Chords for The Good Brothers - Ted Woloshyn Show

And any additional ones you have to buy?
How much are they?
Uh, well, we got to a point where there, you know, we were winning so many,
we couldn't afford [D] to win anymore.
What happened?
We went bankrupt trying to buy Judo.
_ [N] Exactly. _ _
Well, I got a loan from mine.
Yeah, so I got them all.
I just want you guys to know that.
I just heard the Boston Bruins bought 500 Stanley Cup rings
to give out to everybody who is remotely affiliated with the organization.
Is there any?
Yeah.
Now, remember, who was the guy?
Peter [F] Parklandton owned the Edmonton?
Yeah, yeah.
And there was a story, I don't know whether this is true or not,
but what I read about Parklandton, it wouldn't surprise me that
when they won, I guess, the first or the second Stanley Cup in a row,
everybody got a ring.
[E] But, like, [F] the front line guys, Gretzky and the big boys,
they all got the diamond encrusted.
And [D#m] the rest of the guys on the team got the [Em] cubic zirconia.
Is that right?
I read it.
Seriously.
Is that right?
They chinstoned on the rest of the guys.
Yeah, I love that.
How would you feel?
Yeah, really.
How [C#] come the diamonds keep falling out of [F] this?
Yeah, [D] diamonds, that's why.
Yeah, they keep melting, right?
You guys, you've got a good gig coming up on New Year's Eve at Hughes' Room.
That's a [N] lot of fun.
It's not a tough gig, though, New Year's Eve.
I mean, because that's, Johnny Carson used to say,
that's when all the amateur drunks come out.
_ Well, nowadays it's tough not to drink.
Well, yeah, that's for you, Larry.
You talk to yourself.
_ But, no, it's a good gig.
New Year's Eve is okay.
The people know who the act is.
I mean, half the reason they come down is to hear.
And Hughes' Room, in particular, as Bill knows, is a listening room.
That's a fabulous room.
It really is a good room.
There's not a bad seat in the house.
And we're going to be there with our, what we call our A-team.
We've got some really solid musicians.
In fact, one of the guys from Prairie Oyster will be playing fiddle and mandolin with us. _
And, yeah, we haven't actually worked New Year's for about three or four years now, I think.
Isn't that right, guys?
That's right.
About three years.
I've been enjoying the New Year's off.
Yeah.
Are you doing much traveling?
Yeah, we do.
Still touring coast to coast in the summer.
_ And doing a lot of work in Europe.
We've been over there about 35.
I think our next tour will be 36.
Our 36th tour of Europe takes us to Holland and Germany and Switzerland, Spain, Austria.
[E] I hear stories of musicians that [F] come from Canada, the United States, and go and tour in Europe.
And in many cases, they're shocked by how well they are received.
That, in fact, that they are beloved more than they know they are before they even get [N] there.
Figuring that it's just going to be a gig and all of a sudden it's like, wow, this is huge.
Well, that's kind of how it happened that way for us.
We went over one time, we sort of made our presence known.
And I think it was about the second or third time we went back.
The first time ever for us in all our career, there was a group of fans holding banners when we got off the plane and everything else.
I said, I feel a little bit beadle-ish here.
This is the big time.
Beadle-ish.
I like that.
Really?
Beadle-ish.
But that [C] was the one and only time that [N] ever happened.
So you have to enjoy it while it's here.
Take a picture of it in your mind. _ _
You're going to play some tunes for us, which I'm thrilled because you've got some banjo, you've got a guitar.
What is this?
[E] This is the auto harp or the corded zither.
And normally we like to have a bass with us, but this studio isn't big enough to take that big stand-up bass that we usually use.
So we're going to play_
I would have brought a small one.
Yeah, [Cm] that's right.
[A] You would have brought the smaller one.
Yeah, this is a bluegrass song that we wrote a little while ago.
Larry's going to sing it for us.
And Bill, if you get half the urge, jump [E] in.
I might get half the urge.
It's an A.
It's an A.
[A#] It's an A, [A] but I think you might have one.
[B] _ _
Anyway, it's a little tune we call Honey and Heartache.
_ [A] _ _
_ _ _ _ _ _ _ [D] _
_ [A] _ _ She's a honey and heartache.
She's the sweetest mistake [A] a man could [E] ever make.
[A] Honey and heartache.
She'll [G] lull you [D] in, your hungry heart [A] to break. _
[E] She's one of a kind, the rarest [A] violin. _
She's [F#m] got a lot of voice, buzzing [E] like bees.
[A] She'll make you believe you [D] are the only one she could ever need.
She's a honey and heartache.
She's [D] the sweetest mistake [A] a man could ever make.
Honey _ and heartache.
_ [E] She'll lull you in, [D] your hungry heart [A] to break. _ _ _ _ _ _ _
_ _ [D] _ _ _ _ [E] _ _
_ _ [A] _ _ _ _ _ _
_ [G] _ [D] _ _ [A] _ _ _
What is this [D] attraction that I cannot [A] resist?
I gave up my [F#m] life for one [E] little kiss.
[A] Now I laugh, wake, [D] and [A] toss and turn.
And you're [E] for her to rest.
She's a honey and heartache.
She's the [D] sweetest mistake [A] a man could [E] ever make.
[A] Honey _ and heartache.
[E] She'll lull you in, your hungry [A] heart to break. _
She's a honey and heartache.
[D] She's the sweetest mistake a man could [E] ever make.
[A] _ Honey and heartache.
She'll lull you in, your hungry heart to break.
_ [D] She'll lull you in, your hungry heart [A] to break.
_ [D] She'll lull you in, your hungry heart to [A] break. _
_ _ _ _ [G] _ [D] _ _ _
[A] _ _ _ _ I hope that don't get your toes tapping, [B] because I got no toes.
That was like radio from the 40s or something.
[Em] It was like a good old radio show.
_ The _ [E] _ Good Brothers. _ _ _
It [G] just gets you going.
[N] _ I don't know how you could not smile when you listen to this.
It's fun music.
It's fun to play.
It's like Charlie Brown _ said. _ _ _ _
He's quoting Peanuts now.
[C] _ He said, what was it, [A#] every baby should be issued a banjo at birth. _ _
[B] I didn't know you were such a [E] historian.
[C] _ _ _
_ [E] Quoting some of the great minds of [C#] our time. _
Good Brothers in [B] studio back with more in a moment.
In Depth Radio News, 1010 [F] Time, 145.
Time Saver Traffic now. _ _ _
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