Chords for Thendral Vandhu Ennai Thodum... l Music Session with #Sharreth l EP #42

Tempo:
112.85 bpm
Chords used:

A

E

D

C#m

C

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Thendral Vandhu Ennai Thodum... l Music Session with #Sharreth l EP #42 chords
Start Jamming...
[C#m] Daa Naa Ree Naa Ree [A] Naa [C#m] Haa Ree
Dhee Naa Naa Naa Ree Naa
Dhee
[E] Raa [C#m] Naa Yee Ree
Dhee Ree Ree Naa Ree Naa
Haa Ree
[E] Naa Ree [C#m] Naa
Dhee Raa Naa Ree Naa
Dhee Ree Yee
[C#] Dhee Ree [D] Ree Yee
Dhee [E]
Ree [A] Naa Ree Naa
[D]
[A] Haa [E] Ree Naa Ree Naa
[D] [A]
[D] [A] Dhee Ree [E] Naa Ree [A] Naa
Haa [E]
[A] [D] Ree [A] Naa [C#m] Ree Naa
Dhee Ree Naa [E] Ree Naa Haa Ree
[A] [E] Haa Ree
Haa [C#m] [A] [E] [D] [A] Ree
[E]
[A]
Dhee [E] Ree [Am] Naa
[N]
Saranga Tharangani
[D]
Hamsa Naadam
Sarim Aapar Nisa [E] [D] Sanipamare Saa
[A]
[D] Sarim Aapar Nisa Sanipamare [N] Saa Dhaivadam Dhaivadam
you can tell that it is a Sarangam Dharangani.
That is why when we sing the raga,
the deity will give more importance to the deity.
Only then we will get the colour of Sarangam Dharangani.
Otherwise, if the deity is not taken care of,
the raga will sound like a Hamsa Natham.
So, you have to pay attention to which is Hamsa Natham and which is Sarangam Dharangani.
The song I am going to sing for you today is an amazing composition.
There are many Malayalam songs, but I will sing them later.
This is not someone else's song.
I am singing the song of Sri Ilayaraja Sir, the composer whom I consider as a deity.
What a composition!
[G] What a song!
It is an amazing song.
[N] The quality of the raga and its beauty,
and the way it can be used technically,
is beautifully composed.
Adhiva Hridyam?
What a romantic song!
It is impossible.
I feel that only Raja Sir can sing such a song.
The feeling of the great Karnataka feeling within the raga,
and the lightness of the song,
and the colors,
can be used beautifully.
That is all I can say.
So, I am singing a song composed by Sir in a beautiful way.
It is written by our Vali Sir.
There is no need to say it.
I am saying it because I cannot say Sir's name.
It is beautiful.
There is no need to look at it from the other side.
The two of them are singing an impossible combination.
One is our beloved Janaki Amma, and the other is our beloved Dasettan.
An impossible song.
What a pleasure!
Some songs are not even to be liked.
I am singing a song in that category.
So, everyone, listen to this song.
It is a song that you like.
We are all very self-conscious.
When I listen to this song, I feel like crying.
It is such a beautiful composition.
What an interesting craft!
We have thought about it.
There is no need to say anything about Sir's arrangement.
Our creation is just a form.
How beautifully it is arranged,
and how it is presented in front of us,
is not possible for a person like Raja Sir.
We can destroy a composer,
but not Raja Sir.
He is a terrific composer.
[D] I will sing a beautiful song for you.
[A] [D]
[C#m] [A] [E]
[A]
[D] [E] [A]
[E] [D]
After the dawn,
[E]
[A] Why are the waves,
[E]
[A] After the rain,
[D]
[E] [A] Why is the shame,
[C#m] When [A] the marble [E] falls,
The wave comes [A] and [D] touches me,
And kisses me,
Listen to the dawn,
[E]
Drunk [A] with night.
[E] [A] Sunlight,
Splashes water [E] on me,
[A] When it [D] touches me,
[E] [D]
[E] [A] [D]
[A] [D] [A] [D]
I told you, you will love this song.
You will definitely love it.
Because it is such a composition.
[N]
So, you must be wondering what I have come up with.
In this same vein, there is another song by Raja Sar in the base of Sarangadha Rangani.
A song in a different mood.
This is sung by Raja Sar and Jana Gamma.
A different mood from the interlude.
The lyrics are by Ganga Manor Sar.
This is a comparative study between our country and foreign countries.
The authenticity of this.
It is written in a very interesting way.
There are no foreigners like us.
We have a place to jump and feed a cow.
We have a place to spit.
There is nothing like that there.
You should pay attention to the lyrics.
You will know how interesting it is.
I will sing a verse for you.
That is also the base of Sarangadha Rangani.
But, sir has added a small medley in a verse.
Very interestingly, that is very musical.
That is all I have to say.
This song is also a peppy number for you.
[A]
[E] [A] [D]
[E] [A]
[C] [A]
[C] The language is like Tamil.
[E]
[A] [D] Even if it is a temple, [E] will it come like our [A] village?
[D]
Even if it is a country, [E] will it become our [F#m] country?
[D]
Whichever country it is, will it come like our country?
Key:  
A
1231
E
2311
D
1321
C#m
13421114
C
3211
A
1231
E
2311
D
1321
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[C#m] _ _ _ _ Daa _ Naa Ree Naa Ree [A] Naa _ _ [C#m] Haa Ree _
Dhee Naa Naa _ Naa Ree Naa
_ Dhee _ _
_ [E] Raa [C#m] Naa Yee Ree
_ _ _ Dhee Ree Ree Naa Ree Naa _ _
Haa _ Ree _ _ _
_ [E] Naa Ree [C#m] Naa
Dhee Raa Naa Ree Naa
Dhee Ree _ Yee
[C#] _ _ Dhee Ree [D] Ree Yee
_ _ _ Dhee [E] _
Ree [A] Naa _ Ree _ _ _ _ _ Naa
_ [D] _
_ [A] Haa _ _ _ _ _ _ [E] Ree Naa Ree Naa
_ [D] _ _ _ _ _ _ [A] _
_ _ _ [D] _ _ [A] Dhee Ree [E] Naa Ree _ _ _ [A] Naa
Haa _ [E] _
[A] _ _ _ _ [D] Ree _ _ [A] Naa [C#m] Ree Naa
Dhee _ Ree Naa [E] _ Ree Naa _ _ _ Haa Ree
[A] _ _ _ _ _ _ _ _ [E] Haa Ree
Haa _ [C#m] _ [A] _ _ _ _ _ _ _ [E] _ [D] _ _ [A] Ree
[E] _
_ [A] _ _ _ _ _ _ _
_ _ Dhee [E] Ree [Am] Naa
_ [N] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ Saranga _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ Tharangani
_ [D] _
_ Hamsa Naadam
_ Sarim Aapar Nisa _ [E] _ [D] Sanipamare _ Saa
[A] _
_ [D] _ _ Sarim Aapar Nisa _ _ _ Sanipamare [N] _ Saa _ _ Dhaivadam Dhaivadam
you can tell that it is a Sarangam Dharangani.
_ That is why when we sing the raga,
the deity will give more importance to the deity.
Only then we will get the colour of Sarangam Dharangani. _
Otherwise, _ _ if the deity is not taken care of,
the raga will sound like a Hamsa Natham. _ _
So, you have to pay attention to which is Hamsa Natham and which is Sarangam Dharangani.
_ The song I am going to sing for you today is an amazing composition.
There are many Malayalam songs, but I will sing them later.
This is not someone else's song.
I am singing the song of Sri Ilayaraja Sir, the composer whom I consider as a deity.
_ _ What a composition!
[G] What a song!
_ It is an amazing song.
[N] _ The quality _ of the raga and its beauty,
and the way it can be used technically,
is beautifully _ _ composed.
_ _ _ _ Adhiva Hridyam? _ _
What a romantic song!
_ It is impossible.
_ _ I feel that only Raja Sir can sing such _ _ a song. _
The feeling of the great Karnataka feeling within the raga,
and the _ _ _ lightness of the song,
and the colors,
can _ _ be used beautifully.
_ That is all _ I can say.
So, I am singing a song composed by Sir in a beautiful way.
_ _ _ _ It is written by our Vali Sir.
_ There is no need to say it.
I am saying it because I cannot say Sir's name. _ _
It is beautiful.
There is no need to look at it from the other side.
_ The two of them are singing _ an impossible combination.
One is our beloved Janaki Amma, and the other is our beloved Dasettan.
_ An impossible song.
What _ _ a pleasure!
_ Some songs are not even to be liked.
I am singing a song in that category. _ _ _ _ _
_ So, everyone, listen to this song. _
_ It is a song that you like.
We are all very self-conscious.
_ _ When I listen to this song, I feel like crying.
It is such a beautiful composition.
What an interesting _ _ craft!
We have thought about it.
There is no need to say anything about Sir's arrangement. _ _ _ _
_ Our _ creation is just a form.
How _ _ beautifully it is arranged,
and how it is presented in front of us,
is not possible for a person like Raja Sir. _
_ _ We can destroy a composer, _ _
_ _ but not Raja Sir.
He is a terrific composer.
_ [D] I will sing a beautiful song for you.
_ _ _ [A] _ _ _ [D] _
_ [C#m] _ [A] _ _ _ _ [E] _ _
_ _ _ [A] _ _ _ _ _
_ [D] _ _ _ [E] _ [A] _ _ _
_ [E] _ _ _ _ _ _ [D]
After the _ dawn,
_ _ [E] _ _
_ [A] _ Why are the waves,
_ [E] _ _
_ _ [A] _ After the rain,
[D] _
_ [E] _ _ _ [A] _ Why is the shame,
[C#m] _ _ _ When [A] the marble [E] falls,
_ _ _ The wave comes [A] and [D] touches me, _ _ _
And _ kisses me, _
Listen to the dawn,
_ _ _ _ [E] _ _
_ Drunk [A] _ with night. _
[E] _ _ _ _ _ [A] _ Sunlight,
Splashes water [E] on me, _
[A] _ When it [D] touches _ _ _ me,
[E] _ _ _ _ [D] _
_ _ _ _ _ [E] _ [A] _ [D] _
_ [A] _ _ [D] _ _ [A] _ [D] _ _
I told you, you will love this song.
You will definitely love it.
Because it is such a composition.
[N]
So, you must be wondering what I have come up with. _
In this same vein, there is another song by Raja Sar in the base of Sarangadha Rangani.
A song in a different mood.
_ _ This is sung by Raja Sar and Jana Gamma.
A different mood from the interlude.
The lyrics are by Ganga Manor Sar. _
This is a comparative study between our country and foreign _ countries. _
The authenticity of this.
It is written in a very interesting way.
There are no foreigners like us.
_ _ We have _ a place to jump and _ feed a cow.
We have a place to spit.
_ _ There is nothing like that there.
You should pay attention to the lyrics.
You will know how interesting it is.
I will sing a verse for you.
_ That is also the base of Sarangadha Rangani.
But, sir has added a small medley in a verse.
Very interestingly, that is very musical.
That is all I have to say.
_ This song is also a peppy number for you.
_ _ _ [A] _ _ _ _ _
_ _ [E] _ _ _ [A] _ [D] _ _
_ _ _ _ _ _ _ _
_ _ [E] _ _ _ [A] _ _ _
_ _ _ _ [C] _ _ [A] _ _
[C] The language is like Tamil.
[E] _ _ _
[A] _ _ [D] Even if it is a temple, _ _ _ [E] will it come like our [A] village?
[D] _
_ _ Even if it is a country, _ _ [E] will it become our [F#m] country?
_ [D] _
_ Whichever country it is, will it come like our country?

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