Chords for Roland FR-7 Accordion demo video, Summer NAMM 2006

Tempo:
133.2 bpm
Chords used:

C

G

Eb

Ab

Bb

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Roland FR-7 Accordion demo video, Summer NAMM 2006 chords
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[D] [A]
[G] [A]
[Eb]
Hi, I'm Chris [D] Reebok demonstrating [E] the FR-7.
[C] We are live at the Summer NAMM in [Bb] Austin, Texas.
[Ebm] Here, I'm going to start off [Ab] with just the basic accordion sounds for you and then [Ebm] we'll build from there.
[C] [G]
[G] [C]
[G]
[C] And then just in [Ab] case you would like like an alpine style, [A] it does have an alpine.
There are 40 different accordion sets built in.
Here's the [C] Musetta the Alpine.
[G]
[C] And in case you're [G] into a little bit Cajun style, here's a [B] Cajun style [Em] accordion for you, the Master.
[C]
[G] [E]
[C] [G]
[G] And of course, besides just the accordion basses on the left side, you can choose a tuba [C] if you would like.
[G]
[C]
Besides the [Ab] tuba, there's also acoustic bass
[E] [C] [G] and bowed bass, which is one of my favorites.
And I'll alternate [E] on the right, [D] the keyboard side with an [Ab] accordion and [C]
I'll alternate with the [Ab] saxophone.
Something like this.
[Db]
[Ab] [Eb]
[Db] [Eb]
[Ab] [Eb]
[Db] [Ab] And on the left [Gbm] side, besides just the [Ab] bass, there's also the accordion chord.
If I would like to change the accordion chord, I can change that to a guitar chord, like that.
And if on the right side, I could add a trumpet.
[C] [Eb] [Bb]
Right back to accordion.
[F] [Eb] And [Bb] then right back to the trumpet.
[Eb]
[Bb]
[Eb] [C] [F] [Bb]
And of [N] course, what makes this accordion very unique is that it's the world's first all-digital [F] accordion.
There's the headphones out, so [G] if you'd like to listen in silence without distracting any of your neighbors, you're able to do that.
[Ab] Also, you're able [C] to choose the instruments on the bass side as [F] well as the chord side.
You put it all [Ab] together, you have a very expressive instrument.
[C] [F] And one of the main reasons is that [G] there's expressive nature of the bellows.
There's a bellows sensor as well as the touch-sensitive keys.
[Gm] Let me show you one demonstration [A] of that real quick.
[Eb] If I were to grab [Ebm] a wind instrument like the clarinet, [Eb] I'll do it with the acoustic bass and [Bb] the guitar chord.
There's the [Ab] expression.
If I go like this, depending [Ebm] how hard I pull it, it affects the sound.
So [Bb] if I [Eb] combine, it gives a very realistic sound.
[Bb]
[Eb] And right back to the chord.
[Bb] I'll do it one more time for you, and then we'll finish [Bb] it.
[Eb] [Bb]
[F]
[Gm] [Fm]
[F] All right, the Roland FR-7.
Once again, Chris Freebach.
Thank you all.
Key:  
C
3211
G
2131
Eb
12341116
Ab
134211114
Bb
12341111
C
3211
G
2131
Eb
12341116
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_ _ You're watching GearWire.com
_ _ _ _ _ _ _ _
_ [D] _ _ _ _ _ [A] _ _
_ [G] _ [A] _ _ _ _ _ _
_ _ _ _ _ _ [Eb] _ _
_ _ _ _ Hi, I'm Chris [D] Reebok demonstrating [E] the FR-7.
[C] We are live at the Summer NAMM in [Bb] Austin, Texas.
[Ebm] Here, I'm going to start off [Ab] with just the basic accordion sounds for you and then [Ebm] we'll build from there.
_ [C] _ _ _ _ _ [G] _ _
_ _ _ _ [G] _ _ _ [C] _
_ _ _ _ _ _ _ _
[G] _ _ _ _ _ _ _ _
_ [C] _ _ _ _ And then just in [Ab] case you would like like an alpine style, [A] it does have an alpine.
There are 40 different accordion sets built in.
Here's the [C] Musetta the Alpine.
_ _ _ _ _ _ _ _
_ [G] _ _ _ _ _ _ _
_ [C] _ _ _ _ _ And in case you're [G] into a little bit Cajun style, here's a [B] Cajun style [Em] accordion for you, the Master.
_ _ [C] _ _ _ _
_ [G] _ _ _ _ _ [E] _ _
[C] _ _ _ _ _ _ [G] _
[G] And of course, besides just the accordion basses on the left side, you can choose a tuba [C] if you would like. _ _
_ _ _ _ _ _ [G] _ _
_ _ _ _ _ _ [C] _ _
Besides the [Ab] tuba, there's also acoustic bass _ _
[E] _ _ [C] _ [G] and bowed bass, which is one of my favorites.
_ And I'll alternate [E] on the right, [D] the keyboard side with an [Ab] accordion and _ [C]
I'll alternate with the [Ab] saxophone.
Something like this. _ _
_ _ _ _ _ _ _ _
_ _ [Db] _ _ _ _ _ _
[Ab] _ _ _ _ _ _ [Eb] _ _
_ [Db] _ _ _ [Eb] _ _ _ _
[Ab] _ _ [Eb] _ _ _ _ _ _
_ [Db] _ _ _ [Ab] _ And on the left [Gbm] side, besides just the [Ab] bass, there's also the accordion chord.
If I would like to change the accordion chord, I can change that to a guitar chord, _ _ _ _ like that.
And if on the right side, I could add a trumpet. _
[C] _ _ _ _ [Eb] _ _ [Bb] _
Right back to accordion.
[F] _ _ _ [Eb] _ And [Bb] then right back to the trumpet.
_ _ _ _ [Eb] _
_ [Bb] _ _ _ _ _ _ _
[Eb] _ [C] _ _ _ [F] _ _ [Bb] _
And of [N] course, what makes this accordion very unique is that it's the world's first all-digital [F] accordion.
There's the headphones out, so [G] if you'd like to listen in silence without distracting any of your neighbors, you're able to do that.
[Ab] Also, you're able [C] to choose the instruments on the bass side as [F] well as the chord side.
You put it all [Ab] together, you have a very expressive instrument.
[C] _ [F] And one of the main reasons _ is that [G] there's expressive nature of the bellows.
There's a bellows sensor as well as the touch-sensitive keys.
[Gm] Let me show you one demonstration [A] of that real quick.
[Eb] _ If I were to grab [Ebm] a wind instrument like the clarinet, [Eb] I'll do it with the acoustic bass and [Bb] the guitar chord.
There's the [Ab] expression.
If I go like this, _ _ depending [Ebm] how hard I pull it, it affects the sound.
So [Bb] if I [Eb] combine, _ _ it gives a very realistic sound.
[Bb] _ _ _ _ _ _ _
_ _ _ [Eb] _ _ And right back to the chord. _ _ _ _ _ _ _
[Bb] I'll do it one more time for you, and then we'll finish [Bb] it. _
_ [Eb] _ [Bb] _ _ _ _ _ _
_ [F] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [Gm] _ _ _ [Fm] _ _ _
[F] All right, the Roland FR-7.
Once again, Chris Freebach.
Thank you all.