Chords for SPACES: Inside the Tiny Bedroom Where FINNEAS and Billie Eilish Are Redefining Pop Music
Tempo:
124.25 bpm
Chords used:
D
G
C
Em
A
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[A] [B]
[E] [A]
[E] [A]
So this is the house I grew up in.
We only have a two-bedroom house, and there's four [F] people in it.
Instead of making me and Billy share a room [A] growing up,
our parents just [D] sleep on a futon [E] in the living room,
which is [A] really nice of them.
That was kind of how our house felt growing up.
We [B] grew up with like three pianos in the house.
Having music in every nook and cranny of that house
was really [A] important to me.
To me, it's all [G] about immediacy.
The [F] [E] way I want any home studio to function [D] is like
I want it all to be like, [Ebm] as fast as I can think of an idea,
I want to be able to [E] articulate it.
I recorded me [Eb] and Billy standing in a bathroom
and [B] striking all these matches.
[G] I'll sit
[C] [D]
[Em] here, and she'll be like right there,
and I'll just bring the [Eb] microphone over to where she is,
and she recorded, I think she recorded pretty much [D] every vocal
for the [Db] entire album, sitting on my bed with her [D] legs crossed,
which is kind of insane.
[C]
I'm in love without [Bm]
you
Being born when I [A] was born,
and just being [C] able to afford [B] a computer and Logic Pro,
just being afforded the [Em] opportunities I was afforded,
living in L.A., making music, being [D] homeschooled,
[Eb] having time in the day to make all that music,
it was just this [F] [G] gift that I was given of time and resources,
and [B] I chopped that [Eb] up into this [Gb] crazy [G] sample pad.
Out of my [D]
inside, [G] out of my
[C] [G]
[E] I still try [Em] to limit myself [D] as much as I can
just to see how [Cm] much I can get out of an individual thing.
[Db] So I tried never to look at it growing up as like,
I don't have a Mellotron, [G] I don't have this.
First of all, there's so many great plug-ins,
so I always feel like I [Em] kind of did,
but [D] just whatever I had, I was like, [C] I've got this.
[G] Oh, to make the chorus more impactful,
[Eb] I added the sound of an RPG going off.
That's ridiculous, [G] but it sounds [Cm] great.
[F] [Am] All the time [F] in this ocean
There's a [Am] crazy intimacy, [C] I think, to what we're [F] doing.
There's such a kind of a private [A] feeling to what we're [F] doing
because we're not at a recording studio
where different people are there [D] every day
and people are down [Eb] the hall, like it's our [D] house
and it's where we live
[F] and it's where we have experienced [Gb] everything.
That allows [Gbm] us to make some [Em] kind of music
that feels wholeheartedly exposed
[D] as far as like who we really are as people and as [G] siblings
and as [Ebm] children of our parents.
I think it's [G] just really honest.
[C] Hey, I'm [D] just now leaving
Can [G]
I come around later on this evening?
[Am] Or do you need [D] time?
[G] Yes, of [Bm] course, [Em] that's fine.
[Am] Hey you, [C]
[D] good morning
I'm sure [G] you're busy [Bm] now
Why else would you [Em] ignore me?
Or [Am]
do [C] you need [D] space?
You can't [Bm] help it if your mind [Em] has changed
[C] Go ahead, break my heart [D] again
[G] Leave me wondering why the hell I [Bm] ever let you [Em] in
Are [Am] you the definition of [D] insanity?
Or [G]
am I?
[Bm] Oh, it [Em] must be nice
To love [C] someone [D] who lets you break them twice
[E] [A]
[E] [A]
So this is the house I grew up in.
We only have a two-bedroom house, and there's four [F] people in it.
Instead of making me and Billy share a room [A] growing up,
our parents just [D] sleep on a futon [E] in the living room,
which is [A] really nice of them.
That was kind of how our house felt growing up.
We [B] grew up with like three pianos in the house.
Having music in every nook and cranny of that house
was really [A] important to me.
To me, it's all [G] about immediacy.
The [F] [E] way I want any home studio to function [D] is like
I want it all to be like, [Ebm] as fast as I can think of an idea,
I want to be able to [E] articulate it.
I recorded me [Eb] and Billy standing in a bathroom
and [B] striking all these matches.
[G] I'll sit
[C] [D]
[Em] here, and she'll be like right there,
and I'll just bring the [Eb] microphone over to where she is,
and she recorded, I think she recorded pretty much [D] every vocal
for the [Db] entire album, sitting on my bed with her [D] legs crossed,
which is kind of insane.
[C]
I'm in love without [Bm]
you
Being born when I [A] was born,
and just being [C] able to afford [B] a computer and Logic Pro,
just being afforded the [Em] opportunities I was afforded,
living in L.A., making music, being [D] homeschooled,
[Eb] having time in the day to make all that music,
it was just this [F] [G] gift that I was given of time and resources,
and [B] I chopped that [Eb] up into this [Gb] crazy [G] sample pad.
Out of my [D]
inside, [G] out of my
[C] [G]
[E] I still try [Em] to limit myself [D] as much as I can
just to see how [Cm] much I can get out of an individual thing.
[Db] So I tried never to look at it growing up as like,
I don't have a Mellotron, [G] I don't have this.
First of all, there's so many great plug-ins,
so I always feel like I [Em] kind of did,
but [D] just whatever I had, I was like, [C] I've got this.
[G] Oh, to make the chorus more impactful,
[Eb] I added the sound of an RPG going off.
That's ridiculous, [G] but it sounds [Cm] great.
[F] [Am] All the time [F] in this ocean
There's a [Am] crazy intimacy, [C] I think, to what we're [F] doing.
There's such a kind of a private [A] feeling to what we're [F] doing
because we're not at a recording studio
where different people are there [D] every day
and people are down [Eb] the hall, like it's our [D] house
and it's where we live
[F] and it's where we have experienced [Gb] everything.
That allows [Gbm] us to make some [Em] kind of music
that feels wholeheartedly exposed
[D] as far as like who we really are as people and as [G] siblings
and as [Ebm] children of our parents.
I think it's [G] just really honest.
[C] Hey, I'm [D] just now leaving
Can [G]
I come around later on this evening?
[Am] Or do you need [D] time?
[G] Yes, of [Bm] course, [Em] that's fine.
[Am] Hey you, [C]
[D] good morning
I'm sure [G] you're busy [Bm] now
Why else would you [Em] ignore me?
Or [Am]
do [C] you need [D] space?
You can't [Bm] help it if your mind [Em] has changed
[C] Go ahead, break my heart [D] again
[G] Leave me wondering why the hell I [Bm] ever let you [Em] in
Are [Am] you the definition of [D] insanity?
Or [G]
am I?
[Bm] Oh, it [Em] must be nice
To love [C] someone [D] who lets you break them twice
Key:
D
G
C
Em
A
D
G
C
[A] _ _ _ _ _ _ _ [B] _
_ _ _ [E] _ _ _ [A] _ _
_ _ _ _ _ _ _ _
_ _ _ _ [E] _ _ _ [A] _
_ _ _ So this is the house I grew up in.
We only have a two-bedroom house, and there's four [F] people in it.
Instead of making me and Billy share a room [A] growing up,
our parents just [D] sleep on a futon [E] in the living room,
which is [A] really nice of them.
That was kind of how our house felt growing up.
We [B] grew up with like three pianos in the house.
Having music in every nook and cranny of that house
was really [A] important to me. _ _ _ _
_ _ _ _ To me, it's all [G] about immediacy.
The [F] _ _ [E] way I want any home studio to function [D] is like
I want it all to be like, [Ebm] as fast as I can think of an idea,
I want to be able to [E] articulate it.
_ I recorded me [Eb] and Billy standing in a bathroom
and [B] striking all these matches. _ _ _
_ _ _ [G] _ I'll sit _ _
_ _ _ _ _ _ _ _
_ _ [C] _ _ [D] _ _ _ _
_ [Em] here, and she'll be like right there,
and I'll just bring the [Eb] microphone over to where she is,
and she recorded, I think she recorded pretty much [D] every vocal
for the [Db] entire album, sitting on my bed with her [D] legs crossed,
which is kind of insane.
_ [C] _ _
I'm in love without [Bm] _ _ _
you
Being born when I [A] was born,
and just being [C] able to afford [B] a computer and Logic Pro,
just being afforded the [Em] opportunities I was afforded,
living in L.A., making music, being [D] homeschooled,
[Eb] having time in the day to make all that music,
it was just this [F] [G] gift that I was given of time and resources,
and [B] I chopped that [Eb] up into this [Gb] crazy [G] sample pad.
Out of my [D]
inside, [G] out of my_
[C] _ _ [G] _ _ _
_ _ [E] I still try [Em] to limit myself [D] as much as I can
just to see how [Cm] much I can get out of an individual thing.
[Db] So I tried never to look at it growing up as like,
I don't have a Mellotron, [G] I don't have this.
First of all, there's so many great plug-ins,
so I always feel like I [Em] kind of did,
but [D] just whatever I had, I was like, [C] I've got this. _
[G] Oh, to make the chorus more impactful,
[Eb] I added the sound of an RPG going off.
That's ridiculous, [G] but it sounds [Cm] great. _ _
[F] _ _ _ _ _ [Am] All the time [F] in this ocean _ _ _ _
_ There's a [Am] crazy intimacy, [C] I think, to what we're [F] doing.
_ There's such a kind of a private [A] feeling to what we're [F] doing
because we're not at a recording studio
where different people are there [D] every day
and people are down [Eb] the hall, like it's our [D] house
and it's where we live
[F] and it's where we have experienced [Gb] everything.
_ _ _ That allows [Gbm] us to make some [Em] kind of music
that _ feels wholeheartedly exposed
[D] as far as like who we really are as people and as [G] siblings
and as [Ebm] children of our parents.
I think it's [G] just really honest.
_ _ [C] _ Hey, _ I'm [D] just now leaving
Can _ _ [G]
I come around _ later on this evening?
_ _ _ [Am] Or do _ _ you need [D] time? _
_ _ [G] Yes, of [Bm] _ course, _ _ _ [Em] that's fine. _ _ _
_ [Am] Hey you, _ _ [C] _ _
[D] good morning
I'm sure [G] you're busy [Bm] now
Why else would you [Em] ignore me?
_ _ _ _ Or [Am]
do _ _ [C] you need [D] space?
_ _ You can't [Bm] help it if your mind [Em] has changed _ _
_ _ [C] Go ahead, break my heart [D] _ again _ _
[G] Leave me wondering why the hell I [Bm] ever let you [Em] in _ _ _ _
Are [Am] you the definition of [D] insanity?
_ _ _ Or [G]
am I?
_ [Bm] Oh, it [Em] must be nice
_ _ _ To love [C] someone _ [D] who lets you break them twice _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [E] _ _ _ [A] _ _
_ _ _ _ _ _ _ _
_ _ _ _ [E] _ _ _ [A] _
_ _ _ So this is the house I grew up in.
We only have a two-bedroom house, and there's four [F] people in it.
Instead of making me and Billy share a room [A] growing up,
our parents just [D] sleep on a futon [E] in the living room,
which is [A] really nice of them.
That was kind of how our house felt growing up.
We [B] grew up with like three pianos in the house.
Having music in every nook and cranny of that house
was really [A] important to me. _ _ _ _
_ _ _ _ To me, it's all [G] about immediacy.
The [F] _ _ [E] way I want any home studio to function [D] is like
I want it all to be like, [Ebm] as fast as I can think of an idea,
I want to be able to [E] articulate it.
_ I recorded me [Eb] and Billy standing in a bathroom
and [B] striking all these matches. _ _ _
_ _ _ [G] _ I'll sit _ _
_ _ _ _ _ _ _ _
_ _ [C] _ _ [D] _ _ _ _
_ [Em] here, and she'll be like right there,
and I'll just bring the [Eb] microphone over to where she is,
and she recorded, I think she recorded pretty much [D] every vocal
for the [Db] entire album, sitting on my bed with her [D] legs crossed,
which is kind of insane.
_ [C] _ _
I'm in love without [Bm] _ _ _
you
Being born when I [A] was born,
and just being [C] able to afford [B] a computer and Logic Pro,
just being afforded the [Em] opportunities I was afforded,
living in L.A., making music, being [D] homeschooled,
[Eb] having time in the day to make all that music,
it was just this [F] [G] gift that I was given of time and resources,
and [B] I chopped that [Eb] up into this [Gb] crazy [G] sample pad.
Out of my [D]
inside, [G] out of my_
[C] _ _ [G] _ _ _
_ _ [E] I still try [Em] to limit myself [D] as much as I can
just to see how [Cm] much I can get out of an individual thing.
[Db] So I tried never to look at it growing up as like,
I don't have a Mellotron, [G] I don't have this.
First of all, there's so many great plug-ins,
so I always feel like I [Em] kind of did,
but [D] just whatever I had, I was like, [C] I've got this. _
[G] Oh, to make the chorus more impactful,
[Eb] I added the sound of an RPG going off.
That's ridiculous, [G] but it sounds [Cm] great. _ _
[F] _ _ _ _ _ [Am] All the time [F] in this ocean _ _ _ _
_ There's a [Am] crazy intimacy, [C] I think, to what we're [F] doing.
_ There's such a kind of a private [A] feeling to what we're [F] doing
because we're not at a recording studio
where different people are there [D] every day
and people are down [Eb] the hall, like it's our [D] house
and it's where we live
[F] and it's where we have experienced [Gb] everything.
_ _ _ That allows [Gbm] us to make some [Em] kind of music
that _ feels wholeheartedly exposed
[D] as far as like who we really are as people and as [G] siblings
and as [Ebm] children of our parents.
I think it's [G] just really honest.
_ _ [C] _ Hey, _ I'm [D] just now leaving
Can _ _ [G]
I come around _ later on this evening?
_ _ _ [Am] Or do _ _ you need [D] time? _
_ _ [G] Yes, of [Bm] _ course, _ _ _ [Em] that's fine. _ _ _
_ [Am] Hey you, _ _ [C] _ _
[D] good morning
I'm sure [G] you're busy [Bm] now
Why else would you [Em] ignore me?
_ _ _ _ Or [Am]
do _ _ [C] you need [D] space?
_ _ You can't [Bm] help it if your mind [Em] has changed _ _
_ _ [C] Go ahead, break my heart [D] _ again _ _
[G] Leave me wondering why the hell I [Bm] ever let you [Em] in _ _ _ _
Are [Am] you the definition of [D] insanity?
_ _ _ Or [G]
am I?
_ [Bm] Oh, it [Em] must be nice
_ _ _ To love [C] someone _ [D] who lets you break them twice _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _