Chords for Sha Na Na~with guest star Patti Page
Tempo:
153.25 bpm
Chords used:
Eb
F
Ab
Bb
C
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
This show was made possible by a grant from the American Society for Bad Taste.
Out of notice, did you check at the garbage dump?
Hey, why would we be at the garbage dump?
It ain't lunchtime.
Let's play kick the can, hippo-hits.
Yeah, and keep it up, dogface, or your nose will be living in another neighborhood.
Alright, who are you up to?
Gentlemen, please, a little respect for the President and Chief Executive Officer of 20th Century Bowser Films.
Tensel-Ton, what is your scheme this time?
Well, you see, I told Patty Page that my film company was shooting a movie here on the street and that we wanted her to star in it.
Oh, movie?
Yeah, it's the sequel to Saturday Night Fever.
It's called Sunday Morning Rash.
Wow, are you really making a movie?
Well, not exactly, but see, me saying I was a big-time movie mongrel was the only way I could get Patty Page to do our show.
Oh, hey, that could be anything.
Hey, go get it.
Hello, backlot, headquarters of 20th Century Bowser Films.
Bowser B.
DeMille speaking.
Oh, hi, Patty darling.
I was expecting your call.
Yes, we'll need yous on location immediately.
Oh, good, we're just around the corner from there.
Well, ciao, ta-ta, sweetie, baby, honey, sweetheart.
Patty Page, she's coming, okay.
Everybody, look Hollywood.
Pretend you're movie people, okay?
Look Hollywood, you got it.
Patty Page!
Wow!
Oh, hello, Bowser B.
DeMille.
Oh, please, B.B.
Where's the script?
Uh, well, it's in my head.
You see, this is a very personal film.
Well, where are the cameras?
Are they in your head, too?
No, I'm using hidden cameras.
Look, you just sing and we'll pick you up.
But what's my motivation?
Fear.
Fear.
Okay, I'll sing, I'll sing, I'll sing.
Uh, anytime you're ready, B.B.
Lights!
Ho!
Ho!
Camera!
Action.
[N]
[Bb]
[Eb]
I was dancing with my dad
To the [G] Tennessee [Ab] wall
[Eb] When an old friend asked me [F] to see
[C] [Dm]
[Eb] Introduced her to my loved one
[Gb] [Ab] And the Tennessee [Eb] wall
[C]
[F] I must take a trip to [C] Gallipoli
And leave my poor sweetheart [F] home
If he has a job, [C] he won't be nice
And the doggie will have a [F] good home
How much is that [C] doggie in the window?
The one with the waggly [F] tail
How much is that doggie in the window?
I do hope [Gm] that doggie's [F] for sale
[Bbm]
[Eb] [Ab] If you're [Cm] fond of sand [Ebm] dunes and [Ab] salty run
[Fm] Wave little, little, little, [Bb] little, little, little, little, here and there
[Eb] You [F] should've fallen [Fm] in love with [Bbm] Cape Cowboy
[Fm] [Db]
[Bb] [Eb] [Ab] If you [F] spend an evening [Ebm] you want to stay
[Fm] Watching the moonlight [E] on [Bb] Cape Cowboy
[Ab] You [F] should've fallen in [Bb] love with old
[Eb]
[Ab]
[Em] [D] Cross over the
[Dbm] [A]
[D]
[G] [E] [A]
[Dm] bridge, the [Eb]
bridge
Change your reckless way of living.
[Dm] Russell, we're [Bb] [Eb] leaving the past behind you.
[Ab] [A] [Bb] [Eb]
[B]
Out of notice, did you check at the garbage dump?
Hey, why would we be at the garbage dump?
It ain't lunchtime.
Let's play kick the can, hippo-hits.
Yeah, and keep it up, dogface, or your nose will be living in another neighborhood.
Alright, who are you up to?
Gentlemen, please, a little respect for the President and Chief Executive Officer of 20th Century Bowser Films.
Tensel-Ton, what is your scheme this time?
Well, you see, I told Patty Page that my film company was shooting a movie here on the street and that we wanted her to star in it.
Oh, movie?
Yeah, it's the sequel to Saturday Night Fever.
It's called Sunday Morning Rash.
Wow, are you really making a movie?
Well, not exactly, but see, me saying I was a big-time movie mongrel was the only way I could get Patty Page to do our show.
Oh, hey, that could be anything.
Hey, go get it.
Hello, backlot, headquarters of 20th Century Bowser Films.
Bowser B.
DeMille speaking.
Oh, hi, Patty darling.
I was expecting your call.
Yes, we'll need yous on location immediately.
Oh, good, we're just around the corner from there.
Well, ciao, ta-ta, sweetie, baby, honey, sweetheart.
Patty Page, she's coming, okay.
Everybody, look Hollywood.
Pretend you're movie people, okay?
Look Hollywood, you got it.
Patty Page!
Wow!
Oh, hello, Bowser B.
DeMille.
Oh, please, B.B.
Where's the script?
Uh, well, it's in my head.
You see, this is a very personal film.
Well, where are the cameras?
Are they in your head, too?
No, I'm using hidden cameras.
Look, you just sing and we'll pick you up.
But what's my motivation?
Fear.
Fear.
Okay, I'll sing, I'll sing, I'll sing.
Uh, anytime you're ready, B.B.
Lights!
Ho!
Ho!
Camera!
Action.
[N]
[Bb]
[Eb]
I was dancing with my dad
To the [G] Tennessee [Ab] wall
[Eb] When an old friend asked me [F] to see
[C] [Dm]
[Eb] Introduced her to my loved one
[Gb] [Ab] And the Tennessee [Eb] wall
[C]
[F] I must take a trip to [C] Gallipoli
And leave my poor sweetheart [F] home
If he has a job, [C] he won't be nice
And the doggie will have a [F] good home
How much is that [C] doggie in the window?
The one with the waggly [F] tail
How much is that doggie in the window?
I do hope [Gm] that doggie's [F] for sale
[Bbm]
[Eb] [Ab] If you're [Cm] fond of sand [Ebm] dunes and [Ab] salty run
[Fm] Wave little, little, little, [Bb] little, little, little, little, here and there
[Eb] You [F] should've fallen [Fm] in love with [Bbm] Cape Cowboy
[Fm] [Db]
[Bb] [Eb] [Ab] If you [F] spend an evening [Ebm] you want to stay
[Fm] Watching the moonlight [E] on [Bb] Cape Cowboy
[Ab] You [F] should've fallen in [Bb] love with old
[Eb]
[Ab]
[Em] [D] Cross over the
[Dbm] [A]
[D]
[G] [E] [A]
[Dm] bridge, the [Eb]
bridge
Change your reckless way of living.
[Dm] Russell, we're [Bb] [Eb] leaving the past behind you.
[Ab] [A] [Bb] [Eb]
[B]
Key:
Eb
F
Ab
Bb
C
Eb
F
Ab
_ This show was made possible by a grant from the American Society for Bad Taste. _
_ _ _ _ _ _ _ _
_ _ _ _ Out of notice, did you check at the garbage dump?
Hey, why would we be at the garbage dump?
It ain't lunchtime.
Let's play kick the can, hippo-hits.
Yeah, and keep it up, dogface, or your nose will be living in another neighborhood.
Alright, _ _ _ _ _ _ _ _ _ _ _ _
who are you up to?
Gentlemen, please, a little respect for the President and Chief Executive Officer of _ _ 20th Century _ Bowser _ Films. _
_ Tensel-Ton, what is your scheme this time?
Well, you see, I told Patty Page that my film company was shooting a movie here on the street and that we wanted her to star in it.
Oh, _ movie?
Yeah, it's the sequel to Saturday Night Fever.
_ It's called Sunday Morning Rash. _
_ Wow, are you really making a movie?
Well, not exactly, but see, me saying I was a big-time movie mongrel was the only way I could get Patty Page to do our show. _
Oh, hey, that could be anything.
Hey, go get it. _ _
_ _ Hello, backlot, headquarters of _ 20th Century Bowser Films.
_ Bowser B.
DeMille speaking. _ _
_ _ Oh, hi, Patty darling.
_ I was expecting your call.
_ Yes, we'll need yous on location immediately.
_ Oh, good, we're just around the corner from there.
_ Well, ciao, ta-ta, sweetie, baby, honey, sweetheart.
_ _ _ _ Patty _ Page, she's coming, okay.
Everybody, look Hollywood.
Pretend you're movie people, okay?
Look Hollywood, you got it. _ _ _ _ _ _ _
Patty Page!
Wow! _ _ _
_ _ _ _ _ _ _ _
Oh, hello, Bowser B.
DeMille.
Oh, please, B.B.
_ _ Where's the script? _
Uh, well, it's in my head.
You see, this is a very personal film.
Well, where are the cameras?
Are they in your head, too?
No, I'm using hidden cameras.
Look, you just sing and we'll pick you up.
But what's my motivation?
_ Fear.
Fear. _
Okay, I'll sing, I'll sing, I'll sing.
Uh, anytime you're ready, B.B.
_ _ Lights!
Ho!
Ho!
_ Camera! _ _ _ _ _
_ Action.
[N] _ _ _ _ _
_ [Bb] _ _ _ _ _ _ _
_ _ _ _ [Eb] _ _ _ _
_ _ _ _ _ I was dancing _ with my dad _
To the _ _ [G] Tennessee [Ab] wall
_ _ [Eb] When an old friend asked me [F] to see
_ _ _ _ [C] _ _ [Dm] _ _
[Eb] Introduced her to my loved one
[Gb] _ [Ab] And the _ _ _ Tennessee [Eb] wall
_ _ [C] _ _
[F] I must take a trip to [C] Gallipoli
_ _ And leave my poor sweetheart [F] _ home
_ _ If he has a job, [C] he won't be nice _ _
And the doggie will have a [F] good home
_ _ How much is that [C] doggie in the window?
_ _ The one with the waggly [F] tail
_ How much is that doggie in the window? _
_ I do hope [Gm] that doggie's [F] for sale
_ _ _ _ [Bbm] _ _
_ [Eb] _ _ _ _ [Ab] _ If you're [Cm] fond of sand [Ebm] dunes and [Ab] salty run
_ [Fm] _ _ Wave little, little, little, [Bb] little, little, little, little, here and there
_ [Eb] _ You [F] should've fallen [Fm] in love with _ _ _ _ _ [Bbm] Cape Cowboy
_ _ _ [Fm] _ _ [Db] _
_ [Bb] _ _ [Eb] _ _ _ [Ab] If you [F] spend an evening [Ebm] you want to stay
_ _ _ [Fm] _ _ Watching the moonlight [E] on [Bb] Cape _ Cowboy
_ [Ab] _ You [F] should've fallen in [Bb] love with old
_ [Eb] _ _ _
[Ab] _ _ _ _ _ _ _ _
[Em] _ _ _ [D] Cross over the _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [Dbm] _ _ [A] _
_ _ _ [D] _ _ _ _ _
[G] _ _ _ [E] _ _ [A] _ _ _
_ _ [Dm] _ bridge, the _ [Eb] _ _
_ _ _ _ _ bridge _
_ Change your reckless way of living. _
[Dm] _ Russell, we're [Bb] _ [Eb] leaving the past behind you.
[Ab] _ _ _ [A] _ _ [Bb] _ _ _ _ _ [Eb] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [B] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ Out of notice, did you check at the garbage dump?
Hey, why would we be at the garbage dump?
It ain't lunchtime.
Let's play kick the can, hippo-hits.
Yeah, and keep it up, dogface, or your nose will be living in another neighborhood.
Alright, _ _ _ _ _ _ _ _ _ _ _ _
who are you up to?
Gentlemen, please, a little respect for the President and Chief Executive Officer of _ _ 20th Century _ Bowser _ Films. _
_ Tensel-Ton, what is your scheme this time?
Well, you see, I told Patty Page that my film company was shooting a movie here on the street and that we wanted her to star in it.
Oh, _ movie?
Yeah, it's the sequel to Saturday Night Fever.
_ It's called Sunday Morning Rash. _
_ Wow, are you really making a movie?
Well, not exactly, but see, me saying I was a big-time movie mongrel was the only way I could get Patty Page to do our show. _
Oh, hey, that could be anything.
Hey, go get it. _ _
_ _ Hello, backlot, headquarters of _ 20th Century Bowser Films.
_ Bowser B.
DeMille speaking. _ _
_ _ Oh, hi, Patty darling.
_ I was expecting your call.
_ Yes, we'll need yous on location immediately.
_ Oh, good, we're just around the corner from there.
_ Well, ciao, ta-ta, sweetie, baby, honey, sweetheart.
_ _ _ _ Patty _ Page, she's coming, okay.
Everybody, look Hollywood.
Pretend you're movie people, okay?
Look Hollywood, you got it. _ _ _ _ _ _ _
Patty Page!
Wow! _ _ _
_ _ _ _ _ _ _ _
Oh, hello, Bowser B.
DeMille.
Oh, please, B.B.
_ _ Where's the script? _
Uh, well, it's in my head.
You see, this is a very personal film.
Well, where are the cameras?
Are they in your head, too?
No, I'm using hidden cameras.
Look, you just sing and we'll pick you up.
But what's my motivation?
_ Fear.
Fear. _
Okay, I'll sing, I'll sing, I'll sing.
Uh, anytime you're ready, B.B.
_ _ Lights!
Ho!
Ho!
_ Camera! _ _ _ _ _
_ Action.
[N] _ _ _ _ _
_ [Bb] _ _ _ _ _ _ _
_ _ _ _ [Eb] _ _ _ _
_ _ _ _ _ I was dancing _ with my dad _
To the _ _ [G] Tennessee [Ab] wall
_ _ [Eb] When an old friend asked me [F] to see
_ _ _ _ [C] _ _ [Dm] _ _
[Eb] Introduced her to my loved one
[Gb] _ [Ab] And the _ _ _ Tennessee [Eb] wall
_ _ [C] _ _
[F] I must take a trip to [C] Gallipoli
_ _ And leave my poor sweetheart [F] _ home
_ _ If he has a job, [C] he won't be nice _ _
And the doggie will have a [F] good home
_ _ How much is that [C] doggie in the window?
_ _ The one with the waggly [F] tail
_ How much is that doggie in the window? _
_ I do hope [Gm] that doggie's [F] for sale
_ _ _ _ [Bbm] _ _
_ [Eb] _ _ _ _ [Ab] _ If you're [Cm] fond of sand [Ebm] dunes and [Ab] salty run
_ [Fm] _ _ Wave little, little, little, [Bb] little, little, little, little, here and there
_ [Eb] _ You [F] should've fallen [Fm] in love with _ _ _ _ _ [Bbm] Cape Cowboy
_ _ _ [Fm] _ _ [Db] _
_ [Bb] _ _ [Eb] _ _ _ [Ab] If you [F] spend an evening [Ebm] you want to stay
_ _ _ [Fm] _ _ Watching the moonlight [E] on [Bb] Cape _ Cowboy
_ [Ab] _ You [F] should've fallen in [Bb] love with old
_ [Eb] _ _ _
[Ab] _ _ _ _ _ _ _ _
[Em] _ _ _ [D] Cross over the _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [Dbm] _ _ [A] _
_ _ _ [D] _ _ _ _ _
[G] _ _ _ [E] _ _ [A] _ _ _
_ _ [Dm] _ bridge, the _ [Eb] _ _
_ _ _ _ _ bridge _
_ Change your reckless way of living. _
[Dm] _ Russell, we're [Bb] _ [Eb] leaving the past behind you.
[Ab] _ _ _ [A] _ _ [Bb] _ _ _ _ _ [Eb] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [B] _ _ _