Chords for Tanya Tucker - “While I’m Livin’” Album Trailer Pt. 1
Tempo:
117.15 bpm
Chords used:
C
F
G
Bb
Am
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Hi, baby.
Hi.
Good to see you.
How you doing?
Good to see you.
Love you.
Long time no see.
Hey, Daniel.
Hi.
I'm Brandi.
I know you.
[B] So we were talking, what about doing High Riding Heroes first?
[N]
High Riding Heroes?
I was when he was from the rodeos, just an old man's dreams.
Move on.
In between.
[Ebm]
[Gb] [Bb] As
[F] [A] a child, the first song [Am] I ever sang out of the gate was called Tennessee Flattop Bucks
by Roseanne Cash.
And then, I heard Delta Dawn.
[E] And I thought, [Eb] no one sounds as [Bb] tough as Tani Tucker.
[Ab] [Bb] She was always [F] kind of a rebel maverick, really like Annie Oakley.
She owns her style and [Bb] nobody else is like [F] her.
[G]
Tanya is the real [Cm] deal, [Bb] because she comes from nothing.
[F] [Eb] Brandi and I are of a different generation, but we're people that really care about older
music and we really care about [Bb] the past and the future.
I think there's a certain [Ab] kind of responsibility for [Bb] music being in good hands.
I had to do this project because when I heard [Ab] that Tanya Tucker had made a record [Bb] in the
better part of 15 years, I suddenly realized how much [Cm] I had forgotten [Fm] and how [Bb] much I think
that the rest of the world has forgotten how potent [Fm] an influence Tanya Tucker has been
[Bb] on women in country and rural American [C] economies.
[G]
[C]
[F] [C]
[G] [F] [C]
[G] All right, everybody.
Annie Tucker's in the building.
When [C]
[G] I first got pulled into the [Em] project, it was Shooter, because Shooter knows about
what a Tanya fan [D] I am.
I kind of just, in passing, [G] I was like, I just recorded Tanya Tucker for this thing
and she [C] like lost her shit.
I'm [G] fangirling, sorry.
Instantly, I was like, okay, you want to do it [D] with me?
He sends me [C] Tanya's phone number and I [G] text her and then she texts back.
She's like, who the hell is this Brandy bitch?
That was how I met Tanya.
Right up until, I guess maybe a couple days before I came, I [C] really didn't know if I was
going to come because [G] I didn't know if the songs were really something that I could do well.
[C] I believe in [G] Tanya more than she believes in herself.
We're going at your pace and everybody's just happy whenever you
You be backing up, you're going at my pace.
[Gb] One, two, three, [Am] four.
Our original inspiration for this project was Rick Rubin's movement that he was able
to pull together around Johnny Cash.
I think it's time for that [A] again with regards to women in country music.
Brandy's such a fan and she takes these moments [Am] of Tanya's stories and [A] then writes them into
something and then Tanya pulls them right back across the center line.
[Am] I got a chorus and I sang it to Loretta the other night.
She called me.
She's always wanting to know if I would need any [A] money.
Wait, you know who Lynn?
Loretta Lynn.
Next time I'm going to say this for the hell of it.
Yeah, I do.
Like Lauren Lynn?
Wait.
[G] [Am] [F]
[C] Tanya's voice is in all of us that sing country [Am] music and it's time for us to do [F] an about
face and recognize [C] that.
See, well, when I was a kid, you were everything.
[A] Well, because you sounded so [F] tough.
And I knew I [C] was a little bit different.
I knew that my gender wasn't [Am] on point with the [F] other women in my family.
It [C] just wound up being a really [A] inspirational kind of butting of [F] heads trying to convince
Tanya [C] that you do have this depth.
You are this [A] woman.
That was it.
I don't know.
I'm [F] so tired.
[C] Shit.
Yeah, don't worry about it.
We'll get it.
Let the pressure go.
This [A] is about you.
[F] Tanya fucking took her.
[C] I know what we've got in the can.
And it's [G] fabulous.
You're just [C] killing it.
[F]
[C] I don't think anybody [F] can be truly inspirational and [C] truly wise and know it.
And she doesn't know it and that's why it's a real [F] thing.
Holy shit, that sounds amazing.
[C] I think we really ultimately want to elevate [F] Tanya to her proper icon status.
[Am] It's amazing the beautiful things that come together when [A] someone steps out of their comfort zone.
That's a fucking [G] Tanya Tucker [Am] song now.
Oh, this is good.
This is real good.
[G] [Am] Bottoms up, bitches.
I hope it's successful because it was a lot of fun to make.
And if that's the way it is, it's going to be even.
Perfect.
[Dm] Fishy.
But [Eb] okay.
I'm not going away, people.
So just to him.
Hi.
Good to see you.
How you doing?
Good to see you.
Love you.
Long time no see.
Hey, Daniel.
Hi.
I'm Brandi.
I know you.
[B] So we were talking, what about doing High Riding Heroes first?
[N]
High Riding Heroes?
I was when he was from the rodeos, just an old man's dreams.
Move on.
In between.
[Ebm]
[Gb] [Bb] As
[F] [A] a child, the first song [Am] I ever sang out of the gate was called Tennessee Flattop Bucks
by Roseanne Cash.
And then, I heard Delta Dawn.
[E] And I thought, [Eb] no one sounds as [Bb] tough as Tani Tucker.
[Ab] [Bb] She was always [F] kind of a rebel maverick, really like Annie Oakley.
She owns her style and [Bb] nobody else is like [F] her.
[G]
Tanya is the real [Cm] deal, [Bb] because she comes from nothing.
[F] [Eb] Brandi and I are of a different generation, but we're people that really care about older
music and we really care about [Bb] the past and the future.
I think there's a certain [Ab] kind of responsibility for [Bb] music being in good hands.
I had to do this project because when I heard [Ab] that Tanya Tucker had made a record [Bb] in the
better part of 15 years, I suddenly realized how much [Cm] I had forgotten [Fm] and how [Bb] much I think
that the rest of the world has forgotten how potent [Fm] an influence Tanya Tucker has been
[Bb] on women in country and rural American [C] economies.
[G]
[C]
[F] [C]
[G] [F] [C]
[G] All right, everybody.
Annie Tucker's in the building.
When [C]
[G] I first got pulled into the [Em] project, it was Shooter, because Shooter knows about
what a Tanya fan [D] I am.
I kind of just, in passing, [G] I was like, I just recorded Tanya Tucker for this thing
and she [C] like lost her shit.
I'm [G] fangirling, sorry.
Instantly, I was like, okay, you want to do it [D] with me?
He sends me [C] Tanya's phone number and I [G] text her and then she texts back.
She's like, who the hell is this Brandy bitch?
That was how I met Tanya.
Right up until, I guess maybe a couple days before I came, I [C] really didn't know if I was
going to come because [G] I didn't know if the songs were really something that I could do well.
[C] I believe in [G] Tanya more than she believes in herself.
We're going at your pace and everybody's just happy whenever you
You be backing up, you're going at my pace.
[Gb] One, two, three, [Am] four.
Our original inspiration for this project was Rick Rubin's movement that he was able
to pull together around Johnny Cash.
I think it's time for that [A] again with regards to women in country music.
Brandy's such a fan and she takes these moments [Am] of Tanya's stories and [A] then writes them into
something and then Tanya pulls them right back across the center line.
[Am] I got a chorus and I sang it to Loretta the other night.
She called me.
She's always wanting to know if I would need any [A] money.
Wait, you know who Lynn?
Loretta Lynn.
Next time I'm going to say this for the hell of it.
Yeah, I do.
Like Lauren Lynn?
Wait.
[G] [Am] [F]
[C] Tanya's voice is in all of us that sing country [Am] music and it's time for us to do [F] an about
face and recognize [C] that.
See, well, when I was a kid, you were everything.
[A] Well, because you sounded so [F] tough.
And I knew I [C] was a little bit different.
I knew that my gender wasn't [Am] on point with the [F] other women in my family.
It [C] just wound up being a really [A] inspirational kind of butting of [F] heads trying to convince
Tanya [C] that you do have this depth.
You are this [A] woman.
That was it.
I don't know.
I'm [F] so tired.
[C] Shit.
Yeah, don't worry about it.
We'll get it.
Let the pressure go.
This [A] is about you.
[F] Tanya fucking took her.
[C] I know what we've got in the can.
And it's [G] fabulous.
You're just [C] killing it.
[F]
[C] I don't think anybody [F] can be truly inspirational and [C] truly wise and know it.
And she doesn't know it and that's why it's a real [F] thing.
Holy shit, that sounds amazing.
[C] I think we really ultimately want to elevate [F] Tanya to her proper icon status.
[Am] It's amazing the beautiful things that come together when [A] someone steps out of their comfort zone.
That's a fucking [G] Tanya Tucker [Am] song now.
Oh, this is good.
This is real good.
[G] [Am] Bottoms up, bitches.
I hope it's successful because it was a lot of fun to make.
And if that's the way it is, it's going to be even.
Perfect.
[Dm] Fishy.
But [Eb] okay.
I'm not going away, people.
So just to him.
Key:
C
F
G
Bb
Am
C
F
G
_ _ _ _ Hi, baby.
Hi.
Good to see you.
How you doing?
Good to see you.
Love you.
Long time no see.
Hey, Daniel.
Hi.
I'm Brandi.
I know you. _ _
[B] So we were talking, what about doing High Riding Heroes first?
[N] _
High Riding Heroes?
_ I was when he was from the rodeos, just an old man's dreams.
Move on.
In between. _ _ _ _ _
[Ebm] _ _ _ _ _ _ _ _
[Gb] _ _ [Bb] As _ _ _ _
_ [F] _ _ _ _ [A] a child, the first song [Am] I ever sang out of the gate was called Tennessee Flattop Bucks
by Roseanne Cash.
And then, I heard Delta Dawn.
[E] And I thought, [Eb] no one sounds as [Bb] tough as Tani Tucker. _ _
_ _ [Ab] _ _ _ [Bb] _ She was always [F] kind of a rebel maverick, really like Annie Oakley.
She owns her style and [Bb] nobody else is like [F] her.
[G]
Tanya is the real [Cm] deal, [Bb] because she comes from nothing.
[F] [Eb] Brandi and I are of a different generation, but we're people that really care about older
music and we really care about [Bb] the past and the future.
I think there's a certain [Ab] kind of responsibility for [Bb] music being in good hands.
I had to do this project because when I heard [Ab] that Tanya Tucker had made a record [Bb] in the
better part of 15 years, I suddenly realized how much [Cm] I had forgotten [Fm] and how [Bb] much I think
that the rest of the world has forgotten how potent [Fm] an influence Tanya Tucker has been
[Bb] on women in country and rural American [C] economies. _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [G] _ _ _ _ _
_ _ [C] _ _ _ _ _ _
[F] _ _ _ [C] _ _ _ _ _
_ _ [G] _ _ [F] _ _ [C] _ _
_ [G] All right, everybody.
Annie Tucker's in the building. _
When _ _ _ _ [C] _ _
_ [G] _ _ I first got pulled into the [Em] project, it was Shooter, because Shooter knows about
what a Tanya fan [D] I am.
I kind of just, in passing, [G] I was like, I just recorded Tanya Tucker for this thing
and she [C] like lost her shit.
I'm [G] fangirling, sorry.
Instantly, I was like, okay, you want to do it [D] with me?
He sends me [C] Tanya's phone number and I [G] text her and then she texts back.
She's like, who the hell is this Brandy bitch? _ _ _
_ That was how I met Tanya.
Right up until, I guess maybe a couple days before I came, I [C] really didn't know if I was
going to come because [G] I didn't know if the songs were really something that I could do well.
[C] I believe in [G] Tanya more than she believes in herself.
We're going at your pace and everybody's just happy whenever you_
You be backing up, you're going at my pace.
[Gb] One, two, three, [Am] four. _ _ _ _ _
_ _ _ Our original inspiration for this project was Rick Rubin's movement that he was able
to pull together around Johnny Cash.
I think it's time for that [A] again with regards to women in country music.
Brandy's such a fan and she takes these moments [Am] of Tanya's stories and [A] then writes them into
something and then Tanya pulls them right back across the center line.
[Am] I got a chorus and I sang it to Loretta the other night.
She called me.
She's always wanting to know if I would need any [A] money.
Wait, you know who Lynn?
Loretta Lynn.
Next time I'm going to say this for the hell of it.
Yeah, I do.
Like Lauren Lynn?
Wait. _ _
_ _ [G] _ _ [Am] _ _ _ [F] _
_ [C] Tanya's voice is in all of us that sing country [Am] music and it's time for us to do [F] an about
face and recognize [C] that.
See, well, when I was a kid, you were everything.
[A] Well, because you sounded so [F] tough.
And I knew I [C] was a little bit different.
I knew that my gender wasn't [Am] on point with the [F] other women in my family.
It [C] just wound up being a really [A] inspirational kind of butting of [F] heads trying to convince
Tanya [C] that you do have this depth.
You are this [A] woman.
That was it.
I don't know.
I'm [F] so tired.
[C] Shit.
Yeah, don't worry about it.
We'll get it.
Let the pressure go.
This [A] is about you.
[F] Tanya fucking took her.
[C] I know what we've got in the can.
And it's [G] fabulous.
You're just _ [C] killing it.
_ _ [F] _
_ _ _ _ _ [C] _ I don't think anybody [F] can be truly inspirational and [C] truly wise and know it.
And she doesn't know it and that's why it's a real [F] thing.
Holy shit, that sounds amazing.
[C] I think we really ultimately want to elevate [F] Tanya to her proper icon status.
[Am] It's amazing the beautiful things that come together when [A] someone steps out of their comfort zone.
That's a fucking [G] Tanya Tucker [Am] song now.
_ _ Oh, this is good.
This is real good.
[G] _ [Am] Bottoms up, bitches. _ _
I hope it's successful because it was a lot of fun to make.
And if that's the way it is, it's going to be even.
_ Perfect. _
_ _ [Dm] _ Fishy.
But [Eb] okay.
I'm not going away, people.
So just to him. _ _ _
Hi.
Good to see you.
How you doing?
Good to see you.
Love you.
Long time no see.
Hey, Daniel.
Hi.
I'm Brandi.
I know you. _ _
[B] So we were talking, what about doing High Riding Heroes first?
[N] _
High Riding Heroes?
_ I was when he was from the rodeos, just an old man's dreams.
Move on.
In between. _ _ _ _ _
[Ebm] _ _ _ _ _ _ _ _
[Gb] _ _ [Bb] As _ _ _ _
_ [F] _ _ _ _ [A] a child, the first song [Am] I ever sang out of the gate was called Tennessee Flattop Bucks
by Roseanne Cash.
And then, I heard Delta Dawn.
[E] And I thought, [Eb] no one sounds as [Bb] tough as Tani Tucker. _ _
_ _ [Ab] _ _ _ [Bb] _ She was always [F] kind of a rebel maverick, really like Annie Oakley.
She owns her style and [Bb] nobody else is like [F] her.
[G]
Tanya is the real [Cm] deal, [Bb] because she comes from nothing.
[F] [Eb] Brandi and I are of a different generation, but we're people that really care about older
music and we really care about [Bb] the past and the future.
I think there's a certain [Ab] kind of responsibility for [Bb] music being in good hands.
I had to do this project because when I heard [Ab] that Tanya Tucker had made a record [Bb] in the
better part of 15 years, I suddenly realized how much [Cm] I had forgotten [Fm] and how [Bb] much I think
that the rest of the world has forgotten how potent [Fm] an influence Tanya Tucker has been
[Bb] on women in country and rural American [C] economies. _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [G] _ _ _ _ _
_ _ [C] _ _ _ _ _ _
[F] _ _ _ [C] _ _ _ _ _
_ _ [G] _ _ [F] _ _ [C] _ _
_ [G] All right, everybody.
Annie Tucker's in the building. _
When _ _ _ _ [C] _ _
_ [G] _ _ I first got pulled into the [Em] project, it was Shooter, because Shooter knows about
what a Tanya fan [D] I am.
I kind of just, in passing, [G] I was like, I just recorded Tanya Tucker for this thing
and she [C] like lost her shit.
I'm [G] fangirling, sorry.
Instantly, I was like, okay, you want to do it [D] with me?
He sends me [C] Tanya's phone number and I [G] text her and then she texts back.
She's like, who the hell is this Brandy bitch? _ _ _
_ That was how I met Tanya.
Right up until, I guess maybe a couple days before I came, I [C] really didn't know if I was
going to come because [G] I didn't know if the songs were really something that I could do well.
[C] I believe in [G] Tanya more than she believes in herself.
We're going at your pace and everybody's just happy whenever you_
You be backing up, you're going at my pace.
[Gb] One, two, three, [Am] four. _ _ _ _ _
_ _ _ Our original inspiration for this project was Rick Rubin's movement that he was able
to pull together around Johnny Cash.
I think it's time for that [A] again with regards to women in country music.
Brandy's such a fan and she takes these moments [Am] of Tanya's stories and [A] then writes them into
something and then Tanya pulls them right back across the center line.
[Am] I got a chorus and I sang it to Loretta the other night.
She called me.
She's always wanting to know if I would need any [A] money.
Wait, you know who Lynn?
Loretta Lynn.
Next time I'm going to say this for the hell of it.
Yeah, I do.
Like Lauren Lynn?
Wait. _ _
_ _ [G] _ _ [Am] _ _ _ [F] _
_ [C] Tanya's voice is in all of us that sing country [Am] music and it's time for us to do [F] an about
face and recognize [C] that.
See, well, when I was a kid, you were everything.
[A] Well, because you sounded so [F] tough.
And I knew I [C] was a little bit different.
I knew that my gender wasn't [Am] on point with the [F] other women in my family.
It [C] just wound up being a really [A] inspirational kind of butting of [F] heads trying to convince
Tanya [C] that you do have this depth.
You are this [A] woman.
That was it.
I don't know.
I'm [F] so tired.
[C] Shit.
Yeah, don't worry about it.
We'll get it.
Let the pressure go.
This [A] is about you.
[F] Tanya fucking took her.
[C] I know what we've got in the can.
And it's [G] fabulous.
You're just _ [C] killing it.
_ _ [F] _
_ _ _ _ _ [C] _ I don't think anybody [F] can be truly inspirational and [C] truly wise and know it.
And she doesn't know it and that's why it's a real [F] thing.
Holy shit, that sounds amazing.
[C] I think we really ultimately want to elevate [F] Tanya to her proper icon status.
[Am] It's amazing the beautiful things that come together when [A] someone steps out of their comfort zone.
That's a fucking [G] Tanya Tucker [Am] song now.
_ _ Oh, this is good.
This is real good.
[G] _ [Am] Bottoms up, bitches. _ _
I hope it's successful because it was a lot of fun to make.
And if that's the way it is, it's going to be even.
_ Perfect. _
_ _ [Dm] _ Fishy.
But [Eb] okay.
I'm not going away, people.
So just to him. _ _ _