Chords for Talk Music in C#/ Db

Tempo:
124.85 bpm
Chords used:

Db

Ab

Ebm

F

Gb

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Talk Music in C#/ Db chords
Start Jamming...
[Ebm] [Db] [Ab]
[Ebm] [Db] [Ab]
[Ebm] [Db] [Ab]
[Bbm] [Gb]
[Ebm] [Ab] [Gb]
[Ebm] [Ab]
[Bbm] [Gb] [Ab]
[Gb] [Db]
[Ab] [Bbm] [Fm]
[Gb] [Bbm]
[Cm] [F] [Cm]
[Bb] [Cm] [D] [Eb] [Ab]
[Ebm] [Db] [Gb] [Bbm] [F] [Ab]
[Ebm] [Db] [Gb]
[Db] [Abm] [Db] [Ab] [Ebm]
[Bbm] [A] [Bbm] [Ab] [Eb]
[Gbm] [Db] [Gb] [Ab] [Db] [Gb]
[F] [Eb] [Ab]
[Ebm] [Bbm] [F]
[D] [E] [Db] [Dbm]
[E] [Eb] [Bb] [C] [Ab]
[Dbm] [Dbm]
[B] [D] [Db] [Ab]
[Ebm] [Ab]
[Bbm] [Ab] [Eb] [Db]
[Em] [Ebm] [F] [Ab]
[Db]
[Gbm]
Welcome to another video by BA Music Ministry.
Today we have chords of aggressions related to talk music and C sharp.
We're going to be in the key of C [Bb] sharp and it's going to be kind of like a worship talk
music type feel.
There's all different types of talk music.
You can do churchy talk music.
You can do more of a worship [N] type feel.
It all depends on the church setting.
What type of church you go to.
If you go to more of a traditional baptist church or traditional church period.
A lot of times they want to hear something more churchy.
You know, Pentecostal churches, a lot of times they want to hear something more churchy.
If you go to more of a contemporary church, what I play to be more fitting.
And in today's times really, no matter really what church you can go to, you can play these
type of chords and they will be okay.
You just got to know when to use them because there will be times in Pentecostal churches
or old school baptists that they don't really want that worship type feel.
They want that churchy stuff.
So you just got to know when to use it.
Pretty much if you go to a contemporary church, anytime you usually do church worship, you
know, you should be good for the most part.
But I want to give you some things, some different chords, some different techniques that you
can use in the key of C sharp.
So let's go ahead and get started.
Now [Db] let's go over the scale.
C [Eb] sharp is the one, [F] D sharp is the two.
All right, let's [Db] say flats.
[Eb] D flat is the one, E flat is the [F] two, F is the [Gb] three, [Ab] excuse me, G flat is the four,
A [Bb] flat is the five, [Cm] B flat is the six, [Db] C is the seven, back at E flat with the one.
[Gb] [Db]
Now [B] this is allergy season for [Ab] me.
So if you hear my voice a little messed up, me sniffling a little bit, this is where my
allergies are the worst.
So [Ebm] bear with me.
But here we go.
We're going to start off with a little melody line.
[Db] [Ebm] Got that?
[Ab] So [Ebm]
it's B flat, [F] E flat, [Ebm] F, and then [Eb] I'm going to go to the two.
E flat and [Ebm] B flat, my left hand.
My right hand is B flat and G flat.
We're going to start down here.
Then you're going to play A flat, B flat.
[Db] Got [Ebm] that?
So
[Db] [Ab]
[Ebm] we're [Db] going to go to the [Ebm] three.
[Db] So three is F, D flat, my right hand is A flat, D flat, E flat, [Ebm] A flat.
[Db] That's the three.
[Ab] Now we're going to go to the five.
So the [Eb] movement is [F] two, three, [Ab] five.
[Ebm] [Db] [Ab]
You can change your melody lines.
[Ebm]
[Db] [Ab]
[Ebm] [Db] [Ab] You know, you can change it up to sound different.
So [Ebm] [Db] [Ab]
[Ebm] [Fm] [Ebm] [Db]
[Ab] [Ebm] [Db] [Ab]
[Ebm] [Db] [Ab] just [F] change it up.
It's just a two, three, five, and you can change up your melody [Ebm] lines.
But we're going to stick with this one.
[Db] So you got the three chord.
[Ab] Now we're going to go to the five.
A flat, E flat, my right hand is A flat, B flat, C, E flat.
Then you're going to roll the B flat to [Cm] the C.
[F]
[Bb] [F]
Key:  
Db
12341114
Ab
134211114
Ebm
13421116
F
134211111
Gb
134211112
Db
12341114
Ab
134211114
Ebm
13421116
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Chords
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[Ebm] _ _ _ _ [Db] _ [Ab] _ _ _
_ _ _ [Ebm] _ [Db] _ _ _ [Ab] _
_ _ _ _ [Ebm] _ _ [Db] _ [Ab] _
_ _ _ [Bbm] _ _ [Gb] _ _ _
_ [Ebm] _ _ _ [Ab] _ _ [Gb] _ _
_ _ [Ebm] _ _ _ _ [Ab] _ _
[Bbm] _ _ _ _ _ [Gb] _ [Ab] _ _
[Gb] _ _ _ _ _ _ [Db] _ _
_ _ _ [Ab] _ [Bbm] _ _ [Fm] _ _
[Gb] _ _ _ _ _ [Bbm] _ _ _
_ _ [Cm] _ _ [F] _ [Cm] _ _ _
[Bb] _ _ _ [Cm] _ [D] _ [Eb] _ [Ab] _ _
[Ebm] _ [Db] _ [Gb] _ [Bbm] _ _ [F] _ _ [Ab] _
_ _ _ _ [Ebm] _ [Db] _ [Gb] _ _
_ [Db] _ [Abm] _ [Db] _ [Ab] _ _ [Ebm] _ _
[Bbm] _ _ _ [A] _ _ [Bbm] _ [Ab] _ [Eb] _
[Gbm] _ _ [Db] _ [Gb] _ [Ab] _ _ [Db] _ [Gb] _
_ _ [F] _ _ _ [Eb] _ _ [Ab] _
[Ebm] _ _ [Bbm] _ _ [F] _ _ _ _
_ _ [D] _ [E] _ [Db] _ _ [Dbm] _ _
[E] _ _ _ [Eb] _ [Bb] _ [C] _ _ [Ab] _
_ [Dbm] _ _ _ _ [Dbm] _ _ _
_ [B] _ [D] _ [Db] _ [Ab] _ _ _ _
_ _ _ _ _ [Ebm] _ _ [Ab] _
_ [Bbm] _ [Ab] _ _ [Eb] _ _ _ [Db] _
[Em] _ [Ebm] _ _ [F] _ _ [Ab] _ _ _
[Db] _ _ _ _ _ _ _ _
_ _ _ [Gbm] _ _ _ _ _
_ _ _ _ _ Welcome to another video by BA Music Ministry.
Today we have chords of aggressions related to talk music and C sharp.
We're going to be in the key of C [Bb] sharp _ and it's going to be kind of like a worship talk
music type feel.
There's all different types of talk music.
You can do churchy talk music.
You can do more of a worship [N] type feel.
It all depends on the church setting.
What type of church you go to.
If you go to more of a traditional baptist church _ or traditional church period.
A lot of times they want to hear something more churchy.
You know, Pentecostal churches, a lot of times they want to hear something more churchy.
If you go to more of a contemporary church, what I play to be more fitting.
And in today's times really, no matter really what church you can go to, you can play these
type of chords and they will be okay.
You just got to know when to use them because there will be times in Pentecostal churches
or old school baptists that they don't really want that worship type feel.
They want that churchy stuff.
So you just got to know when to use it.
Pretty much if you go to a contemporary church, anytime you usually do church worship, you
know, you should be good for the most part.
But I want to give you some things, some different chords, some different techniques that you
can use in the key of C sharp.
So let's go ahead and get started.
Now [Db] let's go over the scale.
C [Eb] sharp is the one, _ _ [F] D sharp is the two.
All right, let's [Db] say flats.
[Eb] D flat is the one, E flat is the [F] two, F is the [Gb] three, _ [Ab] excuse me, G flat is the four,
A [Bb] flat is the five, [Cm] B flat is the six, [Db] C is the seven, back at E flat with the one.
[Gb] _ _ [Db] _
Now [B] this is allergy season for [Ab] me.
So if you hear my voice a little messed up, me sniffling a little bit, this is where my
allergies are the worst.
So [Ebm] bear with me.
But here we go.
We're going to start off with a little melody line.
_ _ [Db] _ _ _ [Ebm] Got that? _
[Ab] So _ [Ebm] _ _ _ _ _
it's B flat, [F] E flat, [Ebm] F, _ _ _ _ _ _ _ and then [Eb] I'm going to go to the two.
E flat and [Ebm] B flat, my left hand.
My right hand is B flat and G flat. _ _
We're going to start down here. _ _ _
Then you're going to play A flat, B flat. _ _ _ _
[Db] _ _ _ Got [Ebm] that?
So _ _
_ [Db] _ _ _ _ [Ab] _ _ _
[Ebm] _ we're [Db] _ _ _ going to go to the [Ebm] three.
_ _ _ [Db] _ So three is F, D flat, my right hand is A flat, D flat, E flat, [Ebm] A flat. _ _ _
[Db] _ _ _ _ _ That's the three.
[Ab] _ _ _ Now we're going to go to the five.
So the [Eb] movement is [F] two, three, [Ab] five. _
[Ebm] _ _ _ [Db] _ _ [Ab] _ _ _
_ You can change your melody lines.
_ [Ebm] _
_ [Db] _ _ [Ab] _ _ _ _ _
[Ebm] _ _ [Db] _ _ [Ab] _ _ You know, you can change it up to sound different.
So [Ebm] _ [Db] _ _ [Ab] _
_ [Ebm] _ [Fm] _ _ [Ebm] _ _ [Db] _ _
[Ab] _ _ _ [Ebm] _ _ [Db] _ [Ab] _ _
[Ebm] _ _ [Db] _ _ [Ab] _ just [F] change it up.
It's just a two, three, five, and you can change up your melody [Ebm] lines.
But we're going to stick with this one.
_ _ [Db] _ So you got the three chord.
_ _ [Ab] _ _ _ Now we're going to go to the five.
A flat, E flat, my right hand is A flat, _ B flat, C, E flat. _
_ _ _ Then you're going to roll the B flat to [Cm] the C.
_ [F] _ _ _ _ _ _ _
_ _ _ _ [Bb] _ _ [F] _ _

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