Chords for The Watersons "30 Foot Trailer" (1965 Doc.)

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_ _ _ _ _ [G] _ _ _
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_ Hello!
Hello!
_ [N] Good evening!
Hello, Anne.
You got here, did you?
What time did you arrive?
_ I wonder where you got to in Nottingham?
Yeah, on this day.
For God's sake.
Can I have this one?
Yeah.
Very well.
Very well-adjusted.
A very hilarious concept.
Thank you, sir.
Hey!
Hello!
You got your daddy's here.
Good to see you.
And me, haven't you?
No, no.
Louis Killen is not only recognised
by us as a great singer,
he's also a great friend of ours.
[G] And if he's going down to London
or up to Newcastle and he's got a day off,
he'll drop by.
He's also a very frequent guest artist
at the club.
We're always being requested
for him back again by members of the club.
He's very well-liked.
Well, you know, if a performer can
_ get within himself_
You know, we do it as a group.
Yes, I've noticed.
We can sing to ourselves
and there's so much enjoyment there
among ourselves, you know,
that the audience catches on to this.
And a solo singer can [C] do this.
I agree, though.
You can lose yourself within yourself
and forget completely about the audience.
But they can lose themselves in with you as well.
Yeah, well, this is true.
And that's the point, to bring the audience into you
instead of projecting your
particular personality out
to the audience.
We're all sort of singers.
We're conditioned to singing [N] in clubs.
We're conditioned to be club performers.
Now, which never was the role of folk singers before.
Well, the thing is,
what we've done, we've picked up the threads
of the tradition.
And we've not got really,
other than a few old recordings,
we've not got anything else to go on.
One of the big things with us, Anne,
is the fact that these people,
these traditional singers, were the greatest
performers of all time.
Yeah, I'm well aware of that.
We are in fact playing at a game
that was theirs completely
naturally.
Charlie Bates
gets up on a stage.
My sweetheart, come along.
Don't you worry.
You know, this is folk music.
Yeah, accordion going on.
You know, that is pure entertainment.
[F] You know. _ _ _ _
The Old Wizard's Children
The Old Wizard's Children
ye [C] cannot [F] deny
The day of the [G] Troubler's all
to [C] _ [Gm] _
go when there's
nowhere to buy
[G] So farewell to the
life of the old
The Watersons and their friends
play at the game in Hull
every Sunday [C] night in their club
over an old pub.
The average attendance is over
a hundred and there's no room for all who
wish to join.
The Watersons
have created an exceptionally
dedicated and critical [F] audience.
Farewell to the
canton [C] that draw the wingtongue
[F] Farewell to the Romany [C] token
[D] The by it is
[G] so fortune telling
The knock on the door
and the hawking
Farewell to the
saints and the old [C] caravan
[G] To the Tinker the Gypsy
the Troubling Man
Farewell to the vertical trailer _ _ _ _ _ _ _