Chords for Robyn Hitchcock So You Think You're In Love Andrew Marr Show 2013
Tempo:
102 bpm
Chords used:
A
G
D
B
E
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Thank you, Sally.
I've been joined by the Chancellor again and by Ed Balls and by Robin Hitchcock,
who was a one-time art college student, now a hugely successful folk rock musician.
Robin, I remember the days when you were in the Soft Boys, an early punk band.
They're far too young to remember punk properly, but you have now moved to a gentler sound
and you're promoting a festival, I think, next year as well, is it?
Yeah, we're planning to do a bijou arts festival in Freshwater Bay in the Isle of Wight.
How will this differ from every other bijou arts festival, if I could ask that?
It's going to be really gorgeous and miniature, Andrew.
Everyone's going to be tiny and very quiet.
[A#] Marvellous.
[F#] And you're going to play a very gorgeous and miniature little song for [B] us in a moment,
so I'll let you go and prepare for that, if [A] I may.
Right, thank you so much.
Now, I was just thinking of other things we could talk about in a genial fashion
on a Sunday morning and I wondered about Equality Sunday morning.
Meanwhile, we leave you with Robin Hitchcock and his song, So You Think You're In Love.
[D] [B]
[G] [D]
[G] [A]
[G] [A] [Bm]
[E] [D] Yes, you probably are.
But you want to [G] be straight about [A] it.
Oh, you gotta [G] be straight about [A] it now.
[Dm] Can [D] you [G] imagine what the [A] people say?
Can
[F#m] you?
But [G] the silent majority [Gm] was the crime of the century.
[E] You know it.
Are [Bm] you sure that it's [A] wise?
[G] No, you [D] probably ain't.
But you [G] shouldn't be faint about [A] it.
Why are you always so faint about it now?
By the [G] look in your eye.
[A] [G] Oh, you [D] probably ain't.
But you're always [G] so faint about it.
[A] How come you're [G] always so faint about it [A] now?
[Bm] What [D] is love made of?
Nobody [C#m] knows.
[Em] What are [A] you afraid of?
[B] [Dm] [B] Everyone knows.
[D] It's love.
[E]
[A] So you think you're in love.
[G]
Yes, [D] you probably are.
But you want [G] to be straight about it.
[A] Oh, you want to be straight about [A] it now.
So you think [B] you're in love.
[E]
[A] [E] [D]
Yeah.
[N]
I've been joined by the Chancellor again and by Ed Balls and by Robin Hitchcock,
who was a one-time art college student, now a hugely successful folk rock musician.
Robin, I remember the days when you were in the Soft Boys, an early punk band.
They're far too young to remember punk properly, but you have now moved to a gentler sound
and you're promoting a festival, I think, next year as well, is it?
Yeah, we're planning to do a bijou arts festival in Freshwater Bay in the Isle of Wight.
How will this differ from every other bijou arts festival, if I could ask that?
It's going to be really gorgeous and miniature, Andrew.
Everyone's going to be tiny and very quiet.
[A#] Marvellous.
[F#] And you're going to play a very gorgeous and miniature little song for [B] us in a moment,
so I'll let you go and prepare for that, if [A] I may.
Right, thank you so much.
Now, I was just thinking of other things we could talk about in a genial fashion
on a Sunday morning and I wondered about Equality Sunday morning.
Meanwhile, we leave you with Robin Hitchcock and his song, So You Think You're In Love.
[D] [B]
[G] [D]
[G] [A]
[G] [A] [Bm]
[E] [D] Yes, you probably are.
But you want to [G] be straight about [A] it.
Oh, you gotta [G] be straight about [A] it now.
[Dm] Can [D] you [G] imagine what the [A] people say?
Can
[F#m] you?
But [G] the silent majority [Gm] was the crime of the century.
[E] You know it.
Are [Bm] you sure that it's [A] wise?
[G] No, you [D] probably ain't.
But you [G] shouldn't be faint about [A] it.
Why are you always so faint about it now?
By the [G] look in your eye.
[A] [G] Oh, you [D] probably ain't.
But you're always [G] so faint about it.
[A] How come you're [G] always so faint about it [A] now?
[Bm] What [D] is love made of?
Nobody [C#m] knows.
[Em] What are [A] you afraid of?
[B] [Dm] [B] Everyone knows.
[D] It's love.
[E]
[A] So you think you're in love.
[G]
Yes, [D] you probably are.
But you want [G] to be straight about it.
[A] Oh, you want to be straight about [A] it now.
So you think [B] you're in love.
[E]
[A] [E] [D]
Yeah.
[N]
Key:
A
G
D
B
E
A
G
D
Thank you, Sally.
I've been joined by the Chancellor again and by Ed Balls and by Robin Hitchcock,
who was a one-time art college student, now a hugely successful folk rock musician.
Robin, I remember the days when you were in the Soft Boys, an early punk band.
They're far too young to remember punk properly, but you have now moved to a gentler sound
and you're promoting a festival, I think, next year as well, is it?
Yeah, we're planning to do a bijou arts festival in _ Freshwater Bay in the Isle of Wight.
How will this differ _ _ _ from every other bijou arts festival, if I could ask that?
It's going to be really gorgeous and miniature, Andrew.
_ Everyone's going to be tiny and very quiet.
[A#] Marvellous.
[F#] And you're going to play a very gorgeous and miniature little song for [B] us in a moment,
so I'll let you go and prepare for that, if [A] I may.
Right, thank you so much.
Now, I was just thinking of other things we could talk about in a genial fashion
on a Sunday morning and I wondered about Equality Sunday morning.
Meanwhile, we leave you with Robin Hitchcock and his song, So You Think You're In Love.
_ _ [D] _ _ _ [B] _ _ _
_ [G] _ _ _ [D] _ _ _ _
_ _ _ [G] _ _ _ [A] _ _
[G] _ _ _ _ [A] _ _ [Bm] _ _
_ [E] _ [D] _ Yes, you probably are.
_ But you want to [G] be straight about [A] it.
Oh, you gotta [G] be straight about [A] it now. _
[Dm] _ Can [D] you _ [G] imagine what the [A] people say?
_ _ Can _
[F#m] you?
But [G] the silent majority [Gm] was the crime of the century.
[E] You know it.
Are [Bm] you sure that it's [A] wise?
_ [G] No, you [D] probably ain't. _ _
But you [G] shouldn't be faint about [A] it.
Why are you always so faint about it now?
By the [G] look in your eye.
[A] _ [G] _ Oh, you [D] probably ain't. _
_ But you're always [G] so faint about it.
[A] How come you're [G] always so faint about it [A] now? _ _
[Bm] What [D] is love made of? _
Nobody [C#m] _ knows.
[Em] What are [A] you afraid of?
_ [B] _ _ [Dm] _ _ [B] Everyone knows.
[D] It's love.
_ [E] _ _
_ [A] So you think you're in love.
_ [G]
Yes, [D] you probably are.
_ But you want [G] to be straight about it.
[A] Oh, you want to be straight about [A] it now.
So you think [B] you're in love.
[E] _ _
[A] _ _ [E] _ _ _ _ _ [D] _
Yeah.
_ _ _ _ [N] _ _
I've been joined by the Chancellor again and by Ed Balls and by Robin Hitchcock,
who was a one-time art college student, now a hugely successful folk rock musician.
Robin, I remember the days when you were in the Soft Boys, an early punk band.
They're far too young to remember punk properly, but you have now moved to a gentler sound
and you're promoting a festival, I think, next year as well, is it?
Yeah, we're planning to do a bijou arts festival in _ Freshwater Bay in the Isle of Wight.
How will this differ _ _ _ from every other bijou arts festival, if I could ask that?
It's going to be really gorgeous and miniature, Andrew.
_ Everyone's going to be tiny and very quiet.
[A#] Marvellous.
[F#] And you're going to play a very gorgeous and miniature little song for [B] us in a moment,
so I'll let you go and prepare for that, if [A] I may.
Right, thank you so much.
Now, I was just thinking of other things we could talk about in a genial fashion
on a Sunday morning and I wondered about Equality Sunday morning.
Meanwhile, we leave you with Robin Hitchcock and his song, So You Think You're In Love.
_ _ [D] _ _ _ [B] _ _ _
_ [G] _ _ _ [D] _ _ _ _
_ _ _ [G] _ _ _ [A] _ _
[G] _ _ _ _ [A] _ _ [Bm] _ _
_ [E] _ [D] _ Yes, you probably are.
_ But you want to [G] be straight about [A] it.
Oh, you gotta [G] be straight about [A] it now. _
[Dm] _ Can [D] you _ [G] imagine what the [A] people say?
_ _ Can _
[F#m] you?
But [G] the silent majority [Gm] was the crime of the century.
[E] You know it.
Are [Bm] you sure that it's [A] wise?
_ [G] No, you [D] probably ain't. _ _
But you [G] shouldn't be faint about [A] it.
Why are you always so faint about it now?
By the [G] look in your eye.
[A] _ [G] _ Oh, you [D] probably ain't. _
_ But you're always [G] so faint about it.
[A] How come you're [G] always so faint about it [A] now? _ _
[Bm] What [D] is love made of? _
Nobody [C#m] _ knows.
[Em] What are [A] you afraid of?
_ [B] _ _ [Dm] _ _ [B] Everyone knows.
[D] It's love.
_ [E] _ _
_ [A] So you think you're in love.
_ [G]
Yes, [D] you probably are.
_ But you want [G] to be straight about it.
[A] Oh, you want to be straight about [A] it now.
So you think [B] you're in love.
[E] _ _
[A] _ _ [E] _ _ _ _ _ [D] _
Yeah.
_ _ _ _ [N] _ _