Chords for THE ONLY INSTRUMENTAL TO EVER GET BANNED FROM RADIO | THE EVOLUTION OF FUZZ #15
Tempo:
85.55 bpm
Chords used:
E
A
B
D
F#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[C] [B] [C#]
[C] [D#]
[G#m] [A]
[E]
[A] [E]
[A] This is the only instrumental to ever [E] be banned from radio, because radio stations in New
York [A] City and Boston were [B] afraid that this song would promote gang wars.
Don't understand why?
Here, [Em] just watch Jimmy Page listen to this song.
[B]
[E]
[A] I've listened to anything with a guitar on when I was [E] a kid, you know, that was being
played and all those different [A] approaches and the echoes.
[B] But the first time I heard the rumble, it was like, that was something that [E] had so much
profound attitude to [Em] it.
It really does.
It really does.
[A]
[E] Now he's starting to increase the [A] vibrato.
[E] On his amplifier, you hear more, blah, blah, blah, blah, blah, blah.
It gets more [A] intense.
[E]
[D] [B] Pete Townshend also said that he would [F#] have never picked up an electric guitar if it was
[E] not for this song.
To get this tone, Link Wray quite literally took a pencil and stabbed his cone speaker.
[E] If that's not motherfucking badass, then I don't know what [F#] motherfucking badass means.
[D] If I've learned anything [A#] here, it's that if the pen is mightier than the sword, evidently,
the [F#] pencil would still fuck both of them up.
[E] [D] [E]
[C] [D#]
[G#m] [A]
[E]
[A] [E]
[A] This is the only instrumental to ever [E] be banned from radio, because radio stations in New
York [A] City and Boston were [B] afraid that this song would promote gang wars.
Don't understand why?
Here, [Em] just watch Jimmy Page listen to this song.
[B]
[E]
[A] I've listened to anything with a guitar on when I was [E] a kid, you know, that was being
played and all those different [A] approaches and the echoes.
[B] But the first time I heard the rumble, it was like, that was something that [E] had so much
profound attitude to [Em] it.
It really does.
It really does.
[A]
[E] Now he's starting to increase the [A] vibrato.
[E] On his amplifier, you hear more, blah, blah, blah, blah, blah, blah.
It gets more [A] intense.
[E]
[D] [B] Pete Townshend also said that he would [F#] have never picked up an electric guitar if it was
[E] not for this song.
To get this tone, Link Wray quite literally took a pencil and stabbed his cone speaker.
[E] If that's not motherfucking badass, then I don't know what [F#] motherfucking badass means.
[D] If I've learned anything [A#] here, it's that if the pen is mightier than the sword, evidently,
the [F#] pencil would still fuck both of them up.
[E] [D] [E]
Key:
E
A
B
D
F#
E
A
B
_ _ _ _ _ _ _ _
_ [C] _ _ [B] _ _ _ _ [C#] _
_ _ _ [C] _ _ [D#] _ _ _
_ [G#m] _ _ _ _ _ _ [A] _
_ _ _ [E] _ _ _ _ _
_ [A] _ _ [E] _ _ _ _ _
_ [A] _ _ _ _ _ This is the only instrumental to ever [E] be banned from radio, because radio stations in New
York [A] City and Boston were [B] afraid that this song would promote gang wars.
Don't understand why?
Here, [Em] just watch Jimmy Page listen to this song.
_ [B] _
_ _ _ [E] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [A] _ I've listened to anything with a guitar on when I was [E] a kid, you know, that was being
played and all those different [A] approaches and the echoes.
[B] But the first time I heard the rumble, it was like, that was something that [E] had so much
profound attitude to [Em] it.
It really does.
It really does.
[A] _
_ [E] _ _ Now he's starting to increase the [A] vibrato.
[E] On his amplifier, you hear more, blah, blah, blah, blah, blah, blah.
It gets more [A] intense.
_ _ _ _ _ _ _ _
_ [E] _ _ _ _ _ _ _
[D] _ _ [B] _ _ Pete Townshend also said that he would [F#] have never picked up an electric guitar if it was
[E] not for this song.
To get this tone, Link Wray quite literally took a pencil and stabbed his cone speaker.
[E] If that's not motherfucking badass, then I don't know what [F#] motherfucking badass means.
[D] If I've learned anything [A#] here, it's that if the pen is mightier than the sword, evidently,
the [F#] pencil would still fuck both of them up.
_ [E] _ _ [D] _ _ [E] _ _ _ _ _
_ [C] _ _ [B] _ _ _ _ [C#] _
_ _ _ [C] _ _ [D#] _ _ _
_ [G#m] _ _ _ _ _ _ [A] _
_ _ _ [E] _ _ _ _ _
_ [A] _ _ [E] _ _ _ _ _
_ [A] _ _ _ _ _ This is the only instrumental to ever [E] be banned from radio, because radio stations in New
York [A] City and Boston were [B] afraid that this song would promote gang wars.
Don't understand why?
Here, [Em] just watch Jimmy Page listen to this song.
_ [B] _
_ _ _ [E] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [A] _ I've listened to anything with a guitar on when I was [E] a kid, you know, that was being
played and all those different [A] approaches and the echoes.
[B] But the first time I heard the rumble, it was like, that was something that [E] had so much
profound attitude to [Em] it.
It really does.
It really does.
[A] _
_ [E] _ _ Now he's starting to increase the [A] vibrato.
[E] On his amplifier, you hear more, blah, blah, blah, blah, blah, blah.
It gets more [A] intense.
_ _ _ _ _ _ _ _
_ [E] _ _ _ _ _ _ _
[D] _ _ [B] _ _ Pete Townshend also said that he would [F#] have never picked up an electric guitar if it was
[E] not for this song.
To get this tone, Link Wray quite literally took a pencil and stabbed his cone speaker.
[E] If that's not motherfucking badass, then I don't know what [F#] motherfucking badass means.
[D] If I've learned anything [A#] here, it's that if the pen is mightier than the sword, evidently,
the [F#] pencil would still fuck both of them up.
_ [E] _ _ [D] _ _ [E] _ _ _ _ _