Chords for Schitt's Creek's Dan Levy & Annie Murphy play Jam or Not a Jam
Tempo:
98.6 bpm
Chords used:
B
F
Bb
Db
Ab
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Hi.
Hi.
Hi.
Hi.
I'm Annie Murphy.
I'm Dan Levy.
This is our third attempt at this.
Yep, we're gonna get it.
We are about to play CBC Music's
Jam or Not a Tune.
Not a Jam.
[F]
[C] [F] [Gb] Somebody once [Ebm] told me Bye.
Jam.
[Db]
[Ab] Jam.
[B] [Gb] Don't just fiddle around with it.
[Ab] Um
I feel [Gb] like
It made [Ab] my heart [B] physically just
[C] Keep playing it.
Let's just hold on.
Let me see if I [B] have a chance.
We'll just experience it [Db] together.
[Eb] Who [B] sang this [Db] song again?
[Ab] [Bb] [Db] Did somebody sing it again?
[Ab] Um
[Bb] Uh Smash Mouth.
[E] [Gb] Right.
[B]
[C] Um
Get a pass [B] on this one.
I'm gonna [Gb] turn it up and lock the doors. [Bb] That's Alright.
[Gb] [N] [Bb]
Let's go.
[Db] [Bb] Yeah.
[Db] I'm not gonna say anything bad about a Canadian
Queen.
[Bbm] If anyone ever says anything bad about Shania Twain
They're out of there.
Listen.
[Fm] I don't know
I don't know what kind of setup this is,
but I am doing nothing but praising [Bbm] Shania Twain.
Down on my knees praising.
[Ab] Mm-hmm.
Whose [Bbm] bed have your boots been under?
[Db] I don't know.
That's a [Bb] question.
I don't know.
That's just a general life question.
[C] That's a [Bbm] Philosophical.
Yes.
Ask [Ab] yourself that every night before [Bb] you go to bed.
[Eb] I hold them like this because it makes me seem like a professional.
Makes you feel young.
That's how they do it in the recording studios.
Young and hip.
[D]
[A] [B]
Come on.
[A] [B]
[D] He [A] was a boy.
She [B] was a girl.
Can I make [Bb] it anymore obvious?
This was a time in Avril's career that I
[B] Uh
I think there were like two records that came out.
This, and then she had the record with I'm With You on it.
Which I will still say is one of the great pop [F] songs.
Of [B] all time?
I'm With You?
Maybe not of
No, don't quote me on of all time,
[F] but I definitely say that for me,
[C] it's a great song.
You drove [Bb] crying to it a bunch, didn't you?
[E] [F]
Listen, that's a chapter of my life we don't need to air out.
[Am] Um Here.
Jam.
[Bbm] Jam, jam, jam.
Such a [Bm] jam. Yeah.
Clearly, as I know all the words to it.
Yeah, you know, I've interviewed Avril Lavigne.
[Bb]
[Bm] So cool.
What's she like?
I don't think she liked me very much.
[D] I don't blame her.
So, um
[A]
Still [Bm] like her though.
[F] Just dead silence.
Is it a Yoko Ono song?
Um How?
I listened to this song at one point every day
for eight wonderful years.
This is like one of the ones that I just
I can for every other one.
But [Cm] this one, because there's [Dm] no
Oh, it's not
There's no part where you're just like, ah, yeah.
You don't know what we're listening to?
It's Alanis.
Oh [Eb] my god.
[Dm] You're so stupid.
[Db] Is this the 101 [Bbm] Love Letters song?
[F] Why Am I Writing You a Love Song song?
What is this?
[Fm] [Bb] You cannot say we're rich if we're stumped and duped.
[F] That's another [Dm] Cry Drive song, isn't it?
[Gm] Yeah.
You've just [F] admitted to me that you've never watched my show.
[Gm]
[Bb] [F] What is [Gm] this?
It's not Alanis.
It's Natasha [F] Bedingfield, and it just so happened [D] to be the theme song
to [G] a little-known MTV classic, The Hills.
[F] That's why you said what you said.
I didn't know that.
That brings a soft and subtle tear to my eye.
Sounds like Alanis at the beginning.
No, it doesn't.
It's one of my clearly not my favorite Alanis songs.
I will always and forever love this song.
That's good.
It takes me back.
Thanks, CBC Music.
Thank you, CBC Music.
Great tunes.
Those are some great tunes.
Really good tunes.
Yeah, for the most part.
[Eb] I liked them all, except the smash [Dm] mouth.
Which I loved.
Which I [Bbm] now resent a little bit.
I'm going to [F] listen to it as soon as I leave here.
That's scary and [Bb] embarrassing.
Well, to each his own.
[C] [Bm]
[B]
[E] [B]
Hi.
Hi.
Hi.
I'm Annie Murphy.
I'm Dan Levy.
This is our third attempt at this.
Yep, we're gonna get it.
We are about to play CBC Music's
Jam or Not a Tune.
Not a Jam.
[F]
[C] [F] [Gb] Somebody once [Ebm] told me Bye.
Jam.
[Db]
[Ab] Jam.
[B] [Gb] Don't just fiddle around with it.
[Ab] Um
I feel [Gb] like
It made [Ab] my heart [B] physically just
[C] Keep playing it.
Let's just hold on.
Let me see if I [B] have a chance.
We'll just experience it [Db] together.
[Eb] Who [B] sang this [Db] song again?
[Ab] [Bb] [Db] Did somebody sing it again?
[Ab] Um
[Bb] Uh Smash Mouth.
[E] [Gb] Right.
[B]
[C] Um
Get a pass [B] on this one.
I'm gonna [Gb] turn it up and lock the doors. [Bb] That's Alright.
[Gb] [N] [Bb]
Let's go.
[Db] [Bb] Yeah.
[Db] I'm not gonna say anything bad about a Canadian
Queen.
[Bbm] If anyone ever says anything bad about Shania Twain
They're out of there.
Listen.
[Fm] I don't know
I don't know what kind of setup this is,
but I am doing nothing but praising [Bbm] Shania Twain.
Down on my knees praising.
[Ab] Mm-hmm.
Whose [Bbm] bed have your boots been under?
[Db] I don't know.
That's a [Bb] question.
I don't know.
That's just a general life question.
[C] That's a [Bbm] Philosophical.
Yes.
Ask [Ab] yourself that every night before [Bb] you go to bed.
[Eb] I hold them like this because it makes me seem like a professional.
Makes you feel young.
That's how they do it in the recording studios.
Young and hip.
[D]
[A] [B]
Come on.
[A] [B]
[D] He [A] was a boy.
She [B] was a girl.
Can I make [Bb] it anymore obvious?
This was a time in Avril's career that I
[B] Uh
I think there were like two records that came out.
This, and then she had the record with I'm With You on it.
Which I will still say is one of the great pop [F] songs.
Of [B] all time?
I'm With You?
Maybe not of
No, don't quote me on of all time,
[F] but I definitely say that for me,
[C] it's a great song.
You drove [Bb] crying to it a bunch, didn't you?
[E] [F]
Listen, that's a chapter of my life we don't need to air out.
[Am] Um Here.
Jam.
[Bbm] Jam, jam, jam.
Such a [Bm] jam. Yeah.
Clearly, as I know all the words to it.
Yeah, you know, I've interviewed Avril Lavigne.
[Bb]
[Bm] So cool.
What's she like?
I don't think she liked me very much.
[D] I don't blame her.
So, um
[A]
Still [Bm] like her though.
[F] Just dead silence.
Is it a Yoko Ono song?
Um How?
I listened to this song at one point every day
for eight wonderful years.
This is like one of the ones that I just
I can for every other one.
But [Cm] this one, because there's [Dm] no
Oh, it's not
There's no part where you're just like, ah, yeah.
You don't know what we're listening to?
It's Alanis.
Oh [Eb] my god.
[Dm] You're so stupid.
[Db] Is this the 101 [Bbm] Love Letters song?
[F] Why Am I Writing You a Love Song song?
What is this?
[Fm] [Bb] You cannot say we're rich if we're stumped and duped.
[F] That's another [Dm] Cry Drive song, isn't it?
[Gm] Yeah.
You've just [F] admitted to me that you've never watched my show.
[Gm]
[Bb] [F] What is [Gm] this?
It's not Alanis.
It's Natasha [F] Bedingfield, and it just so happened [D] to be the theme song
to [G] a little-known MTV classic, The Hills.
[F] That's why you said what you said.
I didn't know that.
That brings a soft and subtle tear to my eye.
Sounds like Alanis at the beginning.
No, it doesn't.
It's one of my clearly not my favorite Alanis songs.
I will always and forever love this song.
That's good.
It takes me back.
Thanks, CBC Music.
Thank you, CBC Music.
Great tunes.
Those are some great tunes.
Really good tunes.
Yeah, for the most part.
[Eb] I liked them all, except the smash [Dm] mouth.
Which I loved.
Which I [Bbm] now resent a little bit.
I'm going to [F] listen to it as soon as I leave here.
That's scary and [Bb] embarrassing.
Well, to each his own.
[C] [Bm]
[B]
[E] [B]
Key:
B
F
Bb
Db
Ab
B
F
Bb
_ _ _ _ Hi.
Hi.
Hi.
Hi.
I'm Annie Murphy.
I'm Dan Levy.
This is our third attempt at this.
Yep, we're gonna get it.
We are about to play_ CBC Music's_
Jam or Not a Tune.
Not a Jam.
_ _ _ [F] _ _
_ [C] _ _ [F] _ _ _ [Gb] Somebody once [Ebm] told me_ Bye.
Jam.
[Db] _ _
[Ab] Jam.
_ _ [B] _ _ [Gb] Don't just fiddle around with it.
[Ab] Um_
I feel [Gb] like_
It made [Ab] my heart [B] physically just_
[C] Keep playing it.
Let's just hold on.
Let me see if I [B] have a chance.
We'll just experience it [Db] together. _ _
[Eb] _ Who [B] sang this [Db] song again? _ _ _
[Ab] _ _ [Bb] [Db] Did somebody sing it again?
[Ab] _ Um_
[Bb] Uh_ Smash Mouth.
[E] _ [Gb] Right.
[B] _
[C] Um_
Get a pass [B] on this one.
I'm gonna [Gb] turn it up and lock the doors. [Bb] That's_ Alright.
[Gb] _ _ [N] _ _ _ [Bb] _ _
_ _ _ _ Let's go. _
_ [Db] _ [Bb] Yeah.
_ [Db] I'm not gonna say anything bad about a Canadian_
Queen.
[Bbm] If anyone ever says anything bad about Shania Twain_
They're out of there.
Listen.
[Fm] I don't know_
I don't know what kind of setup this is,
but I am doing nothing but praising [Bbm] Shania Twain.
Down on my knees praising.
[Ab] Mm-hmm.
Whose [Bbm] bed have your boots been under?
[Db] I don't know.
That's a [Bb] question.
I don't know.
That's just a general life question.
[C] That's a_ [Bbm] Philosophical.
Yes.
Ask [Ab] yourself that every night before [Bb] you go to bed.
[Eb] I hold them like this because it makes me seem like a professional.
Makes you feel young.
That's how they do it in the recording studios.
Young and hip.
[D] _ _ _
[A] _ _ _ [B] _ _ _ _ _
_ Come on.
[A] _ _ _ [B] _ _
_ _ [D] _ He [A] was a boy.
She [B] was a girl.
Can I make [Bb] it anymore obvious?
This was a time in Avril's career that I_
[B] Uh_
I think there were like two records that came out.
This, and then she had the record with I'm With You on it.
Which I will still say is one of the great pop [F] songs.
Of [B] all time?
I'm With You?
Maybe not of_
No, don't quote me on of all time,
[F] but I definitely say that for me,
[C] it's a great song.
You drove [Bb] crying to it a bunch, didn't you?
[E] _ _ [F]
Listen, that's a chapter of my life we don't need to air out.
[Am] Um_ Here.
Jam.
[Bbm] Jam, jam, jam.
_ Such a [Bm] jam. Yeah.
Clearly, as I know all the words to it.
Yeah, you know, I've interviewed Avril Lavigne.
[Bb] _
[Bm] So cool.
What's she like?
I don't think she liked me very much. _
_ [D] I don't blame her.
So, um_
[A]
Still [Bm] like her though.
_ [F] Just dead silence.
Is it a Yoko Ono song?
_ _ _ _ _ _ _ _
_ Um_ How? _ _ _ _ _
_ _ I listened to this song at one point every day
_ _ _ _ for eight wonderful years.
This is like one of the ones that I just_
I can for every other one.
But [Cm] this one, because there's [Dm] no_
Oh, it's not_
_ There's no part where you're just like, ah, yeah.
You don't know what we're listening to?
It's Alanis.
Oh [Eb] my god.
_ _ _ [Dm] _ You're so stupid.
[Db] Is this the 101 [Bbm] Love Letters song?
[F] Why Am I Writing You a Love Song song?
What is this?
[Fm] _ _ [Bb] You cannot say we're rich if we're stumped and duped.
[F] That's another [Dm] Cry Drive song, isn't it?
[Gm] Yeah.
You've just [F] admitted to me that you've never watched my show.
[Gm] _ _
_ [Bb] _ _ [F] _ What is [Gm] this?
It's not Alanis.
It's Natasha [F] Bedingfield, and it just so happened [D] to be the theme song
to [G] a little-known MTV classic, The Hills.
_ [F] That's why you said what you said.
I didn't know that.
That brings a soft and subtle tear to my eye.
Sounds like Alanis at the beginning.
No, it doesn't.
It's one of my clearly not my favorite Alanis songs.
I will always and forever love this song.
That's good. _
It takes me back.
_ Thanks, CBC Music.
Thank you, CBC Music.
Great tunes.
Those are some great tunes.
Really good tunes.
Yeah, for the most part.
[Eb] I liked them all, except the smash [Dm] mouth.
Which I loved.
Which I [Bbm] now resent a little bit.
I'm going to [F] listen to it as soon as I leave here.
That's scary and [Bb] embarrassing.
Well, to each his own. _ _ _ _
[C] _ _ _ [Bm] _ _ _ _ _
_ _ [B] _ _ _ _ _ _
_ [E] _ _ [B] _ _ _ _ _
Hi.
Hi.
Hi.
I'm Annie Murphy.
I'm Dan Levy.
This is our third attempt at this.
Yep, we're gonna get it.
We are about to play_ CBC Music's_
Jam or Not a Tune.
Not a Jam.
_ _ _ [F] _ _
_ [C] _ _ [F] _ _ _ [Gb] Somebody once [Ebm] told me_ Bye.
Jam.
[Db] _ _
[Ab] Jam.
_ _ [B] _ _ [Gb] Don't just fiddle around with it.
[Ab] Um_
I feel [Gb] like_
It made [Ab] my heart [B] physically just_
[C] Keep playing it.
Let's just hold on.
Let me see if I [B] have a chance.
We'll just experience it [Db] together. _ _
[Eb] _ Who [B] sang this [Db] song again? _ _ _
[Ab] _ _ [Bb] [Db] Did somebody sing it again?
[Ab] _ Um_
[Bb] Uh_ Smash Mouth.
[E] _ [Gb] Right.
[B] _
[C] Um_
Get a pass [B] on this one.
I'm gonna [Gb] turn it up and lock the doors. [Bb] That's_ Alright.
[Gb] _ _ [N] _ _ _ [Bb] _ _
_ _ _ _ Let's go. _
_ [Db] _ [Bb] Yeah.
_ [Db] I'm not gonna say anything bad about a Canadian_
Queen.
[Bbm] If anyone ever says anything bad about Shania Twain_
They're out of there.
Listen.
[Fm] I don't know_
I don't know what kind of setup this is,
but I am doing nothing but praising [Bbm] Shania Twain.
Down on my knees praising.
[Ab] Mm-hmm.
Whose [Bbm] bed have your boots been under?
[Db] I don't know.
That's a [Bb] question.
I don't know.
That's just a general life question.
[C] That's a_ [Bbm] Philosophical.
Yes.
Ask [Ab] yourself that every night before [Bb] you go to bed.
[Eb] I hold them like this because it makes me seem like a professional.
Makes you feel young.
That's how they do it in the recording studios.
Young and hip.
[D] _ _ _
[A] _ _ _ [B] _ _ _ _ _
_ Come on.
[A] _ _ _ [B] _ _
_ _ [D] _ He [A] was a boy.
She [B] was a girl.
Can I make [Bb] it anymore obvious?
This was a time in Avril's career that I_
[B] Uh_
I think there were like two records that came out.
This, and then she had the record with I'm With You on it.
Which I will still say is one of the great pop [F] songs.
Of [B] all time?
I'm With You?
Maybe not of_
No, don't quote me on of all time,
[F] but I definitely say that for me,
[C] it's a great song.
You drove [Bb] crying to it a bunch, didn't you?
[E] _ _ [F]
Listen, that's a chapter of my life we don't need to air out.
[Am] Um_ Here.
Jam.
[Bbm] Jam, jam, jam.
_ Such a [Bm] jam. Yeah.
Clearly, as I know all the words to it.
Yeah, you know, I've interviewed Avril Lavigne.
[Bb] _
[Bm] So cool.
What's she like?
I don't think she liked me very much. _
_ [D] I don't blame her.
So, um_
[A]
Still [Bm] like her though.
_ [F] Just dead silence.
Is it a Yoko Ono song?
_ _ _ _ _ _ _ _
_ Um_ How? _ _ _ _ _
_ _ I listened to this song at one point every day
_ _ _ _ for eight wonderful years.
This is like one of the ones that I just_
I can for every other one.
But [Cm] this one, because there's [Dm] no_
Oh, it's not_
_ There's no part where you're just like, ah, yeah.
You don't know what we're listening to?
It's Alanis.
Oh [Eb] my god.
_ _ _ [Dm] _ You're so stupid.
[Db] Is this the 101 [Bbm] Love Letters song?
[F] Why Am I Writing You a Love Song song?
What is this?
[Fm] _ _ [Bb] You cannot say we're rich if we're stumped and duped.
[F] That's another [Dm] Cry Drive song, isn't it?
[Gm] Yeah.
You've just [F] admitted to me that you've never watched my show.
[Gm] _ _
_ [Bb] _ _ [F] _ What is [Gm] this?
It's not Alanis.
It's Natasha [F] Bedingfield, and it just so happened [D] to be the theme song
to [G] a little-known MTV classic, The Hills.
_ [F] That's why you said what you said.
I didn't know that.
That brings a soft and subtle tear to my eye.
Sounds like Alanis at the beginning.
No, it doesn't.
It's one of my clearly not my favorite Alanis songs.
I will always and forever love this song.
That's good. _
It takes me back.
_ Thanks, CBC Music.
Thank you, CBC Music.
Great tunes.
Those are some great tunes.
Really good tunes.
Yeah, for the most part.
[Eb] I liked them all, except the smash [Dm] mouth.
Which I loved.
Which I [Bbm] now resent a little bit.
I'm going to [F] listen to it as soon as I leave here.
That's scary and [Bb] embarrassing.
Well, to each his own. _ _ _ _
[C] _ _ _ [Bm] _ _ _ _ _
_ _ [B] _ _ _ _ _ _
_ [E] _ _ [B] _ _ _ _ _