The Dismemberment Song Chords by Blue Kid

Tempo:
162.55 bpm
Chords used:

E

C#m

A

B

G#

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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The Dismemberment Song chords
Start Jamming...
[F#] Hold still, [C#m] my sweet.
I'm trying [C] to measure [B]
[E] the [C#m] space between your molar [C] [B] and your jaw.
[E] This [C#m] caliper, no [Em] cause [B] for fear.
[Em] No, it [C#m] doesn't hurt.
It [Em] only helps [B] me measure [E] how much skin you [C#m] have.
[A] [Em] Oh, [B] and the [E] topmost layer of [C#m] fat.
But I [C] won't [B] make an incision [E] till you're nice [C#m] and numb.
[C]
Oh, [B] and laughing gas can [E] be so [C#m] much fun.
Please [C] don't [B] a decision.
This'll [C#m] be ooh, [E] this'll be ah,
this'll [F#] be absolutely [A] wee.
[C#m] This'll be nice, this'll [E] be neat, and bring [C#m] you [A] closer to me.
But don't [C#m] you squirm, [E] don't you fret.
I'm not [F#] gonna hurt you [A] yet.
[F#] I just [F#m] feel the need to be
getting [C#] a little of you.
A lot of [C#m] bloodletting.
I know the sensation.
[E] You're probably [G#] dreading
what's cutting your [A] feet.
So [E] refreshing for me.
[C#m]
[A] [B]
[E] Refreshing for me, [C#m]
[A] yeah.
[B]
[E] Now [C#m] don't you cry,
[Em] and [B] don't call Mary over.
[E] She's my [C#m] alibi.
Oh, let [C] me [B] check your toes out.
Aren't [E] your toenails [C#m]
cute?
[Em] And [B] red is such a [E] lovely color on [C#m] you.
But you [C] won't be [B] needing those when [C#] you've [C#m] got no [E]
knees
[A] or [G#] shins or pinky fingers [C#] or [E] artery.
So I'll [A] see you when [Em] [B]
I'm numb, [C#m] though, and don't fight.
I think you'll [B] find you're [E] missing the point [C#m] with that.
That's enough [B] out of you.
[C#m] This'll be ooh,
[E] this'll be ah, [F#] this'll be absolutely [A] wee.
[C#m] This'll be nice, [E] this'll be neat, and [F#] bring you closer [A]
to
me.
But [C#m] don't you squirm, [E] don't you fret.
I'm not [G#] gonna hurt [A] you yet.
[F#] I just [F#m] feel the need to be
[C#] getting a little of you.
A lot of [C#m] bloodletting.
I know the [E] sensation.
You're probably dreading
[G#] cutting your [A] feet.
So [E] refreshing for me, [C#m]
[A] yeah.
[B]
[E] Refreshing for me, [C#m]
[A] yeah.
[B]
[C#m] Well, once [E] upon a time,
that's [A] where the [G#] plot begins.
[C#m] And right [E] after the end, well, [A] that's where [G#] the plot ends.
[C#] And
[E] no angel [A] to keep [G#] me in line.
[C#m] So I'm taking [E] your narrative, [A] and I'm making [G#] it mine.
[C#m] Cause I'm all out [C] of hurt.
You've [E] used up all [A] I've got.
So [C#m] I'm chomping [C] you open,
[E] still coming [A] up squat.
[C#m] And if I wanted [C] to bleed, I'd [E] just roll up [A]
my sleeve.
[C#m] And so [E]
I'll end,
so [A] I'll end, [G#] so I'll [C#m] end, so [E] I'll end, so [A] I'll end, [G#] so I'll [C#m] end, [E] so I'll end, so [A] I'll end, [G#] so I'll [C#m] [E]
[A] [G#]
end,
this will be good, [E] this will be [C#m] absolutely wee.
This will be nice.
This will [E] be neat,
and bring [F#] you [A] closer to me.
So [C#m] don't you squirm, [E] don't you fret.
I'm not [G#] gonna hurt you.
No, no, no, no.
[F] Yes.
[F#] I, I, I, I just [F#m] feel the need to be [C#] getting a little of you.
A lot of blood.
I know this sensation, [E] you're probably dreading, [G#] but
There's [A] one thing you're [F#m] forgetting
There's nothing like the thrill of a shred [C#] again
This is no [Em] orthodox re-editing [C#m] Continue [E] [A] on
[G#]
[C#m]
Cutting [E] you [A] off
[G#] [C#m]
Cutting [E] you off
It's gonna [A] be so [Em]
refreshing
[D#m]
For [E] [C#m] me
[A]
[C#] [B] Refreshing [E] for [C#m] me
[A]
[Em] [B] [E] Refreshing for [C#m] me
[A] [Em] [B]
[E] [C#m]
[A]
[Em] [G] [B] [Em]
[G] [B] [E]
[N]
Key:  
E
2311
C#m
13421114
A
1231
B
12341112
G#
134211114
E
2311
C#m
13421114
A
1231
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Chords
NotesBeta

Let's start jamming Blue Kid - The Dismemberment Song chords, familiarize yourself with these chords - G#, C#m, E, A, E, C#m, C, B, A and C#m in sequence. A strategic approach would be to train at 81 BPM initially, and then accelerate to the song's tempo of 163. Configure the capo to your vocal range and chord preference, remembering the key of E Major.

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_ [F#] Hold _ still, [C#m] my _ sweet. _
I'm trying [C] to measure [B] _
[E] the _ _ [C#m] space between your molar [C] [B] and your jaw. _ _
[E] This _ _ [C#m] caliper, _ _ no [Em] cause [B] for fear.
[Em] No, it _ [C#m] doesn't hurt.
_ It [Em] only helps [B] me measure [E] how much skin you [C#m] _ have.
[A] [Em] Oh, [B] and the _ [E] topmost layer of [C#m] fat.
But I [C] won't [B] make an incision [E] till you're nice [C#m] and numb.
_ [C]
Oh, [B] and laughing gas can [E] be so [C#m] much fun.
Please [C] don't [B] a decision.
This'll [C#m] be ooh, [E] this'll be ah,
this'll [F#] be absolutely [A] wee.
[C#m] This'll be nice, this'll [E] be neat, and bring [C#m] you [A] closer to me.
But don't [C#m] you squirm, [E] don't you fret.
I'm not [F#] gonna hurt you [A] yet.
[F#] I just [F#m] feel the need to be
getting [C#] a little of you.
A lot of [C#m] bloodletting.
I know the sensation.
[E] You're probably [G#] dreading
what's cutting your [A] feet.
So [E] refreshing for me.
_ [C#m] _
_ [A] _ _ [B] _ _ _
[E] Refreshing for me, [C#m] _ _
[A] yeah.
_ [B] _ _ _
[E] Now _ [C#m] don't you cry,
[Em] and [B] don't call Mary over.
[E] She's my _ [C#m] alibi.
Oh, let [C] me [B] check your toes out.
Aren't [E] your toenails [C#m]
cute?
_ [Em] And [B] red is such a [E] lovely color on [C#m] you.
But you [C] won't be [B] needing those when [C#] you've [C#m] got no [E]
knees
_ [A] or [G#] shins or pinky fingers [C#] or [E] artery.
So I'll [A] see you when [Em] _ [B] _
I'm numb, [C#m] though, and don't fight. _
_ _ _ I think you'll [B] find you're [E] missing the point [C#m] with that.
_ That's enough [B] out of you.
[C#m] This'll be ooh,
[E] this'll be ah, [F#] this'll be _ absolutely [A] wee.
[C#m] This'll be nice, [E] this'll be neat, and [F#] bring you closer [A]
to
me.
But [C#m] don't you squirm, [E] don't you fret.
I'm not [G#] gonna hurt [A] you yet.
[F#] I just [F#m] feel the need to be
[C#] getting a little of you.
A lot of [C#m] bloodletting.
I know the [E] sensation.
You're probably dreading
[G#] cutting your [A] feet.
So [E] refreshing for me, [C#m] _
_ [A] yeah.
_ [B] _ _
_ [E] Refreshing for me, [C#m] _
_ [A] yeah.
_ [B] _ _
_ [C#m] Well, once [E] upon a time,
that's [A] where the [G#] plot begins.
[C#m] And right [E] after the end, well, [A] that's where [G#] the plot ends.
[C#] And
_ [E] no angel [A] to keep [G#] me in line.
[C#m] So I'm taking [E] your narrative, [A] and I'm making [G#] it _ mine.
[C#m] Cause I'm all out [C] of hurt.
You've [E] used up all [A] I've got.
So [C#m] I'm chomping [C] you open,
[E] still coming [A] up squat.
[C#m] And if I wanted [C] to bleed, I'd [E] just roll up [A]
my sleeve.
[C#m] And so [E]
I'll end,
so [A] I'll end, [G#] so I'll _ [C#m] end, so [E] I'll end, so [A] I'll end, [G#] so I'll [C#m] end, [E] so I'll end, so [A] I'll end, [G#] so I'll _ [C#m] _ _ _ [E] _
_ _ [A] _ _ [G#] _
end,
this will be good, [E] this will be _ _ [C#m] absolutely _ wee.
This will be nice.
This will [E] be neat,
and bring [F#] you [A] closer to me.
So [C#m] don't you squirm, [E] don't you fret.
I'm not [G#] gonna hurt _ you.
_ _ No, no, no, no.
[F] _ _ Yes.
_ _ _ _ [F#] I, I, I, I just [F#m] feel the need to be [C#] getting a little of you.
A lot of blood.
I know this sensation, [E] you're probably dreading, [G#] but
There's [A] one thing you're [F#m] forgetting
There's nothing like the thrill of a shred [C#] again
This is no [Em] orthodox re-editing [C#m] _ _ Continue _ [E] _ [A] on
_ [G#] _
_ _ _ _ [C#m] _
Cutting [E] you _ [A] off _
_ [G#] _ _ _ _ [C#m] _
Cutting [E] you off
It's gonna [A] be _ so _ [Em] _
refreshing
[D#m] _ _ _ _
For _ _ [E] _ _ [C#m] me
_ _ [A] _ _
[C#] _ [B] Refreshing _ [E] for _ _ [C#m] me
_ [A] _
[Em] _ [B] _ _ _ [E] Refreshing for [C#m] me
_ _ [A] _ _ _ [Em] _ [B] _ _ _
[E] _ _ _ _ _ [C#m] _
_ _ [A] _ _ _ _
[Em] _ [G] _ _ [B] _ [Em] _ _
[G] _ _ [B] _ _ _ [E] _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ [N] _ _

Facts about this song

This song finds its place within the Upright, Love album.

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