Chords for Sinai Vessel - Looseleaf
Tempo:
143.75 bpm
Chords used:
B
E
F#
G#m
C#m
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[B] [G#m]
[B]
[G#m]
[B]
[G#m]
[E] [B]
[E]
[B]
[E]
Here [B] I stand, like a tree,
[E] nervous on the edge of a clearing,
with the brain to be cut loose, sleep to be cut down.
So I cut myself out, free from my dimension, bow and frown.
Here I am.
[B]
[E] [B]
[G#m]
So here I [E] am, [B] we flip the notes mid-act,
[G#m] reforcing our [E] lines, [B]
canning our locks,
[C#m] as the curtains [B] break over our [F#] backs.
[C#m] As the curtains [B] break over [F#] our backs.
They [C#m] say unnecessary [B] things move [F#] along, move along.
It [C#m] gets better [B] every day, move [F#] along.
[B]
Stare the fights away, stoop to see,
grab a picture and to trace them to you.
I'm so stoned in diplomacy, and blue-set to sleep,
there's nowhere near a compliment.
[E]
You're on third, and I'm on three,
but it makes no difference to gravity.
No one is [B] as good as me, like you and me,
and no [E] matter my brutality, I can't untie the text from you,
that suggests a hell awaits me.
[F#] Should I [B] change?
Should I change for you?
So here I [E] stand, in [B] the penultimate act,
[E] reforcing my lines, [B] canning my locks,
[G#m] as the curtains [E] break over [B] our backs.
[G#m] As the curtains [E] break [B] over our backs.
[D#m] [A#] Should we always [B] provide a season [F#] to start in the night,
and [C#m] leave a book to open [B] windows, or [F#] watch it in the cellar locks,
and we expect [A#] no other [B] girl, [F#] with room to kill lies,
[C#m] with a sweet [B] girl in it, at [F#] our sides.
It's time to move on.
It's a necessary [B] phase, moving on, moving on.
It gets better every day, [F#] moving on.
[B] It's a [G#m] necessary phase, [F#] moving on, moving on.
[B] It gets better every day, moving [F#] on.
[B]
[E]
[B]
[E]
[B]
[E] [N]
[B]
[G#m]
[B]
[G#m]
[E] [B]
[E]
[B]
[E]
Here [B] I stand, like a tree,
[E] nervous on the edge of a clearing,
with the brain to be cut loose, sleep to be cut down.
So I cut myself out, free from my dimension, bow and frown.
Here I am.
[B]
[E] [B]
[G#m]
So here I [E] am, [B] we flip the notes mid-act,
[G#m] reforcing our [E] lines, [B]
canning our locks,
[C#m] as the curtains [B] break over our [F#] backs.
[C#m] As the curtains [B] break over [F#] our backs.
They [C#m] say unnecessary [B] things move [F#] along, move along.
It [C#m] gets better [B] every day, move [F#] along.
[B]
Stare the fights away, stoop to see,
grab a picture and to trace them to you.
I'm so stoned in diplomacy, and blue-set to sleep,
there's nowhere near a compliment.
[E]
You're on third, and I'm on three,
but it makes no difference to gravity.
No one is [B] as good as me, like you and me,
and no [E] matter my brutality, I can't untie the text from you,
that suggests a hell awaits me.
[F#] Should I [B] change?
Should I change for you?
So here I [E] stand, in [B] the penultimate act,
[E] reforcing my lines, [B] canning my locks,
[G#m] as the curtains [E] break over [B] our backs.
[G#m] As the curtains [E] break [B] over our backs.
[D#m] [A#] Should we always [B] provide a season [F#] to start in the night,
and [C#m] leave a book to open [B] windows, or [F#] watch it in the cellar locks,
and we expect [A#] no other [B] girl, [F#] with room to kill lies,
[C#m] with a sweet [B] girl in it, at [F#] our sides.
It's time to move on.
It's a necessary [B] phase, moving on, moving on.
It gets better every day, [F#] moving on.
[B] It's a [G#m] necessary phase, [F#] moving on, moving on.
[B] It gets better every day, moving [F#] on.
[B]
[E]
[B]
[E]
[B]
[E] [N]
Key:
B
E
F#
G#m
C#m
B
E
F#
[B] _ _ _ [G#m] _ _ _
_ _ _ [B] _ _ _
_ _ _ [G#m] _ _ _
_ _ _ [B] _ _ _
_ _ _ [G#m] _ _ _
[E] _ _ _ [B] _ _ _
_ _ _ [E] _ _ _
_ _ _ [B] _ _ _
_ _ _ [E] _ _ _
_ _ _ _ _ _
_ _ _ _ _
Here [B] I stand, _ _ _ _ like a tree, _
[E] _ nervous on the edge of a clearing,
_ with the brain to be cut loose, sleep to _ be cut down. _
_ _ So I cut myself out, _ _ free from my dimension, bow and frown. _
_ _ _ _ _ _
_ _ _ Here I am.
_ _ _ _ [B] _
_ _ _ _ _ _
[E] _ _ _ _ _ [B] _
_ _ _ _ _ [G#m]
So here I [E] am, [B] we flip the notes mid-act, _
[G#m] reforcing our [E] lines, [B] _
_ canning our locks,
[C#m] as the curtains [B] break over our [F#] backs. _ _ _
[C#m] As the curtains [B] break over [F#] our backs.
_ _ They [C#m] say unnecessary _ [B] things move [F#] along, move along.
It [C#m] gets better [B] every day, move [F#] along.
_ [B] _ _ _
Stare the fights away, stoop to see, _ _ _
grab a picture and to trace them to you.
_ _ I'm so stoned in _ diplomacy, and blue-set to sleep,
there's nowhere near a compliment.
_ _ _ _ _ _
[E] _ _ _ _ _ _
You're on third, _ _ _ _ and I'm on three,
_ but it makes no difference to gravity.
_ No one is [B] as good as me, _ like you and me,
and no [E] matter my brutality, _ _ I can't untie the text from you,
that suggests a hell awaits me.
_ [F#] Should I [B] change? _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ Should I change for you? _ _ _ _ _
_ _ _ _ _ _
So here I [E] stand, _ _ _ in [B] the penultimate act,
_ [E] _ reforcing my lines, _ [B] _ canning my locks,
[G#m] as the curtains [E] break over [B] our backs. _
_ _ [G#m] As the curtains [E] break [B] over our backs.
[D#m] _ _ [A#] Should we always [B] provide a season [F#] to start in the night,
and [C#m] leave a book to open [B] windows, or [F#] watch it in the cellar locks,
and we expect [A#] no other [B] girl, _ [F#] with room to kill lies,
[C#m] with a sweet [B] girl in it, at [F#] our sides.
It's time to move on.
It's a necessary [B] phase, moving on, moving on.
It gets better every day, [F#] moving on. _
_ [B] _ It's a [G#m] necessary phase, [F#] moving on, moving on.
[B] It gets better every day, moving [F#] on. _
_ _ [B] _ _ _ _
_ [E] _ _ _ _ _
[B] _ _ _ _ _ _
_ _ [E] _ _ _ _
_ _ _ _ _ _
_ _ _ _ [B] _ _
_ _ _ _ _ _
[E] _ _ [N] _ _ _ _
_ _ _ _ _ _
_ _ _ [B] _ _ _
_ _ _ [G#m] _ _ _
_ _ _ [B] _ _ _
_ _ _ [G#m] _ _ _
[E] _ _ _ [B] _ _ _
_ _ _ [E] _ _ _
_ _ _ [B] _ _ _
_ _ _ [E] _ _ _
_ _ _ _ _ _
_ _ _ _ _
Here [B] I stand, _ _ _ _ like a tree, _
[E] _ nervous on the edge of a clearing,
_ with the brain to be cut loose, sleep to _ be cut down. _
_ _ So I cut myself out, _ _ free from my dimension, bow and frown. _
_ _ _ _ _ _
_ _ _ Here I am.
_ _ _ _ [B] _
_ _ _ _ _ _
[E] _ _ _ _ _ [B] _
_ _ _ _ _ [G#m]
So here I [E] am, [B] we flip the notes mid-act, _
[G#m] reforcing our [E] lines, [B] _
_ canning our locks,
[C#m] as the curtains [B] break over our [F#] backs. _ _ _
[C#m] As the curtains [B] break over [F#] our backs.
_ _ They [C#m] say unnecessary _ [B] things move [F#] along, move along.
It [C#m] gets better [B] every day, move [F#] along.
_ [B] _ _ _
Stare the fights away, stoop to see, _ _ _
grab a picture and to trace them to you.
_ _ I'm so stoned in _ diplomacy, and blue-set to sleep,
there's nowhere near a compliment.
_ _ _ _ _ _
[E] _ _ _ _ _ _
You're on third, _ _ _ _ and I'm on three,
_ but it makes no difference to gravity.
_ No one is [B] as good as me, _ like you and me,
and no [E] matter my brutality, _ _ I can't untie the text from you,
that suggests a hell awaits me.
_ [F#] Should I [B] change? _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ Should I change for you? _ _ _ _ _
_ _ _ _ _ _
So here I [E] stand, _ _ _ in [B] the penultimate act,
_ [E] _ reforcing my lines, _ [B] _ canning my locks,
[G#m] as the curtains [E] break over [B] our backs. _
_ _ [G#m] As the curtains [E] break [B] over our backs.
[D#m] _ _ [A#] Should we always [B] provide a season [F#] to start in the night,
and [C#m] leave a book to open [B] windows, or [F#] watch it in the cellar locks,
and we expect [A#] no other [B] girl, _ [F#] with room to kill lies,
[C#m] with a sweet [B] girl in it, at [F#] our sides.
It's time to move on.
It's a necessary [B] phase, moving on, moving on.
It gets better every day, [F#] moving on. _
_ [B] _ It's a [G#m] necessary phase, [F#] moving on, moving on.
[B] It gets better every day, moving [F#] on. _
_ _ [B] _ _ _ _
_ [E] _ _ _ _ _
[B] _ _ _ _ _ _
_ _ [E] _ _ _ _
_ _ _ _ _ _
_ _ _ _ [B] _ _
_ _ _ _ _ _
[E] _ _ [N] _ _ _ _
_ _ _ _ _ _