Chords for Suzi Quatro The Bass Line Episode 9 Wild One Part 1 (fast)
Tempo:
76.125 bpm
Chords used:
E
B
A
D
F
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Hi everybody, welcome to [E] the bass line.
[F] Detroit love.
I'm the girl from Detroit City.
I've got
a two-part of you today.
[D] I'm going to play the wild one, the single version, and of course there's
the slow version too.
That will be tomorrow.
I have had this on stage for many, many years, so
the bass part has adjusted through time.
Pay attention to the syncopation of the first verse,
and then how it goes into a relentless pounding for the second one.
Also pay attention,
not on the recording, to the solo section because I now on stage do a riff in the solo section with
the keyboard player.
And you won't hear it on here, but you'll hear it here.
[A] All right.
Now I've come to you all natural today.
I hardly wear makeup anyway, but today I just thought, well,
I'm the wild one.
Here I am.
Okay, here we go.
Ready?
Here
[D] [A]
[Am] [D] [A]
[E]
we go.
[A]
[D]
[A]
[D]
[G] [A] [E]
[F#]
[B] Riff.
[A] [G#m] [E] [B]
[E] [F] [B]
[E] [B]
[E] [F] [F#]
[D] [B]
[E]
[B]
[E]
[A] [B] [E]
[B] [E]
[B] [Am] [E]
[B] [E]
[B] [F] [B] Okay, right.
Now, [E] a little story about this song.
I've had many, many, many different
musicians in my band through the years.
I've been going a long time, 55 years.
And it's
become now a rite of passage, okay?
When this new musician, be it drums, be it horns, be
it guitar, be it keyboard, doesn't matter.
They all, every one of them without exception,
makes the same mistake on the first gig [Am] where it goes, more, more, [A] I can't keep score, right?
All of them go, more, more, can't keep score.
More, more, wrong, wrong.
It goes, more, more,
I can't keep score.
And they get so mad at me.
Because I always turn around and I go,
I don't think one musician new in the band has done that track right the first time.
And then I say to them after the show, I tell them the story and I say, welcome to the band,
you passed.
Okay, tomorrow will be the Wild Run, the slow version.
See you then.
Bye bye, everybody.
[F] Detroit love.
I'm the girl from Detroit City.
I've got
a two-part of you today.
[D] I'm going to play the wild one, the single version, and of course there's
the slow version too.
That will be tomorrow.
I have had this on stage for many, many years, so
the bass part has adjusted through time.
Pay attention to the syncopation of the first verse,
and then how it goes into a relentless pounding for the second one.
Also pay attention,
not on the recording, to the solo section because I now on stage do a riff in the solo section with
the keyboard player.
And you won't hear it on here, but you'll hear it here.
[A] All right.
Now I've come to you all natural today.
I hardly wear makeup anyway, but today I just thought, well,
I'm the wild one.
Here I am.
Okay, here we go.
Ready?
Here
[D] [A]
[Am] [D] [A]
[E]
we go.
[A]
[D]
[A]
[D]
[G] [A] [E]
[F#]
[B] Riff.
[A] [G#m] [E] [B]
[E] [F] [B]
[E] [B]
[E] [F] [F#]
[D] [B]
[E]
[B]
[E]
[A] [B] [E]
[B] [E]
[B] [Am] [E]
[B] [E]
[B] [F] [B] Okay, right.
Now, [E] a little story about this song.
I've had many, many, many different
musicians in my band through the years.
I've been going a long time, 55 years.
And it's
become now a rite of passage, okay?
When this new musician, be it drums, be it horns, be
it guitar, be it keyboard, doesn't matter.
They all, every one of them without exception,
makes the same mistake on the first gig [Am] where it goes, more, more, [A] I can't keep score, right?
All of them go, more, more, can't keep score.
More, more, wrong, wrong.
It goes, more, more,
I can't keep score.
And they get so mad at me.
Because I always turn around and I go,
I don't think one musician new in the band has done that track right the first time.
And then I say to them after the show, I tell them the story and I say, welcome to the band,
you passed.
Okay, tomorrow will be the Wild Run, the slow version.
See you then.
Bye bye, everybody.
Key:
E
B
A
D
F
E
B
A
_ _ _ _ _ _ _ _
_ _ _ _ Hi everybody, welcome to [E] the bass line.
[F] _ _ _ _ Detroit love.
I'm the girl from Detroit City.
I've got
a two-part of you today.
_ [D] I'm going to play the wild one, the single version, and of course there's
the slow version too.
That will be tomorrow.
I have had this on stage for many, many years, so
the bass part has adjusted through time.
Pay attention to the syncopation of the first verse,
and then how it goes into a relentless pounding for the second one.
Also pay attention,
not on the recording, to the solo section because I now on stage do a riff in the solo section with
the keyboard player.
And you won't hear it on here, but you'll hear it here.
[A] All right.
Now I've come to you all natural today.
I hardly wear makeup anyway, but today I just thought, well,
I'm the wild one.
Here I am.
Okay, here we go.
Ready? _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ Here _ _ _ _ _
_ [D] _ _ _ _ _ [A] _ _
_ _ _ _ _ _ _ _
[Am] _ [D] _ _ _ _ [A] _ _ _
_ [E] _ _ _ _ _ _ _
_ _ we go.
[A] _ _
_ _ _ _ _ _ [D] _ _
_ _ [A] _ _ _ _ _ _
_ _ _ _ _ _ [D] _ _
_ [G] _ [A] _ _ _ _ [E] _ _
_ _ _ _ _ _ _ [F#] _
_ [B] _ Riff. _ _ _ _
_ [A] _ [G#m] _ _ [E] _ _ [B] _ _
[E] _ [F] _ [B] _ _ _ _ _ _
_ [E] _ _ _ _ _ [B] _ _
[E] _ [F] _ [F#] _ _ _ _ _ _
_ _ _ _ _ [D] _ [B] _ _
_ _ _ _ _ _ [E] _ _
_ _ [B] _ _ _ _ _ _
_ _ _ _ _ [E] _ _ _
[A] _ _ [B] _ _ _ _ [E] _ _
_ [B] _ _ _ [E] _ _ _ _
_ [B] _ _ _ [Am] _ _ [E] _ _
_ [B] _ _ _ _ [E] _ _ _
_ [B] _ _ _ [F] _ [B] Okay, right.
Now, [E] _ a little story about this song.
I've had many, many, many different
musicians in my band through the years.
I've been going a long time, 55 years.
And it's
become now a rite of passage, okay?
When this new musician, be it drums, be it horns, be
it guitar, be it keyboard, doesn't matter.
They all, every one of them without exception,
makes the same mistake on the first gig [Am] where it goes, more, more, [A] I can't keep score, right?
All of them go, more, more, can't keep score.
More, more, wrong, wrong.
It goes, more, more,
I can't keep score.
And they get so mad at me.
Because I always turn around and I go,
I don't think one musician new in the band has done that track right the first time.
And then I say to them after the show, I tell them the story and I say, welcome to the band,
you passed.
Okay, tomorrow will be the Wild Run, the slow version.
See you then.
Bye bye, everybody.
_ _ _ _ Hi everybody, welcome to [E] the bass line.
[F] _ _ _ _ Detroit love.
I'm the girl from Detroit City.
I've got
a two-part of you today.
_ [D] I'm going to play the wild one, the single version, and of course there's
the slow version too.
That will be tomorrow.
I have had this on stage for many, many years, so
the bass part has adjusted through time.
Pay attention to the syncopation of the first verse,
and then how it goes into a relentless pounding for the second one.
Also pay attention,
not on the recording, to the solo section because I now on stage do a riff in the solo section with
the keyboard player.
And you won't hear it on here, but you'll hear it here.
[A] All right.
Now I've come to you all natural today.
I hardly wear makeup anyway, but today I just thought, well,
I'm the wild one.
Here I am.
Okay, here we go.
Ready? _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ Here _ _ _ _ _
_ [D] _ _ _ _ _ [A] _ _
_ _ _ _ _ _ _ _
[Am] _ [D] _ _ _ _ [A] _ _ _
_ [E] _ _ _ _ _ _ _
_ _ we go.
[A] _ _
_ _ _ _ _ _ [D] _ _
_ _ [A] _ _ _ _ _ _
_ _ _ _ _ _ [D] _ _
_ [G] _ [A] _ _ _ _ [E] _ _
_ _ _ _ _ _ _ [F#] _
_ [B] _ Riff. _ _ _ _
_ [A] _ [G#m] _ _ [E] _ _ [B] _ _
[E] _ [F] _ [B] _ _ _ _ _ _
_ [E] _ _ _ _ _ [B] _ _
[E] _ [F] _ [F#] _ _ _ _ _ _
_ _ _ _ _ [D] _ [B] _ _
_ _ _ _ _ _ [E] _ _
_ _ [B] _ _ _ _ _ _
_ _ _ _ _ [E] _ _ _
[A] _ _ [B] _ _ _ _ [E] _ _
_ [B] _ _ _ [E] _ _ _ _
_ [B] _ _ _ [Am] _ _ [E] _ _
_ [B] _ _ _ _ [E] _ _ _
_ [B] _ _ _ [F] _ [B] Okay, right.
Now, [E] _ a little story about this song.
I've had many, many, many different
musicians in my band through the years.
I've been going a long time, 55 years.
And it's
become now a rite of passage, okay?
When this new musician, be it drums, be it horns, be
it guitar, be it keyboard, doesn't matter.
They all, every one of them without exception,
makes the same mistake on the first gig [Am] where it goes, more, more, [A] I can't keep score, right?
All of them go, more, more, can't keep score.
More, more, wrong, wrong.
It goes, more, more,
I can't keep score.
And they get so mad at me.
Because I always turn around and I go,
I don't think one musician new in the band has done that track right the first time.
And then I say to them after the show, I tell them the story and I say, welcome to the band,
you passed.
Okay, tomorrow will be the Wild Run, the slow version.
See you then.
Bye bye, everybody.