Chords for Slant chords on the Dobro guitar
Tempo:
117.1 bpm
Chords used:
G
F
B
Bm
E
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Hi, Jim [B] Warren here.
[G] I've been hearing lately that a lot of people are trying to learn the
slants [F] on the dobro.
They've been having some problems with it and
maybe I can help out a little bit.
I can't show you how to do it, but I can show you how it's [G] done
if that'll be of any help.
We'll start out with some slants on the first string, string [Bm] one and two.
[Db] Normally most people [B] don't use the slants nowadays, just us old guys.
But [Bm] you start out here on the 12th fret, of course, it's the G chord.
[Gb] [F] [B] You go to string two and three [G] back at the 12th fret.
[Bbm] [F]
[G] But you have to change strings and it breaks up the
[B] whole thing.
So if you just stay on the first two [Bm] strings you can [Gb] [F] [G]
go
Where we're at here is fret eight and nine, which is the same thing as up here on string one and two.
[B] [Bbm] See [F] [Em] how much smoother that is?
And of course you can go back the other way.
[F] [Bbm] [Bm] [B] [Em]
[G] [N] And of course you can use those anywhere on the fretboard.
Say if you're in the key of E, you [E] just start at the ninth fret, which is E.
[Eb] [B]
[E] [Bm] [Eb] [E]
[D] [E] [G] They're [E] just [Bm] straight.
[E]
[B] [E] You're slant.
[Bm]
[E] One thing you have to keep [B] in mind is if you change any position on the keyboard from the fretboard,
[G] you'll have to put your frets a lot closer [N] together and down here they're a lot farther apart.
Then of course you have to change the angle of your bar.
[G] Like here,
your angle is
less pronounced than it would be if you were, say, going down here playing the key of D.
[D] [Fm]
[Em] [D] You'd have to slant your bar more because the [F] frets are farther apart down here than they are [B] up here.
It takes a lot of practice to do slants.
There's [N] two ways that you're going to do one thing.
Practice, practice, [Ab] practice.
And I think even more
[G] more than that is determination.
[Fm] You've got to have the determination to say to yourself,
Damn it, [G] I'm gonna learn to do this one way or the other.
[N] You can learn to do it if you're going to take that attitude.
Now some more slants.
I'll give you some examples on strings one and three.
We're not playing the second string at all.
[G]
Okay, here's five frets up from any root chord you can get.
There's your G right there,
which is the same as up here on string three and five.
This way you won't have to jump [B] all over the fretboard from one place [F] to another to find the chords and it makes it playing smoother and easier.
[G]
[F] [Gb] [G] There it is straight.
[F] [Gb] [G] [B]
Here it is with slants, but
[Em] this one here is a one fret slant, but the next two notes are going to be two fret slants.
So you've got to angle your bar more.
[Am] [Bbm] [Bm]
[A] [Fm] [G] [Am] [Bbm] [Bm]
[G] There's a number of different places you can get the same thing.
You can do it straight
[Am] [Bbm] [G] or like I just showed you down here.
[Am] [Gb] [Bm]
[G] Or you can do a reverse slant and do it all on string two and four.
[F] [Bbm] [G] Or you can go down here and you can do on string three and five and start out straight and then do slants after that.
[Am] [Gb] [Bm]
[Gb] [Ab] [B] [F]
[G] [F] [G] [Am]
[Bm] [N] So there's any number of places.
Of course you can use those same slants in any key to change where you are on the fretboard.
I'll play you a little bit of something here with slants on the first two strings.
[G]
This one called Carry Me Back to the Mountains.
I'll just play a little bit of that,
give you an example of how smooth it can be by using the slants.
[F] [Eb] [E] [F]
[E] [F] [E] [F] [Em]
[C] [Db] [B] [G]
[F] [B] [C]
[Dm] [F]
[E] [F] [C]
[Dm] [G] [Em]
[D] [C]
See how smooth that is?
That's the old-timey style that [N] almost nobody plays anymore.
[G] I've been hearing lately that a lot of people are trying to learn the
slants [F] on the dobro.
They've been having some problems with it and
maybe I can help out a little bit.
I can't show you how to do it, but I can show you how it's [G] done
if that'll be of any help.
We'll start out with some slants on the first string, string [Bm] one and two.
[Db] Normally most people [B] don't use the slants nowadays, just us old guys.
But [Bm] you start out here on the 12th fret, of course, it's the G chord.
[Gb] [F] [B] You go to string two and three [G] back at the 12th fret.
[Bbm] [F]
[G] But you have to change strings and it breaks up the
[B] whole thing.
So if you just stay on the first two [Bm] strings you can [Gb] [F] [G]
go
Where we're at here is fret eight and nine, which is the same thing as up here on string one and two.
[B] [Bbm] See [F] [Em] how much smoother that is?
And of course you can go back the other way.
[F] [Bbm] [Bm] [B] [Em]
[G] [N] And of course you can use those anywhere on the fretboard.
Say if you're in the key of E, you [E] just start at the ninth fret, which is E.
[Eb] [B]
[E] [Bm] [Eb] [E]
[D] [E] [G] They're [E] just [Bm] straight.
[E]
[B] [E] You're slant.
[Bm]
[E] One thing you have to keep [B] in mind is if you change any position on the keyboard from the fretboard,
[G] you'll have to put your frets a lot closer [N] together and down here they're a lot farther apart.
Then of course you have to change the angle of your bar.
[G] Like here,
your angle is
less pronounced than it would be if you were, say, going down here playing the key of D.
[D] [Fm]
[Em] [D] You'd have to slant your bar more because the [F] frets are farther apart down here than they are [B] up here.
It takes a lot of practice to do slants.
There's [N] two ways that you're going to do one thing.
Practice, practice, [Ab] practice.
And I think even more
[G] more than that is determination.
[Fm] You've got to have the determination to say to yourself,
Damn it, [G] I'm gonna learn to do this one way or the other.
[N] You can learn to do it if you're going to take that attitude.
Now some more slants.
I'll give you some examples on strings one and three.
We're not playing the second string at all.
[G]
Okay, here's five frets up from any root chord you can get.
There's your G right there,
which is the same as up here on string three and five.
This way you won't have to jump [B] all over the fretboard from one place [F] to another to find the chords and it makes it playing smoother and easier.
[G]
[F] [Gb] [G] There it is straight.
[F] [Gb] [G] [B]
Here it is with slants, but
[Em] this one here is a one fret slant, but the next two notes are going to be two fret slants.
So you've got to angle your bar more.
[Am] [Bbm] [Bm]
[A] [Fm] [G] [Am] [Bbm] [Bm]
[G] There's a number of different places you can get the same thing.
You can do it straight
[Am] [Bbm] [G] or like I just showed you down here.
[Am] [Gb] [Bm]
[G] Or you can do a reverse slant and do it all on string two and four.
[F] [Bbm] [G] Or you can go down here and you can do on string three and five and start out straight and then do slants after that.
[Am] [Gb] [Bm]
[Gb] [Ab] [B] [F]
[G] [F] [G] [Am]
[Bm] [N] So there's any number of places.
Of course you can use those same slants in any key to change where you are on the fretboard.
I'll play you a little bit of something here with slants on the first two strings.
[G]
This one called Carry Me Back to the Mountains.
I'll just play a little bit of that,
give you an example of how smooth it can be by using the slants.
[F] [Eb] [E] [F]
[E] [F] [E] [F] [Em]
[C] [Db] [B] [G]
[F] [B] [C]
[Dm] [F]
[E] [F] [C]
[Dm] [G] [Em]
[D] [C]
See how smooth that is?
That's the old-timey style that [N] almost nobody plays anymore.
Key:
G
F
B
Bm
E
G
F
B
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _
Hi, Jim [B] Warren here.
_ [G] I've been hearing lately that a lot of people are trying to learn the
slants [F] on the dobro.
They've been having some problems with it and
maybe I can help out a little bit.
I can't show you how to do it, but I can show you how it's [G] done
if that'll be of any help.
We'll start out with some slants on the first _ string, string [Bm] one and two. _ _ _ _ _ _ _
_ [Db] Normally most people [B] don't use the slants nowadays, just us old guys.
_ _ _ _ But _ _ _ _ [Bm] you start out here on the 12th fret, of course, it's the G chord. _ _ _
[Gb] _ [F] _ _ [B] You go to string two and three [G] back at the 12th fret.
_ _ [Bbm] _ _ [F] _
[G] _ But you have to change strings and it breaks up the _
[B] _ whole thing.
So if you just stay on the first two [Bm] strings you can _ [Gb] _ _ [F] _ [G] _ _ _
_ _ go_
Where we're at here is fret eight and nine, _ which is the same thing as up here on string one and two.
_ _ _ _ [B] _ [Bbm] See [F] _ _ [Em] _ _ _ _ how much smoother that is?
And of course you can go back the other way. _
[F] _ [Bbm] _ [Bm] _ _ [B] _ _ _ [Em] _
_ [G] _ _ [N] And of course you can use those anywhere on the fretboard.
Say if you're in the key of E, you [E] just start at the ninth fret, which is E.
_ [Eb] _ [B] _
_ [E] _ _ _ [Bm] _ [Eb] _ [E] _ _
_ [D] _ [E] _ [G] They're [E] just [Bm] straight.
[E] _
_ _ [B] _ _ [E] You're slant.
[Bm] _
[E] One _ _ thing you have to keep [B] in mind is if you change any position on the keyboard from the fretboard,
_ [G] you'll have to put your frets a lot closer [N] together and down here they're a lot farther apart.
Then of course you have to change the angle of your bar.
_ _ _ _ [G] Like here,
_ _ _ _ _ _ _
your angle is
less pronounced than it would be if you were, say, going down here playing the key of D.
[D] _ [Fm] _
[Em] _ _ [D] _ _ You'd have to slant your bar more because the [F] frets are farther apart down here than they are [B] up here.
_ It takes a lot of practice to do slants. _
_ _ There's [N] two ways that you're going to do one thing.
Practice, practice, [Ab] practice.
And I think even more
[G] _ more than that is determination.
[Fm] You've got to have the determination to say to yourself,
Damn it, [G] I'm gonna learn to do this one way or the other.
_ _ _ [N] You can learn to do it if you're going to take that attitude.
_ Now some more slants.
_ I'll give you some examples on strings one and three.
We're not playing the second string at all.
_ [G] _ _ _ _
Okay, here's five frets up from any root chord you can get. _ _ _ _ _
There's your G right there,
which is the same as up here on string three and five.
_ _ _ _ _ This way you won't have to jump [B] all over the fretboard from one place [F] to another to find the chords and it makes it playing smoother and easier.
_ [G] _
_ [F] _ [Gb] _ [G] _ _ There it is straight.
_ [F] _ _ [Gb] _ [G] _ _ _ [B]
Here it is with slants, but
_ [Em] this one here is a one fret slant, but the next two notes are going to be two fret slants.
So you've got to angle your bar more.
[Am] _ _ [Bbm] _ [Bm] _ _ _ _
[A] _ [Fm] _ [G] _ _ [Am] _ [Bbm] _ _ [Bm] _
_ _ _ _ [G] _ There's a number of different places you can get the same thing.
You can do it straight
[Am] _ [Bbm] _ [G] _ _ or like I just showed you down here.
[Am] _ [Gb] _ [Bm] _ _ _
_ [G] Or you can do a reverse slant and do it all on string two _ and four. _ _
[F] _ [Bbm] _ [G] _ _ _ _ Or you can go down here and you can do on string three and five and start out straight and then do slants after that.
[Am] _ [Gb] _ [Bm] _ _
_ _ [Gb] _ [Ab] _ [B] _ _ _ [F] _
[G] _ _ _ [F] _ [G] _ _ _ [Am] _
[Bm] _ _ _ [N] _ So there's any number of places.
Of course you can use those same slants in any key to change where you are on the fretboard.
_ _ _ _ I'll play you a little bit of something here with slants on the first two strings.
[G]
This one called Carry Me Back to the Mountains.
I'll just play a little bit of that,
give you an example of how smooth it can be by using the slants.
_ _ [F] _ [Eb] _ [E] _ [F] _ _ _
[E] _ _ [F] _ [E] _ [F] _ _ [Em] _ _
_ [C] _ [Db] _ [B] _ [G] _ _ _ _
_ [F] _ _ [B] _ _ [C] _ _ _
_ _ [Dm] _ _ [F] _ _ _ _
[E] _ [F] _ _ _ _ [C] _ _ _
_ _ [Dm] _ _ [G] _ _ _ [Em] _
_ _ _ [D] _ [C] _ _ _ _
_ _ _ _ See how smooth that is?
That's the old-timey style that [N] almost nobody plays anymore. _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _
Hi, Jim [B] Warren here.
_ [G] I've been hearing lately that a lot of people are trying to learn the
slants [F] on the dobro.
They've been having some problems with it and
maybe I can help out a little bit.
I can't show you how to do it, but I can show you how it's [G] done
if that'll be of any help.
We'll start out with some slants on the first _ string, string [Bm] one and two. _ _ _ _ _ _ _
_ [Db] Normally most people [B] don't use the slants nowadays, just us old guys.
_ _ _ _ But _ _ _ _ [Bm] you start out here on the 12th fret, of course, it's the G chord. _ _ _
[Gb] _ [F] _ _ [B] You go to string two and three [G] back at the 12th fret.
_ _ [Bbm] _ _ [F] _
[G] _ But you have to change strings and it breaks up the _
[B] _ whole thing.
So if you just stay on the first two [Bm] strings you can _ [Gb] _ _ [F] _ [G] _ _ _
_ _ go_
Where we're at here is fret eight and nine, _ which is the same thing as up here on string one and two.
_ _ _ _ [B] _ [Bbm] See [F] _ _ [Em] _ _ _ _ how much smoother that is?
And of course you can go back the other way. _
[F] _ [Bbm] _ [Bm] _ _ [B] _ _ _ [Em] _
_ [G] _ _ [N] And of course you can use those anywhere on the fretboard.
Say if you're in the key of E, you [E] just start at the ninth fret, which is E.
_ [Eb] _ [B] _
_ [E] _ _ _ [Bm] _ [Eb] _ [E] _ _
_ [D] _ [E] _ [G] They're [E] just [Bm] straight.
[E] _
_ _ [B] _ _ [E] You're slant.
[Bm] _
[E] One _ _ thing you have to keep [B] in mind is if you change any position on the keyboard from the fretboard,
_ [G] you'll have to put your frets a lot closer [N] together and down here they're a lot farther apart.
Then of course you have to change the angle of your bar.
_ _ _ _ [G] Like here,
_ _ _ _ _ _ _
your angle is
less pronounced than it would be if you were, say, going down here playing the key of D.
[D] _ [Fm] _
[Em] _ _ [D] _ _ You'd have to slant your bar more because the [F] frets are farther apart down here than they are [B] up here.
_ It takes a lot of practice to do slants. _
_ _ There's [N] two ways that you're going to do one thing.
Practice, practice, [Ab] practice.
And I think even more
[G] _ more than that is determination.
[Fm] You've got to have the determination to say to yourself,
Damn it, [G] I'm gonna learn to do this one way or the other.
_ _ _ [N] You can learn to do it if you're going to take that attitude.
_ Now some more slants.
_ I'll give you some examples on strings one and three.
We're not playing the second string at all.
_ [G] _ _ _ _
Okay, here's five frets up from any root chord you can get. _ _ _ _ _
There's your G right there,
which is the same as up here on string three and five.
_ _ _ _ _ This way you won't have to jump [B] all over the fretboard from one place [F] to another to find the chords and it makes it playing smoother and easier.
_ [G] _
_ [F] _ [Gb] _ [G] _ _ There it is straight.
_ [F] _ _ [Gb] _ [G] _ _ _ [B]
Here it is with slants, but
_ [Em] this one here is a one fret slant, but the next two notes are going to be two fret slants.
So you've got to angle your bar more.
[Am] _ _ [Bbm] _ [Bm] _ _ _ _
[A] _ [Fm] _ [G] _ _ [Am] _ [Bbm] _ _ [Bm] _
_ _ _ _ [G] _ There's a number of different places you can get the same thing.
You can do it straight
[Am] _ [Bbm] _ [G] _ _ or like I just showed you down here.
[Am] _ [Gb] _ [Bm] _ _ _
_ [G] Or you can do a reverse slant and do it all on string two _ and four. _ _
[F] _ [Bbm] _ [G] _ _ _ _ Or you can go down here and you can do on string three and five and start out straight and then do slants after that.
[Am] _ [Gb] _ [Bm] _ _
_ _ [Gb] _ [Ab] _ [B] _ _ _ [F] _
[G] _ _ _ [F] _ [G] _ _ _ [Am] _
[Bm] _ _ _ [N] _ So there's any number of places.
Of course you can use those same slants in any key to change where you are on the fretboard.
_ _ _ _ I'll play you a little bit of something here with slants on the first two strings.
[G]
This one called Carry Me Back to the Mountains.
I'll just play a little bit of that,
give you an example of how smooth it can be by using the slants.
_ _ [F] _ [Eb] _ [E] _ [F] _ _ _
[E] _ _ [F] _ [E] _ [F] _ _ [Em] _ _
_ [C] _ [Db] _ [B] _ [G] _ _ _ _
_ [F] _ _ [B] _ _ [C] _ _ _
_ _ [Dm] _ _ [F] _ _ _ _
[E] _ [F] _ _ _ _ [C] _ _ _
_ _ [Dm] _ _ [G] _ _ _ [Em] _
_ _ _ [D] _ [C] _ _ _ _
_ _ _ _ See how smooth that is?
That's the old-timey style that [N] almost nobody plays anymore. _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _