Chords for Roots Manuva - Again & Again
Tempo:
86.75 bpm
Chords used:
F
G
Gm
C
D
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
What an exciting end to the match we have.
Manoeuvres still need two runs to win, one to draw.
And it's out!
Again and again and again we come to improve, yeah.
Again and again and again we must keep manoeuvres, yeah.
A lot of people don't know about since how I came to [Gm] the scene and [F] came to uplift.
A regulatory statue of righteousness, Pentecostal [G] sun coming [F] from the heartland.
With every breath and every round, we did [G] not stop [F] burning Babylon down.
With every penny, every pound, reflecting off [C] the rebel heart [F] and the rebel sound.
Dedication to them life and them causes, I did [G] them tours and [F] settled those scores now.
I'm back at the drawing board and I'm sketching out two [C] plans with two [F] crystal ball.
I see the future where the culture looks corroded.
News are [G] chat marked but the [F] news are just poses.
I don't know where the soul is, so I might bring that back.
When [G] we chat back I'll [F] sing that back, you know.
Again and again and again we come to improve, yeah.
[G] [F]
Again and again and again we must keep [G] manoeuvres, yeah.
[F]
Again and again and again we come to improve, yeah.
Again and again and again we must keep manoeuvres, yeah.
Anytime we chat that ting, you know, we clap that ting.
We [Gm] just might [F] clap that ting but we ain't on some boasting about.
We got to make [Gm] moves, no [F] loathing about.
He ain't got no clout, she ain't got no clout.
Still they want to [Gm] come here, come front [F] up there about.
They want to know what manoeuvre's about.
Check my [C] catalogue, you'll see [F] with no doubt.
We don't sell out but we sell a tune or two.
Beaten by [Gm] a wooden [F] spoon or two.
But the pain that break me is the pain that make me
and the pain that take [Gm] me is the [F] pain that help me maintain.
Life ting in the frame, you know.
[Gm] We're straight [F] kicking the vein it go.
I don't know where the soul is, so I'm about to bring that back.
When we chat [G] back we'll [F] sing that back, you know.
Again and again and again we come to improve, yeah.
[G] What do you do with [F] it, what do you do with it?
Again and again and again we go shaking manoeuvre, Lord.
Again and again and again we come to improve, yeah.
What do you do with it, what do you do with it?
Again and again and again we go shaking manoeuvre, [G] [F] Lord.
Food, who will?
Clothes, who will?
Hairstyle, who will?
[G] Skin, [F] who will?
Shoes, who will?
Bangles, who will?
Oh baby, [G] yeah [F] baby.
But yes, roots manoeuvre, the talk or the tone.
So watch out, the people [G] say they come to [F] get it wrong.
For anywhere we go we have them under control.
Roots manoeuvre, yes, it's all [G] this show.
[F]
Again and again and [D] again we come to [F] improve, yeah.
[G] What do you do with it, [F] what do you do with it?
Again and again and again we [Bb] go shaking [F] manoeuvre, Lord.
Again and again and [F] again we come to improve, yeah.
What do you do with it, what do you do with it?
Again and again and again we go shaking manoeuvre, [G] Lord.
[F]
Again and again and again we come to improve, yeah.
What do you do with it, what do you do with it?
Again and again and again we go shaking manoeuvre, [G] Lord.
Manoeuvres still need two runs to win, one to draw.
And it's out!
Again and again and again we come to improve, yeah.
Again and again and again we must keep manoeuvres, yeah.
A lot of people don't know about since how I came to [Gm] the scene and [F] came to uplift.
A regulatory statue of righteousness, Pentecostal [G] sun coming [F] from the heartland.
With every breath and every round, we did [G] not stop [F] burning Babylon down.
With every penny, every pound, reflecting off [C] the rebel heart [F] and the rebel sound.
Dedication to them life and them causes, I did [G] them tours and [F] settled those scores now.
I'm back at the drawing board and I'm sketching out two [C] plans with two [F] crystal ball.
I see the future where the culture looks corroded.
News are [G] chat marked but the [F] news are just poses.
I don't know where the soul is, so I might bring that back.
When [G] we chat back I'll [F] sing that back, you know.
Again and again and again we come to improve, yeah.
[G] [F]
Again and again and again we must keep [G] manoeuvres, yeah.
[F]
Again and again and again we come to improve, yeah.
Again and again and again we must keep manoeuvres, yeah.
Anytime we chat that ting, you know, we clap that ting.
We [Gm] just might [F] clap that ting but we ain't on some boasting about.
We got to make [Gm] moves, no [F] loathing about.
He ain't got no clout, she ain't got no clout.
Still they want to [Gm] come here, come front [F] up there about.
They want to know what manoeuvre's about.
Check my [C] catalogue, you'll see [F] with no doubt.
We don't sell out but we sell a tune or two.
Beaten by [Gm] a wooden [F] spoon or two.
But the pain that break me is the pain that make me
and the pain that take [Gm] me is the [F] pain that help me maintain.
Life ting in the frame, you know.
[Gm] We're straight [F] kicking the vein it go.
I don't know where the soul is, so I'm about to bring that back.
When we chat [G] back we'll [F] sing that back, you know.
Again and again and again we come to improve, yeah.
[G] What do you do with [F] it, what do you do with it?
Again and again and again we go shaking manoeuvre, Lord.
Again and again and again we come to improve, yeah.
What do you do with it, what do you do with it?
Again and again and again we go shaking manoeuvre, [G] [F] Lord.
Food, who will?
Clothes, who will?
Hairstyle, who will?
[G] Skin, [F] who will?
Shoes, who will?
Bangles, who will?
Oh baby, [G] yeah [F] baby.
But yes, roots manoeuvre, the talk or the tone.
So watch out, the people [G] say they come to [F] get it wrong.
For anywhere we go we have them under control.
Roots manoeuvre, yes, it's all [G] this show.
[F]
Again and again and [D] again we come to [F] improve, yeah.
[G] What do you do with it, [F] what do you do with it?
Again and again and again we [Bb] go shaking [F] manoeuvre, Lord.
Again and again and [F] again we come to improve, yeah.
What do you do with it, what do you do with it?
Again and again and again we go shaking manoeuvre, [G] Lord.
[F]
Again and again and again we come to improve, yeah.
What do you do with it, what do you do with it?
Again and again and again we go shaking manoeuvre, [G] Lord.
Key:
F
G
Gm
C
D
F
G
Gm
_ _ What an exciting end to the match we have.
Manoeuvres still need two runs to win, one to draw. _ _ _
_ _ _ _ And it's out! _ _
Again and again and again we come to improve, yeah. _
Again and again and again we must keep manoeuvres, yeah.
A lot of people don't know about since how I came to [Gm] the scene and [F] came to uplift.
A regulatory statue of righteousness, Pentecostal [G] sun coming [F] from the heartland.
With every breath and every round, we did [G] not stop [F] burning Babylon down.
With every penny, every pound, reflecting off [C] the rebel heart [F] and the rebel sound.
Dedication to them life and them causes, I did [G] them tours and [F] settled those scores now.
I'm back at the drawing board and I'm sketching out two [C] plans with two [F] crystal ball.
I see the future where the culture looks corroded.
News are [G] chat marked but the [F] news are just poses.
I don't know where the soul is, so I might bring that back.
When [G] we chat back I'll [F] sing that back, you know.
Again and again and again we come to improve, yeah.
[G] _ [F]
Again and again and again we must keep [G] manoeuvres, yeah.
[F]
Again and again and again we come to improve, yeah.
Again and again and again we must keep manoeuvres, yeah. _
Anytime we chat that ting, you know, we clap that ting.
We [Gm] just might [F] clap that ting but we ain't on some boasting about.
We got to make [Gm] moves, no [F] loathing about.
He ain't got no clout, she ain't got no clout.
Still they want to [Gm] come here, come front [F] up there about.
They want to know what manoeuvre's about.
Check my [C] catalogue, you'll see [F] with no doubt.
We don't sell out but we sell a tune or two.
Beaten by [Gm] a wooden [F] spoon or two.
But the pain that break me is the pain that make me
and the pain that take [Gm] me is the [F] pain that help me maintain.
Life ting in the frame, you know.
[Gm] We're straight [F] kicking the vein it go.
I don't know where the soul is, so I'm about to bring that back.
When we chat [G] back we'll [F] sing that back, you know.
Again and again and again we come to improve, yeah.
[G] What do you do with [F] it, what do you do with it?
Again and again and again we go shaking manoeuvre, Lord.
Again and again and again we come to improve, yeah.
What do you do with it, what do you do with it?
Again and again and again we go shaking manoeuvre, [G] [F] Lord.
Food, who will?
Clothes, who will?
Hairstyle, who will?
[G] Skin, [F] who will?
Shoes, who will?
Bangles, who will?
Oh baby, [G] yeah [F] baby.
But yes, roots manoeuvre, the talk or the tone.
So watch out, the people [G] say they come to [F] get it wrong.
For anywhere we go we have them under control.
Roots manoeuvre, yes, it's all [G] this show.
[F]
Again and again and [D] again we come to [F] improve, yeah.
[G] What do you do with it, [F] what do you do with it?
Again and again and again we [Bb] go shaking [F] manoeuvre, Lord.
Again and again and [F] again we come to improve, yeah.
What do you do with it, what do you do with it?
Again and again and again we go shaking manoeuvre, [G] Lord.
[F]
Again and again and again we come to improve, yeah.
What do you do with it, what do you do with it?
Again and again and again we go shaking manoeuvre, [G] Lord. _
Manoeuvres still need two runs to win, one to draw. _ _ _
_ _ _ _ And it's out! _ _
Again and again and again we come to improve, yeah. _
Again and again and again we must keep manoeuvres, yeah.
A lot of people don't know about since how I came to [Gm] the scene and [F] came to uplift.
A regulatory statue of righteousness, Pentecostal [G] sun coming [F] from the heartland.
With every breath and every round, we did [G] not stop [F] burning Babylon down.
With every penny, every pound, reflecting off [C] the rebel heart [F] and the rebel sound.
Dedication to them life and them causes, I did [G] them tours and [F] settled those scores now.
I'm back at the drawing board and I'm sketching out two [C] plans with two [F] crystal ball.
I see the future where the culture looks corroded.
News are [G] chat marked but the [F] news are just poses.
I don't know where the soul is, so I might bring that back.
When [G] we chat back I'll [F] sing that back, you know.
Again and again and again we come to improve, yeah.
[G] _ [F]
Again and again and again we must keep [G] manoeuvres, yeah.
[F]
Again and again and again we come to improve, yeah.
Again and again and again we must keep manoeuvres, yeah. _
Anytime we chat that ting, you know, we clap that ting.
We [Gm] just might [F] clap that ting but we ain't on some boasting about.
We got to make [Gm] moves, no [F] loathing about.
He ain't got no clout, she ain't got no clout.
Still they want to [Gm] come here, come front [F] up there about.
They want to know what manoeuvre's about.
Check my [C] catalogue, you'll see [F] with no doubt.
We don't sell out but we sell a tune or two.
Beaten by [Gm] a wooden [F] spoon or two.
But the pain that break me is the pain that make me
and the pain that take [Gm] me is the [F] pain that help me maintain.
Life ting in the frame, you know.
[Gm] We're straight [F] kicking the vein it go.
I don't know where the soul is, so I'm about to bring that back.
When we chat [G] back we'll [F] sing that back, you know.
Again and again and again we come to improve, yeah.
[G] What do you do with [F] it, what do you do with it?
Again and again and again we go shaking manoeuvre, Lord.
Again and again and again we come to improve, yeah.
What do you do with it, what do you do with it?
Again and again and again we go shaking manoeuvre, [G] [F] Lord.
Food, who will?
Clothes, who will?
Hairstyle, who will?
[G] Skin, [F] who will?
Shoes, who will?
Bangles, who will?
Oh baby, [G] yeah [F] baby.
But yes, roots manoeuvre, the talk or the tone.
So watch out, the people [G] say they come to [F] get it wrong.
For anywhere we go we have them under control.
Roots manoeuvre, yes, it's all [G] this show.
[F]
Again and again and [D] again we come to [F] improve, yeah.
[G] What do you do with it, [F] what do you do with it?
Again and again and again we [Bb] go shaking [F] manoeuvre, Lord.
Again and again and [F] again we come to improve, yeah.
What do you do with it, what do you do with it?
Again and again and again we go shaking manoeuvre, [G] Lord.
[F]
Again and again and again we come to improve, yeah.
What do you do with it, what do you do with it?
Again and again and again we go shaking manoeuvre, [G] Lord. _