Chords for The National - So Far Around The Bend (from Dark Was The Night)

Tempo:
125.15 bpm
Chords used:

C

G

F

Am

Dm

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
The National - So Far Around The Bend (from Dark Was The Night) chords
Start Jamming...
That's cool.
[G]
[C] [Dm]
[Bm] [C]
[F]
[Bm] [C]
I'm [B] Aaron Dessner, I play in The National, this is my brother.
And we put together this record, Dark Was The Night.
I used to work for Red Hot for five years.
And it's a sister company, Funny Garbage, which is [E] a design company.
And we had the opportunity to work with them on this record
because we've known them for a long time.
And we also happen [F] to have known a lot of musicians that we could convince.
Hey.
Start it over.
[A] Hi, I'm John Carlin, I started the Red Hot organization 20 years ago.
I was an art critic in the East Village in New York.
And the 80s was a terrible time, it was great art,
but lots of people got sick before they knew what AIDS was.
And I saw a lot of the most creative people in my generation get sick and die.
And I was the lucky one, not only did I survive, but I got to do something interesting
and make people remember this terrible disease that affects people around the world
and at the same time make some great music.
We had a song that we had written that we knew probably [F] wouldn't really work [E] on one of our albums.
We've always loved Nico Muhly's stuff, [F] and so we invited him [Gm] to arrange it.
[C] The record [Am] Dark Was The Night is really almost more of a concept record than a conceptual [C] record.
It doesn't have a theme like covering the songs of one artist,
but it really has a coherent spirit that I think was really something that Aaron and Bryce brought to the table.
And [G] it was really finding out the identity of their generation,
like what [F] actually makes all these artists come [Am] together,
not just because there's an event [G] like Red Hot, but their creative collaboration.
It's almost like this [F] global community [Am] of creative people that are communicating with [G] each other,
even if they're not texting or emailing or [Am] talking on the phone,
they're [Em] talking to each other with their records.
[Am] And I always thought that the best music [Em] was really the music that artists [Am] made for other artists,
just like [Em] painters or writers.
You know, they want to reach [Am] an audience, but the real audience is [Bm] their peers,
the people whose work they admire.
So that's why [Em] doing collaborations on [C] these kind of records is [G] so exciting.
[Am]
[G]
[F]
[C] I know you're a serious [Bm] lady
[Am] Living off a [A]
teacup full of cherries
[G] Nobody knows where you are [F] living
Nobody knows where you [C] are
Take a bath and get high through an [A] apple
[Am] Wanted to cry but you can't when you're loud
[G] Nobody knows where you are living
[F] Nobody knows where you are
[C] [Dm] You're so [G] far [C] around the bend
[F] [C] [Dm] You're so [G] far around [C] the bend
[Am] [C] I've run through a thousand parties
[Am] I've run through a million bars
[G] Nobody knows where you are living
[F] Nobody [D]
knows [F] where you are
[C] You've been humming in a haze forever
[Am] Praying for payment to get back together
[G] Nobody knows where you are living
[C] Nobody knows [F] where you are
[A] You're so [G] far [C] around the bend
[F] [Am] [Dm] You're so [G] far around [C] the bend
[Am]
[G] Now there's no leaving [C]
New York
[Dm]
[G] Now there's no leaving [C]
New [F] York
[C]
[Am]
[G]
[F]
[C]
[Am]
[G]
[F]
[Dm] You're [G] so far around [C] the bend
[B] You're so [G] far around [C] the bend
[F]
[Dm] Now [G] there's no [C] leaving New York
[A] Now [G] there's no leaving [C] New York
[Dm] Now [G] there's no leaving [C] New [Am] York
[A] [G] Now there's no leaving [C] New [Am] York
[Dm] [A]
[G]
[N]
[A] [E]
[B] [F]
[N]
Key:  
C
3211
G
2131
F
134211111
Am
2311
Dm
2311
C
3211
G
2131
F
134211111
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Chords
NotesBeta

Learn the basic chords of The National - (Red Hot Compilation) So Far Around The Bend chords, with this master sequence: C, Am, G, C, F, C, F, Dm and G. To master the tempo, it's wise to start at 62 BPM before aiming for the song's 125 BPM. Adapt the capo setting considering your vocal range, with reference to the key: C Major.

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That's cool.
_ [G] _ _ _ _ _
_ [C] _ _ _ _ _ [Dm] _ _
_ _ [Bm] _ _ _ [C] _ _ _
_ [F] _ _ _ _ _ _ _
_ [Bm] _ _ _ [C] _ _ _ _
_ _ _ _ I'm [B] Aaron Dessner, I play in The National, this is my brother.
_ And we put together this record, Dark Was The Night.
I used to work for Red Hot for five years.
And it's a sister company, Funny Garbage, which is [E] a design company.
And _ _ we had _ the opportunity to work with them on this record
because we've known them for a long time.
And we also happen [F] to have known a lot of musicians that we could _ convince.
_ Hey. _ _ _ _
Start it over. _ _ _ _ _
_ _ [A] Hi, I'm John Carlin, I started the Red Hot organization 20 years ago.
I was an art critic in the East Village in New York.
And _ the 80s was a terrible time, it was great art,
but lots of people got sick before they knew what AIDS was.
And I saw a lot of the most creative people in my generation get sick and die.
And I was the lucky one, not only did I survive, but I got to do something interesting
and make people remember this terrible disease that affects people around the world
and at the same time make some great music. _
_ _ _ _ _ We had a song that we had written that we knew probably _ [F] wouldn't really work [E] on one of our albums.
We've always loved Nico Muhly's stuff, [F] and so we invited him [Gm] to arrange it. _
[C] _ The record [Am] Dark Was The Night is really almost more of a concept record than a conceptual [C] record.
It doesn't have a theme like covering the songs of one artist,
but it really has a coherent spirit that I think was really something that Aaron and Bryce brought to the table.
And [G] it was really finding out the identity of their generation,
like what [F] actually makes all these artists come [Am] together,
not just because there's an event [G] like Red Hot, but their creative collaboration.
It's almost like this [F] global community [Am] of creative people that are communicating with [G] each other,
even if they're not texting or emailing or [Am] talking on the phone,
they're [Em] talking to each other with their records.
[Am] And I always thought that the best music [Em] was really the music that artists [Am] made for other artists,
just like [Em] painters or writers.
You know, they want to reach [Am] an audience, but the real audience is [Bm] their peers,
the people whose work they admire.
So that's why [Em] doing collaborations on [C] these kind of records is [G] so exciting. _
_ _ _ _ [Am] _ _ _ _
_ _ _ [G] _ _ _ _ _
_ _ _ _ [F] _ _ _ _
_ _ _ [C] _ I know you're a serious [Bm] lady
[Am] Living off a [A]
teacup full of cherries
[G] Nobody knows where you are [F] living
Nobody knows where you [C] are
_ _ Take a bath and get high through an [A] apple
_ [Am] Wanted to cry but you can't when you're loud
_ [G] Nobody knows where you are living
[F] Nobody knows where you are
[C] _ _ [Dm] You're so [G] _ far [C] around the bend _ _
_ [F] _ _ [C] _ _ [Dm] You're so [G] far around [C] the bend _
_ [Am] _ _ _ [C] _ I've run through a thousand parties
[Am] I've run through a million bars
_ [G] Nobody knows where you are living
[F] Nobody [D]
knows [F] where you are
[C] _ You've been humming in a haze forever
[Am] Praying for payment to get back together
[G] _ Nobody knows where you are living
[C] Nobody knows [F] where you are
_ [A] You're so [G] far _ [C] around the bend _
_ [F] _ _ [Am] _ _ [Dm] You're so [G] _ far around [C] the bend _
_ _ _ _ _ [Am] _ _ _
[G] Now there's no leaving [C] _ _ _
New York
_ _ [Dm] _ _ _
[G] Now there's no leaving [C] _ _
New [F] York _ _ _ _ _
[C] _ _ _ _ _ _ _ _
[Am] _ _ _ _ _ _ _ _
_ [G] _ _ _ _ _ _ _
_ [F] _ _ _ _ _ _ _
[C] _ _ _ _ _ _ _ _
_ [Am] _ _ _ _ _ _ _
_ [G] _ _ _ _ _ _ _
_ [F] _ _ _ _ _ _ _
_ [Dm] You're [G] so far around [C] the bend _ _ _ _ _ _
_ [B] You're so [G] far around [C] the bend
_ _ [F] _ _ _
_ [Dm] _ _ Now [G] there's no _ [C] leaving _ New York _
_ [A] _ _ Now [G] there's no leaving [C] _ _ New York _
[Dm] Now _ _ [G] there's no leaving [C] _ _ New [Am] York _
_ [A] _ _ _ [G] Now there's no leaving [C] _ _ New [Am] York _
_ [Dm] _ _ _ _ [A] _ _ _
_ _ _ _ _ _ _ [G] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[N] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [A] _ _ _ [E] _ _
_ _ _ _ _ _ _ _
_ [B] _ _ _ _ _ [F] _ _
_ _ _ _ _ _ [N] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _

Facts about this song

Among the compositions on the album Dark Was The Night, written by Aaron Dessner and Matt Berninger, this one shines.

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