Chords for The Boxer Rebellion - The Making of 'Ocean By Ocean’
Tempo:
90.7 bpm
Chords used:
Cm
Bb
C
Fm
F
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Eb]
[C] [G]
[Cm] [C]
[Ab] Okay, here goes take [Cm] two.
[Fm] [Bb] [Cm]
[Fm] [Bb] [Cm]
[Fm] [Bb] [Cm]
[Fm] [Bb] We're at Sunset Sound on [Cm] Sunset [Fm] Boulevard [Bb] in Los Angeles, California.
Recording album [Cm] five.
[Fm] We are working with Billy [Bb] Bush who did Promises album [Cm] four.
[Fm] It's a very famous [C] studio.
A few Doors albums were recorded [Cm] here.
And [Fm] [C] now the Box Rebellion.
[Am]
[G] [F] [C]
[Am] The recording progress is [Em] great.
[G] Just doing drums and bass so far.
[Am] Next couple of weeks it's going to be [C] guitar and vocals.
[Am] We had a year working on it solidly and it's just [G] kind of been this one [F] smooth progression
[C] and trajectory and we've been really happy with how it's [Am] gone.
[G] [F] [C]
[G] [F]
[C] [G]
[F] [C] When you're away and you're together and [G] you live together and you're making an album
[F] together there aren't any distractions.
[C] Your mind is [Am] completely focused on what you're doing.
LA happens [G] to be a [F] great option because it's in the [C] sun and there are really [Am] great historic
studios [G] and so many great producers so [F] it's a natural thing for us.
[C] I'm sure there are LA bands that have done [Am] the exact opposite and come to London.
I bet an LA band [Gb] wouldn't go to London in January.
You [Db] were the first [Abm] to stay.
[Gb] You were [Db] the first to [Abm]
stay.
[Gb]
[Db] Piers will be playing [Abm] not only kit but [Gb] recreating some of that beat for this [Db] song on various
bits of percussion right?
Yeah I think [Abm] you've done a really good job here. Thank you.
I don't have [Gb] anything to add.
You [B] summarised it perfectly.
Great.
[Ebm] Zero words to add.
[Fm] I've looked good though.
You've looked good?
Yeah.
You [B] always look good.
True.
[Ebm] Hey can you play me the [Bbm] part?
[F]
[D]
[C] There's more coffee.
[N]
Thanks Andy.
Wherever you go this could be like LA anywhere really.
For us I feel like we work better when we get [D] away somewhere.
You think Mike would notice if I just took this?
[D]
[G] [A]
[D]
[C] [Gm]
[F] [Bb]
[Am] [Gm]
[F] [Bb] You're going
[Eb]
[A] [A] [Cm]
[F] [Bb] [Cm]
[Gm] [Eb] [Cm]
[Gm] to be getting some rustle.
I've been wondering why am I writing this [Bb] key?
My whole face hurts right now.
Get used to it.
It's all or nothing.
Tell you what, [Cm] you do this once for them and I'll go make you a cocktail.
Yes I like that.
[Fm] [Bb]
[Cm] [Fm] [Bb]
[Cm] I [F] believe [Bb] I'm more better [Cm] than you know [Bb] yourself.
[Cm] I can [Fm] see you're [Bb] something different [Cm] than the face [Fm] of someone else.
[Bb]
For your [Fm] love I [Bb] saw in the mirror.
[Cm] I was lost [Fm] inside your [Bb] head.
You are [Cm] whoever.
[Bb] You [Cm]
are whoever.
[Fm] [Bb] [Cm]
Singing a [C] far off tune.
A note [Cm] from desire lost [Fm] in your [Bb] voice.
[C]
[Cm] Fell off the [Fm] path a straight [C] and mellow.
[Cm] Another road without [Fm] a choice.
[Bb] You are [Cm] whoever.
[Bb] You [Cm]
are whoever.
Singing a far off tune.
You are whoever.
[C] [Bb] You [Eb] are [Ab] whoever.
Singing [Cm] a far off tune.
[Bb] [C]
[Ab] You are whoever.
and nobody's gonna be [Cm] anything.
You are nothing.
[Bb] You're worthless.
[F]
[C] [G]
[Cm] [C]
[Ab] Okay, here goes take [Cm] two.
[Fm] [Bb] [Cm]
[Fm] [Bb] [Cm]
[Fm] [Bb] [Cm]
[Fm] [Bb] We're at Sunset Sound on [Cm] Sunset [Fm] Boulevard [Bb] in Los Angeles, California.
Recording album [Cm] five.
[Fm] We are working with Billy [Bb] Bush who did Promises album [Cm] four.
[Fm] It's a very famous [C] studio.
A few Doors albums were recorded [Cm] here.
And [Fm] [C] now the Box Rebellion.
[Am]
[G] [F] [C]
[Am] The recording progress is [Em] great.
[G] Just doing drums and bass so far.
[Am] Next couple of weeks it's going to be [C] guitar and vocals.
[Am] We had a year working on it solidly and it's just [G] kind of been this one [F] smooth progression
[C] and trajectory and we've been really happy with how it's [Am] gone.
[G] [F] [C]
[G] [F]
[C] [G]
[F] [C] When you're away and you're together and [G] you live together and you're making an album
[F] together there aren't any distractions.
[C] Your mind is [Am] completely focused on what you're doing.
LA happens [G] to be a [F] great option because it's in the [C] sun and there are really [Am] great historic
studios [G] and so many great producers so [F] it's a natural thing for us.
[C] I'm sure there are LA bands that have done [Am] the exact opposite and come to London.
I bet an LA band [Gb] wouldn't go to London in January.
You [Db] were the first [Abm] to stay.
[Gb] You were [Db] the first to [Abm]
stay.
[Gb]
[Db] Piers will be playing [Abm] not only kit but [Gb] recreating some of that beat for this [Db] song on various
bits of percussion right?
Yeah I think [Abm] you've done a really good job here. Thank you.
I don't have [Gb] anything to add.
You [B] summarised it perfectly.
Great.
[Ebm] Zero words to add.
[Fm] I've looked good though.
You've looked good?
Yeah.
You [B] always look good.
True.
[Ebm] Hey can you play me the [Bbm] part?
[F]
[D]
[C] There's more coffee.
[N]
Thanks Andy.
Wherever you go this could be like LA anywhere really.
For us I feel like we work better when we get [D] away somewhere.
You think Mike would notice if I just took this?
[D]
[G] [A]
[D]
[C] [Gm]
[F] [Bb]
[Am] [Gm]
[F] [Bb] You're going
[Eb]
[A] [A] [Cm]
[F] [Bb] [Cm]
[Gm] [Eb] [Cm]
[Gm] to be getting some rustle.
I've been wondering why am I writing this [Bb] key?
My whole face hurts right now.
Get used to it.
It's all or nothing.
Tell you what, [Cm] you do this once for them and I'll go make you a cocktail.
Yes I like that.
[Fm] [Bb]
[Cm] [Fm] [Bb]
[Cm] I [F] believe [Bb] I'm more better [Cm] than you know [Bb] yourself.
[Cm] I can [Fm] see you're [Bb] something different [Cm] than the face [Fm] of someone else.
[Bb]
For your [Fm] love I [Bb] saw in the mirror.
[Cm] I was lost [Fm] inside your [Bb] head.
You are [Cm] whoever.
[Bb] You [Cm]
are whoever.
[Fm] [Bb] [Cm]
Singing a [C] far off tune.
A note [Cm] from desire lost [Fm] in your [Bb] voice.
[C]
[Cm] Fell off the [Fm] path a straight [C] and mellow.
[Cm] Another road without [Fm] a choice.
[Bb] You are [Cm] whoever.
[Bb] You [Cm]
are whoever.
Singing a far off tune.
You are whoever.
[C] [Bb] You [Eb] are [Ab] whoever.
Singing [Cm] a far off tune.
[Bb] [C]
[Ab] You are whoever.
and nobody's gonna be [Cm] anything.
You are nothing.
[Bb] You're worthless.
[F]
Key:
Cm
Bb
C
Fm
F
Cm
Bb
C
_ _ _ _ _ [Eb] _ _ _
_ [C] _ _ [G] _ _ _ _ _
_ _ _ [Cm] _ [C] _ _ _ _
_ [Ab] Okay, here goes take _ [Cm] two. _
_ [Fm] _ _ [Bb] _ _ _ _ [Cm] _
_ [Fm] _ _ [Bb] _ _ _ _ [Cm] _
_ [Fm] _ _ [Bb] _ _ _ _ [Cm] _
_ [Fm] _ [Bb] We're at Sunset Sound on [Cm] Sunset [Fm] Boulevard [Bb] in Los Angeles, California.
Recording album [Cm] five.
[Fm] We are working with Billy [Bb] Bush who did Promises album [Cm] four.
[Fm] It's a very famous [C] studio.
A few Doors albums were recorded [Cm] here.
And [Fm] _ [C] now the Box Rebellion.
[Am] _ _ _
[G] _ _ _ [F] _ _ [C] _ _ _
[Am] The recording progress is [Em] great.
[G] Just doing drums and bass so far.
[Am] Next couple of weeks it's going to be [C] guitar and vocals.
[Am] We had a year working on it solidly and it's just [G] kind of been this one [F] smooth progression
[C] and trajectory and we've been really happy with how it's [Am] gone.
_ [G] _ _ _ [F] _ _ [C] _ _
_ [G] _ _ _ _ [F] _ _ _
[C] _ _ _ [G] _ _ _ _ _
_ [F] _ _ [C] _ When you're away and you're together and [G] you live together and you're making an album
[F] together there aren't any distractions.
[C] Your mind is [Am] completely focused on what you're doing.
LA happens [G] to be a [F] great option because it's in the [C] sun and there are really [Am] great historic
studios [G] and so many great producers so [F] it's a natural thing for us.
[C] I'm sure there are LA bands that have done [Am] the exact opposite and come to London.
I bet an LA band [Gb] wouldn't go to London in January.
You [Db] were the first _ _ _ [Abm] to stay.
_ [Gb] _ _ You were [Db] the first _ _ _ to [Abm] _
stay.
[Gb] _ _ _ _ _ _
_ _ _ [Db] _ _ _ Piers will be playing [Abm] not only kit but [Gb] recreating some of that beat for this [Db] song on various
bits of percussion right?
Yeah I think [Abm] you've done a really good job here. Thank you.
I don't have [Gb] anything to add.
You [B] summarised it perfectly.
Great.
[Ebm] Zero words to add.
[Fm] I've looked good though.
You've looked good?
Yeah.
You [B] always look good.
True.
[Ebm] Hey can you play me the [Bbm] part?
_ _ _ [F] _ _ _
_ [D] _ _ _ _ _ _ _
_ _ _ [C] There's more coffee.
[N] _ _ _
_ Thanks Andy.
Wherever you go this could be like LA anywhere really.
For us I feel like we work better when we get [D] away somewhere.
You think Mike would notice if I just took this? _ _ _ _
_ _ _ [D] _ _ _ _ _
_ [G] _ _ [A] _ _ _ _ _
_ [D] _ _ _ _ _ _ _
[C] _ _ _ _ _ _ _ [Gm] _
_ _ _ [F] _ _ _ _ [Bb] _
_ _ _ [Am] _ _ _ _ [Gm] _
_ _ [F] _ _ [Bb] You're going _
[Eb] _ _ _ _ _ _ _ _
_ [A] _ _ [A] _ _ [Cm] _ _ _
[F] _ _ [Bb] _ _ [Cm] _ _ _ _
_ [Gm] _ _ _ _ [Eb] _ _ [Cm] _
_ _ _ [Gm] _ to _ _ _ be getting some rustle.
I've been wondering why am I writing this [Bb] key?
My whole face hurts right now.
Get used to it.
It's all or nothing.
Tell you what, [Cm] you do this once for them and I'll go make you a cocktail. _ _
Yes I like that.
_ [Fm] _ _ [Bb] _ _ _
_ [Cm] _ _ [Fm] _ _ [Bb] _ _ _
_ [Cm] I [F] believe [Bb] I'm more better [Cm] than you know [Bb] yourself. _ _
[Cm] I can [Fm] see you're [Bb] something different [Cm] than the face [Fm] of someone else.
[Bb] _ _ _
For your [Fm] love I [Bb] saw in the mirror.
[Cm] I was lost [Fm] inside your [Bb] head.
You are [Cm] whoever.
_ _ [Bb] _ You [Cm]
are whoever.
_ [Fm] _ _ [Bb] _ _ [Cm] _
Singing a [C] far off tune.
A note [Cm] from desire lost [Fm] in your [Bb] voice.
_ [C] _
[Cm] Fell off the [Fm] path a straight [C] and mellow.
[Cm] Another road without [Fm] a choice.
[Bb] You are [Cm] whoever.
_ _ [Bb] _ You [Cm]
are whoever.
_ _ _ Singing a far off tune.
You are whoever.
_ [C] _ [Bb] _ You [Eb] are _ [Ab] _ whoever.
_ Singing [Cm] a far off tune.
_ _ _ [Bb] _ _ _ [C] _
_ [Ab] You are whoever.
and nobody's gonna be [Cm] anything.
You are nothing.
[Bb] You're worthless. _
_ [F] _ _ _ _ _ _ _
_ [C] _ _ [G] _ _ _ _ _
_ _ _ [Cm] _ [C] _ _ _ _
_ [Ab] Okay, here goes take _ [Cm] two. _
_ [Fm] _ _ [Bb] _ _ _ _ [Cm] _
_ [Fm] _ _ [Bb] _ _ _ _ [Cm] _
_ [Fm] _ _ [Bb] _ _ _ _ [Cm] _
_ [Fm] _ [Bb] We're at Sunset Sound on [Cm] Sunset [Fm] Boulevard [Bb] in Los Angeles, California.
Recording album [Cm] five.
[Fm] We are working with Billy [Bb] Bush who did Promises album [Cm] four.
[Fm] It's a very famous [C] studio.
A few Doors albums were recorded [Cm] here.
And [Fm] _ [C] now the Box Rebellion.
[Am] _ _ _
[G] _ _ _ [F] _ _ [C] _ _ _
[Am] The recording progress is [Em] great.
[G] Just doing drums and bass so far.
[Am] Next couple of weeks it's going to be [C] guitar and vocals.
[Am] We had a year working on it solidly and it's just [G] kind of been this one [F] smooth progression
[C] and trajectory and we've been really happy with how it's [Am] gone.
_ [G] _ _ _ [F] _ _ [C] _ _
_ [G] _ _ _ _ [F] _ _ _
[C] _ _ _ [G] _ _ _ _ _
_ [F] _ _ [C] _ When you're away and you're together and [G] you live together and you're making an album
[F] together there aren't any distractions.
[C] Your mind is [Am] completely focused on what you're doing.
LA happens [G] to be a [F] great option because it's in the [C] sun and there are really [Am] great historic
studios [G] and so many great producers so [F] it's a natural thing for us.
[C] I'm sure there are LA bands that have done [Am] the exact opposite and come to London.
I bet an LA band [Gb] wouldn't go to London in January.
You [Db] were the first _ _ _ [Abm] to stay.
_ [Gb] _ _ You were [Db] the first _ _ _ to [Abm] _
stay.
[Gb] _ _ _ _ _ _
_ _ _ [Db] _ _ _ Piers will be playing [Abm] not only kit but [Gb] recreating some of that beat for this [Db] song on various
bits of percussion right?
Yeah I think [Abm] you've done a really good job here. Thank you.
I don't have [Gb] anything to add.
You [B] summarised it perfectly.
Great.
[Ebm] Zero words to add.
[Fm] I've looked good though.
You've looked good?
Yeah.
You [B] always look good.
True.
[Ebm] Hey can you play me the [Bbm] part?
_ _ _ [F] _ _ _
_ [D] _ _ _ _ _ _ _
_ _ _ [C] There's more coffee.
[N] _ _ _
_ Thanks Andy.
Wherever you go this could be like LA anywhere really.
For us I feel like we work better when we get [D] away somewhere.
You think Mike would notice if I just took this? _ _ _ _
_ _ _ [D] _ _ _ _ _
_ [G] _ _ [A] _ _ _ _ _
_ [D] _ _ _ _ _ _ _
[C] _ _ _ _ _ _ _ [Gm] _
_ _ _ [F] _ _ _ _ [Bb] _
_ _ _ [Am] _ _ _ _ [Gm] _
_ _ [F] _ _ [Bb] You're going _
[Eb] _ _ _ _ _ _ _ _
_ [A] _ _ [A] _ _ [Cm] _ _ _
[F] _ _ [Bb] _ _ [Cm] _ _ _ _
_ [Gm] _ _ _ _ [Eb] _ _ [Cm] _
_ _ _ [Gm] _ to _ _ _ be getting some rustle.
I've been wondering why am I writing this [Bb] key?
My whole face hurts right now.
Get used to it.
It's all or nothing.
Tell you what, [Cm] you do this once for them and I'll go make you a cocktail. _ _
Yes I like that.
_ [Fm] _ _ [Bb] _ _ _
_ [Cm] _ _ [Fm] _ _ [Bb] _ _ _
_ [Cm] I [F] believe [Bb] I'm more better [Cm] than you know [Bb] yourself. _ _
[Cm] I can [Fm] see you're [Bb] something different [Cm] than the face [Fm] of someone else.
[Bb] _ _ _
For your [Fm] love I [Bb] saw in the mirror.
[Cm] I was lost [Fm] inside your [Bb] head.
You are [Cm] whoever.
_ _ [Bb] _ You [Cm]
are whoever.
_ [Fm] _ _ [Bb] _ _ [Cm] _
Singing a [C] far off tune.
A note [Cm] from desire lost [Fm] in your [Bb] voice.
_ [C] _
[Cm] Fell off the [Fm] path a straight [C] and mellow.
[Cm] Another road without [Fm] a choice.
[Bb] You are [Cm] whoever.
_ _ [Bb] _ You [Cm]
are whoever.
_ _ _ Singing a far off tune.
You are whoever.
_ [C] _ [Bb] _ You [Eb] are _ [Ab] _ whoever.
_ Singing [Cm] a far off tune.
_ _ _ [Bb] _ _ _ [C] _
_ [Ab] You are whoever.
and nobody's gonna be [Cm] anything.
You are nothing.
[Bb] You're worthless. _
_ [F] _ _ _ _ _ _ _