Take It With Me Chords by Tom Waits

Tempo:
115.6 bpm
Chords used:

C#

G#

A#m

F#

Fm

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Tom Waits - Take It With Me chords
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[C] [F#]
[C#]
[G#] [D#]
[F#]
[D#] [G#]
[A#m] [Fm] The ocean's blue, as [F#] blue as your [C#] eyes I'm gonna take it with me [G#]
when I go
[C#]
[G#] Oh, [C#] long since gone [F#] Now, way back when, we lived in Coney [A#m] [C#] Isle
[G#] [A#m] Ain't [Fm] no good [F#] thing ever [C#] dies I'm gonna [G#] take it [C#] with me [G#] when I [C#]
go
Far, [A#m] far [C#] away, the train whistle blows [Fm]
Wherever [A#m] you're [C#] going, [D#] wherever you've [C#] been
[G#] Waving [A#m] [C#] goodbye,
[F#] the end of [C#] the day You're [Fm] up and [A#m] you're [C#] over and [G] you're far away
[C#] [G#] Always [C#] for [G#] you, [F#]
forever yours It felt just [D#] like the old [G#] days
[A#m]
[Fm] Fell asleep [F#] on [C#] Beulah's porch I'm gonna [G#]
take it with me when I go
[C#] Oh, broken down By [F#] the side of the road, I was [A#m] never more alive
[C#] [G#] [A#m] I've worn [Fm] the faces [F#] off all the [C#]
cards I'm gonna [G#] take it with me when I go
The [A#m] children are [C#] playing, [F#]
the end of [C#] the day [G#m]
Strangers [A#m] are [C#] singing, all [F] along
[C#] [G#]
There's [A#m] got to be [C#] more [G]
than flesh [C#] and bone [A#m] All that you [C#] loved is all you own
[G#] In that
[F#] town, there's a house And in that house, there's [A#m] a woman
[C#] [G#] [A#m] And in [Fm] that woman, there's [F#] a heart I [C#]
love I'm gonna take it with me [G#] [C#] [G#]
[C#]
[G#] when I [C#] go
[F#]
[C#] [F#] [C#]
I'm gonna take it with me when I go
Key:  
C#
12341114
G#
134211114
A#m
13421111
F#
134211112
Fm
123111111
C#
12341114
G#
134211114
A#m
13421111
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Chords
NotesBeta

Learn the basic chords of Tom Waits - Take It With Me chords, with this master sequence: Fm, F#, C#, G#, A#m, C#, G# and C#. A good strategy is to initiate at 57 BPM and then accelerate to the track's regular speed of 116 BPM. Considering the song's key of C# Major, position your capo to suit your vocal and chord preferences.

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[C] _ _ _ [F#] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [C#] _ _
_ _ [G#] _ _ _ [D#] _ _ _
_ [F#] _ _ _ _ _ _ _
_ _ [D#] _ _ _ _ [G#] _ _
_ _ _ [A#m] _ _ [Fm] The ocean's blue, as [F#] blue as your [C#] _ eyes I'm gonna take it with me [G#]
when I go
_ _ [C#] _ _ _
_ _ [G#] Oh, [C#] long since gone _ _ [F#] Now, way back when, we lived in Coney [A#m] _ [C#] Isle _
_ [G#] _ _ [A#m] _ Ain't [Fm] no good [F#] thing ever _ [C#] _ dies I'm gonna [G#] take it [C#] with me [G#] when I [C#] _ _ _ _ _ _ _
go
Far, [A#m] far [C#] _ away, the train whistle _ blows _ [Fm] _
_ Wherever [A#m] you're [C#] going, _ [D#] wherever _ you've _ _ [C#] been
[G#] _ _ _ Waving [A#m] [C#] goodbye, _
_ [F#] the end of [C#] the day _ You're _ [Fm] up and [A#m] you're [C#] over and [G] you're far _ away _
_ [C#] _ _ _ [G#] _ _ Always [C#] _ for [G#] you, _ _ [F#] _
forever yours It felt just [D#] like the old [G#] days
_ _ [A#m] _
_ _ [Fm] Fell asleep _ [F#] on _ [C#] Beulah's porch I'm gonna [G#]
take it with me when I go _
_ _ _ _ _ [C#] _ Oh, broken down By [F#] the side of the road, I was [A#m] never more alive
_ [C#] _ [G#] _ _ [A#m] I've worn [Fm] the faces [F#] off all the [C#]
cards I'm gonna [G#] take it with me when I go _ _ _
_ The [A#m] children are _ [C#] playing, [F#] _
the end of [C#] the _ day [G#m] _
_ Strangers [A#m] are [C#] singing, _ _ all _ [F] along
[C#] _ _ [G#] _
There's [A#m] got to be [C#] more _ [G] _
than flesh [C#] and bone _ _ _ _ [A#m] All that you [C#] loved is all you _ _ _ own
[G#] In _ that _ _ _
_ _ _ [F#] _ town, there's a house And in that house, there's [A#m] a woman
_ [C#] _ [G#] _ _ [A#m] And in [Fm] that woman, there's [F#] a heart I [C#]
love _ I'm gonna take it with me [G#] _ _ [C#] _ _ _ _ [G#] _
_ _ _ _ _ _ _ [C#] _
[G#] when I [C#] go _ _ _
_ _ _ [F#] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[C#] _ [F#] _ _ _ _ _ _ [C#] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ I'm gonna take it with me when I go _ _ _

Facts about this song

Among the compositions on the album Mule Variations, written by Kathleen Brennan and Tom Waits, this one shines.

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