Chords for Taylor T5 Demo by Marc Seal
Tempo:
88.45 bpm
Chords used:
B
E
G
C
D
Tuning:Standard Tuning (EADGBE)Capo:+0fret

Start Jamming...
[Em] [G]
[Em]
[C]
[Em] [C]
[Em]
[E] If I want
[G] to [D]
[C] [G]
[Ab] actually skimp the mid-range, a lot of people ask about mid-range [N] because
a lot of vocals sing in that pocket of mid-range.
If I boost the lows, if I go mid-range, it stays the same, I can kind of channel that
and have that over.
[G] [D]
[G]
[Bb]
[E]
[Eb] I'm [N] going back one position.
Got it.
[Eb] [F]
[G] [D] Two, and now what I've done,
[E] I've turned off that body sensor.
Now I'm adjusting that thing.
And say you're doing like [Db] a top 40 gig,
I was writing this [C] guitar,
which really well worship [Bb] services, top 40.
Well, if I'm gonna play it,
and you [G] sound like a strap,
I'm gonna [B] probably go to this first position.
So I can actually,
[Ab]
[E]
[C] [A]
[C]
[Em] [D]
[E] just plain sound.
As I go back one more [F] position,
now I'm in position three.
[B]
[C] [G] [D]
[B] The cool thing about this also,
like an elevator drive to [A] humbucker.
[D] [E] [Db]
[E] [B]
See going from the,
it's pretty much a full acoustic [E] guitar here.
[Bb] And being able to go to something
with a lot of storage.
[E] [Bb]
For example, [G] I do play the [N] church in Southern California.
It's a fairly [Bb] large church that we have.
And they always send their [B] CD's in.
[F] A lot of [B] times I'll throw a guitar solo in there.
So a lot of times,
I'll play a guitar solo [Bb] and [B] start a parade and so on.
[G] All right, as I go to position four,
[Gm] now the [B] neck pickup and the bridge,
and we're running.
[F]
[G] [B] [Bb]
[Eb] [D] [Bb]
[A] [Bb] Back to [Db] our tone knob,
we can still make [B] adjustments here.
I can roll the highs [E] off a little bit.
Bring the bass up a little bit.
[Am] We're gonna have [Abm]
[Am] [Eb] one [Db]
[Dbm] [Gbm] [E]
[Db] more position.
Position five, and this is a neck pickup,
the bridge pickup.
Now this is where they're running in series,
which means they're both,
one's running through the other one.
And all I've [E]
done is that I've run [B] problems.
And I've single note [Eb] melody lines.
[B]
[Bb] Position's [E] kind of like this.
[Eb] And I'm gonna go.
[D] [B] And I'm gonna [D] [B] go.
There's never been a big battle I could really change.
[Ebm]
[Ab] [B] So a couple of cool things I'll show you.
And I'm gonna demo a song to the guitar [Eb] really
[Bm] quick.
One [D] thing that's kind of cool about it,
[B] is you can combine a gemini and a b-boss,
which I don't today.
But if you have the b-boss,
what you can do is [D]
just to kind of simulate [Eb] that a little bit.
I put the electric guitar effects on it.
In the [D] acoustic position,
we'll put a phase or a little chorus,
a little delay, a little reverb,
so you can [Abm]
get [Dm] more acoustic percussive [E] sounds.
You'll also get a little bit of warm.
[Dm]
[D] [Dm]
[C]
[Bb] [G]
[C] [Dm]
[C]
[F] You have that ability to have kind [C] of a.
[Bm]
[Bb] So on a note, so that's pretty much T5.
[Em] Oh.
[G] [Em] [C]
[Em] [C]
[Em]
[C]
[Em] [C]
[Em]
[E] If I want
[G] to [D]
[C] [G]
[Ab] actually skimp the mid-range, a lot of people ask about mid-range [N] because
a lot of vocals sing in that pocket of mid-range.
If I boost the lows, if I go mid-range, it stays the same, I can kind of channel that
and have that over.
[G] [D]
[G]
[Bb]
[E]
[Eb] I'm [N] going back one position.
Got it.
[Eb] [F]
[G] [D] Two, and now what I've done,
[E] I've turned off that body sensor.
Now I'm adjusting that thing.
And say you're doing like [Db] a top 40 gig,
I was writing this [C] guitar,
which really well worship [Bb] services, top 40.
Well, if I'm gonna play it,
and you [G] sound like a strap,
I'm gonna [B] probably go to this first position.
So I can actually,
[Ab]
[E]
[C] [A]
[C]
[Em] [D]
[E] just plain sound.
As I go back one more [F] position,
now I'm in position three.
[B]
[C] [G] [D]
[B] The cool thing about this also,
like an elevator drive to [A] humbucker.
[D] [E] [Db]
[E] [B]
See going from the,
it's pretty much a full acoustic [E] guitar here.
[Bb] And being able to go to something
with a lot of storage.
[E] [Bb]
For example, [G] I do play the [N] church in Southern California.
It's a fairly [Bb] large church that we have.
And they always send their [B] CD's in.
[F] A lot of [B] times I'll throw a guitar solo in there.
So a lot of times,
I'll play a guitar solo [Bb] and [B] start a parade and so on.
[G] All right, as I go to position four,
[Gm] now the [B] neck pickup and the bridge,
and we're running.
[F]
[G] [B] [Bb]
[Eb] [D] [Bb]
[A] [Bb] Back to [Db] our tone knob,
we can still make [B] adjustments here.
I can roll the highs [E] off a little bit.
Bring the bass up a little bit.
[Am] We're gonna have [Abm]
[Am] [Eb] one [Db]
[Dbm] [Gbm] [E]
[Db] more position.
Position five, and this is a neck pickup,
the bridge pickup.
Now this is where they're running in series,
which means they're both,
one's running through the other one.
And all I've [E]
done is that I've run [B] problems.
And I've single note [Eb] melody lines.
[B]
[Bb] Position's [E] kind of like this.
[Eb] And I'm gonna go.
[D] [B] And I'm gonna [D] [B] go.
There's never been a big battle I could really change.
[Ebm]
[Ab] [B] So a couple of cool things I'll show you.
And I'm gonna demo a song to the guitar [Eb] really
[Bm] quick.
One [D] thing that's kind of cool about it,
[B] is you can combine a gemini and a b-boss,
which I don't today.
But if you have the b-boss,
what you can do is [D]
just to kind of simulate [Eb] that a little bit.
I put the electric guitar effects on it.
In the [D] acoustic position,
we'll put a phase or a little chorus,
a little delay, a little reverb,
so you can [Abm]
get [Dm] more acoustic percussive [E] sounds.
You'll also get a little bit of warm.
[Dm]
[D] [Dm]
[C]
[Bb] [G]
[C] [Dm]
[C]
[F] You have that ability to have kind [C] of a.
[Bm]
[Bb] So on a note, so that's pretty much T5.
[Em] Oh.
[G] [Em] [C]
[Em] [C]
Key:
B
E
G
C
D
B
E
G
_ _ _ _ _ [Em] _ _ [G] _
_ [Em] _ _ _ _ _ _ _
_ _ _ _ _ _ _ [C] _
_ _ _ [Em] _ _ _ _ [C] _
_ _ _ [Em] _ _ _ _ _
[E] _ _ _ _ If I want _
_ _ [G] to _ [D] _ _ _
[C] _ _ [G] _ _ _ _ _
[Ab] actually skimp the mid-range, a lot of people ask about mid-range [N] because
a lot of vocals sing in that pocket of mid-range.
If I boost the lows, if I go mid-range, it stays the same, I can kind of channel that
and have that over.
_ _ [G] _ _ [D] _ _
_ [G] _ _ _ _ _ _ _
_ _ _ _ _ _ _ [Bb] _
_ _ _ _ _ [E] _ _ _
[Eb] I'm [N] _ _ going back one position.
_ Got it.
[Eb] _ _ _ [F] _ _
[G] _ [D] Two, and now what I've done,
[E] I've turned off that body sensor.
Now I'm adjusting that thing.
And say you're doing like [Db] a top 40 gig,
I was writing this [C] guitar,
which really well worship [Bb] services, top 40.
_ _ _ Well, if I'm gonna play it,
and you [G] sound like a strap,
I'm gonna [B] probably go to this first position.
So I can actually,
[Ab] _ _
[E] _ _ _ _ _ _ _ _
_ _ _ [C] _ _ [A] _ _ _
_ _ _ _ _ _ [C] _ _
_ [Em] _ _ [D] _ _ _ _
[E] just plain sound.
As I go back one more [F] position,
now I'm in position three. _ _
_ [B] _ _ _ _ _ _ _
[C] _ _ _ [G] _ _ [D] _ _ _
[B] The cool thing about this also,
like an elevator drive to [A] humbucker. _ _
[D] _ _ [E] _ _ [Db] _ _ _ _
[E] _ _ _ _ _ [B] _ _ _
See going from the,
it's pretty much a full acoustic [E] guitar here.
_ [Bb] And being able to go to something
with a lot of storage.
_ [E] _ _ _ [Bb] _ _
_ _ For example, [G] I do play the [N] church in Southern California.
It's a fairly [Bb] large church that we have.
And they always send their [B] CD's in. _
_ [F] _ A lot of [B] times I'll throw a guitar solo in there.
So a lot of times,
I'll play a guitar solo _ _ _ [Bb] _ and [B] start a parade and so on.
_ [G] All right, as I go to position four,
[Gm] now the [B] neck pickup and the bridge,
and we're running.
[F] _ _
[G] _ _ [B] _ _ _ _ [Bb] _ _
_ [Eb] _ _ [D] _ _ [Bb] _ _ _
[A] _ [Bb] _ Back to [Db] our tone knob,
we can still make [B] adjustments here.
I can roll the highs [E] off a little bit.
Bring the bass up a little bit.
[Am] We're gonna have _ [Abm] _ _
_ [Am] _ _ [Eb] _ one _ [Db] _
_ [Dbm] _ _ [Gbm] _ _ [E] _ _ _
[Db] _ _ _ more position.
Position five, and this is a neck pickup,
the bridge pickup.
Now this is where they're running in series,
which means they're both,
one's running through the other one.
And all I've _ _ _ _ [E] _
done is that I've run [B] _ problems.
And I've single _ _ note [Eb] melody lines. _ _
_ [B] _ _ _ _ _ _ _
_ _ [Bb] _ Position's [E] kind of like this. _ _
[Eb] And I'm gonna go.
[D] _ _ [B] And I'm gonna [D] _ _ _ [B] go.
_ There's never been a big battle I could really change.
_ _ _ [Ebm] _ _ _
_ _ _ _ [Ab] _ [B] _ So a couple of cool things I'll show you.
And I'm gonna demo a song to the guitar [Eb] really _ _ _
[Bm] _ quick.
One [D] thing that's kind of cool about it,
_ [B] is you can combine a gemini and a b-boss,
which I don't today.
But if you have the b-boss,
what you can do is _ [D] _
_ just to kind of simulate [Eb] that a little bit.
I put the electric guitar effects on it.
In the [D] acoustic position, _ _ _ _
we'll put a phase or a little chorus,
a little delay, a little reverb,
so you can _ _ _ [Abm]
get [Dm] more acoustic percussive [E] sounds.
You'll also get a little bit of warm.
[Dm] _ _
_ _ [D] _ _ _ _ _ [Dm] _
_ _ _ _ _ [C] _ _ _
[Bb] _ _ _ _ [G] _ _ _ _
_ [C] _ _ _ _ _ [Dm] _ _
_ _ _ _ _ _ [C] _ _
_ _ _ [F] _ _ You have that ability to have kind [C] of a.
_ _ _ _ [Bm] _ _ _
[Bb] _ _ _ _ So on a note, so that's pretty much T5.
[Em] _ Oh.
_ [G] _ _ [Em] _ _ _ _ _ _ _ _ _ _
_ _ _ _ [C] _ _ _ _
[Em] _ _ _ _ [C] _ _ _ _
_ [Em] _ _ _ _ _ _ _
_ _ _ _ _ _ _ [C] _
_ _ _ [Em] _ _ _ _ [C] _
_ _ _ [Em] _ _ _ _ _
[E] _ _ _ _ If I want _
_ _ [G] to _ [D] _ _ _
[C] _ _ [G] _ _ _ _ _
[Ab] actually skimp the mid-range, a lot of people ask about mid-range [N] because
a lot of vocals sing in that pocket of mid-range.
If I boost the lows, if I go mid-range, it stays the same, I can kind of channel that
and have that over.
_ _ [G] _ _ [D] _ _
_ [G] _ _ _ _ _ _ _
_ _ _ _ _ _ _ [Bb] _
_ _ _ _ _ [E] _ _ _
[Eb] I'm [N] _ _ going back one position.
_ Got it.
[Eb] _ _ _ [F] _ _
[G] _ [D] Two, and now what I've done,
[E] I've turned off that body sensor.
Now I'm adjusting that thing.
And say you're doing like [Db] a top 40 gig,
I was writing this [C] guitar,
which really well worship [Bb] services, top 40.
_ _ _ Well, if I'm gonna play it,
and you [G] sound like a strap,
I'm gonna [B] probably go to this first position.
So I can actually,
[Ab] _ _
[E] _ _ _ _ _ _ _ _
_ _ _ [C] _ _ [A] _ _ _
_ _ _ _ _ _ [C] _ _
_ [Em] _ _ [D] _ _ _ _
[E] just plain sound.
As I go back one more [F] position,
now I'm in position three. _ _
_ [B] _ _ _ _ _ _ _
[C] _ _ _ [G] _ _ [D] _ _ _
[B] The cool thing about this also,
like an elevator drive to [A] humbucker. _ _
[D] _ _ [E] _ _ [Db] _ _ _ _
[E] _ _ _ _ _ [B] _ _ _
See going from the,
it's pretty much a full acoustic [E] guitar here.
_ [Bb] And being able to go to something
with a lot of storage.
_ [E] _ _ _ [Bb] _ _
_ _ For example, [G] I do play the [N] church in Southern California.
It's a fairly [Bb] large church that we have.
And they always send their [B] CD's in. _
_ [F] _ A lot of [B] times I'll throw a guitar solo in there.
So a lot of times,
I'll play a guitar solo _ _ _ [Bb] _ and [B] start a parade and so on.
_ [G] All right, as I go to position four,
[Gm] now the [B] neck pickup and the bridge,
and we're running.
[F] _ _
[G] _ _ [B] _ _ _ _ [Bb] _ _
_ [Eb] _ _ [D] _ _ [Bb] _ _ _
[A] _ [Bb] _ Back to [Db] our tone knob,
we can still make [B] adjustments here.
I can roll the highs [E] off a little bit.
Bring the bass up a little bit.
[Am] We're gonna have _ [Abm] _ _
_ [Am] _ _ [Eb] _ one _ [Db] _
_ [Dbm] _ _ [Gbm] _ _ [E] _ _ _
[Db] _ _ _ more position.
Position five, and this is a neck pickup,
the bridge pickup.
Now this is where they're running in series,
which means they're both,
one's running through the other one.
And all I've _ _ _ _ [E] _
done is that I've run [B] _ problems.
And I've single _ _ note [Eb] melody lines. _ _
_ [B] _ _ _ _ _ _ _
_ _ [Bb] _ Position's [E] kind of like this. _ _
[Eb] And I'm gonna go.
[D] _ _ [B] And I'm gonna [D] _ _ _ [B] go.
_ There's never been a big battle I could really change.
_ _ _ [Ebm] _ _ _
_ _ _ _ [Ab] _ [B] _ So a couple of cool things I'll show you.
And I'm gonna demo a song to the guitar [Eb] really _ _ _
[Bm] _ quick.
One [D] thing that's kind of cool about it,
_ [B] is you can combine a gemini and a b-boss,
which I don't today.
But if you have the b-boss,
what you can do is _ [D] _
_ just to kind of simulate [Eb] that a little bit.
I put the electric guitar effects on it.
In the [D] acoustic position, _ _ _ _
we'll put a phase or a little chorus,
a little delay, a little reverb,
so you can _ _ _ [Abm]
get [Dm] more acoustic percussive [E] sounds.
You'll also get a little bit of warm.
[Dm] _ _
_ _ [D] _ _ _ _ _ [Dm] _
_ _ _ _ _ [C] _ _ _
[Bb] _ _ _ _ [G] _ _ _ _
_ [C] _ _ _ _ _ [Dm] _ _
_ _ _ _ _ _ [C] _ _
_ _ _ [F] _ _ You have that ability to have kind [C] of a.
_ _ _ _ [Bm] _ _ _
[Bb] _ _ _ _ So on a note, so that's pretty much T5.
[Em] _ Oh.
_ [G] _ _ [Em] _ _ _ _ _ _ _ _ _ _
_ _ _ _ [C] _ _ _ _
[Em] _ _ _ _ [C] _ _ _ _