Chords for Teena Marie ~ "The Beverly Hillbillies" 1964 (Age8)
Tempo:
90.25 bpm
Chords used:
Ab
E
C
G
F
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[A]
Well, there it is.
One million dollars.
[N] Stay in the bus.
[Gbm] Now, dear, if we should see [C] Mr.
Clampett, you know what to do.
[Eb] Oh, thank goodness we brought your tap shoes.
[G]
Watch me for tempo and remember the [A] signals.
Now, this is a cartwheel and this is a [B] backflip.
[Ab] My baby's gonna [G] be the new Shirley Temple.
[F]
[Dm] [G] Yeah, [Eb] [F] [Dm] [F]
[C] Ellie, is Granny and Jethro coming back?
No, sir, but there's a whole bus full of people coming out the driveway.
[G] What do you reckon they want?
I [B] don't know.
Let's say they've seen your picture in the paper and want you to [Ab] doctor them.
Well, I [F] hope not.
[Dm] [G] [C]
[F] Morning, [E] [C] folks.
[Gb] Y'all here to see Dr.
[Em] Clampett?
[N] Hey, that's you.
Your picture's in the newspaper.
You've got to see my little girl.
I mean, right there.
Ma'am, monsieur, I ain't really a doctor.
I can't.
I mean
Open this door!
Gee, I'm sorry about this.
I'll get him out of here right away.
Well, maybe you'd best let that woman off.
She's about to bust your door.
Okay, thanks.
They're standing here.
He's got to see that child.
Stand back, please.
Stand back.
It might [B] calm her some just to let her tell us her troubles.
[Gm]
I sure hope Granny hurries back.
This is just [Gb] so wonderful of you, Mr.
Clampett.
Dr.
Clampett.
[E] Please.
[Fm] Ma'am, maybe you'd like [E] to step inside where you can sit down and tell me about your little girl.
Did you hear that, Beverly?
[N] Isn't he a nice man?
But we love you.
Just step inside.
[Bm] [Gbm] Pop, they don't look like there's nothing bad wrong with that [E] little girl.
I hope not, but you never know.
[Am]
[D] [N]
Nervous [Ab] little thing, ain't she?
[Eb] Think she's got [Ab] something?
[D] Well, I don't think it's nothing to get excited about.
[N] Wait.
You haven't seen anything yet.
Please, ma'am, not all the way.
She's always wearing fancy underwear.
Well, she usually wears the best when you come to see the doctor.
Now, show him what you've really got, Beverly.
Now, how am I going to control yourself?
That little girl's going to be all right.
Oh, Beverly!
Did you hear that?
Oh, I've taken her every place and you're the first one that showed us any encouragement.
Isn't he a nice man?
Yes, we love you.
We love you, too.
How soon do you think you can cast her?
Cast her?
Oh, well, that'll be up to Granny.
She might want to try a couple of other things first before she puts her in a cast.
My Beverly's ready [Fm] for anything.
Well, you come back in a couple of hours and Granny'll probably be here by [Gb] then.
Oh, bless you!
Come along.
[Ab]
Oh, ma [N]'am, don't you want to put her clothes on?
Oh, I can do that on the bus.
[Abm] I just can't wait to tell everyone at the Hollywood Vaudeville Club what you're [N] doing for Beverly.
They all call her Little Taffy Toe.
[A]
[D] [E] I'll [A] [B] [N]
help you, Jed.
I'll save the little girl.
Don't let that squirrely TV doctor get his hands on her.
Hi, Carmen.
Hi, Carmen.
Hi.
[Ab]
[Eb] Worst case of nervous flip-flops I ever did [E] see.
[Ab] Oh, you crooky little darling.
Don't you worry.
Granny's here.
Granny's going to help you.
Oh, thank you, Granny.
Glad to do it.
Come on in [N] here.
No, I'd better take her upstairs to my room.
Oh, there are some [Ab] others outside from the Hollywood Vaudeville Club.
Now, I tell them to come in.
Have [Gb] them come in and wait.
I'll get to them [N] as quick as I can.
Come on in, everybody!
become
the label's most successful white artist.
But before Tina sped into Motor City, she made a pit stop in Beverly Hills.
I was on the Beverly Hills Blaze when I was eight years old.
Isn't he a nice man?
I played a little girl whose mother was really pushy
and was bringing her to Jed because he was rich.
Nervous little thing, ain't she?
Don't you think she's got something?
She thought that he could help her get into the entertainment business.
You haven't seen anything yet!
Please, ma'am, not all the way.
Sure he's wearing fancy underwear.
Well, she usually wears her best when he comes to see the doctor.
Now, show him what you [C] really [N] got, Beverly!
Woo!
Please, ma'am, control yourself.
Well, there it is.
One million dollars.
[N] Stay in the bus.
[Gbm] Now, dear, if we should see [C] Mr.
Clampett, you know what to do.
[Eb] Oh, thank goodness we brought your tap shoes.
[G]
Watch me for tempo and remember the [A] signals.
Now, this is a cartwheel and this is a [B] backflip.
[Ab] My baby's gonna [G] be the new Shirley Temple.
[F]
[Dm] [G] Yeah, [Eb] [F] [Dm] [F]
[C] Ellie, is Granny and Jethro coming back?
No, sir, but there's a whole bus full of people coming out the driveway.
[G] What do you reckon they want?
I [B] don't know.
Let's say they've seen your picture in the paper and want you to [Ab] doctor them.
Well, I [F] hope not.
[Dm] [G] [C]
[F] Morning, [E] [C] folks.
[Gb] Y'all here to see Dr.
[Em] Clampett?
[N] Hey, that's you.
Your picture's in the newspaper.
You've got to see my little girl.
I mean, right there.
Ma'am, monsieur, I ain't really a doctor.
I can't.
I mean
Open this door!
Gee, I'm sorry about this.
I'll get him out of here right away.
Well, maybe you'd best let that woman off.
She's about to bust your door.
Okay, thanks.
They're standing here.
He's got to see that child.
Stand back, please.
Stand back.
It might [B] calm her some just to let her tell us her troubles.
[Gm]
I sure hope Granny hurries back.
This is just [Gb] so wonderful of you, Mr.
Clampett.
Dr.
Clampett.
[E] Please.
[Fm] Ma'am, maybe you'd like [E] to step inside where you can sit down and tell me about your little girl.
Did you hear that, Beverly?
[N] Isn't he a nice man?
But we love you.
Just step inside.
[Bm] [Gbm] Pop, they don't look like there's nothing bad wrong with that [E] little girl.
I hope not, but you never know.
[Am]
[D] [N]
Nervous [Ab] little thing, ain't she?
[Eb] Think she's got [Ab] something?
[D] Well, I don't think it's nothing to get excited about.
[N] Wait.
You haven't seen anything yet.
Please, ma'am, not all the way.
She's always wearing fancy underwear.
Well, she usually wears the best when you come to see the doctor.
Now, show him what you've really got, Beverly.
Now, how am I going to control yourself?
That little girl's going to be all right.
Oh, Beverly!
Did you hear that?
Oh, I've taken her every place and you're the first one that showed us any encouragement.
Isn't he a nice man?
Yes, we love you.
We love you, too.
How soon do you think you can cast her?
Cast her?
Oh, well, that'll be up to Granny.
She might want to try a couple of other things first before she puts her in a cast.
My Beverly's ready [Fm] for anything.
Well, you come back in a couple of hours and Granny'll probably be here by [Gb] then.
Oh, bless you!
Come along.
[Ab]
Oh, ma [N]'am, don't you want to put her clothes on?
Oh, I can do that on the bus.
[Abm] I just can't wait to tell everyone at the Hollywood Vaudeville Club what you're [N] doing for Beverly.
They all call her Little Taffy Toe.
[A]
[D] [E] I'll [A] [B] [N]
help you, Jed.
I'll save the little girl.
Don't let that squirrely TV doctor get his hands on her.
Hi, Carmen.
Hi, Carmen.
Hi.
[Ab]
[Eb] Worst case of nervous flip-flops I ever did [E] see.
[Ab] Oh, you crooky little darling.
Don't you worry.
Granny's here.
Granny's going to help you.
Oh, thank you, Granny.
Glad to do it.
Come on in [N] here.
No, I'd better take her upstairs to my room.
Oh, there are some [Ab] others outside from the Hollywood Vaudeville Club.
Now, I tell them to come in.
Have [Gb] them come in and wait.
I'll get to them [N] as quick as I can.
Come on in, everybody!
become
the label's most successful white artist.
But before Tina sped into Motor City, she made a pit stop in Beverly Hills.
I was on the Beverly Hills Blaze when I was eight years old.
Isn't he a nice man?
I played a little girl whose mother was really pushy
and was bringing her to Jed because he was rich.
Nervous little thing, ain't she?
Don't you think she's got something?
She thought that he could help her get into the entertainment business.
You haven't seen anything yet!
Please, ma'am, not all the way.
Sure he's wearing fancy underwear.
Well, she usually wears her best when he comes to see the doctor.
Now, show him what you [C] really [N] got, Beverly!
Woo!
Please, ma'am, control yourself.
Key:
Ab
E
C
G
F
Ab
E
C
[A] _ _ _ _ _ _ _ _
_ _ _ Well, there it is.
One million dollars.
[N] Stay in the bus.
[Gbm] Now, dear, if we should see [C] Mr.
Clampett, you know what to do.
[Eb] Oh, thank goodness we brought your tap shoes.
_ [G] _
Watch me for tempo and remember the [A] signals.
Now, this is a cartwheel and this is a [B] backflip.
[Ab] _ My baby's gonna [G] be the new Shirley Temple.
[F] _
[Dm] _ [G] Yeah, _ [Eb] _ [F] _ [Dm] _ [F] _
[C] _ _ Ellie, is Granny and Jethro coming back?
No, sir, but there's a whole bus full of people coming out the driveway.
[G] What do you reckon they want?
I [B] don't know.
Let's say they've seen your picture in the paper and want you to [Ab] doctor them.
Well, I [F] hope not.
_ [Dm] _ [G] _ _ [C] _
[F] Morning, _ [E] [C] folks.
[Gb] Y'all here to see Dr.
[Em] Clampett?
_ [N] _ _ Hey, that's you.
Your picture's in the newspaper.
You've got to see my little girl.
I mean, right there.
Ma'am, monsieur, I ain't really a doctor.
I can't.
I mean_
Open this door! _ _
Gee, _ _ I'm sorry about this.
I'll get him out of here right away.
Well, maybe you'd best let that woman off.
She's about to bust your door.
Okay, thanks.
They're standing here.
He's got to see that child.
Stand back, please.
Stand back. _ _
_ _ It might [B] calm her some just to let her tell us her troubles.
[Gm]
I sure hope Granny hurries back.
_ This is just [Gb] so wonderful of you, Mr.
Clampett.
Dr.
Clampett.
[E] Please.
[Fm] Ma'am, maybe you'd like [E] to step inside where you can sit down and tell me about your little girl.
Did you hear that, Beverly?
[N] Isn't he a nice man?
But we love you.
Just step inside.
_ _ [Bm] _ [Gbm] Pop, they don't look like there's nothing bad wrong with that [E] little girl.
I hope not, but you never know.
_ [Am] _ _
[D] _ _ _ _ [N] _ _ _ _
Nervous [Ab] little thing, ain't she?
[Eb] _ Think she's got [Ab] something?
[D] Well, I don't think it's nothing to get excited about.
[N] Wait. _
You haven't seen anything yet.
_ Please, ma'am, not all the way.
She's always wearing fancy underwear.
Well, she usually wears the best when you come to see the doctor.
Now, show him what you've really got, Beverly. _ _ _
_ _ Now, _ how am I going to control yourself?
That little girl's going to be all right.
Oh, Beverly!
Did you hear that?
Oh, I've taken her every place and you're the first one that showed us any encouragement.
Isn't he a nice man?
Yes, we love you.
We love you, too.
How soon do you think you can cast her?
Cast her?
Oh, well, that'll be up to Granny.
She might want to try a couple of other things first before she puts her in a cast. _
My Beverly's ready [Fm] for anything.
Well, you come back in a couple of hours and Granny'll probably be here by [Gb] then.
Oh, bless you!
Come along.
_ [Ab] _
Oh, ma [N]'am, don't you want to put her clothes on?
Oh, I can do that on the bus.
[Abm] I just can't wait to tell everyone at the Hollywood Vaudeville Club what you're [N] doing for Beverly.
_ They all call her Little Taffy Toe.
_ _ [A] _ _
[D] [E] I'll [A] _ _ [B] _ [N] _ _ _
_ _ help you, Jed.
I'll save the little girl.
Don't let that squirrely TV doctor get his hands on her.
Hi, Carmen.
Hi, Carmen.
Hi. _ _ _ _ _ _ _
_ _ [Ab] _ _ _ _ _
[Eb] Worst case of nervous flip-flops I ever did [E] see.
_ [Ab] Oh, you crooky little darling.
Don't you worry.
Granny's here.
Granny's going to help you.
Oh, thank you, Granny.
Glad to do it.
Come on in [N] here. _
No, I'd better take her upstairs to my room.
Oh, there are some [Ab] others outside from the Hollywood Vaudeville Club.
Now, I tell them to come in.
Have [Gb] them come in and wait.
I'll get to them [N] as quick as I can.
Come on in, everybody! _ _ _
_ _ _become
the label's most successful white artist.
But before Tina sped into Motor City, she made a pit stop in Beverly Hills.
I was on the Beverly Hills Blaze when I was eight years old.
Isn't he a nice man?
I played a little girl whose mother was really pushy
and was bringing her to Jed because he was rich.
Nervous little thing, ain't she?
Don't you think she's got something?
She thought that he could help her get into the entertainment business.
You haven't seen anything yet!
_ Please, ma'am, not all the way.
Sure he's wearing fancy underwear.
Well, she usually wears her best when he comes to see the doctor.
Now, show him what you [C] really [N] got, Beverly! _
_ _ _ _ _ _ _ _
Woo!
Please, ma'am, control yourself. _ _
_ _ _ _ _ _ _ _
_ _ _ Well, there it is.
One million dollars.
[N] Stay in the bus.
[Gbm] Now, dear, if we should see [C] Mr.
Clampett, you know what to do.
[Eb] Oh, thank goodness we brought your tap shoes.
_ [G] _
Watch me for tempo and remember the [A] signals.
Now, this is a cartwheel and this is a [B] backflip.
[Ab] _ My baby's gonna [G] be the new Shirley Temple.
[F] _
[Dm] _ [G] Yeah, _ [Eb] _ [F] _ [Dm] _ [F] _
[C] _ _ Ellie, is Granny and Jethro coming back?
No, sir, but there's a whole bus full of people coming out the driveway.
[G] What do you reckon they want?
I [B] don't know.
Let's say they've seen your picture in the paper and want you to [Ab] doctor them.
Well, I [F] hope not.
_ [Dm] _ [G] _ _ [C] _
[F] Morning, _ [E] [C] folks.
[Gb] Y'all here to see Dr.
[Em] Clampett?
_ [N] _ _ Hey, that's you.
Your picture's in the newspaper.
You've got to see my little girl.
I mean, right there.
Ma'am, monsieur, I ain't really a doctor.
I can't.
I mean_
Open this door! _ _
Gee, _ _ I'm sorry about this.
I'll get him out of here right away.
Well, maybe you'd best let that woman off.
She's about to bust your door.
Okay, thanks.
They're standing here.
He's got to see that child.
Stand back, please.
Stand back. _ _
_ _ It might [B] calm her some just to let her tell us her troubles.
[Gm]
I sure hope Granny hurries back.
_ This is just [Gb] so wonderful of you, Mr.
Clampett.
Dr.
Clampett.
[E] Please.
[Fm] Ma'am, maybe you'd like [E] to step inside where you can sit down and tell me about your little girl.
Did you hear that, Beverly?
[N] Isn't he a nice man?
But we love you.
Just step inside.
_ _ [Bm] _ [Gbm] Pop, they don't look like there's nothing bad wrong with that [E] little girl.
I hope not, but you never know.
_ [Am] _ _
[D] _ _ _ _ [N] _ _ _ _
Nervous [Ab] little thing, ain't she?
[Eb] _ Think she's got [Ab] something?
[D] Well, I don't think it's nothing to get excited about.
[N] Wait. _
You haven't seen anything yet.
_ Please, ma'am, not all the way.
She's always wearing fancy underwear.
Well, she usually wears the best when you come to see the doctor.
Now, show him what you've really got, Beverly. _ _ _
_ _ Now, _ how am I going to control yourself?
That little girl's going to be all right.
Oh, Beverly!
Did you hear that?
Oh, I've taken her every place and you're the first one that showed us any encouragement.
Isn't he a nice man?
Yes, we love you.
We love you, too.
How soon do you think you can cast her?
Cast her?
Oh, well, that'll be up to Granny.
She might want to try a couple of other things first before she puts her in a cast. _
My Beverly's ready [Fm] for anything.
Well, you come back in a couple of hours and Granny'll probably be here by [Gb] then.
Oh, bless you!
Come along.
_ [Ab] _
Oh, ma [N]'am, don't you want to put her clothes on?
Oh, I can do that on the bus.
[Abm] I just can't wait to tell everyone at the Hollywood Vaudeville Club what you're [N] doing for Beverly.
_ They all call her Little Taffy Toe.
_ _ [A] _ _
[D] [E] I'll [A] _ _ [B] _ [N] _ _ _
_ _ help you, Jed.
I'll save the little girl.
Don't let that squirrely TV doctor get his hands on her.
Hi, Carmen.
Hi, Carmen.
Hi. _ _ _ _ _ _ _
_ _ [Ab] _ _ _ _ _
[Eb] Worst case of nervous flip-flops I ever did [E] see.
_ [Ab] Oh, you crooky little darling.
Don't you worry.
Granny's here.
Granny's going to help you.
Oh, thank you, Granny.
Glad to do it.
Come on in [N] here. _
No, I'd better take her upstairs to my room.
Oh, there are some [Ab] others outside from the Hollywood Vaudeville Club.
Now, I tell them to come in.
Have [Gb] them come in and wait.
I'll get to them [N] as quick as I can.
Come on in, everybody! _ _ _
_ _ _become
the label's most successful white artist.
But before Tina sped into Motor City, she made a pit stop in Beverly Hills.
I was on the Beverly Hills Blaze when I was eight years old.
Isn't he a nice man?
I played a little girl whose mother was really pushy
and was bringing her to Jed because he was rich.
Nervous little thing, ain't she?
Don't you think she's got something?
She thought that he could help her get into the entertainment business.
You haven't seen anything yet!
_ Please, ma'am, not all the way.
Sure he's wearing fancy underwear.
Well, she usually wears her best when he comes to see the doctor.
Now, show him what you [C] really [N] got, Beverly! _
_ _ _ _ _ _ _ _
Woo!
Please, ma'am, control yourself. _ _
_ _ _ _ _ _ _ _