Chords for Skyharbor :: Now Delhi :: Part 1

_ _ _ _ What do you _ [A] think _ _
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about Indian Spirals?
Indian Spirals, a lot of the _ things don't just [Dm] keep going.
There's always so much shit happening, so much chaos happening.
[Dm] _ But even in the chaotic parts, I would like to think that there's always [N] something which is sort of [Dm] holding it all in place.
_ One very strong undercurrent in all [D] our songs is melody.
[N] _ _ It's gotta be a nice melody, like [D] strong melody.
Even though there are [Dm] aggressive parts and there's [N] stuff going _ _ _ _ everywhere, _ [D] _ _ _ [F#]
there's always something holding it.
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_ _ _ I [E] started Sky Harbour, well, the project first made it in _ 2007-ish.
That was when I [C#] was finishing up with _ _ _ university [C#m] and I was gravitating more towards [F#m] sound. _ _
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_ [F#m] _ Sky Harbour definitely [C#] did start out as a studio only thing.
It was [D] definitely more geared towards just a recording outlet for me.
I [B] was experimenting with all these ideas.
[F#m] I used to post a [G#] lot on forums.
I used to post these test mixes [G#m] kind of things [D] on forums just for feedback. _
_ _ _ [B] A lot of times I would [F#m] get feedback saying, you know, your mix is not that nice but your riffs are pretty cool.
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[D] From there, _ I started taking the composition, [B] the music, a bit more seriously than [C#] just the [C#m] technical side of things.
I guess it just took off really when [D] this new wave of investment around the world just took off.
You know, like, S.O. [Bm].A.C. and Pedophile and these guys. [C] _ _ _ _ _ _ _ [F#] _ _ _
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Once there was a sizable amount [Bm] of material written, then I [D] first got in touch with Sunny from Bhaiyanath Mall. [F#] At that time, the sound was really, really fierce. It was really raw, really aggressive. [D] He contributed vocals on three tracks. _ _ _ _ _ [C] _ _ _ _ _ _
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_ _ I was also contacted by Anoop [F#m] on Facebook where he messaged me saying, you know, could I give him minus tracks [G] of the song, Dots, because he wanted to upload a video of himself [Bm] covering the song on [F#] YouTube. So we got talking that way and went in at 7 minutes the offer. [F#m] _ Anoop said he'd be down [D] to do it, so he came down. We went into the jam [G] room and I had no idea how this was going to work because _ these songs [F#] had never been tested in a live environment. It actually wasn't awkward at all. We kind of just immediately _ [F#m] connected and just, you know, the first day was just, hey, let's just hit play [B] and see what [C] happens, you know. _ [E] Press play on the backing track [B] and Anoop just [A#] locked in. [Dm] _ _ _ _ _ [Am] _
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It was in [G] late 2010 that I was contacted by Dan on Myspace, [B] that's when people actually [B] used Myspace. _ He'd stumbled [C#] across [G] the song Order 66, which was in demo form at that time. [Am] _ _ _ _ _ _ _ _ _ _ _
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_ _ _ I [Am] was in Tesseract a couple of years back. During that time I came across a song on the internet called Order [A] 66, which was by Skyfather, who is now known as [A] Skyfather. And I really enjoyed the song. I really struck a chord with the name of the song and it's used occasionally. _ _ _ [B] _ As _ _ [D#] _ _ [A] _ _ _ _ _
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[B] soon as the chorus hits, Order 66 is a very distinct, _ [B] after-all sparkling sound. _ Just immediately, it's just a chord. [C] _ _ _ _ _ _ _ [A] _ _ _ [B] _
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