Chords for SWAT Sessions: Country - Take Sick and Pass: 1 Breakdown - Carl Verheyen
Tempo:
92.2 bpm
Chords used:
E
Bb
A
G
Em
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
So that's my version of rockabilly over the Saints go marching in kind of a changes
I started with a baseline type thing that I stole from Brian Setzer
And I think Brian Setzer is an amazing player at one time had to play the end title to a movie where they used a Brian Setzer
Song I think the movie was called it takes two to tango and they said we need you to play
The song is three minutes long.
We need you to make it eight minutes long for all the credits to roll
So I got out my Gretsch 61 20
Which is that Chet Atkins style guitar and I happen to have a really great old 59
Which is what he uses and I've rented a Roland space echo
Which is what he uses and I got some kind of a like one of my old fender amps or something
But for my ears, there's nothing like a telly to do it
I'm a big fan of the telly through a fender amp just spanking with a little compression going in a little bit of slapback delay
So what I did was I played a baseline that I probably stole from Brian Setzer and it's this
[G] [E] So I'm one to the major [A] third to the open a string to [Bb] the B flat to [B] the B and then back down
[A] but [G] on the way down [E] I
Play the minor third and bend it up a little bit of hair just for some character.
And so when played slow
[A] [Bb]
[G] [E] That's the lick but played fast
I use my third finger on my right hand to throw a little Ian so you get this
[Bb] [E]
[Bb] [E]
[Bb] [A] [E]
[Bb] [Eb] [E]
And
You get the vibe
I mean you're working the right hand and then throwing in a little bit of extra sometimes even a
[Bb]
[E] You can [G] throw that in there, too
so I played that and then I played a little bit of my stock rockabilly stuff, which is really interesting because it's it's it's the
Mixolydian mode in the key of E but stressing the six.
So here's the lick [E] [Em]
you get [E] that vibe
[Em] You got this minor third?
open [Db] E
There's the sixth the C sharp that really makes it sound rockabilly to me.
So played a little bit of that stuff
Then I got into
more of a country
right hand technique that I use involving the tritone and this is when you take an
[E] E7 chord and you take out this [Am] first finger and the third finger you're left with a tritone here
[Ab] The tritone is this flat seventh and the major third together used to be called the devil's interval because before box time
You weren't allowed to use it.
Johan Sebastian Bach, you know with the Baroque music kind of broke that open
It seems to my ears anyway, probably guys before him, but he's the cat now you take any tritone and
Reverse it [A] in other words you put the D here on the [D] bottom
You get this now what I'm doing is I'm sliding into it.
So now I'm playing similar bassline stuff
[Abm] Let's see
[Db] [E] but when I get here, [Db] I
Play that [C] tritone and slide it up.
So it [E] sounds like [Em]
and then I bar this finger [E] down
so
[Em]
[C] once again, I'm using my two my two my middle and my
Ring finger on my right hand with the pick and you know guys like Brent Mason they use fake nails
Guys like Albert Lee they use no nails just fingers and it's just amazing.
They get the sound for me
I've been a nails guy since about 1980.
So [E] they've been out there and I've been using them
So
[B]
now when I come to this B seventh chord the five chord I can either do
or and once again sort of like that explanation I did in the bluegrass part and
Of the of the course, it's a pivoting thing
You're using the pick to play a bass note
and you're just pulling off from the B and D sharp a whole step down to A and C sharp and
Then I think on this last performance
I played this little lick that I got from Ray Charles piano playing and that's where [E] he goes
Like what I say, you remember that tune?
[A] [E] It's kind of a cool lick you play the triad
B E and C sharp and G sharp B E G sharp and then you just hammer on from B to the D B to the 7th
Once again a hybrid picking thing.
[B]
It's cool sound
Anyway, there's probably a few more licks in there, but I'll get
I started with a baseline type thing that I stole from Brian Setzer
And I think Brian Setzer is an amazing player at one time had to play the end title to a movie where they used a Brian Setzer
Song I think the movie was called it takes two to tango and they said we need you to play
The song is three minutes long.
We need you to make it eight minutes long for all the credits to roll
So I got out my Gretsch 61 20
Which is that Chet Atkins style guitar and I happen to have a really great old 59
Which is what he uses and I've rented a Roland space echo
Which is what he uses and I got some kind of a like one of my old fender amps or something
But for my ears, there's nothing like a telly to do it
I'm a big fan of the telly through a fender amp just spanking with a little compression going in a little bit of slapback delay
So what I did was I played a baseline that I probably stole from Brian Setzer and it's this
[G] [E] So I'm one to the major [A] third to the open a string to [Bb] the B flat to [B] the B and then back down
[A] but [G] on the way down [E] I
Play the minor third and bend it up a little bit of hair just for some character.
And so when played slow
[A] [Bb]
[G] [E] That's the lick but played fast
I use my third finger on my right hand to throw a little Ian so you get this
[Bb] [E]
[Bb] [E]
[Bb] [A] [E]
[Bb] [Eb] [E]
And
You get the vibe
I mean you're working the right hand and then throwing in a little bit of extra sometimes even a
[Bb]
[E] You can [G] throw that in there, too
so I played that and then I played a little bit of my stock rockabilly stuff, which is really interesting because it's it's it's the
Mixolydian mode in the key of E but stressing the six.
So here's the lick [E] [Em]
you get [E] that vibe
[Em] You got this minor third?
open [Db] E
There's the sixth the C sharp that really makes it sound rockabilly to me.
So played a little bit of that stuff
Then I got into
more of a country
right hand technique that I use involving the tritone and this is when you take an
[E] E7 chord and you take out this [Am] first finger and the third finger you're left with a tritone here
[Ab] The tritone is this flat seventh and the major third together used to be called the devil's interval because before box time
You weren't allowed to use it.
Johan Sebastian Bach, you know with the Baroque music kind of broke that open
It seems to my ears anyway, probably guys before him, but he's the cat now you take any tritone and
Reverse it [A] in other words you put the D here on the [D] bottom
You get this now what I'm doing is I'm sliding into it.
So now I'm playing similar bassline stuff
[Abm] Let's see
[Db] [E] but when I get here, [Db] I
Play that [C] tritone and slide it up.
So it [E] sounds like [Em]
and then I bar this finger [E] down
so
[Em]
[C] once again, I'm using my two my two my middle and my
Ring finger on my right hand with the pick and you know guys like Brent Mason they use fake nails
Guys like Albert Lee they use no nails just fingers and it's just amazing.
They get the sound for me
I've been a nails guy since about 1980.
So [E] they've been out there and I've been using them
So
[B]
now when I come to this B seventh chord the five chord I can either do
or and once again sort of like that explanation I did in the bluegrass part and
Of the of the course, it's a pivoting thing
You're using the pick to play a bass note
and you're just pulling off from the B and D sharp a whole step down to A and C sharp and
Then I think on this last performance
I played this little lick that I got from Ray Charles piano playing and that's where [E] he goes
Like what I say, you remember that tune?
[A] [E] It's kind of a cool lick you play the triad
B E and C sharp and G sharp B E G sharp and then you just hammer on from B to the D B to the 7th
Once again a hybrid picking thing.
[B]
It's cool sound
Anyway, there's probably a few more licks in there, but I'll get
Key:
E
Bb
A
G
Em
E
Bb
A
_ _ _ _ _ _ _
So that's my version of rockabilly over the Saints go marching in kind of a changes
I started with a baseline type thing that I stole from Brian Setzer
And I think Brian Setzer is an amazing player at one time had to play the end title to a movie where they used a Brian Setzer
Song I think the movie was called it takes two to tango and they said we need you to play
The song is three minutes long.
We need you to make it eight minutes long for all the credits to roll
So I got out my Gretsch 61 20
Which is that Chet Atkins style guitar and I happen to have a really great old 59
Which is what he uses and I've rented a Roland space echo
Which is what he uses and I got some kind of a like one of my old fender amps or something
But for my ears, there's nothing like a telly to do it
I'm a big fan of the telly through a fender amp just spanking with a little compression going in a little bit of slapback delay
_ So what I did was I played a baseline that I probably stole from Brian Setzer and it's this _ _
_ _ _ _ [G] _ _ [E] So I'm one to the major [A] third to the open a string to [Bb] the B flat to [B] the B and then back down
[A] but [G] on the way down [E] I
Play the minor third and bend it up a little bit of hair just for some character.
And so when played slow
_ [A] _ _ _ _ [Bb] _ _
_ [G] _ _ [E] That's the lick but played fast
I use my third finger on my right hand to throw a little Ian so you get this
[Bb] _ _ _ [E] _ _ _ _ _
[Bb] _ _ _ _ [E] _ _ _ _
[Bb] _ _ [A] _ _ _ _ [E] _ _
_ _ _ _ [Bb] _ _ [Eb] _ [E] _
And
You get the vibe
I mean you're working the right hand and then throwing in a little bit of extra sometimes even a
_ [Bb] _ _
[E] _ You can [G] throw that in there, too
so I played that and then I played a little bit of my stock rockabilly stuff, which is really interesting because it's it's it's the
_ Mixolydian mode in the key of E but stressing the six.
So here's the lick [E] _ _ _ _ [Em] _
you get [E] that vibe
_ _ _ [Em] You got this minor third?
_ open [Db] E
There's the sixth the C sharp that really makes it sound rockabilly to me.
So played a little bit of that stuff
Then I got into
more of a country
right hand technique that I use involving the tritone and this is when you take an
[E] E7 chord _ and you take out this [Am] first finger and the third finger you're left with a tritone here
[Ab] _ The tritone is this flat seventh and the major third together used to be called the devil's interval because before box time
You weren't allowed to use it.
Johan Sebastian Bach, you know with the Baroque music kind of broke that open
It seems to my ears anyway, probably guys before him, but he's the cat now you take any tritone and
_ Reverse it [A] in other words you put the D here on the [D] bottom
You get this now what I'm doing is I'm sliding into it.
So now I'm playing similar bassline stuff
[Abm] _ Let's see
_ [Db] _ [E] but when I get here, _ [Db] _ _ I
Play that [C] tritone and slide it up.
So it [E] sounds like _ _ _ _ [Em] _
and then I bar this finger [E] down
so _ _ _
_ _ _ _ _ _ [Em] _ _
[C] once again, I'm using my two my two my middle and my
Ring finger on my right hand with the pick and you know guys like Brent Mason they use fake nails
Guys like Albert Lee they use no nails just fingers and it's just amazing.
They get the sound for me
I've been a nails guy since about 1980.
So [E] they've been out there and I've been using them
So _ _ _ _ _
_ _ _ _ _ _ [B] _
now when I come to this B seventh chord the five chord I can either do _ _
_ _ or _ and once again sort of like that explanation I did in the bluegrass part and
Of the of the course, it's a pivoting thing
You're using the pick to play a bass note _ _ _
_ and you're just pulling off from the B and D sharp a whole step down to A and C sharp and _ _ _
Then I think on this last performance
I played this little lick that I got from Ray Charles piano playing and that's where [E] he goes
_ _ _ Like what I say, you remember that tune? _ _ _ _ _ _
_ [A] _ _ _ _ [E] It's kind of a cool lick you play the triad
B E and C sharp and G sharp B E G sharp and then you just hammer on from B to the D B to the 7th _ _
Once again a hybrid picking thing. _ _ _ _
_ _ _ _ _ [B] _ _ _
It's cool sound
Anyway, there's probably a few more licks in there, but I'll get
So that's my version of rockabilly over the Saints go marching in kind of a changes
I started with a baseline type thing that I stole from Brian Setzer
And I think Brian Setzer is an amazing player at one time had to play the end title to a movie where they used a Brian Setzer
Song I think the movie was called it takes two to tango and they said we need you to play
The song is three minutes long.
We need you to make it eight minutes long for all the credits to roll
So I got out my Gretsch 61 20
Which is that Chet Atkins style guitar and I happen to have a really great old 59
Which is what he uses and I've rented a Roland space echo
Which is what he uses and I got some kind of a like one of my old fender amps or something
But for my ears, there's nothing like a telly to do it
I'm a big fan of the telly through a fender amp just spanking with a little compression going in a little bit of slapback delay
_ So what I did was I played a baseline that I probably stole from Brian Setzer and it's this _ _
_ _ _ _ [G] _ _ [E] So I'm one to the major [A] third to the open a string to [Bb] the B flat to [B] the B and then back down
[A] but [G] on the way down [E] I
Play the minor third and bend it up a little bit of hair just for some character.
And so when played slow
_ [A] _ _ _ _ [Bb] _ _
_ [G] _ _ [E] That's the lick but played fast
I use my third finger on my right hand to throw a little Ian so you get this
[Bb] _ _ _ [E] _ _ _ _ _
[Bb] _ _ _ _ [E] _ _ _ _
[Bb] _ _ [A] _ _ _ _ [E] _ _
_ _ _ _ [Bb] _ _ [Eb] _ [E] _
And
You get the vibe
I mean you're working the right hand and then throwing in a little bit of extra sometimes even a
_ [Bb] _ _
[E] _ You can [G] throw that in there, too
so I played that and then I played a little bit of my stock rockabilly stuff, which is really interesting because it's it's it's the
_ Mixolydian mode in the key of E but stressing the six.
So here's the lick [E] _ _ _ _ [Em] _
you get [E] that vibe
_ _ _ [Em] You got this minor third?
_ open [Db] E
There's the sixth the C sharp that really makes it sound rockabilly to me.
So played a little bit of that stuff
Then I got into
more of a country
right hand technique that I use involving the tritone and this is when you take an
[E] E7 chord _ and you take out this [Am] first finger and the third finger you're left with a tritone here
[Ab] _ The tritone is this flat seventh and the major third together used to be called the devil's interval because before box time
You weren't allowed to use it.
Johan Sebastian Bach, you know with the Baroque music kind of broke that open
It seems to my ears anyway, probably guys before him, but he's the cat now you take any tritone and
_ Reverse it [A] in other words you put the D here on the [D] bottom
You get this now what I'm doing is I'm sliding into it.
So now I'm playing similar bassline stuff
[Abm] _ Let's see
_ [Db] _ [E] but when I get here, _ [Db] _ _ I
Play that [C] tritone and slide it up.
So it [E] sounds like _ _ _ _ [Em] _
and then I bar this finger [E] down
so _ _ _
_ _ _ _ _ _ [Em] _ _
[C] once again, I'm using my two my two my middle and my
Ring finger on my right hand with the pick and you know guys like Brent Mason they use fake nails
Guys like Albert Lee they use no nails just fingers and it's just amazing.
They get the sound for me
I've been a nails guy since about 1980.
So [E] they've been out there and I've been using them
So _ _ _ _ _
_ _ _ _ _ _ [B] _
now when I come to this B seventh chord the five chord I can either do _ _
_ _ or _ and once again sort of like that explanation I did in the bluegrass part and
Of the of the course, it's a pivoting thing
You're using the pick to play a bass note _ _ _
_ and you're just pulling off from the B and D sharp a whole step down to A and C sharp and _ _ _
Then I think on this last performance
I played this little lick that I got from Ray Charles piano playing and that's where [E] he goes
_ _ _ Like what I say, you remember that tune? _ _ _ _ _ _
_ [A] _ _ _ _ [E] It's kind of a cool lick you play the triad
B E and C sharp and G sharp B E G sharp and then you just hammer on from B to the D B to the 7th _ _
Once again a hybrid picking thing. _ _ _ _
_ _ _ _ _ [B] _ _ _
It's cool sound
Anyway, there's probably a few more licks in there, but I'll get