Chords for The Soul Children - Who Is She (And What Is She To You).mpg

_ _ _ _ _ _ _ _
_ [F] _ [Cm] _ _ _ _ _ _
_ _ _ [C] _ _ [Cm] _ _ _
_ _ _ _ _ _ _ [F] _
_ _ [Cm] _ _ _ _ _ _
_ _ _ _ _ _ I don't know who she is, _ but I think that you do.
_ _ Well, that woman, she's a real woman.
Who is she and what is she to you?
_ _ _ _ [C] _
_ [Cm] Something in [F] _ _ _
[Fm] your [Cm] eyes, yeah, _ _ _ [Cm] tells me she's [C] not someone _ _ _ _ you want.
When _ you clean [Fm] your throat, [Cm] you bet [Fm] your [Cm] Q.
_ Tell me, that woman, who is she [Fm] and [Cm] what is she [Fm] to [C] you?
_ Well, well, [Cm] well, _ _ _ _ [F] _ you and [Fm] _ [Cm] _ me, yeah, _ _ _ confused.
I [Fm] keep [Cm] calling _ _ _ _ _ _ _ _ _
you too much, _ [F] _ [A] _ _
[Cm] but not enough to.
That woman, who is she and [C] what is she [Fm] to [Cm] you?
_ Good God, that woman, who is she [F] and what is she [Eb] to you?
[Cm] _ _ _ You _ _ tell me when and [Fm] _ [Cm] _ _
_ [Fm] _ [Cm] _ _ _ _ don't, is it what you feel?
[F] Now [Cm] tell me, oh, [F] _ [Cm] _ _ _ _ _ _
_ _ you're right.
[F] _ [Cm] _
You better [F] be [Cm] certain of the news.
That woman, who is she and [F] what is she to you?
_ _ You better get [C]
yourself together and _ [Fm] tell me.
[C] _ _
[Cm] _ _ Yeah, _ _ _ _ _ _ yeah, what's happening, [Bb] Cheryl?
[C] Everything is going bad with me.
I can tell something's [Cm] wrong with me.
Look here, let me tell you about this party I went to the other night.
[C] _ The party was really a big thing.
And here comes [Eb] this bad [Cm] chick through the door, you know.
Who was she?
I don't know who she was, but I found out at [F] the end of the [Cm] party. _
All decked down in her bad rags down to the bone.
Do you hear me?
I can hear you.
I mean, she was shown up together.
All _ the men in the whole party turned around and checked out.
_ _ But the killing part about it, _ who was missing?
_ He was missing and she was missing.
_ Everybody was there [Fm] at the [Cm] party with the two of them.
Now I wonder where did they [F] go?
I can [Cm] imagine.
Oh, that hurt me so bad.
I didn't know what to do.
I can imagine.
[Fm] It ain't coming [Cm] from them because a similar thing happened to [Fm] me the other [Cm] day.
My old man running this love thing down to me was supposed to take me downtown.
He was about to get me a new dress.
While [Ab] we were walking, [Fm] here comes [Cm] this bad old broad.
Because that's all she was, a broad.
And I'm running [F] down this rap so strong that I knew that I had [Cm] him in the palm of my hand.
And he's looking at her and she's looking at him.
And he's turning around looking to see what's [Fm] out there.
[Cm] But I tried to be [F] cool.
I was [Cm] getting out of there and didn't know what was going on.
You know the best thing to do in a situation like that is to be cool.
Right on.
But one thing [F] about it, I knew that something was going [Cm] on because there ain't no way in the world he can look at her like that.
And then look at me and ain't nothing going on because that's the way he looked at me at first.
[Fm] I [Cm] know he denied it though.
Right on.
You know he denied it.
But see what he [Fm] failed to realize is he [Cm] told me everything that I knew.
And then to pull a thing like [F] that and think that I was cool enough [Cm] to not know what was going on.
But I tell you this, he's going to have to tell me something that she was his sister, his cousin, or his uncle or somebody.
[F] I know who [Cm] he's being girl.
Just like the other night at the party.
He comes in the door first, right here.
[F] And I knew she was right behind him, you [Cm] know. _ _ _ _ _ _
_ _ _ _ [F] _ _ _ _
_ [Cm] _ _ _ _ _ _ _