Chords for Scotty Moore & Robert Johnson
Tempo:
150 bpm
Chords used:
Eb
Bb
E
Gb
G
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[N]
[Ebm] [D]
[Eb] Oh really?
Yeah, he said be sure to tell you how I'm doing.
Hey Scotty, Robert's got something [D] to show you.
[Db] Something I don't think you've seen in a [Em] long time.
Oh yeah, when I was going to get to Durham.
[Eb] [Bb] [Em] Your serial number's in my book.
[Bb] My book's with you, not with me.
I've got it at the [Db] hotel.
Really?
Yeah.
[Bb] [G]
[Gb] Well [A] this is not what [G] you think it is, I don't think.
Oh really?
Okay.
I'm surprised you let it be.
[Bb]
I'd like for you to play your original [Eb]
LFI one more time.
That's [C] the one I hate that I ever got [Gb] rid of.
See it still has [Gm] Jack Eubanks [Gb] molded in one of them.
[E] [Bbm] [Bb] Yeah, he [E] took it off to Alabama or something.
[Bbm] [G]
I would say without even checking the serial [B] number, this is it.
[Bbm] Since [A] Jack was [Bb]
on all that.
Yeah, [G] well Gail told me where the guitar
[Em] was.
[Eb] Write that down.
Argue with that, Robin.
Yep.
[E]
Sound better with age.
[Cm]
Which I can say [Em] the same.
[Bbm]
[E] [Bbm] [Bb]
[Eb]
[E] [Eb]
[Gm] Blond 400, [C] Chip's Molding. Chip's [Gb] Molding.
[Eb] And all [Bb] the frets have popped out.
[G] [Eb] I keep telling him [Bb] to get the [A] darn thing.
He says, no, no, that'll make the [Eb] price go down.
They can do it without [Bb] making it.
Jack [G] had the instrument [Gb] until 67, and [F] then he [Gb]
sold it to a friend.
[A] [Ab] I knew it went off to [Em] Alabama.
[E] [Bb] When I was in the [Db] print shop, I asked you about [E] this [F] guitar, and you didn't say,
[Gb] Gail [E] went in the back and got the old Nashville [G] [Bb] Musicians.
[Bbm] [Eb] [Gb] And then a year [Eb] later, he called me back when I was living [Gb]
on a long [C] six [Eb]-month trail to [E] find it.
[Ebm] [Gb] [Eb] And it was still in Alabama?
Yeah.
I have it.
[Bb] The last [Gb] 400 that the Sunburst took out, [G] [Eb]
it's down in [B] Hard Rock in Dallas.
[Eb] And he had a big plaque on it.
He said, the old person's guitar.
[E] Oh, I know.
That's a big mess up.
Everybody knows it's yours.
And he had a 295 right [Ab] beside it.
[Bb] Yeah, that's the one you [Gb] signed for us that day.
We came over with the Gibson guy.
How much was that?
What size did you [E] get for the Hard Rock [Eb] band?
[A]
[Eb] [Bb]
[Gb] 295.
You have a new one?
[Bb]
I don't think [E]
we're [Bb] going to get that done.
[Eb] [Em] They've been working two years to do [Ab] some of them.
[Em] [Eb]
You keep going down, the first time [C] it's full of punk jazz, and then you see [Bb] it.
The next, [Eb] on 200 of them.
[Ebm] [Gb] I'd like to have a couple of [Ebm] them, about [Eb] 100 of them anyway.
[Db] [Eb] [Ebm]
[B] You're talking about, oh, we're going to get back on it.
[Bb]
Where's your flatline?
Flatline?
Are [Ab] you using flatlines?
[Gm] No, I'm using a D'Addario [Bb] half-round.
A half and half, yeah.
They take just enough off [G] of it to keep from squeaking.
I [Gb] hate them guitars squeaking.
[Bb]
[E] I don't know, what about this guitar?
It's [Eb] better than, I've got [E] another L5 at home that I picked up [Eb] that's sweet too.
[E]
Well, the neck size.
[Eb] The neck is different.
It's just a different.
[Ebm] It's special, very special.
And then it [Bb] sounds good without an amp, or with an amp.
You can definitely [E] tell it's going to sound [Gb] good when you plug it in an amp.
And, this [E] is the best one I've ever had.
[Eb]
[G] [Bb]
[E] It was a case of, I don't know why that was, bigger is [Bb] better.
[Eb] [Ab] 2400 is a little bit bigger.
[Eb]
[A] It sure was better though.
[E] You can hear the [Eb] sound [E] actually on the [G] records of [E] course, you know, the sound of this is just so.
[Eb] [Bb] They took care of it.
[Gb] [E]
[Gb] [A]
[Ebm] That's what everybody [E] says anyway.
[Em] Stop [D] that sound.
[Ebm]
[Bb] Well that's great, I believe it's nowhere to end.
It's a puzzle.
[Gb]
It's going to be in [Eb] the, [Gb] this music.
[Ebm]
[Eb] I've heard it a lot.
[Fm]
In 2005, [Bb]
supposedly, the last time I heard about [Gb] it was in the [C] French, in the Phelps.
[G] [E]
I've heard about it upstate New [Eb] York, hasn't I?
Hasn't [A] that one.
I think he's got [Eb] [Ab]
[Bb] it.
An Indian fella?
[Gb] [Em]
[Bbm] I might have met him, but he didn't have his tongue.
[Bb] And I keep remembering [G] guys, I mean, you [Bb] remember he had it.
[E] [Eb] [G]
He happened to be in Okinawa [B] when I traded [Bb] that in.
[A] [Eb] [Gb]
I [Ab] think Mr.
Train was the first song to [Bb] play on this.
I know it.
[Gb]
Oh, here at the [Eb] last [Gm] session.
And I'd just [Bb] gotten that, the Ray Boutin too was there.
[Em] [Gm]
[Ebm] [Bb]
[Ab] But the [Em] guy came to Nashville,
[Bb] brought the guitar up [E] and it was busted.
[Eb] [G]
[Bb] [E] No, it wasn't busted.
He brought it up there [Eb] and authenticated [G] it for me.
[Ab] And [Eb] I've got a picture of it, [Bb] just a snapshot [Ebm] sitting on the couch.
[Eb] [E] [Ab]
[A] [Em] The gold was starting to turn green [Gb] on the fence.
Yeah.
Then Jimmy brought [Ab] it over there and explained the whole thing.
And I signed it for him.
[Gm]
Have you seen, you saw it, [Bb] was it busted?
Yeah.
But I don't think it was at the server.
[G] I didn't know that.
[Eb] I was caught by the two boys, [C]
the two boys were calling the same [Gb] name.
Yeah, me too.
Nice to
[F] see you.
Yeah, me too.
[Bbm] I thought [E] it was stubborn.
[B] Yeah, it is [Db] a little bit of that too.
Yeah.
[Ebm] [D]
[Eb] Oh really?
Yeah, he said be sure to tell you how I'm doing.
Hey Scotty, Robert's got something [D] to show you.
[Db] Something I don't think you've seen in a [Em] long time.
Oh yeah, when I was going to get to Durham.
[Eb] [Bb] [Em] Your serial number's in my book.
[Bb] My book's with you, not with me.
I've got it at the [Db] hotel.
Really?
Yeah.
[Bb] [G]
[Gb] Well [A] this is not what [G] you think it is, I don't think.
Oh really?
Okay.
I'm surprised you let it be.
[Bb]
I'd like for you to play your original [Eb]
LFI one more time.
That's [C] the one I hate that I ever got [Gb] rid of.
See it still has [Gm] Jack Eubanks [Gb] molded in one of them.
[E] [Bbm] [Bb] Yeah, he [E] took it off to Alabama or something.
[Bbm] [G]
I would say without even checking the serial [B] number, this is it.
[Bbm] Since [A] Jack was [Bb]
on all that.
Yeah, [G] well Gail told me where the guitar
[Em] was.
[Eb] Write that down.
Argue with that, Robin.
Yep.
[E]
Sound better with age.
[Cm]
Which I can say [Em] the same.
[Bbm]
[E] [Bbm] [Bb]
[Eb]
[E] [Eb]
[Gm] Blond 400, [C] Chip's Molding. Chip's [Gb] Molding.
[Eb] And all [Bb] the frets have popped out.
[G] [Eb] I keep telling him [Bb] to get the [A] darn thing.
He says, no, no, that'll make the [Eb] price go down.
They can do it without [Bb] making it.
Jack [G] had the instrument [Gb] until 67, and [F] then he [Gb]
sold it to a friend.
[A] [Ab] I knew it went off to [Em] Alabama.
[E] [Bb] When I was in the [Db] print shop, I asked you about [E] this [F] guitar, and you didn't say,
[Gb] Gail [E] went in the back and got the old Nashville [G] [Bb] Musicians.
[Bbm] [Eb] [Gb] And then a year [Eb] later, he called me back when I was living [Gb]
on a long [C] six [Eb]-month trail to [E] find it.
[Ebm] [Gb] [Eb] And it was still in Alabama?
Yeah.
I have it.
[Bb] The last [Gb] 400 that the Sunburst took out, [G] [Eb]
it's down in [B] Hard Rock in Dallas.
[Eb] And he had a big plaque on it.
He said, the old person's guitar.
[E] Oh, I know.
That's a big mess up.
Everybody knows it's yours.
And he had a 295 right [Ab] beside it.
[Bb] Yeah, that's the one you [Gb] signed for us that day.
We came over with the Gibson guy.
How much was that?
What size did you [E] get for the Hard Rock [Eb] band?
[A]
[Eb] [Bb]
[Gb] 295.
You have a new one?
[Bb]
I don't think [E]
we're [Bb] going to get that done.
[Eb] [Em] They've been working two years to do [Ab] some of them.
[Em] [Eb]
You keep going down, the first time [C] it's full of punk jazz, and then you see [Bb] it.
The next, [Eb] on 200 of them.
[Ebm] [Gb] I'd like to have a couple of [Ebm] them, about [Eb] 100 of them anyway.
[Db] [Eb] [Ebm]
[B] You're talking about, oh, we're going to get back on it.
[Bb]
Where's your flatline?
Flatline?
Are [Ab] you using flatlines?
[Gm] No, I'm using a D'Addario [Bb] half-round.
A half and half, yeah.
They take just enough off [G] of it to keep from squeaking.
I [Gb] hate them guitars squeaking.
[Bb]
[E] I don't know, what about this guitar?
It's [Eb] better than, I've got [E] another L5 at home that I picked up [Eb] that's sweet too.
[E]
Well, the neck size.
[Eb] The neck is different.
It's just a different.
[Ebm] It's special, very special.
And then it [Bb] sounds good without an amp, or with an amp.
You can definitely [E] tell it's going to sound [Gb] good when you plug it in an amp.
And, this [E] is the best one I've ever had.
[Eb]
[G] [Bb]
[E] It was a case of, I don't know why that was, bigger is [Bb] better.
[Eb] [Ab] 2400 is a little bit bigger.
[Eb]
[A] It sure was better though.
[E] You can hear the [Eb] sound [E] actually on the [G] records of [E] course, you know, the sound of this is just so.
[Eb] [Bb] They took care of it.
[Gb] [E]
[Gb] [A]
[Ebm] That's what everybody [E] says anyway.
[Em] Stop [D] that sound.
[Ebm]
[Bb] Well that's great, I believe it's nowhere to end.
It's a puzzle.
[Gb]
It's going to be in [Eb] the, [Gb] this music.
[Ebm]
[Eb] I've heard it a lot.
[Fm]
In 2005, [Bb]
supposedly, the last time I heard about [Gb] it was in the [C] French, in the Phelps.
[G] [E]
I've heard about it upstate New [Eb] York, hasn't I?
Hasn't [A] that one.
I think he's got [Eb] [Ab]
[Bb] it.
An Indian fella?
[Gb] [Em]
[Bbm] I might have met him, but he didn't have his tongue.
[Bb] And I keep remembering [G] guys, I mean, you [Bb] remember he had it.
[E] [Eb] [G]
He happened to be in Okinawa [B] when I traded [Bb] that in.
[A] [Eb] [Gb]
I [Ab] think Mr.
Train was the first song to [Bb] play on this.
I know it.
[Gb]
Oh, here at the [Eb] last [Gm] session.
And I'd just [Bb] gotten that, the Ray Boutin too was there.
[Em] [Gm]
[Ebm] [Bb]
[Ab] But the [Em] guy came to Nashville,
[Bb] brought the guitar up [E] and it was busted.
[Eb] [G]
[Bb] [E] No, it wasn't busted.
He brought it up there [Eb] and authenticated [G] it for me.
[Ab] And [Eb] I've got a picture of it, [Bb] just a snapshot [Ebm] sitting on the couch.
[Eb] [E] [Ab]
[A] [Em] The gold was starting to turn green [Gb] on the fence.
Yeah.
Then Jimmy brought [Ab] it over there and explained the whole thing.
And I signed it for him.
[Gm]
Have you seen, you saw it, [Bb] was it busted?
Yeah.
But I don't think it was at the server.
[G] I didn't know that.
[Eb] I was caught by the two boys, [C]
the two boys were calling the same [Gb] name.
Yeah, me too.
Nice to
[F] see you.
Yeah, me too.
[Bbm] I thought [E] it was stubborn.
[B] Yeah, it is [Db] a little bit of that too.
Yeah.
Key:
Eb
Bb
E
Gb
G
Eb
Bb
E
[N] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [Ebm] _ _ _ [D] _
_ _ [Eb] Oh really?
Yeah, he said be sure to tell you how I'm doing.
_ Hey Scotty, Robert's got something [D] to show you.
[Db] Something I don't think you've seen in a [Em] long time.
Oh yeah, when I was going to get to Durham.
[Eb] _ _ [Bb] _ _ _ [Em] Your serial number's in my book.
_ _ [Bb] My book's with you, not with me.
I've got it at the [Db] hotel.
Really?
Yeah.
[Bb] _ _ _ _ _ [G] _ _ _
[Gb] Well [A] this is not what [G] you think it is, I don't think.
Oh really?
Okay.
I'm surprised you let it be.
[Bb] _
_ I'd like for you to play your original [Eb]
LFI one more time.
_ _ That's [C] the one I hate that I ever got [Gb] rid of.
_ See it still has [Gm] Jack Eubanks [Gb] molded in one of them. _
[E] _ _ [Bbm] _ [Bb] _ Yeah, he [E] took it off to Alabama or something.
[Bbm] _ _ _ _ _ [G] _
_ I would say without even checking the serial [B] number, this is it.
[Bbm] Since [A] Jack was _ [Bb] _
on all that.
Yeah, [G] well Gail told me where the guitar _ _ _ _ _
[Em] _ _ _ _ _ _ was.
[Eb] Write that down.
_ _ Argue with that, Robin.
Yep.
_ _ _ _ _ [E] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ Sound better with age.
_ _ _ _ _ [Cm] _
Which I can say [Em] the same.
_ _ _ [Bbm] _ _
_ [E] _ _ _ [Bbm] _ _ [Bb] _ _
_ _ _ _ _ _ [Eb] _ _
[E] _ _ _ _ _ [Eb] _ _ _
_ [Gm] Blond 400, [C] Chip's Molding. Chip's [Gb] Molding.
_ _ _ _ [Eb] _ And all [Bb] the frets have popped out.
[G] _ _ [Eb] _ I keep telling him _ [Bb] to get the [A] darn thing.
He says, no, no, that'll make the [Eb] price go down.
_ _ They can do it without [Bb] making it. _ _ _ _ _ _
_ _ _ _ _ Jack [G] had the instrument [Gb] until 67, and [F] then he [Gb]
sold it to a friend.
[A] _ _ [Ab] I knew it went off to [Em] Alabama.
[E] _ _ [Bb] When I was in the [Db] print shop, I asked you about [E] this [F] guitar, and you didn't say,
[Gb] Gail [E] went in the back and got the old Nashville _ [G] [Bb] Musicians. _
_ [Bbm] _ _ [Eb] _ _ [Gb] And then a year [Eb] later, he called me back when I was living _ [Gb] _ _ _
on a long [C] six [Eb]-month trail to [E] find it.
_ [Ebm] _ _ [Gb] [Eb] And it was still in Alabama?
Yeah.
I have it. _ _ _ _ _ _
[Bb] _ The last [Gb] 400 that the Sunburst took out, _ [G] _ _ _ _ [Eb] _ _
it's down in [B] Hard Rock in Dallas.
[Eb] _ _ And he had a big plaque on it.
He said, the old person's guitar.
[E] Oh, I know.
That's a big mess up.
Everybody knows it's yours.
And he had a 295 right [Ab] beside it.
_ [Bb] Yeah, _ _ that's the one you [Gb] signed for us that day.
We came over with the Gibson guy. _
_ How much was that?
What size did you [E] get for the Hard Rock [Eb] band?
_ _ _ [A] _ _
_ [Eb] _ _ _ [Bb] _ _ _ _
_ _ [Gb] 295.
You have a new one?
_ [Bb] _
_ _ _ _ I don't think [E]
we're [Bb] going to get that done.
[Eb] _ _ [Em] They've been working two years to do [Ab] some of them.
[Em] _ _ [Eb] _
You keep going down, the first time [C] it's full of punk jazz, and then you see _ [Bb] it.
The next, [Eb] on 200 of them. _
[Ebm] _ _ [Gb] I'd like to have a couple of [Ebm] them, about [Eb] 100 of them anyway.
[Db] _ _ _ [Eb] _ _ [Ebm] _
[B] You're talking about, oh, we're going to get back on it.
_ [Bb] _
_ Where's your flatline?
Flatline?
Are [Ab] you using flatlines?
_ [Gm] _ No, I'm using a D'Addario [Bb] half-round.
A half and half, yeah.
They take just enough off [G] of it to keep from squeaking.
I [Gb] hate them guitars squeaking. _
[Bb] _ _ _ _ _ _ _ _
[E] _ _ _ I don't know, what about this guitar?
It's [Eb] better than, I've got [E] another L5 at home that I picked up [Eb] that's _ sweet too. _
_ _ _ _ _ _ [E] _ _
Well, the neck size.
_ [Eb] The neck is different.
It's just a different.
[Ebm] It's special, very special. _ _
And then it [Bb] sounds good without an amp, or with an amp. _
_ You can definitely [E] tell it's going to sound [Gb] good when you plug it in an amp. _ _ _ _ _
And, this [E] is the best one I've ever had.
[Eb] _ _
_ _ _ [G] _ _ _ [Bb] _ _
[E] It was a case of, I don't know why that was, bigger is [Bb] better.
_ [Eb] _ [Ab] 2400 is a little bit bigger.
[Eb] _
[A] It sure was better though.
[E] You can hear the [Eb] sound [E] actually on the [G] records of [E] course, you know, the sound of this is just so. _ _ _ _ _
_ _ _ [Eb] _ _ [Bb] They took care of it.
_ _ _ _ [Gb] _ _ [E] _
_ [Gb] _ _ _ _ _ _ [A] _
_ [Ebm] _ That's what everybody [E] says anyway. _
_ [Em] Stop [D] that sound.
_ [Ebm] _ _
_ _ [Bb] _ Well that's great, I believe it's nowhere to end.
_ _ _ It's a puzzle.
[Gb]
It's going to be in [Eb] the, _ [Gb] this music.
_ _ _ [Ebm] _ _ _ _ _
[Eb] _ _ _ _ _ _ I've heard it a lot.
_ _ _ _ [Fm] _ _ _
In 2005, _ [Bb] _ _ _ _
supposedly, _ _ _ _ _ the last time I heard about [Gb] it was in the [C] French, in the Phelps.
_ [G] _ _ [E] _ _
I've heard about it upstate New [Eb] York, hasn't I?
Hasn't [A] that one.
I think he's got _ [Eb] _ _ _ [Ab] _
_ _ _ [Bb] _ _ _ it.
An Indian fella?
_ _ _ [Gb] _ _ [Em] _
_ [Bbm] I might have met him, but he didn't have his tongue. _
[Bb] _ _ And I keep remembering [G] guys, I mean, you [Bb] remember he had it.
[E] _ _ _ _ [Eb] _ _ [G]
He happened to be in Okinawa [B] when I traded [Bb] that in. _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [A] _ _ [Eb] _ _ _ [Gb] _
_ _ _ I [Ab] think Mr.
Train was the first song to [Bb] play on this.
I know it.
_ [Gb]
Oh, here at the [Eb] last [Gm] session. _ _ _
And I'd just [Bb] gotten that, the Ray Boutin too was there.
_ _ _ [Em] _ _ _ [Gm] _ _
_ _ _ [Ebm] _ _ [Bb] _ _ _
[Ab] But the [Em] guy came to Nashville, _ _ _
[Bb] _ _ _ _ _ brought the guitar up [E] and it was busted.
_ _ [Eb] _ _ [G] _ _
[Bb] _ _ [E] No, it wasn't busted.
_ He brought it up there [Eb] and authenticated [G] it for me.
[Ab] And [Eb] I've got a picture of it, [Bb] just a snapshot [Ebm] sitting on the couch.
_ [Eb] _ _ [E] _ _ _ [Ab] _ _
_ [A] _ _ [Em] The gold was starting to turn green [Gb] on the fence.
Yeah.
_ _ _ Then Jimmy brought [Ab] it over there and explained the whole thing. _
And I signed it for him.
_ [Gm] _ _
_ _ _ _ Have you seen, you saw it, [Bb] was it busted?
Yeah.
_ _ _ But I don't think it was at the server.
_ _ _ [G] I didn't know that.
[Eb] _ I was caught by the two boys, [C]
the two boys were calling the same [Gb] name.
Yeah, me too.
Nice to _
_ _ [F] see you.
Yeah, me too. _
_ [Bbm] I thought [E] it was stubborn.
[B] Yeah, it is [Db] a little bit of that too.
Yeah. _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [Ebm] _ _ _ [D] _
_ _ [Eb] Oh really?
Yeah, he said be sure to tell you how I'm doing.
_ Hey Scotty, Robert's got something [D] to show you.
[Db] Something I don't think you've seen in a [Em] long time.
Oh yeah, when I was going to get to Durham.
[Eb] _ _ [Bb] _ _ _ [Em] Your serial number's in my book.
_ _ [Bb] My book's with you, not with me.
I've got it at the [Db] hotel.
Really?
Yeah.
[Bb] _ _ _ _ _ [G] _ _ _
[Gb] Well [A] this is not what [G] you think it is, I don't think.
Oh really?
Okay.
I'm surprised you let it be.
[Bb] _
_ I'd like for you to play your original [Eb]
LFI one more time.
_ _ That's [C] the one I hate that I ever got [Gb] rid of.
_ See it still has [Gm] Jack Eubanks [Gb] molded in one of them. _
[E] _ _ [Bbm] _ [Bb] _ Yeah, he [E] took it off to Alabama or something.
[Bbm] _ _ _ _ _ [G] _
_ I would say without even checking the serial [B] number, this is it.
[Bbm] Since [A] Jack was _ [Bb] _
on all that.
Yeah, [G] well Gail told me where the guitar _ _ _ _ _
[Em] _ _ _ _ _ _ was.
[Eb] Write that down.
_ _ Argue with that, Robin.
Yep.
_ _ _ _ _ [E] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ Sound better with age.
_ _ _ _ _ [Cm] _
Which I can say [Em] the same.
_ _ _ [Bbm] _ _
_ [E] _ _ _ [Bbm] _ _ [Bb] _ _
_ _ _ _ _ _ [Eb] _ _
[E] _ _ _ _ _ [Eb] _ _ _
_ [Gm] Blond 400, [C] Chip's Molding. Chip's [Gb] Molding.
_ _ _ _ [Eb] _ And all [Bb] the frets have popped out.
[G] _ _ [Eb] _ I keep telling him _ [Bb] to get the [A] darn thing.
He says, no, no, that'll make the [Eb] price go down.
_ _ They can do it without [Bb] making it. _ _ _ _ _ _
_ _ _ _ _ Jack [G] had the instrument [Gb] until 67, and [F] then he [Gb]
sold it to a friend.
[A] _ _ [Ab] I knew it went off to [Em] Alabama.
[E] _ _ [Bb] When I was in the [Db] print shop, I asked you about [E] this [F] guitar, and you didn't say,
[Gb] Gail [E] went in the back and got the old Nashville _ [G] [Bb] Musicians. _
_ [Bbm] _ _ [Eb] _ _ [Gb] And then a year [Eb] later, he called me back when I was living _ [Gb] _ _ _
on a long [C] six [Eb]-month trail to [E] find it.
_ [Ebm] _ _ [Gb] [Eb] And it was still in Alabama?
Yeah.
I have it. _ _ _ _ _ _
[Bb] _ The last [Gb] 400 that the Sunburst took out, _ [G] _ _ _ _ [Eb] _ _
it's down in [B] Hard Rock in Dallas.
[Eb] _ _ And he had a big plaque on it.
He said, the old person's guitar.
[E] Oh, I know.
That's a big mess up.
Everybody knows it's yours.
And he had a 295 right [Ab] beside it.
_ [Bb] Yeah, _ _ that's the one you [Gb] signed for us that day.
We came over with the Gibson guy. _
_ How much was that?
What size did you [E] get for the Hard Rock [Eb] band?
_ _ _ [A] _ _
_ [Eb] _ _ _ [Bb] _ _ _ _
_ _ [Gb] 295.
You have a new one?
_ [Bb] _
_ _ _ _ I don't think [E]
we're [Bb] going to get that done.
[Eb] _ _ [Em] They've been working two years to do [Ab] some of them.
[Em] _ _ [Eb] _
You keep going down, the first time [C] it's full of punk jazz, and then you see _ [Bb] it.
The next, [Eb] on 200 of them. _
[Ebm] _ _ [Gb] I'd like to have a couple of [Ebm] them, about [Eb] 100 of them anyway.
[Db] _ _ _ [Eb] _ _ [Ebm] _
[B] You're talking about, oh, we're going to get back on it.
_ [Bb] _
_ Where's your flatline?
Flatline?
Are [Ab] you using flatlines?
_ [Gm] _ No, I'm using a D'Addario [Bb] half-round.
A half and half, yeah.
They take just enough off [G] of it to keep from squeaking.
I [Gb] hate them guitars squeaking. _
[Bb] _ _ _ _ _ _ _ _
[E] _ _ _ I don't know, what about this guitar?
It's [Eb] better than, I've got [E] another L5 at home that I picked up [Eb] that's _ sweet too. _
_ _ _ _ _ _ [E] _ _
Well, the neck size.
_ [Eb] The neck is different.
It's just a different.
[Ebm] It's special, very special. _ _
And then it [Bb] sounds good without an amp, or with an amp. _
_ You can definitely [E] tell it's going to sound [Gb] good when you plug it in an amp. _ _ _ _ _
And, this [E] is the best one I've ever had.
[Eb] _ _
_ _ _ [G] _ _ _ [Bb] _ _
[E] It was a case of, I don't know why that was, bigger is [Bb] better.
_ [Eb] _ [Ab] 2400 is a little bit bigger.
[Eb] _
[A] It sure was better though.
[E] You can hear the [Eb] sound [E] actually on the [G] records of [E] course, you know, the sound of this is just so. _ _ _ _ _
_ _ _ [Eb] _ _ [Bb] They took care of it.
_ _ _ _ [Gb] _ _ [E] _
_ [Gb] _ _ _ _ _ _ [A] _
_ [Ebm] _ That's what everybody [E] says anyway. _
_ [Em] Stop [D] that sound.
_ [Ebm] _ _
_ _ [Bb] _ Well that's great, I believe it's nowhere to end.
_ _ _ It's a puzzle.
[Gb]
It's going to be in [Eb] the, _ [Gb] this music.
_ _ _ [Ebm] _ _ _ _ _
[Eb] _ _ _ _ _ _ I've heard it a lot.
_ _ _ _ [Fm] _ _ _
In 2005, _ [Bb] _ _ _ _
supposedly, _ _ _ _ _ the last time I heard about [Gb] it was in the [C] French, in the Phelps.
_ [G] _ _ [E] _ _
I've heard about it upstate New [Eb] York, hasn't I?
Hasn't [A] that one.
I think he's got _ [Eb] _ _ _ [Ab] _
_ _ _ [Bb] _ _ _ it.
An Indian fella?
_ _ _ [Gb] _ _ [Em] _
_ [Bbm] I might have met him, but he didn't have his tongue. _
[Bb] _ _ And I keep remembering [G] guys, I mean, you [Bb] remember he had it.
[E] _ _ _ _ [Eb] _ _ [G]
He happened to be in Okinawa [B] when I traded [Bb] that in. _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [A] _ _ [Eb] _ _ _ [Gb] _
_ _ _ I [Ab] think Mr.
Train was the first song to [Bb] play on this.
I know it.
_ [Gb]
Oh, here at the [Eb] last [Gm] session. _ _ _
And I'd just [Bb] gotten that, the Ray Boutin too was there.
_ _ _ [Em] _ _ _ [Gm] _ _
_ _ _ [Ebm] _ _ [Bb] _ _ _
[Ab] But the [Em] guy came to Nashville, _ _ _
[Bb] _ _ _ _ _ brought the guitar up [E] and it was busted.
_ _ [Eb] _ _ [G] _ _
[Bb] _ _ [E] No, it wasn't busted.
_ He brought it up there [Eb] and authenticated [G] it for me.
[Ab] And [Eb] I've got a picture of it, [Bb] just a snapshot [Ebm] sitting on the couch.
_ [Eb] _ _ [E] _ _ _ [Ab] _ _
_ [A] _ _ [Em] The gold was starting to turn green [Gb] on the fence.
Yeah.
_ _ _ Then Jimmy brought [Ab] it over there and explained the whole thing. _
And I signed it for him.
_ [Gm] _ _
_ _ _ _ Have you seen, you saw it, [Bb] was it busted?
Yeah.
_ _ _ But I don't think it was at the server.
_ _ _ [G] I didn't know that.
[Eb] _ I was caught by the two boys, [C]
the two boys were calling the same [Gb] name.
Yeah, me too.
Nice to _
_ _ [F] see you.
Yeah, me too. _
_ [Bbm] I thought [E] it was stubborn.
[B] Yeah, it is [Db] a little bit of that too.
Yeah. _ _
_ _ _ _ _ _ _ _