G] Prowler and Running Free,
[C]
[Em] [G] [A] it's Phantom of [D] the Opera that grabs us,
[Em] especially because it was a [D] precursor to decades of epic Steve Harris bass [C] lines.
[D]
While [Em] the band later [D] derided the album's audio quality, the [C] release was commercially successful.
The seven [D]-minute track was [Em] particularly notable for its [E] progressive elements and its standing [A] as a live staple.
[G] [E]
[A] [E]
[E] Number 8.
Wrathchild
Featuring original vocalist Paul D'Anno on mic duty,
[D] Pillar's track Wrathchild kicks off with one of Steve Harris' most [E] recognizable bass lines.
Despite the band's [Em] later lineup changes, this is usually the only track off this album that Iron Maiden still plays in concerts.
[Em]
[E] [Bm] And this [C] shouldn't come as any surprise, since the chorus [B] and solo seem destined to [C] be performed live.
[D] [Bm] Number
[Em]
[D] [E]
7.
Seventh Son of a Seventh Son
1988's Seventh Son of a Seventh Son offered fans a slew of standout tracks,
including Can I Play With Madness and [D] The Evil That Men [E] Do.
[C]
[D] But [C] weighing in at over nine minutes and including [Em] a chilling intro,
heart-pounding bass [E] line and haunting segment in between,
it's hard to overlook the title [F#] track as one of [C#m] Maiden's greatest.
[G#m]
[D] [A] [E]
[F#]
[E] Number 6.
[C] Alexander the Great
[E]
[B] [E] Featuring synthesizers for the first time, [C] 1986's Somewhere in Time presented a new [E] sound
which pleased some [B] fans but [E] disappointed others.
Regardless, the album's track quality remained [B] high, [C] with the epic Caught Somewhere in [E] Time,
[A] [D] the lush [Bm] Stranger [C] in a Strange [D] Land,
[E]
and the infectious [A] Wasted Year.
[E]
[D]
But [G] the song that most represents the band's appeal is [D] Alexander the Great.
[E]
[A] [D]
[Em] Referencing history in a unique way, this eight-minute-plus opus is truly a [Am] masterpiece.
[F]
[Em] [Am] [F]
[D] Number 5.
Number of the Beast
The title track [C] to what is arguably the fan favorite from Iron Maiden's discography,
The Number of the Beast introduced us [D] to the vocal prowess of Bruce Dickinson.
Even the song's subject matter, it drew considerable [C] criticism,
but it didn't hurt its success one bit, and it [Dm] continues to be played live.
[C]
[G] [D]
[C] [F#] [E]
[Em] Number 4.
The [D] Trooper
[Em]
[C] Inspired by Lord Tennyson's [E] poem The Trooper, Peace of Mind's second single
chronicles the charge of the Light Brigade at the Battle of Balaclava in 1854.
Released after the first single, [D] Flight of Icarus,
[E] [F#]
[C#] the heavy metal tune is [D] arguably the first Maiden [E] song to successfully cross over [A] into the mainstream.
[D]
[E] It also [D] showcased Adrian Smith's and Dave Murray's [Em] multilayered guitars and Steve Harris' bass.
[G] [Am]
[F] Number [G] 3.
Ace is [E] Hot
[Em] Recounting the adventures of a British RAF pilot [D] as he takes on [B] the mighty German Luftwaffe during 1940's [D] Battle of Britain,
[Em] this Power Slave number features chilling lyrics and [D] even more [A] chilling riffs.
They're a [G] fittingly fast-paced [D] onslaught of sound that display [G] Maiden's signature multi-guitar [E] sound.
[G] [E] Ace is High became an even bigger fan [F] favorite when it served [G] as the opening track to [D#] Maiden's critically acclaimed [D]
1985 [Gm] live-after-death release.
[F]
[G] [D#] [Am]
[F] [G] [Am]
[F] [G] [A]
Number 2.
Rhyme of the Ancient Mariner
[D] [E]
Another Steve Harris-written track off Power Slave, this 13-minute anthem was inspired by the [Em] Samuel Taylor Coleridge poem of the [E] same name.
Though it's one of the longest in Maiden's repertoire, Harris actually wrote it in a relatively short time.
To this day, it remains one of Dickinson's favorite songs to sing live.
[Em]
[E] Number 1.
Hallowed Be [Em] Thy Name
[C]
[Em] Featuring two guitar solos, this single from The Number of the Beast is perennially named as one of, if [C] not the, greatest [E] Maiden song ever.
[C]
[D] [C]
With lyrics about a prisoner's final moments [G] before being hanged, and featuring Bruce Dickinson in his signature storytelling mode,
it's also listed as one of the best heavy metal [B] songs ever.
Check it out for [E] yourself.
[C] [D]
[E] Do you agree with our list?
What's your [C] favorite Iron Maiden song?
Be sure to [A] subscribe to WatchMojo.com for [Em] more entertaining top 10s.
[D]
[C] [Cm]
[Bm]
Key:  
D
1321
E
2311
C
3211
Em
121
G
2131
D
1321
E
2311
C
3211
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_ _ _ _ [Cm] _ _ _ _
_ _ [Dm] _ _ _ [D] _ _ _
_ You'll take their life, but they'll take [E] yours too. _
_ _ _ Welcome to WatchMojo.com, and today we're counting down our picks for the top 10 Iron [Am] Maiden songs. _
_ _ _ _ _ _ _
Number 10.
Run to the Hills
[D] _ _ _
[Am] _ As the first [Gm] single off their critically acclaimed [A] 1982 album, The [D] Number of the Beast,
Run to the Hills [Am] remains one of Iron [D] Maiden's most highly ranked songs on various [G] heavy metal lists. _
_ _ [F] _ _ _ _ _ [C] _
_ _ _ _ _ [G] _ _ _
_ [G#] [D] Touching on the conflicts between Native American tribes [F] and European settlers,
the Steve Harris [C] penned track provides both sides points of view
[D] and was the band's [A] first song to be released with Bruce Dickinson on vocals.
_ _ _ _ [G] _ _ _
_ [F] Number _ _ _ [E] _ _
_ _ [A] _ _ [E] 9.
Phantom of the Opera
[G] _ _ _ [A] _ _ [Em] _ _
Though [A] the band's solid eponymous debut included notable songs [D] like [G] Prowler and Running Free,
_ [C] _ _ _
[Em] _ _ [G] _ _ [A] it's Phantom of [D] the Opera that grabs us,
[Em] especially because it was a [D] precursor to decades of epic Steve Harris bass [C] lines.
_ _ [D] _ _
While [Em] the band later [D] derided the album's audio quality, the [C] release was commercially successful.
The seven [D]-minute track was [Em] particularly notable for its [E] progressive elements and its standing [A] as a live staple. _
[G] _ _ _ _ _ [E] _ _ _
_ [A] _ _ _ [E] _ _ _ _
_ _ [E] _ Number 8.
Wrathchild
_ _ _ Featuring original vocalist Paul D'Anno on mic duty, _ _ _ _ _ _ _
[D] Pillar's track Wrathchild kicks off with one of Steve Harris' most [E] recognizable bass lines.
_ _ Despite the band's [Em] later lineup changes, this is usually the only track off this album that Iron Maiden still plays in concerts.
[Em] _ _ _ _ _ _
[E] _ _ _ _ [Bm] And this [C] shouldn't come as any surprise, since the chorus [B] and solo seem destined to [C] be performed live.
_ [D] _ _ _ _ [Bm] Number _
_ [Em] _ _ _ _ _ _ _
_ [D] _ [E] _ _ _ _ _ _
_ _ _ 7.
Seventh Son of a Seventh Son _ _ _ _ _ _ _
_ 1988's Seventh Son of a Seventh Son offered fans a slew of standout tracks,
including Can I Play With Madness and [D] The Evil That Men [E] Do.
_ _ _ _ [C] _
_ [D] But [C] weighing in at over nine minutes and including [Em] a chilling intro,
heart-pounding bass [E] line and haunting segment in between,
_ _ _ _ _ _ _ _
_ _ _ _ it's hard to overlook the title [F#] track as one of [C#m] Maiden's greatest.
_ [G#m] _ _
[D] _ _ _ _ _ [A] _ _ [E] _
_ [F#] _ _ _ _ _ _ _
_ _ [E] _ _ _ _ Number 6.
[C] Alexander the Great
_ _ [E] _ _
[B] _ _ [E] Featuring synthesizers for the first time, _ [C] 1986's Somewhere in Time presented a new [E] sound
which pleased some [B] fans but [E] disappointed others.
Regardless, the album's track quality remained [B] high, [C] with the epic Caught Somewhere in [E] Time, _ _
_ _ [A] _ _ _ [D] _ the lush [Bm] Stranger [C] in a Strange [D] Land,
_ [E] _ _ _ _
_ _ and the infectious [A] Wasted Year.
[E] _
_ _ [D] _ _ _ _ _ _
But [G] the song that most represents the band's appeal is [D] Alexander the Great.
[E] _ _ _ _ _ _ _
[A] _ _ _ _ _ _ [D] _ _
[Em] Referencing history in a unique way, this eight-minute-plus opus is truly a [Am] masterpiece.
_ _ _ _ [F] _
_ [Em] _ [Am] _ _ _ _ [F] _ _
[D] _ _ Number 5.
Number of the Beast
_ _ _ _ _ _ _
The title track [C] to what is arguably the fan favorite from Iron Maiden's discography,
The Number of the Beast introduced us [D] to the vocal prowess of Bruce Dickinson.
_ _ _ _ _ _ Even the song's subject matter, it drew considerable [C] criticism,
but it didn't hurt its success one bit, and it [Dm] continues to be played live.
[C] _
_ [G] _ _ _ _ [D] _ _ _
[C] _ _ [F#] _ _ _ _ _ [E] _
_ _ _ _ _ _ [Em] Number 4.
The [D] Trooper
[Em] _ _ _ _ _
[C] Inspired by Lord Tennyson's [E] poem The Trooper, Peace of Mind's second single
chronicles the charge of the Light Brigade at the Battle of Balaclava in 1854.
Released after the first single, [D] Flight of Icarus,
[E] _ _ _ [F#] _ _ _ _ _
[C#] the heavy metal tune is [D] arguably the first Maiden [E] song to successfully cross over [A] into the mainstream.
[D] _ _ _ _ _
[E] _ _ _ It also [D] showcased Adrian Smith's and Dave Murray's [Em] multilayered guitars and Steve Harris' bass.
_ _ _ _ _ _ _ _
[G] _ _ _ _ _ _ _ [Am] _
_ _ [F] Number [G] 3.
Ace is [E] Hot _
_ _ _ _ _ [Em] Recounting the adventures of a British RAF pilot [D] as he takes on [B] the mighty German Luftwaffe during 1940's [D] Battle of Britain,
[Em] this Power Slave number features chilling lyrics and [D] even more [A] chilling riffs.
They're a [G] fittingly fast-paced [D] onslaught of sound that display [G] Maiden's signature multi-guitar [E] sound. _ _
_ _ [G] _ [E] Ace is High became an even bigger fan [F] favorite when it served [G] as the opening track to [D#] Maiden's critically acclaimed [D]
1985 [Gm] live-after-death release.
[F] _ _ _
[G] _ _ [D#] _ _ _ _ [Am] _ _
_ [F] _ _ [G] _ _ [Am] _ _ _
[F] _ _ [G] _ _ [A] _ _ _ _
_ _ _ Number 2.
Rhyme of the Ancient Mariner
[D] _ _ _ [E] _ _ _
Another Steve Harris-written track off Power Slave, this 13-minute anthem was inspired by the [Em] Samuel Taylor Coleridge poem of the [E] same name. _
_ _ _ _ _ _ _ _
_ _ _ Though it's one of the longest in Maiden's repertoire, Harris actually wrote it in a relatively short time.
To this day, it remains one of Dickinson's favorite songs to sing live. _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [Em] _ _ _
_ _ [E] _ _ Number 1.
Hallowed Be [Em] Thy Name
_ _ _ _ [C] _ _
_ _ [Em] Featuring two guitar solos, this single from The Number of the Beast is perennially named as one of, if [C] not the, greatest [E] Maiden song ever.
_ _ _ [C] _ _ _
_ [D] _ _ _ [C] _ _ _ _
With lyrics about a prisoner's final moments [G] before being hanged, and featuring Bruce Dickinson in his signature storytelling mode,
it's also listed as one of the best heavy metal [B] songs ever.
Check it out for [E] yourself. _
_ _ [C] _ _ _ _ [D] _ _
_ _ [E] _ _ Do you agree with our list?
What's your [C] favorite Iron Maiden song?
Be sure to [A] subscribe to WatchMojo.com for [Em] more entertaining top 10s. _ _ _
_ [D] _ _ _ _ _ _ _
_ _ [C] _ _ _ [Cm] _ _ _
_ _ _ _ _ _ _ _
[Bm] _ _ _ _ _ _ _ _