Chords for Tom Spiers - Cruel Mother

Tempo:
135.3 bpm
Chords used:

Bb

Bbm

Eb

Ebm

F

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Tom Spiers - Cruel Mother chords
Start Jamming...
Right, I'm Tom Spears.
I'm from Aberdeen originally, now living in Aberdeenshire up near the Moray Firth.
I've been interested in folk music since the 1960s and particularly the traditional folk music of North East Scotland.
My main interest is in the Child ballads, Child being Professor Child, who was an American professor who made the definitive collection of the big ballads,
which are basically old stories that come from Norse [E] legends and sort of German, [N] Celtic legends, that kind of things.
Of the collection which Child made, which was over 300 ballads, one third of those, one third of the main texts in those, came from the North East of Scotland, Aberdeenshire, Buchan area,
which is a pretty amazing statistic.
It means that of a collection which was for the whole of the British Isles, an area with less than 1% of the population produced over 30% of these big ballads.
One of the ones, the one I'm going to sing for you just now, The Cruel Mother, is one of the best known of these.
It's a very old tale.
You can tell from some of the words in it where it makes references to the spirits, the ghosts of the children coming back and being transmogrified, is the word that they use, into inanimate objects, either living objects,
it's usually things like birds, it can be other animals, but also in this particular version of the ballad, the mother, the cruel mother, is told that she will have to spend seven years as a tongue to the warden bell, so it can be inanimate objects as well as live animals.
This is a punishment for murdering the children.
There are a whole proliferation of ballads about the cruel mother, different tunes, different sets of words.
This particular version is from North East Scotland, and it's one of the few that has a fairly simple tune.
One of the ways you know a traditional ballad as opposed to a made up ballad is that it tells the story absolutely straight, it doesn't make any judgement as to whether what was done was right or wrong, it just sees this is what happened.
So, here's the story, let's go.
[Bb]
[G] And for anybody that's [Bb] interested, the fiddle is in an open tuning, Bb, F, Bb, F.
[Ab] [Bb]
[Ebm] [Bbm]
[Db] [Bb]
[Ebm] [Db] [Bb]
[Ebm]
[Bbm] [Bb]
[Db] [Bb]
And the
[Ebm] [Bbm]
[Bb] [Ebm]
[Bbm] [Bb] fiddle is in an open tuning, Bb, F, [Eb] Bb, [Bbm] F.
She mack lift her tee, Doon by the greenwood sidee o.
[Eb] [Bb] She's leaned her back against the thorn, Hi-wee the rose and [Eb] the [Bbm] linsie o.
It's their clap when he [F] firms they [Bb] were born, Doon by the [F] greenwood [Bbm] [Bb] sidee o.
She's deened the ribbons up o' her hair, Hi-wee the rose and the [Eb] linsie [Bb] o.
And [F] choke at them though they [Bb] grats fair, Doon by the greenwood sidee o.
She's buried them neath a marble stain, Hi-wee the rose and [Eb] the linsie [Bbm] o.
Then kentee cock a [Ab] [Bb]-beedin' him, Doon by the greenwood sidee o.
Then she's looked down her fiddler's castle bar, Hi-wee the rose and [Ebm] the linsie [Bbm] o.
It's a-quab on he hens they're playin' at the bar, Doon by the greenwood [F] sidee [Bb] o.
O bonnie bairns, can ye wear mine, Hi-wee the rose and the [Eb] [Bb] linsie o.
I'd dress you up in silksie fine, Doon by the greenwood sidee o.
It's a-bonnie bairns, can ye wear mine, Hi-wee the rose and the linsie o.
I'd [F] feed you on coos milk [Bb] and reed o' wine, Doon by the greenwood sidee o.
[F]
[Bb] It's [Ebm]
[Bbm] [Bb]
[Ebm] [Bbm] [Bb]
a-croon me derf and wee were fine, Hi-wee the rose and the [Eb] linsie [Bbm] o.
Wee sa' neen I am [Bb] silksie fine, Doon by the greenwood sidee o.
I'd croon me derf and wee were fine, Hi-wee the rose and [Eb] the [Bb] linsie o.
Wee sa' neen I am silksie fine, Doon by the greenwood sidee o.
It's a-bonnie bairns, come tell tae me, Hi-wee the rose and the [Eb] linsie [Bb] o.
It's a [Fm]-kind o' a derf from [Bb] A to D, Doon by the greenwood sidee o.
Seven years a-bairn in the wood, Hi-wee the rose and the [Eb] linsie [Bb] o.
Seven years a-fish in the flood, Doon by the greenwood sidee o.
Seven years a-tongue tae the warning bell, Hi-wee the rose and the linsie o.
Seven long years in the caves a-hell, Doon by the greenwood sidee o.
It's welcome, welcome bairn in the wood, Hi-wee the rose and the linsie o.
[Bbm] Welcome, welcome fish in the [Bb] flood, Doon by the [F] [Bb] greenwood sidee o.
Welcome tongue tae the warning bell, Hi-wee the rose and [Eb] the [Bbm] linsie o.
But God keep me fae the caves a [Bb]-hell, Doon by the [F] greenwood [Bb] sidee o.
Key:  
Bb
12341111
Bbm
13421111
Eb
12341116
Ebm
13421116
F
134211111
Bb
12341111
Bbm
13421111
Eb
12341116
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_ _ _ _ _ _ _ _
_ Right, I'm Tom Spears.
I'm from Aberdeen originally, now living in Aberdeenshire up near the Moray Firth.
I've been interested in folk music since the _ 1960s _ and particularly the traditional folk music of North East Scotland. _ _
_ _ My main interest is in the Child ballads, _ _ Child being Professor Child, _ who was an American professor who made the definitive _ collection of the big ballads,
which are basically old stories that come from _ Norse [E] legends _ _ _ and sort of German, _ [N] Celtic legends, that kind of things.
_ Of the collection which Child made, which was over 300 ballads, _ one third of those, one third of the main texts in those, came from the North East of Scotland, Aberdeenshire, _ Buchan area,
_ which is a pretty amazing statistic.
It means that of a collection which was for the whole of the British Isles, _ an area with less than 1% of the population produced over 30% of _ these big ballads. _
One of the ones, the one I'm going to sing for you just now, The Cruel Mother, is one of the best known of these.
_ It's a very old tale.
_ You can tell _ from some of the words in it where it makes references to the spirits, the ghosts of the children coming back and _ _ _ being _ _ transmogrified, is the word that they use, into inanimate objects, either living objects,
it's usually things like birds, it can be other animals, but also in this particular version of the ballad, _ _ _ the mother, the cruel mother, is told that she will have to spend seven years as a tongue to the warden bell, so it can be inanimate objects as well as _ _ _ live animals.
_ This is a punishment for murdering the children.
_ There are a whole _ proliferation of ballads about the cruel mother, different tunes, different sets of words.
_ This particular version is from North East Scotland, _ _ and it's one of the few that has a fairly simple tune.
_ One of the ways you know _ a traditional ballad as opposed to a made up ballad is that it tells the story _ absolutely straight, it doesn't make any judgement as to whether what was done was right or wrong, it just sees this is what happened.
So, here's the story, let's go.
_ _ [Bb] _ _ _ _
_ _ _ _ _ [G] And for anybody that's [Bb] interested, the fiddle is in an open tuning, _ Bb, F, Bb, F. _ _
_ _ _ _ _ _ _ _
_ _ _ [Ab] _ _ [Bb] _ _ _
_ _ _ _ [Ebm] _ _ _ [Bbm] _
_ _ _ [Db] _ _ [Bb] _ _ _
_ _ _ [Ebm] _ [Db] _ [Bb] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [Ebm] _
_ [Bbm] _ _ _ _ _ _ [Bb] _
_ _ _ _ _ _ [Db] _ [Bb] _
_ _ _ _ _ _ _ _
_ And the _ _ _ _ _
_ _ _ _ _ [Ebm] _ [Bbm] _ _
_ [Bb] _ _ _ _ _ [Ebm] _ _
[Bbm] _ [Bb] _ _ _ _ fiddle is in _ _ _ an open tuning, Bb, _ F, _ [Eb] Bb, _ [Bbm] _ F.
She mack lift her tee, Doon by the greenwood sidee o.
[Eb] _ [Bb] She's leaned her back against the thorn, Hi-wee the rose and [Eb] the [Bbm] linsie o.
It's their clap when he [F] firms they [Bb] were born, Doon by the [F] greenwood [Bbm] _ [Bb] sidee o. _
She's deened the ribbons up o' her hair, Hi-wee the rose and the [Eb] linsie [Bb] o.
And [F] choke at them though they [Bb] grats fair, Doon by the greenwood sidee o. _
She's buried them neath a marble stain, Hi-wee the rose and [Eb] the linsie [Bbm] o.
Then kentee cock a [Ab] [Bb]-beedin' him, Doon by the greenwood sidee o. _
Then she's looked down her fiddler's castle bar, Hi-wee the rose and [Ebm] the linsie [Bbm] o.
It's a-quab on he hens they're playin' at the bar, Doon by the greenwood _ [F] sidee [Bb] o.
_ O bonnie bairns, can ye wear mine, Hi-wee the rose and the [Eb] [Bb] linsie o.
I'd dress you up in silksie fine, Doon by the greenwood sidee o.
It's a-bonnie bairns, can ye wear mine, Hi-wee the rose and the linsie o.
I'd [F] feed you on coos milk [Bb] and reed o' wine, Doon by the greenwood _ sidee o.
_ _ _ _ _ [F] _ _
[Bb] _ _ It's _ _ [Ebm] _ _
_ [Bbm] _ _ _ _ _ _ [Bb] _
_ _ _ [Ebm] _ [Bbm] _ _ _ [Bb] _
_ _ a-croon me derf and wee were fine, Hi-wee the rose and the [Eb] linsie [Bbm] o.
Wee sa' neen I am [Bb] silksie fine, Doon by the greenwood sidee o. _
_ _ I'd croon me derf and wee were fine, Hi-wee the rose and [Eb] the [Bb] linsie o.
Wee sa' neen I am silksie fine, Doon by the greenwood _ sidee o.
It's a-bonnie bairns, come tell tae me, Hi-wee the rose and the [Eb] linsie [Bb] o.
It's a [Fm]-kind o' a derf from [Bb] A to D, Doon by the greenwood sidee o. _
_ Seven years a-bairn in the wood, Hi-wee the rose and the [Eb] linsie [Bb] o.
Seven years a-fish in the flood, Doon by the greenwood _ sidee o.
Seven years a-tongue tae the warning bell, Hi-wee the rose and the linsie o.
Seven long years in the caves a-hell, Doon by the greenwood _ sidee o. _
It's welcome, welcome bairn in the wood, Hi-wee the rose and the linsie o. _
[Bbm] Welcome, welcome fish in the [Bb] flood, Doon by the [F] [Bb] greenwood sidee o. _ _
Welcome tongue tae the warning bell, Hi-wee the rose and [Eb] the [Bbm] linsie o.
But God keep me fae the caves a [Bb]-hell, Doon by the [F] greenwood _ [Bb] sidee o. _ _ _ _ _ _ _
_ _ _ _ _ _ _ _

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