Chords for The Ultimate Elvis Tribute Artist Contest
Tempo:
113.55 bpm
Chords used:
C
E
A
F
G
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Am] [D] Hey everybody, another day of [E] Elvis week has begun and we're here on the main stage, backstage
[A] actually in the green room and we've got a lot of ETAs that are hanging out and also
[Bm] performing for a huge [Bb] crowd.
But I'm going to go in the main section here and find [Cm] out what makes an ETA tick.
I got a, I got a, [C] I got a, [F] I got a feeling in my body, this is the [Bb] ETA of the [Cm] day.
You really want to [F] respect Elvis and you really want to do it the right way [Ab] so, you know,
he really [G] tries to [Cm] do it accurately.
I always think about it, you know, I don't want to make a caricature out of him.
He's the greatest entertainer of all time, man, I mean it just transcends through the ages.
His music is amazing.
Do you wear makeup when you [F] perform?
Yes, usually just eye shadow and [Cm] stuff like that.
Eye shadow and stuff like that.
Just a darkener, just black wax basically.
To get that move right, do you just watch the footage?
I mean, what else can you do?
Yes, [Ab] there's a lot of footage of Elvis, [Cm] right?
So the [G] movie concert's here so I watch them all.
The way I kind of look [Cm] at it is like going from Clark Kent to Superman.
[Gm] Wait, wait, wait, wait, wait, wait.
[B] [Eb] No that's bad, that's bad.
And then he goes.
[Gm] Right?
[Cm]
Oh, I got that.
Does anybody ever give you a hard time [Gm] for being an ETA when [Gb] they find out what you do?
[G] Man, they always do.
Usually I figure [C] they don't know what they're talking about.
Well, the ones that give you a hard time, they just don't understand.
They don't understand, yeah.
But you know, [Fm] explain to them and if they come to one of your shows [Cm] or something, you know.
They change.
They change their mind, yeah.
[F]
[Ab] [C]
[E] Hey everybody, what a great way to start the day.
We're here in [A] downtown Memphis, [Am] Hard Rock Cafe, a meet and greet with all [A] these ETAs
and I'm here with a very great Ben Portsmouth who won last year.
He won this competition last year.
This year he doesn't have to compete, but so you probably have some [C] pressure off of you, right?
[E] Yeah, the pressure's off.
I'm not a fan of [A] competitions.
Right.
So I'm glad it's all done and dusted.
I got the t-shirt.
[G] You got the t-shirt.
Well, not only does he have [A] the t-shirt, but he was able.
I got the belt.
You got the belt.
Oh good, man.
[C] That's a win.
I spent all the money.
You spent all [Em] the money.
Oh, geez.
Before some more [C] jumpsuits, right?
[F] [C] [G]
[F] [C] They're all doing a fantastic job and that's why they're here [Dm] because they're doing it
right and doing it tight, man.
[Bm] Right?
Right?
Let's give it up for Elvis.
[C]
[D] [D] [A] I'm honored to be here for my seventh year in a row for the Ultimate Elvis Tribute Artist Contest.
Come on, let's give it up for the contest.
This is a great event.
We have 29 of the [D] best [E] performers in the world right here.
[A] I had more than trouble to turn into a struggle halfway [D] across Alabama.
[E] Well, I had to go down and left us all stranded in downtown [A] Birmingham.
Well, right away I pulled me a through train ticket right across [D] Mississippi Clean.
[E] I was on that midnight train.
Let's give all 29 a big round, ladies [Am] and gentlemen.
One more time.
[C] Well, this is it, everybody.
It's the last day of Elvis week.
Here we are [F] downtown at the Cannon Center for the final event, the Ultimate ETA Contest.
Tonight, [Fm] we find out who wins the [C] Ultimate ETA of 2013.
In 2011, I was a judge.
It's not an easy task.
These guys [Am] are all very talented.
I just heard the bell ring, [G] so I better go get my seat, y'all.
[C] All right, you guys ready to have some fun tonight?
[N] This is the 2013 Ultimate Elvis Tribute Artist [A] Championship, and we have 10 of the finest
performers on the planet here for you tonight.
[Am] Jay DuPuis, Jim Barone, Michael Chambliss, [A] Adam Fitzpatrick, [E] D.
Licebice, Dean [A] Zee, Cliff Wright, Ben Thompson, Chad Collins, and Matt Cordell, your 10 finalists.
Give [Am] them one big round of applause.
Come [E] on.
[C] When he said you was high class, [C] well, that wasn't so loud.
When he said [F] you was high class, well, that [C] wasn't so loud.
Well, you ain't [G] got a heart of rarity, [F] you ain't no [G] friend.
[C]
Down
[A] [E] in Louisiana, where the alligators grow so big, there lived a girl that I swear to
the world, baby [Eb] alligator, [E] old Sally.
[A]
[G] Everybody said it was [A] a shame, cause [G] her mama wasn't [A] working on her table.
[Em] [Gm] And [C] pain [F] is all, [D] like [G]
[C] [F] a [Eb] bridge over [C] troubled [Am] water.
[F]
I [E] will [Am] lay me down, [Dm]
like [F] a bridge [C] over troubled [Am] water.
[F] I [E] will lay [Am] me down.
[Ab] [F] I'll be coming [G] home, away from [C] me.
[Am] Oh, my, [F] my darling,
[G] 500 for [C] your touch [Am] alone.
[G]
Lonely night.
[E]
I believe you [Db] do me wrong, and [E]
[Dbm] do me wrong at [E] night.
[B] I'll be coming home, away from me.
Oh, my, my darling, 500 for [E] your touch alone.
[Db] [A] Lonely night.
[Gbm] [E] I believe you do [B]
me wrong,
[Cm] and do me wrong at [G] [C]
[G] night.
I'll be [A] coming home, away from me.
Oh, my, my darling, 500 for your touch alone.
This doesn't even feel real right now.
It hasn't sunk in at all.
I feel like this is all just kind of a dream or something right now, Brad.
Are you going to sleep tonight?
No, man.
We're going to jam all night long tonight.
Where are you jamming at?
We're jamming at the Hard Rock tonight.
Cool.
An ETA band, the Elvi.
That's awesome, man.
We're all jamming together.
Come to the Hard Rock tonight.
Let's do it.
[A] actually in the green room and we've got a lot of ETAs that are hanging out and also
[Bm] performing for a huge [Bb] crowd.
But I'm going to go in the main section here and find [Cm] out what makes an ETA tick.
I got a, I got a, [C] I got a, [F] I got a feeling in my body, this is the [Bb] ETA of the [Cm] day.
You really want to [F] respect Elvis and you really want to do it the right way [Ab] so, you know,
he really [G] tries to [Cm] do it accurately.
I always think about it, you know, I don't want to make a caricature out of him.
He's the greatest entertainer of all time, man, I mean it just transcends through the ages.
His music is amazing.
Do you wear makeup when you [F] perform?
Yes, usually just eye shadow and [Cm] stuff like that.
Eye shadow and stuff like that.
Just a darkener, just black wax basically.
To get that move right, do you just watch the footage?
I mean, what else can you do?
Yes, [Ab] there's a lot of footage of Elvis, [Cm] right?
So the [G] movie concert's here so I watch them all.
The way I kind of look [Cm] at it is like going from Clark Kent to Superman.
[Gm] Wait, wait, wait, wait, wait, wait.
[B] [Eb] No that's bad, that's bad.
And then he goes.
[Gm] Right?
[Cm]
Oh, I got that.
Does anybody ever give you a hard time [Gm] for being an ETA when [Gb] they find out what you do?
[G] Man, they always do.
Usually I figure [C] they don't know what they're talking about.
Well, the ones that give you a hard time, they just don't understand.
They don't understand, yeah.
But you know, [Fm] explain to them and if they come to one of your shows [Cm] or something, you know.
They change.
They change their mind, yeah.
[F]
[Ab] [C]
[E] Hey everybody, what a great way to start the day.
We're here in [A] downtown Memphis, [Am] Hard Rock Cafe, a meet and greet with all [A] these ETAs
and I'm here with a very great Ben Portsmouth who won last year.
He won this competition last year.
This year he doesn't have to compete, but so you probably have some [C] pressure off of you, right?
[E] Yeah, the pressure's off.
I'm not a fan of [A] competitions.
Right.
So I'm glad it's all done and dusted.
I got the t-shirt.
[G] You got the t-shirt.
Well, not only does he have [A] the t-shirt, but he was able.
I got the belt.
You got the belt.
Oh good, man.
[C] That's a win.
I spent all the money.
You spent all [Em] the money.
Oh, geez.
Before some more [C] jumpsuits, right?
[F] [C] [G]
[F] [C] They're all doing a fantastic job and that's why they're here [Dm] because they're doing it
right and doing it tight, man.
[Bm] Right?
Right?
Let's give it up for Elvis.
[C]
[D] [D] [A] I'm honored to be here for my seventh year in a row for the Ultimate Elvis Tribute Artist Contest.
Come on, let's give it up for the contest.
This is a great event.
We have 29 of the [D] best [E] performers in the world right here.
[A] I had more than trouble to turn into a struggle halfway [D] across Alabama.
[E] Well, I had to go down and left us all stranded in downtown [A] Birmingham.
Well, right away I pulled me a through train ticket right across [D] Mississippi Clean.
[E] I was on that midnight train.
Let's give all 29 a big round, ladies [Am] and gentlemen.
One more time.
[C] Well, this is it, everybody.
It's the last day of Elvis week.
Here we are [F] downtown at the Cannon Center for the final event, the Ultimate ETA Contest.
Tonight, [Fm] we find out who wins the [C] Ultimate ETA of 2013.
In 2011, I was a judge.
It's not an easy task.
These guys [Am] are all very talented.
I just heard the bell ring, [G] so I better go get my seat, y'all.
[C] All right, you guys ready to have some fun tonight?
[N] This is the 2013 Ultimate Elvis Tribute Artist [A] Championship, and we have 10 of the finest
performers on the planet here for you tonight.
[Am] Jay DuPuis, Jim Barone, Michael Chambliss, [A] Adam Fitzpatrick, [E] D.
Licebice, Dean [A] Zee, Cliff Wright, Ben Thompson, Chad Collins, and Matt Cordell, your 10 finalists.
Give [Am] them one big round of applause.
Come [E] on.
[C] When he said you was high class, [C] well, that wasn't so loud.
When he said [F] you was high class, well, that [C] wasn't so loud.
Well, you ain't [G] got a heart of rarity, [F] you ain't no [G] friend.
[C]
Down
[A] [E] in Louisiana, where the alligators grow so big, there lived a girl that I swear to
the world, baby [Eb] alligator, [E] old Sally.
[A]
[G] Everybody said it was [A] a shame, cause [G] her mama wasn't [A] working on her table.
[Em] [Gm] And [C] pain [F] is all, [D] like [G]
[C] [F] a [Eb] bridge over [C] troubled [Am] water.
[F]
I [E] will [Am] lay me down, [Dm]
like [F] a bridge [C] over troubled [Am] water.
[F] I [E] will lay [Am] me down.
[Ab] [F] I'll be coming [G] home, away from [C] me.
[Am] Oh, my, [F] my darling,
[G] 500 for [C] your touch [Am] alone.
[G]
Lonely night.
[E]
I believe you [Db] do me wrong, and [E]
[Dbm] do me wrong at [E] night.
[B] I'll be coming home, away from me.
Oh, my, my darling, 500 for [E] your touch alone.
[Db] [A] Lonely night.
[Gbm] [E] I believe you do [B]
me wrong,
[Cm] and do me wrong at [G] [C]
[G] night.
I'll be [A] coming home, away from me.
Oh, my, my darling, 500 for your touch alone.
This doesn't even feel real right now.
It hasn't sunk in at all.
I feel like this is all just kind of a dream or something right now, Brad.
Are you going to sleep tonight?
No, man.
We're going to jam all night long tonight.
Where are you jamming at?
We're jamming at the Hard Rock tonight.
Cool.
An ETA band, the Elvi.
That's awesome, man.
We're all jamming together.
Come to the Hard Rock tonight.
Let's do it.
Key:
C
E
A
F
G
C
E
A
_ _ _ _ _ _ _ _
_ _ _ [Am] _ [D] Hey everybody, another day of [E] Elvis week has begun and we're here on the main stage, backstage
[A] actually in the green room and we've got a lot of ETAs that are hanging out and also
[Bm] performing for a huge [Bb] crowd.
But I'm going to go in the main section here and find [Cm] out what makes an ETA tick.
I got a, I got a, [C] I got a, [F] I got a feeling in my body, this is the [Bb] ETA of the [Cm] day. _ _ _
You really want to [F] respect Elvis and you really want to do it the right way [Ab] so, you know,
he really [G] tries to [Cm] do it accurately.
I always think about it, you know, I don't want to make a caricature out of him.
He's the greatest entertainer of all time, man, I mean it just transcends through the ages.
His music is amazing.
Do you wear makeup when you [F] perform?
Yes, usually just eye shadow and [Cm] stuff like that.
Eye shadow and stuff like that.
Just a darkener, just black wax basically.
To get that move right, do you just watch the footage?
I mean, what else can you do?
Yes, [Ab] there's a lot of footage of Elvis, [Cm] right?
So the [G] movie concert's here so I watch them all.
The way I kind of look [Cm] at it is like going from Clark Kent to Superman.
_ [Gm] Wait, wait, wait, wait, wait, wait.
[B] [Eb] No that's bad, that's bad.
And then he goes.
[Gm] Right?
[Cm]
Oh, I got that.
Does anybody ever give you a hard time [Gm] for being an ETA when [Gb] they find out what you do?
_ [G] Man, they always do.
Usually I figure [C] they don't know what they're talking about.
Well, the ones that give you a hard time, they just don't understand.
They don't understand, yeah.
But you know, [Fm] explain to them and if they come to one of your shows [Cm] or something, you know.
They change.
They change their mind, yeah.
_ _ _ [F] _ _
_ _ _ [Ab] _ _ _ _ [C] _
[E] Hey everybody, what a great way to start the day.
We're here in [A] downtown Memphis, [Am] Hard Rock Cafe, a meet and greet with all [A] these ETAs
and I'm here with a very great Ben Portsmouth who won last year.
He won this competition last year.
This year he doesn't have to compete, but so you probably have some [C] pressure off of you, right?
[E] Yeah, the pressure's off.
I'm not a fan of [A] competitions.
Right.
So I'm glad it's all done and dusted.
I got the t-shirt.
[G] You got the t-shirt.
Well, not only does he have [A] the t-shirt, but he was able.
I got the belt.
You got the belt.
Oh good, man.
[C] That's a win.
I spent all the money.
You spent all [Em] the money.
Oh, geez.
Before some more [C] jumpsuits, right?
_ _ _ _ _ _ _ _
[F] _ _ _ [C] _ _ _ _ [G] _
_ [F] _ _ [C] _ _ _ They're all doing a fantastic job and that's why they're here [Dm] because they're doing it
right and doing it tight, man.
[Bm] Right?
Right?
Let's give it up for Elvis.
_ [C] _ _ _
[D] _ _ _ _ [D] _ _ [A] I'm honored to be here for my seventh year in a row for the Ultimate Elvis Tribute Artist Contest.
Come on, let's give it up for the contest.
This is a great event. _
_ We have 29 of the [D] best [E] performers in the world right here.
_ [A] _ _ I had more than trouble to turn into a struggle halfway [D] across Alabama.
[E] Well, I had to go down and left us all stranded in downtown [A] Birmingham.
_ Well, right away I pulled me a through train ticket right across [D] Mississippi Clean.
[E] I was on that midnight train.
Let's give all 29 a big round, ladies [Am] and gentlemen.
One more time.
[C] _ Well, this is it, everybody.
It's the last day of Elvis week.
Here we are [F] downtown at the Cannon Center for the final event, the Ultimate ETA Contest.
Tonight, [Fm] we find out who wins the [C] Ultimate ETA of 2013.
In 2011, I was a judge.
It's not an easy task.
These guys [Am] are all very talented.
I just heard the bell ring, [G] so I better go get my seat, y'all.
_ [C] _ _ _ _ All right, you guys ready to have some fun tonight?
_ _ _ _ [N] This is the 2013 Ultimate Elvis Tribute Artist [A] Championship, and we have 10 of the finest
performers on the planet here for you tonight.
[Am] Jay _ DuPuis, _ Jim Barone, Michael Chambliss, [A] Adam Fitzpatrick, _ [E] D.
Licebice, Dean [A] Zee, _ Cliff Wright, Ben Thompson, Chad Collins, and Matt Cordell, your 10 finalists.
Give [Am] them one big round of applause.
Come [E] on.
_ [C] _ When he said you was high class, _ [C] well, that wasn't so loud.
When he said [F] you was high class, _ well, that [C] wasn't so loud.
_ Well, you ain't [G] got a heart of rarity, [F] you ain't no [G] friend.
_ _ _ _ [C] _ _
_ _ _ Down _ _ _
_ [A] _ _ [E] _ in Louisiana, _ where the alligators grow so big, _ there lived a girl that I swear to
the world, baby [Eb] alligator, [E] _ old Sally.
[A] _ _ _ _ _
_ _ _ _ _ [G] Everybody said it was [A] a shame, cause [G] her mama wasn't [A] working on her table.
_ [Em] _ _ [Gm] _ _ And [C] pain [F] is all, [D] like [G] _ _
_ [C] _ _ [F] a [Eb] bridge over [C] troubled _ [Am] water.
[F] _
I [E] will [Am] lay me down, [Dm] _
like [F] a _ bridge [C] over troubled _ [Am] water.
[F] _ I [E] will lay [Am] me down.
_ _ [Ab] _ _ [F] I'll be coming [G] _ home, _ away _ from [C] _ _ me.
[Am] Oh, my, _ _ _ [F] my darling, _ _
_ [G] 500 for [C] your touch _ _ [Am] alone.
_ _ _ [G]
Lonely night.
_ _ _ _ [E] _
I believe you [Db] do me wrong, and _ [E] _ _ _
_ [Dbm] do me wrong at [E] night. _ _
[B] I'll be coming home, away from me.
Oh, my, my darling, 500 for [E] your touch alone. _ _ _ _ _ _ _
[Db] _ [A] Lonely night.
[Gbm] _ _ _ [E] I believe you do _ _ _ [B] _ _ _ _
me wrong, _ _ _ _ _ _ _
_ [Cm] _ _ _ _ and do me wrong at _ [G] _ _ _ [C] _ _
_ _ _ _ _ [G] _ night.
I'll be [A] coming home, away from me.
Oh, my, my darling, 500 for your touch alone.
This doesn't even feel real right now.
It hasn't sunk in at all.
I feel like this is all just kind of a dream or something right now, Brad.
Are you going to sleep tonight?
No, man.
We're going to jam all night long tonight.
Where are you jamming at?
We're jamming at the Hard Rock tonight.
Cool.
An ETA band, the Elvi.
That's awesome, man.
We're all jamming together.
Come to the Hard Rock tonight.
Let's do it. _ _ _
_ _ _ _ _ _ _ _
_ _ _ [Am] _ [D] Hey everybody, another day of [E] Elvis week has begun and we're here on the main stage, backstage
[A] actually in the green room and we've got a lot of ETAs that are hanging out and also
[Bm] performing for a huge [Bb] crowd.
But I'm going to go in the main section here and find [Cm] out what makes an ETA tick.
I got a, I got a, [C] I got a, [F] I got a feeling in my body, this is the [Bb] ETA of the [Cm] day. _ _ _
You really want to [F] respect Elvis and you really want to do it the right way [Ab] so, you know,
he really [G] tries to [Cm] do it accurately.
I always think about it, you know, I don't want to make a caricature out of him.
He's the greatest entertainer of all time, man, I mean it just transcends through the ages.
His music is amazing.
Do you wear makeup when you [F] perform?
Yes, usually just eye shadow and [Cm] stuff like that.
Eye shadow and stuff like that.
Just a darkener, just black wax basically.
To get that move right, do you just watch the footage?
I mean, what else can you do?
Yes, [Ab] there's a lot of footage of Elvis, [Cm] right?
So the [G] movie concert's here so I watch them all.
The way I kind of look [Cm] at it is like going from Clark Kent to Superman.
_ [Gm] Wait, wait, wait, wait, wait, wait.
[B] [Eb] No that's bad, that's bad.
And then he goes.
[Gm] Right?
[Cm]
Oh, I got that.
Does anybody ever give you a hard time [Gm] for being an ETA when [Gb] they find out what you do?
_ [G] Man, they always do.
Usually I figure [C] they don't know what they're talking about.
Well, the ones that give you a hard time, they just don't understand.
They don't understand, yeah.
But you know, [Fm] explain to them and if they come to one of your shows [Cm] or something, you know.
They change.
They change their mind, yeah.
_ _ _ [F] _ _
_ _ _ [Ab] _ _ _ _ [C] _
[E] Hey everybody, what a great way to start the day.
We're here in [A] downtown Memphis, [Am] Hard Rock Cafe, a meet and greet with all [A] these ETAs
and I'm here with a very great Ben Portsmouth who won last year.
He won this competition last year.
This year he doesn't have to compete, but so you probably have some [C] pressure off of you, right?
[E] Yeah, the pressure's off.
I'm not a fan of [A] competitions.
Right.
So I'm glad it's all done and dusted.
I got the t-shirt.
[G] You got the t-shirt.
Well, not only does he have [A] the t-shirt, but he was able.
I got the belt.
You got the belt.
Oh good, man.
[C] That's a win.
I spent all the money.
You spent all [Em] the money.
Oh, geez.
Before some more [C] jumpsuits, right?
_ _ _ _ _ _ _ _
[F] _ _ _ [C] _ _ _ _ [G] _
_ [F] _ _ [C] _ _ _ They're all doing a fantastic job and that's why they're here [Dm] because they're doing it
right and doing it tight, man.
[Bm] Right?
Right?
Let's give it up for Elvis.
_ [C] _ _ _
[D] _ _ _ _ [D] _ _ [A] I'm honored to be here for my seventh year in a row for the Ultimate Elvis Tribute Artist Contest.
Come on, let's give it up for the contest.
This is a great event. _
_ We have 29 of the [D] best [E] performers in the world right here.
_ [A] _ _ I had more than trouble to turn into a struggle halfway [D] across Alabama.
[E] Well, I had to go down and left us all stranded in downtown [A] Birmingham.
_ Well, right away I pulled me a through train ticket right across [D] Mississippi Clean.
[E] I was on that midnight train.
Let's give all 29 a big round, ladies [Am] and gentlemen.
One more time.
[C] _ Well, this is it, everybody.
It's the last day of Elvis week.
Here we are [F] downtown at the Cannon Center for the final event, the Ultimate ETA Contest.
Tonight, [Fm] we find out who wins the [C] Ultimate ETA of 2013.
In 2011, I was a judge.
It's not an easy task.
These guys [Am] are all very talented.
I just heard the bell ring, [G] so I better go get my seat, y'all.
_ [C] _ _ _ _ All right, you guys ready to have some fun tonight?
_ _ _ _ [N] This is the 2013 Ultimate Elvis Tribute Artist [A] Championship, and we have 10 of the finest
performers on the planet here for you tonight.
[Am] Jay _ DuPuis, _ Jim Barone, Michael Chambliss, [A] Adam Fitzpatrick, _ [E] D.
Licebice, Dean [A] Zee, _ Cliff Wright, Ben Thompson, Chad Collins, and Matt Cordell, your 10 finalists.
Give [Am] them one big round of applause.
Come [E] on.
_ [C] _ When he said you was high class, _ [C] well, that wasn't so loud.
When he said [F] you was high class, _ well, that [C] wasn't so loud.
_ Well, you ain't [G] got a heart of rarity, [F] you ain't no [G] friend.
_ _ _ _ [C] _ _
_ _ _ Down _ _ _
_ [A] _ _ [E] _ in Louisiana, _ where the alligators grow so big, _ there lived a girl that I swear to
the world, baby [Eb] alligator, [E] _ old Sally.
[A] _ _ _ _ _
_ _ _ _ _ [G] Everybody said it was [A] a shame, cause [G] her mama wasn't [A] working on her table.
_ [Em] _ _ [Gm] _ _ And [C] pain [F] is all, [D] like [G] _ _
_ [C] _ _ [F] a [Eb] bridge over [C] troubled _ [Am] water.
[F] _
I [E] will [Am] lay me down, [Dm] _
like [F] a _ bridge [C] over troubled _ [Am] water.
[F] _ I [E] will lay [Am] me down.
_ _ [Ab] _ _ [F] I'll be coming [G] _ home, _ away _ from [C] _ _ me.
[Am] Oh, my, _ _ _ [F] my darling, _ _
_ [G] 500 for [C] your touch _ _ [Am] alone.
_ _ _ [G]
Lonely night.
_ _ _ _ [E] _
I believe you [Db] do me wrong, and _ [E] _ _ _
_ [Dbm] do me wrong at [E] night. _ _
[B] I'll be coming home, away from me.
Oh, my, my darling, 500 for [E] your touch alone. _ _ _ _ _ _ _
[Db] _ [A] Lonely night.
[Gbm] _ _ _ [E] I believe you do _ _ _ [B] _ _ _ _
me wrong, _ _ _ _ _ _ _
_ [Cm] _ _ _ _ and do me wrong at _ [G] _ _ _ [C] _ _
_ _ _ _ _ [G] _ night.
I'll be [A] coming home, away from me.
Oh, my, my darling, 500 for your touch alone.
This doesn't even feel real right now.
It hasn't sunk in at all.
I feel like this is all just kind of a dream or something right now, Brad.
Are you going to sleep tonight?
No, man.
We're going to jam all night long tonight.
Where are you jamming at?
We're jamming at the Hard Rock tonight.
Cool.
An ETA band, the Elvi.
That's awesome, man.
We're all jamming together.
Come to the Hard Rock tonight.
Let's do it. _ _ _
_ _ _ _ _ _ _ _