Chords for SPACES: Inside the Tiny Bedroom Where FINNEAS and Billie Eilish Are Redefining Pop Music

Tempo:
124.25 bpm
Chords used:

D

G

C

Em

A

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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SPACES: Inside the Tiny Bedroom Where FINNEAS and Billie Eilish Are Redefining Pop Music chords
Start Jamming...
[A] [B]
[E] [A]
[E] [A]
So this is the house I grew up in.
We only have a two-bedroom house, and there's four [F] people in it.
Instead of making me and Billy share a room [A] growing up,
our parents just [D] sleep on a futon [E] in the living room,
which is [A] really nice of them.
That was kind of how our house felt growing up.
We [B] grew up with like three pianos in the house.
Having music in every nook and cranny of that house
was really [A] important to me.
To me, it's all [G] about immediacy.
The [F] [E] way I want any home studio to function [D] is like
I want it all to be like, [Ebm] as fast as I can think of an idea,
I want to be able to [E] articulate it.
I recorded me [Eb] and Billy standing in a bathroom
and [B] striking all these matches.
[G] I'll sit
[C] [D]
[Em] here, and she'll be like right there,
and I'll just bring the [Eb] microphone over to where she is,
and she recorded, I think she recorded pretty much [D] every vocal
for the [Db] entire album, sitting on my bed with her [D] legs crossed,
which is kind of insane.
[C]
I'm in love without [Bm]
you
Being born when I [A] was born,
and just being [C] able to afford [B] a computer and Logic Pro,
just being afforded the [Em] opportunities I was afforded,
living in L.A., making music, being [D] homeschooled,
[Eb] having time in the day to make all that music,
it was just this [F] [G] gift that I was given of time and resources,
and [B] I chopped that [Eb] up into this [Gb] crazy [G] sample pad.
Out of my [D]
inside, [G] out of my
[C] [G]
[E] I still try [Em] to limit myself [D] as much as I can
just to see how [Cm] much I can get out of an individual thing.
[Db] So I tried never to look at it growing up as like,
I don't have a Mellotron, [G] I don't have this.
First of all, there's so many great plug-ins,
so I always feel like I [Em] kind of did,
but [D] just whatever I had, I was like, [C] I've got this.
[G] Oh, to make the chorus more impactful,
[Eb] I added the sound of an RPG going off.
That's ridiculous, [G] but it sounds [Cm] great.
[F] [Am] All the time [F] in this ocean
There's a [Am] crazy intimacy, [C] I think, to what we're [F] doing.
There's such a kind of a private [A] feeling to what we're [F] doing
because we're not at a recording studio
where different people are there [D] every day
and people are down [Eb] the hall, like it's our [D] house
and it's where we live
[F] and it's where we have experienced [Gb] everything.
That allows [Gbm] us to make some [Em] kind of music
that feels wholeheartedly exposed
[D] as far as like who we really are as people and as [G] siblings
and as [Ebm] children of our parents.
I think it's [G] just really honest.
[C] Hey, I'm [D] just now leaving
Can [G]
I come around later on this evening?
[Am] Or do you need [D] time?
[G] Yes, of [Bm] course, [Em] that's fine.
[Am] Hey you, [C]
[D] good morning
I'm sure [G] you're busy [Bm] now
Why else would you [Em] ignore me?
Or [Am]
do [C] you need [D] space?
You can't [Bm] help it if your mind [Em] has changed
[C] Go ahead, break my heart [D] again
[G] Leave me wondering why the hell I [Bm] ever let you [Em] in
Are [Am] you the definition of [D] insanity?
Or [G]
am I?
[Bm] Oh, it [Em] must be nice
To love [C] someone [D] who lets you break them twice
Key:  
D
1321
G
2131
C
3211
Em
121
A
1231
D
1321
G
2131
C
3211
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Chords
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Let's start jamming Billie Eilish, Vince Staples - Burn chords, Practice these chords sequence - Bm, Em, Am, D, G, Bm, Em, C and D. For a smooth transition, initiate your practice at 62 BPM and gradually match the song's pace of 124 BPM. Align the capo with your vocal depth and chord choice, bearing in mind the song's original key: G Major.

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[A] _ _ _ _ _ _ _ [B] _
_ _ _ [E] _ _ _ [A] _ _
_ _ _ _ _ _ _ _
_ _ _ _ [E] _ _ _ [A] _
_ _ _ So this is the house I grew up in.
We only have a two-bedroom house, and there's four [F] people in it.
Instead of making me and Billy share a room [A] growing up,
our parents just [D] sleep on a futon [E] in the living room,
which is [A] really nice of them.
That was kind of how our house felt growing up.
We [B] grew up with like three pianos in the house.
Having music in every nook and cranny of that house
was really [A] important to me. _ _ _ _
_ _ _ _ To me, it's all [G] about immediacy.
The [F] _ _ [E] way I want any home studio to function [D] is like
I want it all to be like, [Ebm] as fast as I can think of an idea,
I want to be able to [E] articulate it.
_ I recorded me [Eb] and Billy standing in a bathroom
and [B] striking all these matches. _ _ _
_ _ _ [G] _ I'll sit _ _
_ _ _ _ _ _ _ _
_ _ [C] _ _ [D] _ _ _ _
_ [Em] here, and she'll be like right there,
and I'll just bring the [Eb] microphone over to where she is,
and she recorded, I think she recorded pretty much [D] every vocal
for the [Db] entire album, sitting on my bed with her [D] legs crossed,
which is kind of insane.
_ [C] _ _
I'm in love without [Bm] _ _ _
you
Being born when I [A] was born,
and just being [C] able to afford [B] a computer and Logic Pro,
just being afforded the [Em] opportunities I was afforded,
living in L.A., making music, being [D] homeschooled,
[Eb] having time in the day to make all that music,
it was just this [F] [G] gift that I was given of time and resources,
and [B] I chopped that [Eb] up into this [Gb] crazy [G] sample pad.
Out of my [D]
inside, [G] out of my_
[C] _ _ [G] _ _ _
_ _ [E] I still try [Em] to limit myself [D] as much as I can
just to see how [Cm] much I can get out of an individual thing.
[Db] So I tried never to look at it growing up as like,
I don't have a Mellotron, [G] I don't have this.
First of all, there's so many great plug-ins,
so I always feel like I [Em] kind of did,
but [D] just whatever I had, I was like, [C] I've got this. _
[G] Oh, to make the chorus more impactful,
[Eb] I added the sound of an RPG going off.
That's ridiculous, [G] but it sounds [Cm] great. _ _
[F] _ _ _ _ _ [Am] All the time [F] in this ocean _ _ _ _
_ There's a [Am] crazy intimacy, [C] I think, to what we're [F] doing.
_ There's such a kind of a private [A] feeling to what we're [F] doing
because we're not at a recording studio
where different people are there [D] every day
and people are down [Eb] the hall, like it's our [D] house
and it's where we live
[F] and it's where we have experienced [Gb] everything.
_ _ _ That allows [Gbm] us to make some [Em] kind of music
that _ feels wholeheartedly exposed
[D] as far as like who we really are as people and as [G] siblings
and as [Ebm] children of our parents.
I think it's [G] just really honest.
_ _ [C] _ Hey, _ I'm [D] just now leaving
Can _ _ [G]
I come around _ later on this evening?
_ _ _ [Am] Or do _ _ you need [D] time? _
_ _ [G] Yes, of [Bm] _ course, _ _ _ [Em] that's fine. _ _ _
_ [Am] Hey you, _ _ [C] _ _
[D] good morning
I'm sure [G] you're busy [Bm] now
Why else would you [Em] ignore me?
_ _ _ _ Or [Am]
do _ _ [C] you need [D] space?
_ _ You can't [Bm] help it if your mind [Em] has changed _ _
_ _ [C] Go ahead, break my heart [D] _ again _ _
[G] Leave me wondering why the hell I [Bm] ever let you [Em] in _ _ _ _
Are [Am] you the definition of [D] insanity?
_ _ _ Or [G]
am I?
_ [Bm] Oh, it [Em] must be nice
_ _ _ To love [C] someone _ [D] who lets you break them twice _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _

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