Chords for Steven Wilson in LA - Part 1: Setup and Recording 'Luminol'
Tempo:
85.35 bpm
Chords used:
D
G
E
F#
C#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[B]
[Bm] [B]
[Bm] [D] [E]
[A] [E] [G] [E]
[B] [A] [F#]
[Em] [G]
[Gm] [D#]
[G] That's good, [B]
[F#]
that's [E]
[Em] [A#] [Fm] [Em]
[C#m]
[A#] [G#] [A] [Em]
fucking perfect, one of those things you just toss it off, [C#] it ends
being like the hip shit you [C#m] know.
Maybe I'm making too much of it I don't [B] know.
It's not too much.
[C#m]
[Fm] [E]
You hear [F] some fancy words.
[G#] I didn't write all that [G] shit.
This one I thought was actually a viable hook.
[F#] [G] [Bm]
[G] Basically yeah.
Yeah so it's like you know.
[G#]
[F] Well I thought independence and you know technical.
[G]
Cool.
Maybe I might ask about the recess.
That's why I always usually do the first quarter actually of the show.
Not centre.
Do I hear the kick?
Yeah.
[C]
I was ringing right now.
I need a sense of the [E] bass.
Oh right.
[G] [F#] [C#m]
[G#] [C#] [D]
[D#] [D] [C#] [D]
[F#] It's much louder than me.
It's [C#] not great.
[D] [D#m] [D]
[F#] [C#]
[F#]
[G#] [E] [D#] [D]
[C#] [D#] [F#] It's just like it.
It [G] makes it sound so easy.
It makes it sound easy. [D] See.
When I [G] sent him the demo of that track.
It was New Years Day or something.
I got the [B] drum part back in 30 minutes.
That's true yeah.
[G] You're sick Marko.
You [F] see where I'm going now?
What the knife?
[D]
[G] Okay here we go.
[E] [D]
[C#] [E]
[A] [Am]
[G#] [C#]
[D#m] [D] [C#] [D]
[E]
[C#]
[F#m]
[B]
[B] [F#] [D]
[F#] [D] Right this is how a professional [N] would do it.
Professional would do what?
You're from New York.
Oh I see.
We have to be psyched about it.
You're totally [D#] psyched.
Oh man it's just like.
I [G] don't know.
I don't really feel it [G#] right now.
I'm sorry guys.
You're not feeling it man.
No I'm better off when I'm slightly pissed off.
Like what the fuck are [N] we doing here?
What's with this traffic?
What's with all these crowded.
It's a real New
[Bm] [B]
[Bm] [D] [E]
[A] [E] [G] [E]
[B] [A] [F#]
[Em] [G]
[Gm] [D#]
[G] That's good, [B]
[F#]
that's [E]
[Em] [A#] [Fm] [Em]
[C#m]
[A#] [G#] [A] [Em]
fucking perfect, one of those things you just toss it off, [C#] it ends
being like the hip shit you [C#m] know.
Maybe I'm making too much of it I don't [B] know.
It's not too much.
[C#m]
[Fm] [E]
You hear [F] some fancy words.
[G#] I didn't write all that [G] shit.
This one I thought was actually a viable hook.
[F#] [G] [Bm]
[G] Basically yeah.
Yeah so it's like you know.
[G#]
[F] Well I thought independence and you know technical.
[G]
Cool.
Maybe I might ask about the recess.
That's why I always usually do the first quarter actually of the show.
Not centre.
Do I hear the kick?
Yeah.
[C]
I was ringing right now.
I need a sense of the [E] bass.
Oh right.
[G] [F#] [C#m]
[G#] [C#] [D]
[D#] [D] [C#] [D]
[F#] It's much louder than me.
It's [C#] not great.
[D] [D#m] [D]
[F#] [C#]
[F#]
[G#] [E] [D#] [D]
[C#] [D#] [F#] It's just like it.
It [G] makes it sound so easy.
It makes it sound easy. [D] See.
When I [G] sent him the demo of that track.
It was New Years Day or something.
I got the [B] drum part back in 30 minutes.
That's true yeah.
[G] You're sick Marko.
You [F] see where I'm going now?
What the knife?
[D]
[G] Okay here we go.
[E] [D]
[C#] [E]
[A] [Am]
[G#] [C#]
[D#m] [D] [C#] [D]
[E]
[C#]
[F#m]
[B]
[B] [F#] [D]
[F#] [D] Right this is how a professional [N] would do it.
Professional would do what?
You're from New York.
Oh I see.
We have to be psyched about it.
You're totally [D#] psyched.
Oh man it's just like.
I [G] don't know.
I don't really feel it [G#] right now.
I'm sorry guys.
You're not feeling it man.
No I'm better off when I'm slightly pissed off.
Like what the fuck are [N] we doing here?
What's with this traffic?
What's with all these crowded.
It's a real New
Key:
D
G
E
F#
C#
D
G
E
_ _ _ _ _ [B] _ _ _
_ [Bm] _ _ _ [B] _ _ _ _
_ _ _ [Bm] _ _ [D] _ _ [E] _
_ [A] _ _ [E] _ _ [G] _ [E] _ _
[B] _ _ _ [A] _ _ _ [F#] _ _
[Em] _ _ _ _ _ [G] _ _ _
_ _ [Gm] _ _ _ _ _ [D#] _
[G] That's good, _ [B] _ _ _ _ _
_ _ [F#] _ _ _ _ _ _
_ _ _ _ _ _ that's _ _ _ _ _ [E] _ _ _
_ [Em] _ _ [A#] _ [Fm] _ _ _ [Em] _
_ _ _ _ _ [C#m] _ _ _
_ [A#] _ _ [G#] _ [A] _ _ [Em] _ _
fucking perfect, one of those things you just toss it off, [C#] it ends
being like the hip shit you [C#m] know.
_ Maybe I'm making too much of it I don't [B] know.
It's not too much.
[C#m] _
_ _ _ _ [Fm] _ _ [E] _ _
_ _ _ You hear [F] some fancy words. _ _
[G#] I didn't write all that [G] shit.
This one I thought was actually a viable hook.
_ [F#] _ _ [G] _ _ [Bm] _ _ _
_ _ _ _ _ _ _ _
[G] Basically yeah.
Yeah so it's like you know. _
_ _ _ _ [G#] _ _ _ _
[F] Well I thought independence and you know technical.
[G] _ _ _
Cool.
Maybe I might ask about the recess.
That's why I always usually do the first quarter actually of the show.
Not centre. _ _ _ _
Do I hear the kick?
Yeah.
_ _ _ _ [C] _
I was ringing right now.
I need a sense of the [E] bass.
Oh right. _
_ _ _ [G] _ _ [F#] _ _ [C#m] _
_ _ _ [G#] _ _ [C#] _ _ [D] _
_ [D#] _ _ [D] _ _ [C#] _ _ [D] _
_ _ _ _ [F#] It's much louder than me.
It's [C#] not great.
_ [D] _ _ [D#m] _ _ [D] _ _
_ [F#] _ _ [C#] _ _ _ _ _
_ _ _ [F#] _ _ _ _ _
_ [G#] _ _ [E] _ [D#] _ _ [D] _ _
[C#] _ _ _ _ _ [D#] _ [F#] It's just like it.
It [G] makes it sound so easy.
It makes it sound easy. [D] See. _ _
When I _ [G] sent him the demo of that track.
It was New Years Day or something.
_ _ I got the [B] drum part back in 30 minutes.
That's true yeah.
[G] You're sick Marko.
You [F] see where I'm going now?
What the knife? _
_ [D] _ _ _ _ _ _ _
_ _ _ _ _ [G] _ Okay here we go.
[E] _ _ _ _ [D] _ _ _
[C#] _ _ [E] _ _ _ _ _ _
_ _ _ _ [A] _ _ _ [Am] _
_ [G#] _ _ _ _ [C#] _ _ _
_ [D#m] _ _ [D] _ _ [C#] _ _ [D] _
_ _ _ _ _ [E] _ _ _
_ _ _ [C#] _ _ _ _ _
_ _ _ _ _ [F#m] _ _ _
_ [B] _ _ _ _ _ _ _
[B] _ _ _ _ _ [F#] _ _ [D] _
_ [F#] _ [D] Right this is how a professional [N] would do it. _
Professional would do what?
You're from New York.
Oh I see.
We have to be psyched about it.
You're totally [D#] psyched.
Oh man it's just like.
I [G] don't know.
I don't really feel it [G#] right now.
I'm sorry guys.
You're not feeling it man.
No I'm better off when I'm slightly pissed off.
Like what the fuck are [N] we doing here?
What's with this traffic?
_ What's with all these crowded.
It's a real New
_ [Bm] _ _ _ [B] _ _ _ _
_ _ _ [Bm] _ _ [D] _ _ [E] _
_ [A] _ _ [E] _ _ [G] _ [E] _ _
[B] _ _ _ [A] _ _ _ [F#] _ _
[Em] _ _ _ _ _ [G] _ _ _
_ _ [Gm] _ _ _ _ _ [D#] _
[G] That's good, _ [B] _ _ _ _ _
_ _ [F#] _ _ _ _ _ _
_ _ _ _ _ _ that's _ _ _ _ _ [E] _ _ _
_ [Em] _ _ [A#] _ [Fm] _ _ _ [Em] _
_ _ _ _ _ [C#m] _ _ _
_ [A#] _ _ [G#] _ [A] _ _ [Em] _ _
fucking perfect, one of those things you just toss it off, [C#] it ends
being like the hip shit you [C#m] know.
_ Maybe I'm making too much of it I don't [B] know.
It's not too much.
[C#m] _
_ _ _ _ [Fm] _ _ [E] _ _
_ _ _ You hear [F] some fancy words. _ _
[G#] I didn't write all that [G] shit.
This one I thought was actually a viable hook.
_ [F#] _ _ [G] _ _ [Bm] _ _ _
_ _ _ _ _ _ _ _
[G] Basically yeah.
Yeah so it's like you know. _
_ _ _ _ [G#] _ _ _ _
[F] Well I thought independence and you know technical.
[G] _ _ _
Cool.
Maybe I might ask about the recess.
That's why I always usually do the first quarter actually of the show.
Not centre. _ _ _ _
Do I hear the kick?
Yeah.
_ _ _ _ [C] _
I was ringing right now.
I need a sense of the [E] bass.
Oh right. _
_ _ _ [G] _ _ [F#] _ _ [C#m] _
_ _ _ [G#] _ _ [C#] _ _ [D] _
_ [D#] _ _ [D] _ _ [C#] _ _ [D] _
_ _ _ _ [F#] It's much louder than me.
It's [C#] not great.
_ [D] _ _ [D#m] _ _ [D] _ _
_ [F#] _ _ [C#] _ _ _ _ _
_ _ _ [F#] _ _ _ _ _
_ [G#] _ _ [E] _ [D#] _ _ [D] _ _
[C#] _ _ _ _ _ [D#] _ [F#] It's just like it.
It [G] makes it sound so easy.
It makes it sound easy. [D] See. _ _
When I _ [G] sent him the demo of that track.
It was New Years Day or something.
_ _ I got the [B] drum part back in 30 minutes.
That's true yeah.
[G] You're sick Marko.
You [F] see where I'm going now?
What the knife? _
_ [D] _ _ _ _ _ _ _
_ _ _ _ _ [G] _ Okay here we go.
[E] _ _ _ _ [D] _ _ _
[C#] _ _ [E] _ _ _ _ _ _
_ _ _ _ [A] _ _ _ [Am] _
_ [G#] _ _ _ _ [C#] _ _ _
_ [D#m] _ _ [D] _ _ [C#] _ _ [D] _
_ _ _ _ _ [E] _ _ _
_ _ _ [C#] _ _ _ _ _
_ _ _ _ _ [F#m] _ _ _
_ [B] _ _ _ _ _ _ _
[B] _ _ _ _ _ [F#] _ _ [D] _
_ [F#] _ [D] Right this is how a professional [N] would do it. _
Professional would do what?
You're from New York.
Oh I see.
We have to be psyched about it.
You're totally [D#] psyched.
Oh man it's just like.
I [G] don't know.
I don't really feel it [G#] right now.
I'm sorry guys.
You're not feeling it man.
No I'm better off when I'm slightly pissed off.
Like what the fuck are [N] we doing here?
What's with this traffic?
_ What's with all these crowded.
It's a real New