Chords for Thin Lizzy frontman Phil Lynott and meatloaf part 1 RARE

Tempo:
75.65 bpm
Chords used:

Eb

G

Bb

Ab

F

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Thin Lizzy frontman Phil Lynott and meatloaf part 1 RARE chords
Start Jamming...
We've got Phil Lynott back with us again.
Phil, thanks for coming back.
One thing that [Bbm] unites both of you [Abm] fellas, that in an age of rouge, mascara and skirts
I'm talking about Phil.
We're united because we have the same mother.
We're not brothers, just the same. Hi, [E] Mum.
What a remarkable genetic fact.
We're indebted to you for that.
But anyway, in an [Ab] age when it's all rouge, mascara and maybe slightly small voices, you guys deliver.
Why do you think you came to prominence with a voice that wasn't part of its time?
Why do I think I came
In other words, do you not feel sometimes that you're a late 60s sound in terms of the way you deliver?
Actually, I [G] feel more in tune with the 50s.
And I always say, I think I was born too late.
That's how I feel a lot of the times.
Because the old stuff, it's like when we go on stage, sometimes we put in an old song each tour, a different old song.
And those are always the ones that seem very natural.
Things [Ab] like the new stuff that we do, and some of this stuff, Mad on the Hill is very natural.
But I have more empathy with the 50s stuff instead of the 60s.
The 60s was a bit psychedelic.
We can talk about that.
They were always talking about greenhouses and purple fields with red trees above marshmallow moons. That didn't Didn't happen.
No, they don't fit [Bb] with me, and I don't understand that.
Listen, this record, Bad Out of Hell, we mentioned.
This was a phenomenon.
We can talk forever about your voice, but why don't we hear it?
Let's go one better.
Your latest record is Modern Girl, and it really is a belter.
Let's have a look at that.
A wonderful song.
Once again, the old bikes are in prominence.
Oh yeah, the bikes.
Great.
[Cm] [Eb] [Cm] [Bb] [Eb]
[F] [Eb] [Bb] Maybe it's a [Eb] brand new world.
[Bbm] Give me the future.
Give me the [Gm] future.
Give me the [C] future.
Give me the future.
Give [Gm] me the future.
Give me the future.
Give me the future.
[Bb] Give me the future.
Give me the [Eb] future.
Give me [G] the future.
[Bb] Give me the future.
Give me the [G] future.
[Bb] Give me the future.
Give me the future.
Give me the future.
[Eb] Give me the future.
Give me the future.
[Bb] Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the [Gm] future.
[G]
Give me the future.
[F] Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me [D] the future.
Give me the future.
[E] Give me the future.
[Abm]
[G]
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
[Abm] Give me the future.
Give me
[Ab]
the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
[F]
[F] Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the [G] future.
[Eb]
[E]
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me [Eb] the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give [Ab] me [Eb] the future.
[Ab] Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
[G]
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
[Ab] Give me the future.
[D] [G] Give me the future.
Give me the future.
[Eb] Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give [Ab] me [F]
[Bb]
Key:  
Eb
12341116
G
2131
Bb
12341111
Ab
134211114
F
134211111
Eb
12341116
G
2131
Bb
12341111
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We've got Phil Lynott back with us again.
Phil, thanks for coming back.
One thing that [Bbm] unites both of you [Abm] fellas, that in an age of rouge, mascara and skirts_
I'm talking about Phil.
We're united because we have the same mother.
We're not brothers, just the same. Hi, [E] Mum.
What a remarkable genetic fact.
We're indebted to you for that.
But anyway, in an [Ab] age when it's all rouge, mascara and maybe slightly small voices, you guys deliver.
Why do you think you came to prominence with a voice that wasn't part of its time?
Why do I think I came_
In other words, do you not feel sometimes that you're a late 60s sound in terms of the way you deliver?
Actually, I [G] feel more in tune with the 50s.
And I always say, I think I was born too late.
That's how I feel a lot of the times.
Because the old stuff, it's like when we go on stage, sometimes we put in an old song each tour, a different old song.
And those are always the ones that seem very natural.
Things [Ab] like the new stuff that we do, and some of this stuff, Mad on the Hill is very natural.
But I have more empathy with the 50s stuff instead of the 60s.
The 60s was a bit psychedelic.
We can talk about that.
They were always talking about greenhouses and purple fields with red trees above marshmallow moons. That didn't_ Didn't happen.
No, they don't fit [Bb] with me, and I don't understand that.
Listen, this record, Bad Out of Hell, we mentioned.
This was a phenomenon.
We can talk forever about your voice, but why don't we hear it?
Let's go one better.
Your latest record is Modern Girl, and it really is a belter.
Let's have a look at that.
A wonderful song.
Once again, the old bikes are in prominence.
Oh yeah, the bikes.
Great. _ _ _ _
[Cm] _ [Eb] _ _ [Cm] _ _ [Bb] _ _ [Eb] _
_ [F] _ _ [Eb] _ _ [Bb] _ Maybe it's a [Eb] brand new world.
[Bbm] Give me the future.
Give me the [Gm] future.
Give me the [C] future.
Give me the future.
Give [Gm] me the future.
Give me the future.
Give me the future.
[Bb] _ Give me the future.
Give me the [Eb] future.
Give me [G] the future.
_ [Bb] _ _ _ Give me the future.
Give me the [G] future.
_ _ [Bb] _ Give me the future. _ _
_ _ _ Give me the future.
Give me the future.
[Eb] Give me the future.
Give me the future.
[Bb] Give me the future.
Give me the future. _ _
_ _ _ _ _ _ Give me the future.
Give me the future.
Give me the [Gm] future.
_ _ [G] _ _
_ Give me the future.
[F] Give me the future. _ _
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me [D] the future.
Give me _ _ _ the future.
[E] Give me the future. _
_ _ _ _ _ [Abm] _ _ _
_ _ _ _ _ _ _ _
_ _ _ [G] _ _ _ _ _
_ _ _ _ _ Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give _ me _ the future.
_ [Abm] _ Give me the future. _
Give me _ _ _ _ _ _ _
_ _ _ _ _ [Ab] _ _ _
_ _ _ _ the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future. _
_ Give me _ _ _ _ _ _ _ _ _ _ _ _ _
the future.
_ [F] _ _ _ _ _
_ _ _ _ _ _ _ _
_ [F] Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the [G] future. _
_ _ _ _ _ _ [Eb] _ _
_ _ _ _ _ _ _ [E]
Give me the future.
_ _ Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me [Eb] _ _ the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future. _ _ _
_ _ _ _ _ _ Give [Ab] me _ _ [Eb] _ _ the future. _
[Ab] Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me _ _ _ the future.
Give me the future.
Give me the future.
Give me the future. _ _ _ _
[G] _ _ _ _ _ _ _ _
_ _ Give me the future.
_ Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
[Ab] Give me the future. _ _ _ _ _
_ [D] _ _ _ _ [G] _ Give me the future.
_ _ Give me the future.
[Eb] Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me the future.
Give me _ the future.
Give me the future.
Give me the future.
Give me the future.
Give [Ab] me _ _ [F] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [Bb] _ _