Chords for Stevie Nicks and Lindsey Buckingham - Don't Stop: The Fleetwood Mac Story

[F] _ _ [Bb] Rumors was recorded at the record plant in San Francisco.
And one [F] afternoon, Stevie found a hidden corner of the studio [Bb] to privately gather her thoughts
on her [F] failing relationship with Lindsay.
_ I was just hanging out in the rest [Abm] of the record plant and Sly Stone had a studio there.
And the people that owned the studio let me in there.
And I went in there with my Fender Rhodes and I spent the afternoon in there and I wrote [Am] Dreams. _ _ _ _ _
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_ _ _ _ _ The next day, and this was [Ab] before the final [G] blow up of me and Lindsay.
[Fm] _ But we were close, [G] but we hadn't had that final blow up yet.
[A] _ _ _
[Gm] _ Now _ _ _ _ _
_ _ _ _ _ _ [F] _
[Dm] there you go again, you say you want your freedom, [F] who am I to keep you down? _
_ [G] I really was the one [A] that wanted my freedom at [E] that point.
[Dm] _ [Gbm] Because I just wasn't happy [E] in the relationship anymore.
[F] The relationship, in my opinion, had become too dark [Db] and too [C] obsessive and [Dm] [G] too heavy.
[F] _ I just was looking for some spring air.
I was just looking to breathe again. _
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_ _ _ _ _ _ I think the thing about Stevie Nicks is her style of writing is much more pastoral, whimsical, west coast, hippie really.
And _ Lindsay Buckingham's style is a much tougher, almost _ punkier sound actually.
[Eb] _ _ _ _ _ _
_ _ _ _ _ [Bbm] Lindsay of course had a [Ab] riposte to Stevie's take on their relationship.
Complete with a dramatic opening and a [Eb] rollicking backbeat. _ _ _
_ _ [N] _ I had this idea, it was actually _ _ _ taken from Street Fighting Man by the Rolling Stones, where Charlie Watts was going_
_ _ And _ _ _ Mick _ couldn't quite get that and he did his own thing, which was he did a 4-4 and he went_
_ [C] _ _ _ _
_ _ _ [Bb] _ _ _ _ [F] _
_ _ _ _ _ Loving you isn't the right thing to [C] _
do.
_ [Bb] _ How can I ever change the things that [F] I feel?
_ [Bb] _
Go Your Own [F] Way is a _ bittersweet _ testimony [C] from a partner [Bb] to another partner.
Well I always looked [E] at Go Your Own Way as [Bb] Lindsay's dreams.
Don't take this from me.
[F] _ _ [Dm] _
My dreams [Bb] was my kind of airy [C] fairy spirituality saying when the rain washes you clean you'll [D] know.
In other words we're [Bb] all going to come out of this.
[F] [C] And Lindsay you and I will come out of this and we'll be friends and it'll be okay.
_ [Dm] And [C] Lindsay's [Gm] dreams, which was Go Your Own Way, [C] was angry and nasty. _
_ _ [F] _ And in my opinion extremely disrespectful to [C] say shacking up.
_ [Bb] _ _ _ _ _ _ _
_ _ _ _ _ _ [F] _ _
_ And me, _ ladylike [Bb] prudish Stevie, [F] _ [C] _ which I am, _ [Bb] _
_ was very offended by him _ saying [F] shacking up is all you want [Dm] to do.
Because I was not in any [Bb] kind of a shacking up mode.
I was [C] not shacking up with anybody.
_ Go Your Own [Dm] Way, [Bb] if you call it thunder, [C] the _ moment's dead.
[G] It may be [Dm] a rather _ [F] truthful and blunt [C] observation, _ _ _ _ but _ [Bb] _ [F] _ that's the way he writes songs.
_ _ [Bb] _ _ [F] _ _ [C] _ _
_ _ [Bb] _ _ _ _ _ _
_ _ _ _ [F] _ I was hired to do the job.
I didn't understand.
Lindsay always refused to sing his lyrics.
And I found out later that the reason why he wasn't singing the lyrics was because he knew it would make Stevie mad.
Lindsay and I broke up like on the last day. _ _
And we had a big fight.
I don't remember what the fight was about.
But we were [C] getting ready to go home and I basically said to him, [Eb] well I'll pack up the car and you drive it and [Dm] I'm flying home and you drive.
And we were done. _
[Bb] _ _ Done.
[C] _ _ _ _ _ _ _ [Dm] _ _ _ _ _
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