Chords for Smokey Robinson -- On Stevie Wonder [Live from Daryl's House #22-07]
Tempo:
115.55 bpm
Chords used:
C
G
F
D
Am
Tuning:Standard Tuning (EADGBE)Capo:+0fret
![Smokey Robinson -- On Stevie Wonder [Live from Daryl's House #22-07] chords](https://i.ytimg.com/vi/aA0OyMW9ENk/mqdefault.jpg)
Start Jamming...
[C]
[G] [C]
[A] Stevie, [Em]
in my [Cm] book, [G] is the most versatile, prolific person I've ever heard.
And I mean that, man.
[C] I've never heard anybody like Stevie Wonder, man.
I mean, Stevie Wonder's music [E] goes everywhere from classical to jazz to rhythm and blues to, [F] you know,
science still delivered, you know what I mean?
[G]
How old is he when you met him?
Eleven?
[D] Yeah.
Ah!
[G] One of the guys in the Miracles, a guy [Am] named Ron White, discovered [C] Stevie and brought him over [G] to Motown.
Is that how you guys met?
Yeah, yeah, [F] yeah, because he went to [C] school with one of Ron's little brothers.
[G] Stevie is, Stevie is, [Am] he [D] was born to do what he does [G] because he's self-taught, you know what I mean?
This guy plays the piano [Dm] like a classical [C] piano player that was taught.
Nobody taught him how to play the piano.
He [Bb] just played it.
Nobody taught him how to play the drums.
He just went and played them.
Nobody [C] taught him how to play harmonica.
[F] He just went and played it.
You [C] know what I'm saying?
Fuck you, Stevie.
Yeah, really, you know?
Stevie is [C] blind, but he has never been handicapped [A] in his life.
He's never [E] been handicapped.
[Am] Stevie, we [Dm] had [G] five buildings in Detroit [C] that housed Motown.
The only building that Stevie didn't go to by himself was across the street, across the boulevard, because we had Artist Development.
It was school, right?
It was school.
[Am] And two days, I don't care who you became, [Em] two days a week when you were [Dm] in Detroit, [C] you had to go to Artist Development.
And you were there, and they were teaching you and [B] choreography, whatever it [C] was, you know?
And that was the only building Stevie couldn't [G] go to by himself [Am] because Stevie would go to those other buildings on the same [D] side of the street with nobody.
[G] Just going, you know, just around the Apollo and uptown.
Stevie would run around there like, you know, [C] with nobody.
Me and John used to [F] do dates with him in the [C] very, very beginning.
[Am] And he used to freak me out because [D] he knew I was ‑‑ he had this ability to know [G] who was in the room.
I would be, like, standing in, you know, with 20 other [C] people, and he'd say something [C] to me like he knew I was in the room.
I don't know how he did that.
He used to [D] freak chicks out because he'd be talking to a girl in the room, and she had a nice voice.
And he [G] would pull me over to the side and say, Swamp, [C] how'd she look, man?
[Dm] I said, man, she was fine.
He said, [C] what she got on?
[G] She got on a blue dress, and he'd go back [C] over there and say, [F] I love that blue [D] dress.
I love that.
[G] [Dm]
[F] Freak a girl out.
That's [D] all you had to do, man.
That's all he had to do.
Freak a girl right around.
[G]
[G] [C]
[A] Stevie, [Em]
in my [Cm] book, [G] is the most versatile, prolific person I've ever heard.
And I mean that, man.
[C] I've never heard anybody like Stevie Wonder, man.
I mean, Stevie Wonder's music [E] goes everywhere from classical to jazz to rhythm and blues to, [F] you know,
science still delivered, you know what I mean?
[G]
How old is he when you met him?
Eleven?
[D] Yeah.
Ah!
[G] One of the guys in the Miracles, a guy [Am] named Ron White, discovered [C] Stevie and brought him over [G] to Motown.
Is that how you guys met?
Yeah, yeah, [F] yeah, because he went to [C] school with one of Ron's little brothers.
[G] Stevie is, Stevie is, [Am] he [D] was born to do what he does [G] because he's self-taught, you know what I mean?
This guy plays the piano [Dm] like a classical [C] piano player that was taught.
Nobody taught him how to play the piano.
He [Bb] just played it.
Nobody taught him how to play the drums.
He just went and played them.
Nobody [C] taught him how to play harmonica.
[F] He just went and played it.
You [C] know what I'm saying?
Fuck you, Stevie.
Yeah, really, you know?
Stevie is [C] blind, but he has never been handicapped [A] in his life.
He's never [E] been handicapped.
[Am] Stevie, we [Dm] had [G] five buildings in Detroit [C] that housed Motown.
The only building that Stevie didn't go to by himself was across the street, across the boulevard, because we had Artist Development.
It was school, right?
It was school.
[Am] And two days, I don't care who you became, [Em] two days a week when you were [Dm] in Detroit, [C] you had to go to Artist Development.
And you were there, and they were teaching you and [B] choreography, whatever it [C] was, you know?
And that was the only building Stevie couldn't [G] go to by himself [Am] because Stevie would go to those other buildings on the same [D] side of the street with nobody.
[G] Just going, you know, just around the Apollo and uptown.
Stevie would run around there like, you know, [C] with nobody.
Me and John used to [F] do dates with him in the [C] very, very beginning.
[Am] And he used to freak me out because [D] he knew I was ‑‑ he had this ability to know [G] who was in the room.
I would be, like, standing in, you know, with 20 other [C] people, and he'd say something [C] to me like he knew I was in the room.
I don't know how he did that.
He used to [D] freak chicks out because he'd be talking to a girl in the room, and she had a nice voice.
And he [G] would pull me over to the side and say, Swamp, [C] how'd she look, man?
[Dm] I said, man, she was fine.
He said, [C] what she got on?
[G] She got on a blue dress, and he'd go back [C] over there and say, [F] I love that blue [D] dress.
I love that.
[G] [Dm]
[F] Freak a girl out.
That's [D] all you had to do, man.
That's all he had to do.
Freak a girl right around.
[G]
Key:
C
G
F
D
Am
C
G
F
_ _ [C] _ _ _ _ _ _
_ _ _ _ _ [G] _ _ [C] _
_ _ _ _ [A] _ Stevie, [Em]
in my [Cm] book, _ [G] is the most versatile, _ prolific person I've ever heard.
And I mean that, man.
_ [C] I've never heard anybody like Stevie Wonder, man.
I mean, Stevie Wonder's music _ [E] goes everywhere from classical to jazz to _ rhythm and blues to, [F] you know,
science still delivered, you know what I mean?
[G]
How old is he when you met him?
Eleven?
[D] Yeah.
Ah! _
_ [G] _ _ One of the guys in the Miracles, a guy [Am] named Ron White, discovered [C] Stevie and brought him over [G] to Motown.
Is that how you guys met?
Yeah, yeah, [F] yeah, because he went to [C] school with one of Ron's little brothers.
[G] Stevie is, Stevie is, [Am] _ he [D] was born to do what he does [G] because he's self-taught, you know what I mean?
_ This guy plays the piano [Dm] like a classical [C] piano player that was taught.
Nobody taught him how to play the piano.
He [Bb] just played it.
Nobody taught him how to play the drums.
He just went and played them.
Nobody [C] taught him how to play harmonica.
[F] He just went and played it.
You [C] know what I'm saying?
Fuck you, Stevie.
Yeah, really, you know?
Stevie is [C] blind, but he has never been handicapped [A] in his life.
He's never [E] been handicapped.
[Am] Stevie, we [Dm] had _ [G] five buildings in Detroit [C] that housed Motown.
The only building that Stevie didn't go to by himself was across the street, across the boulevard, because we had Artist Development.
It was school, right?
It was school.
[Am] And two days, I don't care who you became, [Em] two days a week when you were [Dm] in Detroit, [C] you had to go to Artist Development.
And you were there, and they were teaching you and [B] choreography, whatever it [C] was, you know?
And that was the only building Stevie couldn't [G] go to by himself [Am] because Stevie would go to those other buildings on the same [D] side of the street with nobody. _
[G] Just going, you know, just around the Apollo and uptown.
Stevie would run around there like, you know, [C] with nobody.
Me and John used to [F] do dates with him in the [C] very, very beginning. _ _ _
[Am] And he used to freak me out because [D] he knew I was ‑‑ he had this ability to know [G] who was in the room.
I would be, like, standing in, you know, with 20 other [C] people, and he'd say something [C] to me like he knew I was in the room.
I don't know how he did that.
He used to [D] freak chicks out because _ he'd be talking to a girl in the room, and she had a nice voice.
And he [G] would pull me over to the side and say, Swamp, _ [C] how'd she look, man?
[Dm] I said, man, she was fine.
He said, [C] what she got on?
_ [G] She got on a blue dress, and he'd go back [C] over there and say, _ _ [F] I love that blue [D] dress.
I love that.
_ _ _ _ _ [G] _ _ [Dm] _
_ _ _ [F] _ Freak a girl out.
That's [D] all you had to do, man.
That's all he had to do. _ _ _
_ Freak a girl right around.
_ _ [G] _
_ _ _ _ _ [G] _ _ [C] _
_ _ _ _ [A] _ Stevie, [Em]
in my [Cm] book, _ [G] is the most versatile, _ prolific person I've ever heard.
And I mean that, man.
_ [C] I've never heard anybody like Stevie Wonder, man.
I mean, Stevie Wonder's music _ [E] goes everywhere from classical to jazz to _ rhythm and blues to, [F] you know,
science still delivered, you know what I mean?
[G]
How old is he when you met him?
Eleven?
[D] Yeah.
Ah! _
_ [G] _ _ One of the guys in the Miracles, a guy [Am] named Ron White, discovered [C] Stevie and brought him over [G] to Motown.
Is that how you guys met?
Yeah, yeah, [F] yeah, because he went to [C] school with one of Ron's little brothers.
[G] Stevie is, Stevie is, [Am] _ he [D] was born to do what he does [G] because he's self-taught, you know what I mean?
_ This guy plays the piano [Dm] like a classical [C] piano player that was taught.
Nobody taught him how to play the piano.
He [Bb] just played it.
Nobody taught him how to play the drums.
He just went and played them.
Nobody [C] taught him how to play harmonica.
[F] He just went and played it.
You [C] know what I'm saying?
Fuck you, Stevie.
Yeah, really, you know?
Stevie is [C] blind, but he has never been handicapped [A] in his life.
He's never [E] been handicapped.
[Am] Stevie, we [Dm] had _ [G] five buildings in Detroit [C] that housed Motown.
The only building that Stevie didn't go to by himself was across the street, across the boulevard, because we had Artist Development.
It was school, right?
It was school.
[Am] And two days, I don't care who you became, [Em] two days a week when you were [Dm] in Detroit, [C] you had to go to Artist Development.
And you were there, and they were teaching you and [B] choreography, whatever it [C] was, you know?
And that was the only building Stevie couldn't [G] go to by himself [Am] because Stevie would go to those other buildings on the same [D] side of the street with nobody. _
[G] Just going, you know, just around the Apollo and uptown.
Stevie would run around there like, you know, [C] with nobody.
Me and John used to [F] do dates with him in the [C] very, very beginning. _ _ _
[Am] And he used to freak me out because [D] he knew I was ‑‑ he had this ability to know [G] who was in the room.
I would be, like, standing in, you know, with 20 other [C] people, and he'd say something [C] to me like he knew I was in the room.
I don't know how he did that.
He used to [D] freak chicks out because _ he'd be talking to a girl in the room, and she had a nice voice.
And he [G] would pull me over to the side and say, Swamp, _ [C] how'd she look, man?
[Dm] I said, man, she was fine.
He said, [C] what she got on?
_ [G] She got on a blue dress, and he'd go back [C] over there and say, _ _ [F] I love that blue [D] dress.
I love that.
_ _ _ _ _ [G] _ _ [Dm] _
_ _ _ [F] _ Freak a girl out.
That's [D] all you had to do, man.
That's all he had to do. _ _ _
_ Freak a girl right around.
_ _ [G] _