Chords for Simple Minds - RARE NZ interview (1986)

Tempo:
97.25 bpm
Chords used:

G

Ab

C

Abm

D

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Simple Minds - RARE NZ interview (1986) chords
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We now have our elite groups in the lines,
or seemingly off-state,
but they are active and joyful.
It's a different country.
And you've just discussed what one might call
why is it now so many bands do this huge thing to sing on?
I think it just takes off,
and it's only until we get another one.
[Abm] So far, I would have been on these tapes
as long as I remember.
I don't know if it's called Show and Tell,
but I think that's something which is a little more subconscious.
It must be a disorientating kind of thing.
I'm just an old man.
I think all of us have a large detest for the history and influence of this community.
I just think that's really solid and long
[G]
[C] -lasting.
It's a huge pastime, and it's a huge opportunity.
It's a successful memory.
I think the challenge in a band's role [Ab] is
that you send the community [D] the resources,
and you make the music.
It depends on where you are.
If it's 17 [Ab] or 15, for example,
[E] or maybe it's like 17, 20, 21, 20,
I don't know who you are.
So, [Ab] in that, I think,
you feel like [Em]
you have to do it.
So, [Ab] what are our cultural, political, [N] religious,
social, whatever.
Do you say, feel like a singer, singer,
or do you feel like a music director, a music director?
Well, I think what I'm saying,
I'm actually a singer.
There's very popular albums,
popular songs,
and all that.
I'm a singer.
I've done a lot of shows on the job.
I've been
[B] successful.
[N] I've been a member of a band.
I've been a member of a band.
I've been a singer.
So, yeah, it's just the same old story.
So, if you want to know the details,
I'm just going to go on to the next slide.
But, so, I think that,
after generalizing and you think about
how it goes in post-course,
it's all different.
So, it's just,
as you went past it,
it's just,
you know,
it's just a little bit more
sort of theory.
Well, we've seen the changes in the rhythm section,
but I'm quite interested in this,
in Robin Clark, your new singer.
She's very prominent.
What made you take her on?
Well, we used her on the record.
That was where we met her.
The producer, Jimmy Iving,
got her in to do some backing vocals at the time,
and we really liked her.
And then, just from there,
we decided to get her in on the live show
and come and do it with us.
Yes.
Alright.
Well, while we're talking about Robin,
let's have a look at all the things she said.
See, my name is Amy Greenwood, of course.
And I know she's not an NGC singer.
I mean, I've done some old things
with the [G] camera business,
but I've still got people who really like me.
I'm a bit of a big fan of Jimmy's.
So, I was gonna ask you, Jimmy,
to give Robin some background on you.
Let me know if you've got anything.
I've got Jimmy.
Jimmy knows Jimmy.
He's a really good audience member.
I'm really happy to [C] be a part of it.
I love you.
You're a good man.
I love you.
[G] You're a good man.
I love you.
You're a good man.
I love you.
You're [Abm] a good man.
I love you.
You're a good man.
[Ab] I love you.
You're a good man.
I love you.
I love you.
You're a good man.
Love you.
You're so good.
I love you.
[D] [G]
Love you.
I love you.
patronize
[A] [Abm]
[Db] [G]
[C] [E] [Em]
[D] Peteravia
and we have redirected some, we did get money from two companies,
but the main thing now is the selection, so we hope to work with other institutions
and associations, and try to see how we can do more,
and look at the [G] resources available, and for a [Db] cross-sectional reason,
it's always associated with trade forces and institutions, and the mining jobs,
so
[G] it's much easier to look at [C] these issues,
in the sense that it's a good solution, to use it [G] in a timely manner,
so we don't have to choose how it will be solved here,
and we have a very good industry, so there's a lot of good things,
I won't stop here, I won't stop next time,
and it's a great organisation, [N]
it's very big,
but it's also a good industry, and it's a good agency,
and we're very happy
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G
2131
Ab
134211114
C
3211
Abm
123111114
D
1321
G
2131
Ab
134211114
C
3211
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We now have our elite groups in the lines,
or seemingly off-state,
but they are active and joyful.
It's a different country.
And you've just discussed what one might call
why is it now so many bands do this huge thing to sing on?
I think it just takes off,
and it's only until we get another one.
[Abm] So far, I would have been on these tapes
as long as I remember.
I don't know if it's called Show and Tell,
but I think that's something which is a little more subconscious. _ _ _ _
It must be a disorientating kind of thing.
I'm just an old man.
I think all of us have a large detest for the history and influence of this community.
I just think that's really solid and long _ _
_ _ _ _ _ _ [G] _ _
_ [C] _ _ -lasting.
It's a huge _ _ pastime, and it's a huge opportunity.
It's a successful memory. _ _
I think the challenge in a band's _ _ _ role [Ab] is
that you send the community [D] the resources,
and you make the music.
It depends on where you are.
If it's 17 [Ab] or 15, for example,
[E] or maybe it's like 17, _ 20, _ _ 21, 20,
I don't know who you are.
So, [Ab] in that, I think,
you feel like _ _ [Em]
you have to _ _ _ _ _ _ _ _ do it.
So, [Ab] what are our cultural, political, [N] religious,
social, whatever. _ _ _ _
Do you say, feel like a singer, singer,
or do you feel like a music director, a music director?
Well, I think what I'm saying,
I'm actually a singer.
There's very popular albums,
popular songs,
and all that. _ _ _ _ _ _ _
_ _ I'm a singer. _ _
I've done a lot of shows on the job.
I've been _ _ _ _
_ _ [B] successful.
_ _ [N] I've been a member of a band.
I've been a member of a _ band.
I've been a singer.
_ _ So, yeah, it's just the same old story.
So, if you want to know the details,
I'm just going to go on to the next slide.
But, so, I think that,
_ _ after generalizing and you think about
how it goes in post-course,
it's all different.
So, it's just,
as you went past it,
it's just,
you know,
it's just a little _ bit more
sort of theory.
_ _ _ _ Well, we've seen the changes in the rhythm section,
but I'm quite interested in this,
in Robin Clark, your new singer.
She's very prominent.
What made you take her on?
Well, we used her on the record.
That was where we met her.
The producer, Jimmy Iving,
got her in to do some backing vocals at the time,
and we really liked her.
And then, just from there,
we decided to get her in on the live show
and come and do it with us.
_ Yes.
_ _ Alright.
Well, while we're talking about Robin,
let's have a look at all the things she said.
See, my name is Amy Greenwood, of course.
And I know she's not an NGC singer.
I mean, I've done _ _ some old things
with the [G] camera business,
but I've still got people who really like me.
I'm a bit of a big fan of Jimmy's.
So, I was gonna _ ask you, Jimmy,
to give Robin some background _ _ _ _ _ on you.
Let me know if you've got anything.
I've got Jimmy.
_ _ _ _ Jimmy knows Jimmy.
He's _ _ _ a really good audience member.
I'm really happy to [C] be a part of it.
I love you.
_ You're a good man.
I love you.
_ _ [G] You're a good man.
I love you.
You're a good man.
I love you. _ _ _ _
_ _ _ _ You're _ _ _ _ _ _ _ _ _ _
_ [Abm] a good man.
I love you.
You're a good man.
[Ab] I love you.
You're a good man.
I love you.
I _ _ love you.
You're _ a good man.
Love you.
You're so good.
I _ _ love you.
[D] _ _ _ [G] _
_ _ _ _ _ Love you.
I love you.
_ patronize
_ [A] _ _ [Abm] _ _
[Db] _ _ [G] _ _ _ _ _ _
[C] _ _ [E] _ _ _ _ [Em] _ _
_ _ _ _ [D] Peteravia _ _
and we have redirected some, we did get money from two companies,
but _ the main thing now is the selection, _ so we hope to work with other institutions
and _ associations, and try to see how we can do more,
and look at the [G] resources available, and for a [Db] cross-sectional reason,
it's always associated with trade forces and institutions, and the mining jobs,
so _ _ _ _ _ _ _
_ _ _ [G] _ _ it's much easier to look at [C] these issues,
in the sense that it's a good solution, to use it [G] in a timely manner,
so we don't have to choose how it will be solved here,
and _ we have a very good industry, so there's a lot of good things,
I won't stop here, I won't stop next time, _
and it's a great organisation, _ _ _ [N] _
_ _ it's very big,
but it's also a good industry, _ _ _ _ _ _ and _ it's a good agency,
and we're very happy