Chords for Synyster Gates Solo Jazz

Tempo:
126.65 bpm
Chords used:

E

Am

Dm

F#

D

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Synyster Gates Solo Jazz chords
Start Jamming...
[Em] and playing [N] that, and it kind of discouraged me a little bit.
And when I found Gypsy Jazz, I really found it.
I used to love listening to it, but it just seemed like a very unattainable art form.
For those of you that don't know, it's an old 30s style.
Oh yeah, it's not right.
[E] [D] [E]
[B]
But it's [N] an old 30s, late 20s sort of form of jazz.
So basically in America, they had the big band and stuff, and guitar wasn't really out in the force, mainly a rhythm sort [G#m] of thing.
So these [Em] guys, like Jango Reinhart, set it up for the year,
developed this rhythm style called the pump, [B] and they'd play [Am]
[Em] to emulate
to emulate [N] the big band stuff, but they'd do it with [G] a few different people.
[D] And many people [Em] [A] attribute solo guitar,
from the blues, the blues was kind of happening at the same time,
and [E] then a lot to Gypsy Jazz.
And I strongly suggest you listen to that stuff, because
especially the minor stuff, the old [G] caravan [B] type of stuff,
they were gypsies [D#] literally, they'd move around caravans.
One stop, one of the more famous stops,
[N] they'd go in their big city and sell their goods,
and a lot of them would play a lot of music, a lot of campfire music.
So I found that to be so intriguing, and once I got into the scale types,
such as the minor 9th,
[Dm]
[A#] [A]
[A#]
[C]
[E] [G] [D] [Em]
so, and [A] that goes back to what you were talking about when you were playing [C] the pick.
[B] So these guys played [D#] kind of back here,
got that really like juvenile, adolescent sort [G] of thing,
and that's where the [D] rest stroke, which is half of the economy [C] picking,
[G] they'd go [Am] down, [D] but they don't do it back [F] up.
[F#] [G] [Em] They just sort of play it like that.
You never, [C#m] [D] they don't believe in [Em] alternate picking.
They don't [G] believe in an [A] upstroke.
They [E] only believe in [B] downstrokes.
So I just thought, well, you know, I'm pretty familiar with the economy picking sort of thing,
so I'm just, the [G] economy picking.
[N] So I started developing my strength going up, because it's all about volume
in a loud, ambient area.
And that's [C] why I [F#] [A]
[D] [Am] [G] [Em] [Am] also do [G] minor [Am] stuff.
[E]
[Em] [F]
[E] So that's [D#] a diminished sort of thing.
[A] [Dm] So
[N] I'll jam something to speak with.
I just wanted to do this, because [Em] we all make the time to do it,
but for you guys, let's see if [E] I can.
[C] [Dm]
[E] So point first is that [Dm] find your guilty pleasure, so to speak.
You never really know what it's going to be,
but different things can happen.
And I found the techniques, the scales, [Bm] just [D] the whole [Am] nuance,
the detail [Em] about it to be very useful.
[Dm] [Am]
[E] [A] [E] [Am]
[G] [C#]
[B] [Am]
[Dm] [Am] [Dm] [Am]
[F#] [Am] [Dm] [Am]
[Dm] [Am]
[Dm] [A] [D] [Am] [D] [Bm]
[F#] [Dm]
[E] [G#]
[Am] [G] [Dm]
[F#]
[A#] [A] [F#]
[Dm] [A] [D] [E]
[F#] [E]
[Dm] [Am]
[Fm] [Gm] [E]
[F#] [Cm] [E] [F#]
[E] [F]
[E] [F]
[G] [B]
[C]
[Am] [E]
[F#] [Dm]
[D] [F] [E]
[A] [C] [Dm]
[Am] [A#]
[E] [F#]
[E] [F#]
[Dm] [A] [Dm] [E]
[Am] [C]
[D] [A] [Dm] [F#]
[D#] [Fm] [B]
[E] [Fm] [A#]
[Em] [A#]
[E] [Am]
[C#m] [D]
[F#] [C]
[E] [F#]
[Dm] [N]
So a lot of funky stuff in there.
Key:  
E
2311
Am
2311
Dm
2311
F#
134211112
D
1321
E
2311
Am
2311
Dm
2311
Show All Diagrams
Chords
NotesBeta
Download PDF
Download Midi
Edit This Version
Hide Lyrics Hint
[Em] _ _ _ _ _ and playing [N] that, and it kind of discouraged me a little bit.
And when I found _ Gypsy Jazz, I really found it.
I used to love listening to it, but it just seemed like a very unattainable _ art form.
_ For those of you that don't know, it's an old _ 30s style.
Oh yeah, it's not right. _ _
_ [E] _ _ [D] _ _ [E] _ _ _
_ _ _ _ _ _ _ _
[B] _ _ _ _ _ _ _ _
But _ _ _ _ it's [N] an old _ _ _ 30s, late 20s sort of form of jazz.
So basically in America, they had the big band and stuff, and guitar wasn't really out in the force, mainly a rhythm sort [G#m] of thing.
So these [Em] guys, like Jango Reinhart, set it up for the year,
_ developed this rhythm style called the pump, [B] and they'd play [Am] _
[Em] to _ emulate_ _ _ _
_ to emulate [N] the big band stuff, but they'd do it with [G] a few different people. _ _
_ _ _ _ _ _ _ _
[D] _ _ _ _ And many people _ [Em] _ [A] attribute solo guitar, _ _
_ _ from the blues, the blues was kind of happening at the same time,
and [E] then a lot to Gypsy Jazz. _
_ _ _ _ _ _ _ _
_ _ And I strongly suggest you listen to that stuff, because
_ _ especially the minor stuff, the old _ [G] _ _ caravan [B] type of stuff,
they were gypsies [D#] literally, they'd move around caravans.
_ One stop, one of the more famous stops, _ _ _ _ _
_ _ _ [N] they'd go in their big city and sell their goods,
and a lot of them would _ play a lot of music, a lot of campfire music.
So _ _ I found that to be so intriguing, and once I got into the scale types,
such as the minor 9th,
[Dm] _ _ _ _ _
_ [A#] _ _ _ _ _ _ [A] _
_ _ _ _ _ _ _ _
_ _ _ _ _ [A#] _ _ _
_ [C] _ _ _ _ _ _ _
_ _ [E] _ _ [G] _ [D] _ _ [Em] _
so, and [A] that goes back to what you were talking about when you were playing [C] the pick.
[B] So these guys played [D#] kind of back here,
got that really like juvenile, adolescent sort [G] of thing, _ _
and _ that's where the [D] rest stroke, which is half of the economy [C] picking,
[G] they'd go [Am] down, _ [D] _ but they don't do it back [F] up. _
_ [F#] _ [G] _ _ [Em] They just sort of play it like that.
You never, [C#m] [D] they don't believe in [Em] alternate picking.
They don't [G] believe in an [A] upstroke.
They [E] only believe in [B] downstrokes. _
So I just thought, well, you know, I'm pretty familiar with the economy picking sort of thing,
so I'm just, the [G] economy picking. _
_ [N] _ So I started developing my strength going up, because it's all about volume
in a loud, ambient area.
And that's [C] why I _ _ [F#] _ [A] _ _
[D] _ [Am] _ _ [G] _ _ _ [Em] [Am] also do _ _ _ [G] _ minor [Am] stuff.
_ _ _ _ _ _ _ _
_ _ _ _ [E] _ _ _ _
_ _ _ _ [Em] _ _ [F] _ _
_ _ [E] _ _ So that's [D#] a diminished sort of thing.
_ [A] _ [Dm] So _ _
_ [N] _ I'll jam something to speak with.
I just wanted to do this, because [Em] we all make the time to do it,
but for you guys, _ _ let's see if [E] I can.
_ [C] _ _ _ [Dm] _ _ _
_ _ _ [E] So point first is that [Dm] find your guilty pleasure, so to speak.
You never really know what it's going to be,
but different things can happen.
And I found the techniques, the scales, _ [Bm] _ _ just [D] the whole _ [Am] nuance,
the detail [Em] about it to be very useful.
_ [Dm] _ _ _ _ _ [Am] _
[E] _ _ [A] _ _ _ _ [E] _ [Am] _
_ _ [G] _ [C#] _ _ _ _ _
[B] _ _ _ _ _ [Am] _ _ _
[Dm] _ _ [Am] _ _ _ [Dm] _ _ [Am] _
_ _ _ _ _ _ _ _
[F#] _ _ _ [Am] _ _ [Dm] _ _ [Am] _
_ _ _ [Dm] _ _ [Am] _ _ _
[Dm] _ [A] _ _ [D] _ [Am] _ _ [D] _ [Bm] _
[F#] _ _ _ _ _ [Dm] _ _ _
_ _ _ [E] _ _ [G#] _ _ _
[Am] _ _ _ _ [G] _ [Dm] _ _ _
_ _ [F#] _ _ _ _ _ _
[A#] _ _ _ _ _ [A] _ _ [F#] _
_ _ _ _ _ _ _ _
[Dm] _ [A] _ _ [D] _ _ [E] _ _ _
_ _ [F#] _ _ _ _ _ [E] _
_ _ _ [Dm] _ _ [Am] _ _ _
_ _ _ [Fm] _ [Gm] _ [E] _ _ _
[F#] _ _ _ [Cm] _ [E] _ [F#] _ _ _
_ [E] _ _ _ [F] _ _ _ _
[E] _ _ _ _ _ _ [F] _ _
_ _ [G] _ [B] _ _ _ _ _
_ [C] _ _ _ _ _ _ _
[Am] _ _ [E] _ _ _ _ _ _
_ _ _ [F#] _ _ [Dm] _ _ _
[D] _ [F] _ [E] _ _ _ _ _ _
_ _ _ [A] _ [C] _ [Dm] _ _ _
_ _ [Am] _ _ _ _ _ [A#] _
_ _ _ [E] _ _ [F#] _ _ _
_ _ [E] _ [F#] _ _ _ _ _
[Dm] _ _ [A] _ [Dm] _ _ [E] _ _ _
_ _ _ [Am] _ _ _ _ [C] _
[D] _ [A] _ _ [Dm] _ _ [F#] _ _ _
_ _ [D#] _ _ [Fm] _ _ [B] _ _
[E] _ _ _ [Fm] _ _ [A#] _ _ _
[Em] _ _ _ [A#] _ _ _ _ _
[E] _ _ _ _ _ [Am] _ _ _
_ [C#m] _ _ [D] _ _ _ _ _
[F#] _ _ _ _ [C] _ _ _ _
[E] _ _ _ [F#] _ _ _ _ _
_ _ _ _ _ [Dm] _ [N] _ _
_ _ _ _ _ _ _ _
_ _ _ So a lot of funky stuff in there.