Chords for South Park - Chef - No Substitute
Tempo:
159.8 bpm
Chords used:
Dbm
Ebm
B
Eb
E
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Eb]
[Ebm]
[Eb] [Ebm]
You know, Kathy Lee,
[Db] [Gb] you are a [Eb] very special woman.
I don't mean special in a Mary Kyle or Moorway [Bb] or an extra-value hummingbird.
Make [Gb] sweet love to it [Bb] all night long.
[Ebm] Those [Eb] two hummingbirds, moaning and groaning,
let their bodies caress and touch each other [Gb] in ecstasy.
[Eb] Slowly, the male [Bb] hummingbird gets behind the female hummingbird
and eases his way [Ebm] into her golden valley,
diving gently in and out, in and out.
Ooh, in and out.
Two hummingbirds doing it doggy style all night long.
[Bb] Until finally, the male hummingbird [Ab] screams [Ebm] with passion
and lets his little humming gravy fly all over the nest.
And it makes me wanna sing a [Bb] special [Eb] song for you.
Yeah, baby.
[F] [Bb] Yeah, mama.
[Dbm]
Oh, [Ebm] Kathy Lee, [E] you're such a special woman [Gb] to me.
[Abm] How I'd love to lay you down
and lick every edge of your [Ebm] body with [Dbm] my tongue.
[Ebm] Kathy Lee, [E] you're my sexual [Gb] fantasy.
[Abm] How about you and me get it together and make [Ab] sweet [Ebm] love?
[Dbm]
Cause nobody can take [B] your place.
[Dbm]
Nobody can [Ebm] match your grace, [Dbm] no.
You got it [E] going [B] on in a way so [Dbm]
clear.
[Ebm] I just wanna buy [Dbm] you a beer.
I thought maybe tonight at 730 or [B] something,
[Dbm] I could come by and pick you up [B] in my car.
No substitute for you.
No, baby, there's no substitute for you, girl.
No substitute [Ebm] for you [Dbm] now.
I know you love my body so [B] much.
[Dbm]
It's something you can't [Ebm] help but tell [Dbm] you.
I might let you if you promise [B] to be gentle.
[Dbm]
Now I'm getting [Ebm] all sentimental.
[Dbm] Maybe tonight after picking you [E] up in my car,
we could [Abm] fog down over by the [Dbm] gas station,
and close two weeks, and we'll make love in the backseat,
and drop you [B] off at home.
[Dbm] Now you remember our two hummingbirds.
Well, after that night [Ebm] of passion,
[Dm] the male [Dbm] hummingbird couldn't sleep late.
[B] All he could [Dbm] think about was that incredible [Ebm] night
when [Dm] feathers were [Dbm] flying all over the place,
and beaks were where they shouldn't be.
So he puts his beak lips [B] together and whistles a song,
calling that female hummingbird back for another night [Abm] of fire.
[B] Just like I'm calling for you, baby.
Hey, get your [Ebm] ass over here for some good [Dm] loving.
[Dbm] There's only [E] one word that can describe [Dbm] you.
You're a flippity-floppity hot-tie [Dm] mama, woo-hoo [Dbm]-hoo.
You've got [E]
everything I ever [B] wanted.
[Dbm] My metaphors are all [Dm] been exhausted.
[Dbm] So what say [E] you and I forget about this singing [B] and song,
and act like a [Dbm] couple of hummingbirds out there?
And get down to [B] some business.
No substitute, no substitute for you.
No, no, no substitute, no, baby, no substitute for you, girl.
No substitute for you.
No, no, no, no substitute for you, girl.
Ladies and gentlemen, the fabulous Jeff Hutt.
No substitute for you, baby.
No, no, no, no, no, no, for you, yeah.
No substitute, no substitute, [Ebm] no substitute [Dbm] for
[Abm] you, Kathleen.
[B]
Yeah.
[Eb] Ladies [N] and gentlemen, the hardest working man in show business,
Mr.
Elton John.
[Ebm]
[Eb] [Ebm]
You know, Kathy Lee,
[Db] [Gb] you are a [Eb] very special woman.
I don't mean special in a Mary Kyle or Moorway [Bb] or an extra-value hummingbird.
Make [Gb] sweet love to it [Bb] all night long.
[Ebm] Those [Eb] two hummingbirds, moaning and groaning,
let their bodies caress and touch each other [Gb] in ecstasy.
[Eb] Slowly, the male [Bb] hummingbird gets behind the female hummingbird
and eases his way [Ebm] into her golden valley,
diving gently in and out, in and out.
Ooh, in and out.
Two hummingbirds doing it doggy style all night long.
[Bb] Until finally, the male hummingbird [Ab] screams [Ebm] with passion
and lets his little humming gravy fly all over the nest.
And it makes me wanna sing a [Bb] special [Eb] song for you.
Yeah, baby.
[F] [Bb] Yeah, mama.
[Dbm]
Oh, [Ebm] Kathy Lee, [E] you're such a special woman [Gb] to me.
[Abm] How I'd love to lay you down
and lick every edge of your [Ebm] body with [Dbm] my tongue.
[Ebm] Kathy Lee, [E] you're my sexual [Gb] fantasy.
[Abm] How about you and me get it together and make [Ab] sweet [Ebm] love?
[Dbm]
Cause nobody can take [B] your place.
[Dbm]
Nobody can [Ebm] match your grace, [Dbm] no.
You got it [E] going [B] on in a way so [Dbm]
clear.
[Ebm] I just wanna buy [Dbm] you a beer.
I thought maybe tonight at 730 or [B] something,
[Dbm] I could come by and pick you up [B] in my car.
No substitute for you.
No, baby, there's no substitute for you, girl.
No substitute [Ebm] for you [Dbm] now.
I know you love my body so [B] much.
[Dbm]
It's something you can't [Ebm] help but tell [Dbm] you.
I might let you if you promise [B] to be gentle.
[Dbm]
Now I'm getting [Ebm] all sentimental.
[Dbm] Maybe tonight after picking you [E] up in my car,
we could [Abm] fog down over by the [Dbm] gas station,
and close two weeks, and we'll make love in the backseat,
and drop you [B] off at home.
[Dbm] Now you remember our two hummingbirds.
Well, after that night [Ebm] of passion,
[Dm] the male [Dbm] hummingbird couldn't sleep late.
[B] All he could [Dbm] think about was that incredible [Ebm] night
when [Dm] feathers were [Dbm] flying all over the place,
and beaks were where they shouldn't be.
So he puts his beak lips [B] together and whistles a song,
calling that female hummingbird back for another night [Abm] of fire.
[B] Just like I'm calling for you, baby.
Hey, get your [Ebm] ass over here for some good [Dm] loving.
[Dbm] There's only [E] one word that can describe [Dbm] you.
You're a flippity-floppity hot-tie [Dm] mama, woo-hoo [Dbm]-hoo.
You've got [E]
everything I ever [B] wanted.
[Dbm] My metaphors are all [Dm] been exhausted.
[Dbm] So what say [E] you and I forget about this singing [B] and song,
and act like a [Dbm] couple of hummingbirds out there?
And get down to [B] some business.
No substitute, no substitute for you.
No, no, no substitute, no, baby, no substitute for you, girl.
No substitute for you.
No, no, no, no substitute for you, girl.
Ladies and gentlemen, the fabulous Jeff Hutt.
No substitute for you, baby.
No, no, no, no, no, no, for you, yeah.
No substitute, no substitute, [Ebm] no substitute [Dbm] for
[Abm] you, Kathleen.
[B]
Yeah.
[Eb] Ladies [N] and gentlemen, the hardest working man in show business,
Mr.
Elton John.
Key:
Dbm
Ebm
B
Eb
E
Dbm
Ebm
B
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [Eb] _ _ _ _ _ _ _
_ _ _ _ _ [Ebm] _ _ _
_ _ _ _ _ _ _ _
_ _ [Eb] _ _ [Ebm] _ _ _ _
_ You know, Kathy Lee, _
[Db] _ [Gb] you are a [Eb] very special woman.
_ _ I don't mean special in a Mary Kyle or Moorway _ _ [Bb] or an extra-value _ hummingbird.
_ Make [Gb] sweet love to it _ [Bb] all night long.
_ _ _ [Ebm] _ Those [Eb] two hummingbirds, _ _ moaning and groaning,
let their bodies caress and touch each other [Gb] in ecstasy. _ _
_ _ _ [Eb] Slowly, the male _ [Bb] hummingbird gets behind the female hummingbird
and eases his way _ [Ebm] into her golden valley,
_ diving gently _ _ _ in and out, _ _ in and out.
Ooh, in and out.
Two hummingbirds doing it doggy style all night long.
[Bb] _ Until finally, the male hummingbird [Ab] screams [Ebm] with passion
_ _ and lets his little humming gravy fly all over the nest.
_ And it makes me wanna _ _ _ _ sing a [Bb] special [Eb] song for you.
_ _ _ Yeah, baby. _
[F] _ [Bb] Yeah, mama.
_ _ [Dbm] _
Oh, [Ebm] Kathy Lee, _ [E] you're such a special woman [Gb] to me.
_ [Abm] How I'd love to lay you down
_ and lick every edge of your [Ebm] body with [Dbm] my tongue.
[Ebm] Kathy Lee, _ [E] you're my sexual [Gb] fantasy.
_ [Abm] How about you and me get it together and make [Ab] sweet [Ebm] love?
_ _ [Dbm] _
Cause nobody can take [B] your place.
_ [Dbm] _
Nobody can [Ebm] match your grace, [Dbm] no.
You got it [E] going [B] on in a way so [Dbm]
clear.
_ [Ebm] I just wanna buy [Dbm] you a beer.
I thought maybe tonight at 730 or [B] something,
[Dbm] I could come by and pick you up [B] in my car.
_ _ _ _ _ No substitute for you. _ _ _
No, baby, there's no substitute for you, girl.
No substitute [Ebm] for you [Dbm] now.
I know you love my body so [B] much.
_ [Dbm]
It's something you can't [Ebm] help but tell [Dbm] you.
I might let you if you promise [B] to be gentle.
[Dbm] _
Now I'm getting [Ebm] all sentimental.
_ [Dbm] Maybe tonight after picking you [E] up in my car,
we could [Abm] fog down over by the [Dbm] gas station,
and close two weeks, and we'll make love in the backseat,
and drop you [B] off at _ _ home.
[Dbm] Now you remember our two hummingbirds.
_ Well, after that night [Ebm] of passion,
[Dm] the male [Dbm] hummingbird couldn't sleep late.
_ [B] All he could [Dbm] think about was that incredible [Ebm] night
when [Dm] feathers were [Dbm] flying all over the place,
and beaks were where they shouldn't be.
So he puts his beak lips [B] together and whistles a song,
calling that female hummingbird back for another night [Abm] of fire.
_ [B] Just like I'm calling for you, baby.
_ _ Hey, get your [Ebm] ass over here for some good [Dm] loving.
_ [Dbm] There's only [E] one word that can describe [Dbm] you.
You're a flippity-floppity hot-tie [Dm] mama, woo-hoo [Dbm]-hoo.
You've got [E]
everything I ever [B] wanted.
[Dbm] _ _ My metaphors are all [Dm] been exhausted.
[Dbm] So what say [E] you and I forget about this singing [B] and song,
and act like a [Dbm] couple of hummingbirds out there?
And get down to [B] some business. _
_ No substitute, no substitute for you.
No, no, no substitute, no, baby, no substitute for you, girl.
No substitute for you.
No, no, no, no substitute for you, girl.
Ladies and gentlemen, the fabulous Jeff Hutt.
_ No _ _ _ substitute _ for you, baby. _
No, no, no, no, no, no, for you, yeah.
No substitute, no substitute, [Ebm] no substitute [Dbm] for _ _ _
[Abm] you, Kathleen.
_ _ [B] _ _
_ _ _ _ _ _ Yeah.
_ _ _ _ _ _ _ _
_ _ [Eb] _ _ _ _ Ladies [N] and gentlemen, the hardest working man in show business,
_ Mr.
Elton John. _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [Eb] _ _ _ _ _ _ _
_ _ _ _ _ [Ebm] _ _ _
_ _ _ _ _ _ _ _
_ _ [Eb] _ _ [Ebm] _ _ _ _
_ You know, Kathy Lee, _
[Db] _ [Gb] you are a [Eb] very special woman.
_ _ I don't mean special in a Mary Kyle or Moorway _ _ [Bb] or an extra-value _ hummingbird.
_ Make [Gb] sweet love to it _ [Bb] all night long.
_ _ _ [Ebm] _ Those [Eb] two hummingbirds, _ _ moaning and groaning,
let their bodies caress and touch each other [Gb] in ecstasy. _ _
_ _ _ [Eb] Slowly, the male _ [Bb] hummingbird gets behind the female hummingbird
and eases his way _ [Ebm] into her golden valley,
_ diving gently _ _ _ in and out, _ _ in and out.
Ooh, in and out.
Two hummingbirds doing it doggy style all night long.
[Bb] _ Until finally, the male hummingbird [Ab] screams [Ebm] with passion
_ _ and lets his little humming gravy fly all over the nest.
_ And it makes me wanna _ _ _ _ sing a [Bb] special [Eb] song for you.
_ _ _ Yeah, baby. _
[F] _ [Bb] Yeah, mama.
_ _ [Dbm] _
Oh, [Ebm] Kathy Lee, _ [E] you're such a special woman [Gb] to me.
_ [Abm] How I'd love to lay you down
_ and lick every edge of your [Ebm] body with [Dbm] my tongue.
[Ebm] Kathy Lee, _ [E] you're my sexual [Gb] fantasy.
_ [Abm] How about you and me get it together and make [Ab] sweet [Ebm] love?
_ _ [Dbm] _
Cause nobody can take [B] your place.
_ [Dbm] _
Nobody can [Ebm] match your grace, [Dbm] no.
You got it [E] going [B] on in a way so [Dbm]
clear.
_ [Ebm] I just wanna buy [Dbm] you a beer.
I thought maybe tonight at 730 or [B] something,
[Dbm] I could come by and pick you up [B] in my car.
_ _ _ _ _ No substitute for you. _ _ _
No, baby, there's no substitute for you, girl.
No substitute [Ebm] for you [Dbm] now.
I know you love my body so [B] much.
_ [Dbm]
It's something you can't [Ebm] help but tell [Dbm] you.
I might let you if you promise [B] to be gentle.
[Dbm] _
Now I'm getting [Ebm] all sentimental.
_ [Dbm] Maybe tonight after picking you [E] up in my car,
we could [Abm] fog down over by the [Dbm] gas station,
and close two weeks, and we'll make love in the backseat,
and drop you [B] off at _ _ home.
[Dbm] Now you remember our two hummingbirds.
_ Well, after that night [Ebm] of passion,
[Dm] the male [Dbm] hummingbird couldn't sleep late.
_ [B] All he could [Dbm] think about was that incredible [Ebm] night
when [Dm] feathers were [Dbm] flying all over the place,
and beaks were where they shouldn't be.
So he puts his beak lips [B] together and whistles a song,
calling that female hummingbird back for another night [Abm] of fire.
_ [B] Just like I'm calling for you, baby.
_ _ Hey, get your [Ebm] ass over here for some good [Dm] loving.
_ [Dbm] There's only [E] one word that can describe [Dbm] you.
You're a flippity-floppity hot-tie [Dm] mama, woo-hoo [Dbm]-hoo.
You've got [E]
everything I ever [B] wanted.
[Dbm] _ _ My metaphors are all [Dm] been exhausted.
[Dbm] So what say [E] you and I forget about this singing [B] and song,
and act like a [Dbm] couple of hummingbirds out there?
And get down to [B] some business. _
_ No substitute, no substitute for you.
No, no, no substitute, no, baby, no substitute for you, girl.
No substitute for you.
No, no, no, no substitute for you, girl.
Ladies and gentlemen, the fabulous Jeff Hutt.
_ No _ _ _ substitute _ for you, baby. _
No, no, no, no, no, no, for you, yeah.
No substitute, no substitute, [Ebm] no substitute [Dbm] for _ _ _
[Abm] you, Kathleen.
_ _ [B] _ _
_ _ _ _ _ _ Yeah.
_ _ _ _ _ _ _ _
_ _ [Eb] _ _ _ _ Ladies [N] and gentlemen, the hardest working man in show business,
_ Mr.
Elton John. _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _