Chords for Tame Impala Dream of Working with OutKast - Noisey Meets

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[G] _ _ _ _ _ _ [F] _ _
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_ I listened [G] to Stevie Wonder a lot growing up.
That was kind of like Motown, Wall of Sound, some of his early songs.
[Bb] Yeah, my dad listened to a lot of The Beatles, [D] stuff like [Eb] that.
I got into that sort of stuff [Eb] from bands like Spiritualized.
_ _ _ [Gm] _ _ _ [Ab] _ _
_ [G] _ _ The nostalgia is in like the melodies and the emotions and like [Gm] the kind of personality
of the music.
Because [Gm] nostalgia for me is more like an emotion.
It's [Ab] more like you can make something today [G] that's totally not retro or [Eb] whatever.
It's still really nostalgic because it evokes those kind of emotions in you. _ _ _ _ _ _
_ _ The last album was a bit [F] more kind of structured in that [Bb] we just signed a record deal and we
were [Ab] like doing the album, you know, from the record deal.
And with this album, it was [G] kind of just in between touring.
[Cm] Because I've got a studio set up in my house and I just basically record as much as I can.
If I'm not touring, I'm probably in the [Bb] studio.
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With the Tame Impala recordings, there's never like a studio session.
It's just [G] always sort of happening.
It just slowly [Ab] comes together. _
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_ _ _ [G] _ _ Like some band [Eb] saves up from playing 10 [Ab] gigs and working jobs for six [Cm] months, goes to a
studio [Gm] and pays $500 a day to [Eb] record.
And then they don't like the sound of it or they like the producer [Ab] guy stooges them and
then they're suddenly like poor [F] with like a shit album.
[Eb] It's a really amazing thing that people can finally [Cm] have the confidence that if they make
something in their bedroom and it doesn't sound like everything [C] else on the radio, then
it doesn't matter.
You know, it can [Bb] still sound as crappy as hell as long as it [Ab] feels good.
People are going to listen to it and be open minded to it.
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[G] _ _ _ _ _ _ [Ab] _ _
The first time I heard the [G] Black Keys was their first EP or whatever on the radio.
It sounded so [Ab] crusty.
And I just thought it was amazing that _ [D] you can just do that and get away with it [F] these days. _
[D] _ _ _ _ _ _ _ _
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[G] _ _ _ _ _ _ [D] _ _
_ [Bb] We've played with a few bands now who [Ab] are younger than us who [A] really like the [F] 90s.
To [Dm] me, the 90s was pretty crap.
I used to think that about [D] the 80s, but I'm well into the 80s now.
I don't know.
Yeah, it's funny how it's just become like another decade.
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[G] _ _ What are people [Fm] going to think of the noughties?
I reckon that's like the beige decade where like everyone was just really [D] beige and boring.
The post noughties are pretty similar to the noughties. _ _
I don't know.
[F] What?
What do you [Em] even call this decade?
There's a good question for you.
_ [D] The teens?
Oh wait, [N] we're in the teens.
We're not even in the noughties.
This isn't the noughties, is it?
_ [E] _ _ [Dm] _ _ _ _ _
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_ _ _ We all have like hype dreams of making like, [G] obviously not rapping, but making like hip
hop music with people one day.
Oh yeah, I'd love to make a hip hop album with someone.
I just need someone to [D] like kick me up the bum to [D] do it.
We're like massive Outkast fans.
That would be a dream come true.
_ We're not [Bb] worthy though.
We're not worthy of [F] Andre. _
_ [Dm] _ _ _ _ _ _ _
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[D] _ _ _ _ We're not worthy of Andre. _
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