Chords for Steve Lukather & Glen Campbell Studio Jam
Tempo:
152.7 bpm
Chords used:
E
Em
D
A
Am
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[D] [Gb]
[D]
[Abm]
[C] [B] The only pick I had on Captain Kidd.
God, see now here's the opposite.
I know, these are cool.
You want to use that?
[Ab] I got an extra one.
[Eb] Okay, [Gb] reach in.
[E]
[A]
[Em] Be very quiet on these.
You [E] want to take a pose?
[Em] [B]
[E]
[Em]
[E]
[Bm] I'm going [B]
[Db] [E]
[Db]
[E] to
[A]
[E]
[B] [E]
[Em]
[E] [Bb] [E] sit here.
[C] [E]
[N] Here I sit with one of my heroes that we've never met before [E] today.
I [N] have to say it's an incredible honor to sit next to you.
Thank you very much. Such respect.
Great to meet you too.
You and Jerry Reed, I remember watching the TV show when I was about 11, 12 years old.
You guys used to have a shred fest back, just goofing around.
I heard a rumor that you guys used to bet money.
Like if somebody could play a lick and the other guy couldn't play it back, you had to pay.
Is that a true story?
Flatfigured it was.
I loved all the music, loved all your tunes.
I had the records, grew up with the records in my house.
[G] But at the end of the show you'd be playing something simple [Am] like, you know.
[D] [E] And then you [G] go.
[D] [Em] And I just shit my pants.
I go, wow, okay.
So I just waited for Glenn to shred at the end of the tune.
Even if it was a ballad, you were just kind of like throwing it away like, oh, that was nothing.
Reed's stuff, that [C] thumb and finger stuff he used to do.
That's wicked stuff, [Em] man.
I can't do that.
[Gbm] [Gm] [C] [Fm]
[F] [Ab]
[Gb] [C] [B] [Eb]
[Em] [F]
[Ab] [G] [Bb] [G]
[Am] [F]
[Ab] [Cm]
[F] [Em] Yeah, there you [Am] go.
[E]
[Em] [Am] [E]
[Am]
[E]
[Am] [Em]
[Am] [E] [A]
[Am] What's the name of that song?
That's from a song.
[Em]
[D] [E]
[Gbm] [E] That's just a basic melody.
[Gb] [Am]
[Em] [Am]
[E]
[G] I do this song on stage right now.
At a concert.
And people go, hey, yeah, man.
It's like everybody knew.
I [B] got a feeling called the [Bb] blues, oh, [D] since my baby said goodbye.
[Gb] Country festivals, the same way they have the rock festivals.
[F] It's the same thing.
[E] The most fun thing about doing festivals is you run into [Gm] people that either you do know really [C] well that you haven't seen for a long time or [F] people that you wanted to meet.
[C] And say, wow, that was really cool.
And dig their set and they dig yours.
[F] Everybody hangs out and has something to eat afterwards and a couple [C] drinks and a couple laughs.
[G]
[D] [A] Anyway, I [E] got to ask you a question.
This is one of those [Abm] urban myths.
And you'd be the only guy that would answer the question.
Did [D] you play this?
[A]
Did you play the 12-string part on Mr.
Tamarine, man?
No.
[D] Roger.
Roger played that.
Well, the rumor was that you played that part.
Leon [G] Russell [E] played the [A] solo.
[D]
[A] [G] Hey, Mr.
[A] Tamarine, that great song.
[G] I don't know.
You played on so [A] many records.
I mean, you did all those cool Beach Boys [E] sessions.
Leon Russell, he came by.
And I sat in with him.
Awesome.
And Phoenix.
Really?
Yeah.
[N] You guys were on more than a few sessions together back in the days.
I think, didn't Leon used to do some of the charts on some of those old stuff?
I mean, like I heard some of the Sinatra and Dean stuff, you know, back before he became like a wild man back in the day.
Yeah.
Before he became a hippie.
[Ebm] Well, yeah.
I was going to let you say that because I grew up in L [Bb].A.
All the [Eb] Beach Boys stuff, the Gene Dean stuff.
Which one of the Beach Boys tunes were you playing?
Because they didn't list any credits back then.
All of [D] them.
[Em]
[A]
Really?
It [E] was in,
Every round [A] the hell they get out [E] of my hand.
Yeah.
[B]
Every round.
[E] I played this position.
[Gb] In fact, I would go back in on some sessions, you know, [Bb] you could play, [F] yeah.
[E] You play this position.
Right.
And then they would want to play the opening.
Yeah.
And you could do, and it would just, boy.
[N] It opened it all up.
It opens it all up.
That whole sound, [E] you know.
That was like the same thing as the Nashville tune where you take, like you double your, like this part, play this, play this.
Right.
And [Ab] they mixed that together and it would create this big, massive sound.
That's right.
When I first started, it was two track, man.
Ping pong and love and feeling.
That was ping pong and back and forth.
I think they only had, [D] they may have had four then, I don't know.
So how crazy was Phil Spector?
He was Phil Spector.
I suppose that answers itself.
I've heard stories from some of the guys through the years.
He was very aloof, I'll put it that way.
He was a fine [Abm] guy because I was there on everything that they did.
That was probably the happiest, most satisfying part of my life.
You never close your eyes anymore when I kiss [Db] your lips.
Is that what you wanted?
Awesome.
And [Abm] there's no tenderness like before in your fingertips.
[Db]
Wasn't that a good record?
Awesome.
Really classic.
You're [Ebm] trying hard not to show it.
[Fm]
[Gb] But baby, [Ab] baby I know [Db] it.
You've lost that [Ebm] love and feeling.
[Ab]
Oh, [Db] that love and feeling.
You've [Ebm] lost that love and feeling.
Now [Abm] it's gone, gone, [Ab] gone.
Whoa, whoa, now.
I don't think we need to go any further than that, do we?
No, thanks, mate.
[E] You're one of the better guitar players in the world.
Can I keep that part of the tape right here?
[N] That's fantastic.
Thank you so much, sir.
I'll wait for you on the interview.
That was really cool.
Oh, that's so much.
Maestro.
Well, you all were rolling, weren't you?
Yes, I was like, guys, can we do that again?
[D]
[Abm]
[C] [B] The only pick I had on Captain Kidd.
God, see now here's the opposite.
I know, these are cool.
You want to use that?
[Ab] I got an extra one.
[Eb] Okay, [Gb] reach in.
[E]
[A]
[Em] Be very quiet on these.
You [E] want to take a pose?
[Em] [B]
[E]
[Em]
[E]
[Bm] I'm going [B]
[Db] [E]
[Db]
[E] to
[A]
[E]
[B] [E]
[Em]
[E] [Bb] [E] sit here.
[C] [E]
[N] Here I sit with one of my heroes that we've never met before [E] today.
I [N] have to say it's an incredible honor to sit next to you.
Thank you very much. Such respect.
Great to meet you too.
You and Jerry Reed, I remember watching the TV show when I was about 11, 12 years old.
You guys used to have a shred fest back, just goofing around.
I heard a rumor that you guys used to bet money.
Like if somebody could play a lick and the other guy couldn't play it back, you had to pay.
Is that a true story?
Flatfigured it was.
I loved all the music, loved all your tunes.
I had the records, grew up with the records in my house.
[G] But at the end of the show you'd be playing something simple [Am] like, you know.
[D] [E] And then you [G] go.
[D] [Em] And I just shit my pants.
I go, wow, okay.
So I just waited for Glenn to shred at the end of the tune.
Even if it was a ballad, you were just kind of like throwing it away like, oh, that was nothing.
Reed's stuff, that [C] thumb and finger stuff he used to do.
That's wicked stuff, [Em] man.
I can't do that.
[Gbm] [Gm] [C] [Fm]
[F] [Ab]
[Gb] [C] [B] [Eb]
[Em] [F]
[Ab] [G] [Bb] [G]
[Am] [F]
[Ab] [Cm]
[F] [Em] Yeah, there you [Am] go.
[E]
[Em] [Am] [E]
[Am]
[E]
[Am] [Em]
[Am] [E] [A]
[Am] What's the name of that song?
That's from a song.
[Em]
[D] [E]
[Gbm] [E] That's just a basic melody.
[Gb] [Am]
[Em] [Am]
[E]
[G] I do this song on stage right now.
At a concert.
And people go, hey, yeah, man.
It's like everybody knew.
I [B] got a feeling called the [Bb] blues, oh, [D] since my baby said goodbye.
[Gb] Country festivals, the same way they have the rock festivals.
[F] It's the same thing.
[E] The most fun thing about doing festivals is you run into [Gm] people that either you do know really [C] well that you haven't seen for a long time or [F] people that you wanted to meet.
[C] And say, wow, that was really cool.
And dig their set and they dig yours.
[F] Everybody hangs out and has something to eat afterwards and a couple [C] drinks and a couple laughs.
[G]
[D] [A] Anyway, I [E] got to ask you a question.
This is one of those [Abm] urban myths.
And you'd be the only guy that would answer the question.
Did [D] you play this?
[A]
Did you play the 12-string part on Mr.
Tamarine, man?
No.
[D] Roger.
Roger played that.
Well, the rumor was that you played that part.
Leon [G] Russell [E] played the [A] solo.
[D]
[A] [G] Hey, Mr.
[A] Tamarine, that great song.
[G] I don't know.
You played on so [A] many records.
I mean, you did all those cool Beach Boys [E] sessions.
Leon Russell, he came by.
And I sat in with him.
Awesome.
And Phoenix.
Really?
Yeah.
[N] You guys were on more than a few sessions together back in the days.
I think, didn't Leon used to do some of the charts on some of those old stuff?
I mean, like I heard some of the Sinatra and Dean stuff, you know, back before he became like a wild man back in the day.
Yeah.
Before he became a hippie.
[Ebm] Well, yeah.
I was going to let you say that because I grew up in L [Bb].A.
All the [Eb] Beach Boys stuff, the Gene Dean stuff.
Which one of the Beach Boys tunes were you playing?
Because they didn't list any credits back then.
All of [D] them.
[Em]
[A]
Really?
It [E] was in,
Every round [A] the hell they get out [E] of my hand.
Yeah.
[B]
Every round.
[E] I played this position.
[Gb] In fact, I would go back in on some sessions, you know, [Bb] you could play, [F] yeah.
[E] You play this position.
Right.
And then they would want to play the opening.
Yeah.
And you could do, and it would just, boy.
[N] It opened it all up.
It opens it all up.
That whole sound, [E] you know.
That was like the same thing as the Nashville tune where you take, like you double your, like this part, play this, play this.
Right.
And [Ab] they mixed that together and it would create this big, massive sound.
That's right.
When I first started, it was two track, man.
Ping pong and love and feeling.
That was ping pong and back and forth.
I think they only had, [D] they may have had four then, I don't know.
So how crazy was Phil Spector?
He was Phil Spector.
I suppose that answers itself.
I've heard stories from some of the guys through the years.
He was very aloof, I'll put it that way.
He was a fine [Abm] guy because I was there on everything that they did.
That was probably the happiest, most satisfying part of my life.
You never close your eyes anymore when I kiss [Db] your lips.
Is that what you wanted?
Awesome.
And [Abm] there's no tenderness like before in your fingertips.
[Db]
Wasn't that a good record?
Awesome.
Really classic.
You're [Ebm] trying hard not to show it.
[Fm]
[Gb] But baby, [Ab] baby I know [Db] it.
You've lost that [Ebm] love and feeling.
[Ab]
Oh, [Db] that love and feeling.
You've [Ebm] lost that love and feeling.
Now [Abm] it's gone, gone, [Ab] gone.
Whoa, whoa, now.
I don't think we need to go any further than that, do we?
No, thanks, mate.
[E] You're one of the better guitar players in the world.
Can I keep that part of the tape right here?
[N] That's fantastic.
Thank you so much, sir.
I'll wait for you on the interview.
That was really cool.
Oh, that's so much.
Maestro.
Well, you all were rolling, weren't you?
Yes, I was like, guys, can we do that again?
Key:
E
Em
D
A
Am
E
Em
D
_ _ [D] _ _ _ [Gb] _ _ _
[D] _ _ _ _ _ _ _ _
_ _ _ _ _ _ [Abm] _ _
_ _ [C] _ _ _ [B] _ The only pick I had on _ Captain Kidd.
God, see now here's the opposite.
I know, these are cool.
You want to use that? _
_ [Ab] _ I got an extra one. _ _ _
_ [Eb] Okay, [Gb] reach in.
_ [E] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [A] _ _ _ _ _
[Em] Be very quiet on these.
You [E] want to take a pose? _
_ _ _ [Em] _ [B] _ _ _ _
_ _ [E] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [Em] _ _ _
_ _ _ _ _ [E] _ _ _
_ _ _ [Bm] I'm going _ [B] _ _
_ _ [Db] _ _ _ _ [E] _ _
_ _ _ _ _ _ _ [Db] _
_ _ _ [E] to _ _ _
_ _ _ _ _ _ _ _
[A] _ _ _ _ _ _ _ _
[E] _ _ _ _ _ _ _ _
[B] _ _ _ _ _ [E] _ _ _
_ _ [Em] _ _ _ _ _ _
[E] _ _ _ [Bb] _ _ [E] sit here. _
_ _ _ [C] _ [E] _ _ _ _
_ [N] _ _ _ _ Here I sit with one of my heroes that we've never met before [E] today.
I [N] have to say it's an incredible honor to sit next to you.
Thank you very much. Such respect.
Great to meet you too.
You and Jerry Reed, I remember watching the TV show when I was about 11, 12 years old.
You guys used to have a shred fest back, just goofing around.
I heard a rumor that you guys used to bet money.
Like if somebody could play a lick and the other guy couldn't play it back, you had to pay.
Is that a true story? _
Flatfigured it was.
I loved all the music, loved all your tunes.
I had the records, grew up with the records in my house. _
[G] But at the end of the show you'd be playing something simple [Am] like, you know. _
[D] _ _ [E] _ And then you [G] go. _ _
_ [D] _ _ _ [Em] And I just shit my pants.
I go, wow, okay.
_ So I just waited for Glenn to shred at the end of the tune.
Even if it was a ballad, you were just kind of like throwing it away like, oh, that was nothing.
Reed's stuff, that [C] thumb and finger stuff he used to do.
_ That's wicked stuff, [Em] man.
I can't do that. _
[Gbm] _ [Gm] _ _ [C] _ [Fm] _ _ _ _
_ _ _ [F] _ _ [Ab] _ _ _
[Gb] _ [C] _ _ [B] _ _ [Eb] _ _ _
_ [Em] _ _ [F] _ _ _ _ _
[Ab] _ _ _ [G] _ [Bb] _ _ [G] _ _
_ _ _ [Am] _ _ _ [F] _ _
_ _ [Ab] _ _ [Cm] _ _ _ _
_ _ _ [F] _ [Em] _ _ Yeah, there you [Am] go. _ _ _ _ _
_ _ _ _ _ _ [E] _ _
[Em] _ [Am] _ _ _ _ [E] _ _ _
_ _ [Am] _ _ _ _ _ _
_ _ _ _ [E] _ _ _ _
[Am] _ _ _ _ _ _ [Em] _ _
[Am] _ _ _ _ [E] _ _ [A] _ _
_ _ _ _ _ _ _
[Am] What's the name of that song?
That's from a song.
[Em] _ _
_ [D] _ _ _ _ _ _ [E] _
_ _ _ [Gbm] _ [E] _ _ That's just a basic melody.
_ [Gb] _ [Am] _ _ _ _
_ _ _ [Em] _ [Am] _ _ _ _
_ _ _ [E] _ _ _ _ _
[G] I _ do this song on stage right now.
At a concert. _ _ _
And people go, hey, yeah, man.
_ It's like everybody knew.
I [B] got a feeling called the [Bb] blues, oh, [D] since my baby said goodbye. _
_ _ [Gb] Country festivals, the same way they have the rock festivals.
_ [F] It's the same thing.
[E] The most fun thing about doing festivals is you run into [Gm] people that either you do know really [C] well that you haven't seen for a long time or [F] people that you wanted to meet.
[C] And say, wow, that was really cool.
And dig their set and they dig yours.
[F] Everybody hangs out and has something to eat afterwards and a couple [C] drinks and a couple laughs.
_ [G] _ _
[D] _ [A] _ _ Anyway, I [E] got to ask you a question.
This is one of those [Abm] urban myths.
And you'd be the only guy that would answer the question.
Did [D] you play this? _ _ _
_ _ [A] _ _ _ _ _ _
_ _ _ _ _ _ Did you play the 12-string part on Mr.
Tamarine, man?
No. _
[D] Roger.
Roger played that.
Well, the rumor was that you played that part.
Leon [G] Russell [E] played the [A] solo.
_ _ [D] _ _ _ _ _ _
[A] _ _ _ [G] _ _ _ Hey, Mr.
[A] _ _ Tamarine, that great song.
_ [G] _ I don't know.
You played on so [A] many records.
I mean, you did all those cool Beach Boys [E] sessions.
Leon Russell, he came by.
And I sat in with him.
_ Awesome.
And Phoenix. _
Really?
Yeah.
_ _ [N] You guys were on more than a few sessions together back in the days.
I think, didn't Leon used to do some of the charts on some of those old stuff?
I mean, like I heard some _ of the Sinatra and Dean stuff, you know, back before he became like a wild man _ back in the day.
Yeah.
Before he _ _ became a hippie.
[Ebm] Well, yeah.
I was going to let you say that because I grew up in L [Bb].A.
_ All the [Eb] Beach Boys stuff, the Gene Dean stuff.
Which one of the Beach Boys tunes were you playing?
Because they didn't list any credits back then.
_ _ All of [D] them.
_ [Em] _ _ _ _ _
[A] _ _ _ _ _ _ _
Really?
It [E] was in,
Every round [A] the hell they get out [E] of my hand. _
_ _ _ _ Yeah.
[B] _
Every round.
_ [E] I played this position.
[Gb] In fact, I would go back in on some sessions, you know, [Bb] you could play, [F] yeah.
[E] _ You play _ this position.
Right.
And then they would want to play the opening.
_ _ Yeah. _ _ _
And you could do, and it would just, boy.
[N] It opened it all up.
It opens it all up.
That whole sound, [E] you know.
That was like the same thing as the Nashville tune where you take, like you double your, like this part, play this, play this. _
Right.
And [Ab] they mixed that together and it would create this big, massive sound.
That's right.
When I first started, it was two track, man.
Ping pong and _ _ _ love and feeling.
That was ping pong and back and forth.
I think they only had, [D] they may have had four then, I don't know.
So how crazy was Phil Spector? _
He was _ Phil Spector. _ _
I suppose that answers itself. _ _
I've heard stories from some of the guys through the years.
He was very _ aloof, I'll put it that way.
He was a fine [Abm] guy because I was there on _ _ _ everything that they did.
That was probably the happiest, _ most satisfying part of my life.
_ You never close your eyes _ anymore _ when I kiss [Db] your lips. _ _
_ Is that what you wanted?
Awesome.
And [Abm] there's no tenderness _ like before in your fingertips.
[Db] _ _
Wasn't that a good record?
Awesome.
Really classic. _
You're [Ebm] trying hard not to show it.
[Fm] _
_ _ _ _ [Gb] But baby, _ _ _ [Ab] _ baby I know [Db] it.
_ You've lost that [Ebm] love and feeling.
[Ab] _ _
_ _ Oh, [Db] that love and feeling.
_ _ _ _ You've [Ebm] lost that love and feeling.
Now [Abm] it's gone, _ gone, _ [Ab] gone.
_ Whoa, whoa, now. _ _
_ _ I don't think we need to go any further than that, do we?
_ No, thanks, mate.
[E] You're one of the better guitar players in the world.
_ _ Can I keep that part of the tape right here?
_ [N] That's fantastic.
_ Thank you so much, sir.
I'll wait for you on the interview.
That was really cool. _
_ _ _ _ _ Oh, that's so much.
Maestro.
_ _ Well, you all were rolling, weren't you?
_ _ Yes, I was like, guys, can we do that again?
[D] _ _ _ _ _ _ _ _
_ _ _ _ _ _ [Abm] _ _
_ _ [C] _ _ _ [B] _ The only pick I had on _ Captain Kidd.
God, see now here's the opposite.
I know, these are cool.
You want to use that? _
_ [Ab] _ I got an extra one. _ _ _
_ [Eb] Okay, [Gb] reach in.
_ [E] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [A] _ _ _ _ _
[Em] Be very quiet on these.
You [E] want to take a pose? _
_ _ _ [Em] _ [B] _ _ _ _
_ _ [E] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [Em] _ _ _
_ _ _ _ _ [E] _ _ _
_ _ _ [Bm] I'm going _ [B] _ _
_ _ [Db] _ _ _ _ [E] _ _
_ _ _ _ _ _ _ [Db] _
_ _ _ [E] to _ _ _
_ _ _ _ _ _ _ _
[A] _ _ _ _ _ _ _ _
[E] _ _ _ _ _ _ _ _
[B] _ _ _ _ _ [E] _ _ _
_ _ [Em] _ _ _ _ _ _
[E] _ _ _ [Bb] _ _ [E] sit here. _
_ _ _ [C] _ [E] _ _ _ _
_ [N] _ _ _ _ Here I sit with one of my heroes that we've never met before [E] today.
I [N] have to say it's an incredible honor to sit next to you.
Thank you very much. Such respect.
Great to meet you too.
You and Jerry Reed, I remember watching the TV show when I was about 11, 12 years old.
You guys used to have a shred fest back, just goofing around.
I heard a rumor that you guys used to bet money.
Like if somebody could play a lick and the other guy couldn't play it back, you had to pay.
Is that a true story? _
Flatfigured it was.
I loved all the music, loved all your tunes.
I had the records, grew up with the records in my house. _
[G] But at the end of the show you'd be playing something simple [Am] like, you know. _
[D] _ _ [E] _ And then you [G] go. _ _
_ [D] _ _ _ [Em] And I just shit my pants.
I go, wow, okay.
_ So I just waited for Glenn to shred at the end of the tune.
Even if it was a ballad, you were just kind of like throwing it away like, oh, that was nothing.
Reed's stuff, that [C] thumb and finger stuff he used to do.
_ That's wicked stuff, [Em] man.
I can't do that. _
[Gbm] _ [Gm] _ _ [C] _ [Fm] _ _ _ _
_ _ _ [F] _ _ [Ab] _ _ _
[Gb] _ [C] _ _ [B] _ _ [Eb] _ _ _
_ [Em] _ _ [F] _ _ _ _ _
[Ab] _ _ _ [G] _ [Bb] _ _ [G] _ _
_ _ _ [Am] _ _ _ [F] _ _
_ _ [Ab] _ _ [Cm] _ _ _ _
_ _ _ [F] _ [Em] _ _ Yeah, there you [Am] go. _ _ _ _ _
_ _ _ _ _ _ [E] _ _
[Em] _ [Am] _ _ _ _ [E] _ _ _
_ _ [Am] _ _ _ _ _ _
_ _ _ _ [E] _ _ _ _
[Am] _ _ _ _ _ _ [Em] _ _
[Am] _ _ _ _ [E] _ _ [A] _ _
_ _ _ _ _ _ _
[Am] What's the name of that song?
That's from a song.
[Em] _ _
_ [D] _ _ _ _ _ _ [E] _
_ _ _ [Gbm] _ [E] _ _ That's just a basic melody.
_ [Gb] _ [Am] _ _ _ _
_ _ _ [Em] _ [Am] _ _ _ _
_ _ _ [E] _ _ _ _ _
[G] I _ do this song on stage right now.
At a concert. _ _ _
And people go, hey, yeah, man.
_ It's like everybody knew.
I [B] got a feeling called the [Bb] blues, oh, [D] since my baby said goodbye. _
_ _ [Gb] Country festivals, the same way they have the rock festivals.
_ [F] It's the same thing.
[E] The most fun thing about doing festivals is you run into [Gm] people that either you do know really [C] well that you haven't seen for a long time or [F] people that you wanted to meet.
[C] And say, wow, that was really cool.
And dig their set and they dig yours.
[F] Everybody hangs out and has something to eat afterwards and a couple [C] drinks and a couple laughs.
_ [G] _ _
[D] _ [A] _ _ Anyway, I [E] got to ask you a question.
This is one of those [Abm] urban myths.
And you'd be the only guy that would answer the question.
Did [D] you play this? _ _ _
_ _ [A] _ _ _ _ _ _
_ _ _ _ _ _ Did you play the 12-string part on Mr.
Tamarine, man?
No. _
[D] Roger.
Roger played that.
Well, the rumor was that you played that part.
Leon [G] Russell [E] played the [A] solo.
_ _ [D] _ _ _ _ _ _
[A] _ _ _ [G] _ _ _ Hey, Mr.
[A] _ _ Tamarine, that great song.
_ [G] _ I don't know.
You played on so [A] many records.
I mean, you did all those cool Beach Boys [E] sessions.
Leon Russell, he came by.
And I sat in with him.
_ Awesome.
And Phoenix. _
Really?
Yeah.
_ _ [N] You guys were on more than a few sessions together back in the days.
I think, didn't Leon used to do some of the charts on some of those old stuff?
I mean, like I heard some _ of the Sinatra and Dean stuff, you know, back before he became like a wild man _ back in the day.
Yeah.
Before he _ _ became a hippie.
[Ebm] Well, yeah.
I was going to let you say that because I grew up in L [Bb].A.
_ All the [Eb] Beach Boys stuff, the Gene Dean stuff.
Which one of the Beach Boys tunes were you playing?
Because they didn't list any credits back then.
_ _ All of [D] them.
_ [Em] _ _ _ _ _
[A] _ _ _ _ _ _ _
Really?
It [E] was in,
Every round [A] the hell they get out [E] of my hand. _
_ _ _ _ Yeah.
[B] _
Every round.
_ [E] I played this position.
[Gb] In fact, I would go back in on some sessions, you know, [Bb] you could play, [F] yeah.
[E] _ You play _ this position.
Right.
And then they would want to play the opening.
_ _ Yeah. _ _ _
And you could do, and it would just, boy.
[N] It opened it all up.
It opens it all up.
That whole sound, [E] you know.
That was like the same thing as the Nashville tune where you take, like you double your, like this part, play this, play this. _
Right.
And [Ab] they mixed that together and it would create this big, massive sound.
That's right.
When I first started, it was two track, man.
Ping pong and _ _ _ love and feeling.
That was ping pong and back and forth.
I think they only had, [D] they may have had four then, I don't know.
So how crazy was Phil Spector? _
He was _ Phil Spector. _ _
I suppose that answers itself. _ _
I've heard stories from some of the guys through the years.
He was very _ aloof, I'll put it that way.
He was a fine [Abm] guy because I was there on _ _ _ everything that they did.
That was probably the happiest, _ most satisfying part of my life.
_ You never close your eyes _ anymore _ when I kiss [Db] your lips. _ _
_ Is that what you wanted?
Awesome.
And [Abm] there's no tenderness _ like before in your fingertips.
[Db] _ _
Wasn't that a good record?
Awesome.
Really classic. _
You're [Ebm] trying hard not to show it.
[Fm] _
_ _ _ _ [Gb] But baby, _ _ _ [Ab] _ baby I know [Db] it.
_ You've lost that [Ebm] love and feeling.
[Ab] _ _
_ _ Oh, [Db] that love and feeling.
_ _ _ _ You've [Ebm] lost that love and feeling.
Now [Abm] it's gone, _ gone, _ [Ab] gone.
_ Whoa, whoa, now. _ _
_ _ I don't think we need to go any further than that, do we?
_ No, thanks, mate.
[E] You're one of the better guitar players in the world.
_ _ Can I keep that part of the tape right here?
_ [N] That's fantastic.
_ Thank you so much, sir.
I'll wait for you on the interview.
That was really cool. _
_ _ _ _ _ Oh, that's so much.
Maestro.
_ _ Well, you all were rolling, weren't you?
_ _ Yes, I was like, guys, can we do that again?