Chords for Richie Kotzen and Billy Sheehan of The Winery Dogs

_ _ _ _ _ [A#] _ [G] _ _
[E] _ _ _ _ [C] _ [G] _ _ [D] _
_ [A] _ _ _ _ [A#] _ [Bm] _ [Em] _
_ _ _ _ [C] _ [G] _ _ [D] _
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How _ _ [C] _ _ [G] _ _ [D] _
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_ _ _ _ [C] _ [G] _ _ [D] _
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_ _ _ _ [A] _ _ _ [D#] _
[A] _ _ _ _ [C] _ [G] _ _ [D] _
_ _ [A] _ _ [E] _ [A] _ [Bm] _ [G] _
_ [E] _ _ _ [C] _ _ [G] _ [D] _
_ _ [A] _ _ [E] _ [A] _ [Bm] _ _
[G] _ _ _ _ [E] _ _ _ _
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_ _ _ _ did you get _ _ _ _ the idea for Six _ _ Feet _ _ _ _ [N] _
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Deeper? _ _ _ _ _ _
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_ _ _ _ _ [N] Since then, we start the song now with me playing the riff so we can differentiate between the two songs.
But if you played the opening of Elevate and I played Six Feet Deeper, what would happen?
One, [A] _ [E] _ two_
_ [G] _ _ _ [C] _ _ _ _
[D] _ _ _ [A] _ _ [Em] _ _
Apparently _ _ _ [C] _ _ _ _
[D] _ _ [A] _ _ [E] _ _ [N] that's what happened.
Wow.
Not horrible, it kind of works, but that's not what we meant to do.
I was playing Elevate or Six Feet Deeper and I can't remember the riffs.
_ So, _ the [G] _ Winderdog record actually, we spent a lot of time just sitting in this room throwing ideas around.
Sit, this is a room.
Yeah, coming up with things.
The thing I always talk about when people ask about how we made the record is how really organic the process was.
I mean, we literally came into this room and set drums up and set up amps and just started throwing ideas around and it just kind of seamlessly _ went together.
The hardest thing we had to do actually in the end was find a band name.
That was the toughest thing of the whole process, find a band name.
One [D] of the songs was a song that was _ actually kind of put together from two different pieces of music and it ended up being the opening song to the record, which is Elevate.
You want to try and play it?
One, two, three, four.
_ _ [A] _
_ _ _ _ _ [E] _ _ _
_ _ _ There's a variation on the end that adds one more diddly to it.
That's right.
I [D] think what I'm_
[A] _ _ _ _ _ _ _
[E] _ _ _ _ _ [B] For my last notes.
I'll give you an [Dm] extra.
_ _ [A] _ _ [D#] _ _
[A] _ _ _ [E] _ _ You just do this last one two times.
You [N] see this whole time I've been doing a different one.
Yeah, it's pretty good.
Now we're learning right in front of the public.
Finally.
That's what happens though, you write songs and you work hard and you do stuff in the studio and then when you go to play it live, you got to go back and figure out what did I do?
A part of the Elevate line that we sometimes forget to talk about is the _ [A] _ [G] _ _
[D] _ [E] _ [G] _ _ [A] _ [E] actual_
[D] _
_ _ _ _ [A] _ _ Which is that it's got that_
[E] _ _ _ _
Which I know initially I was starting [A] to do that stuff like [G] _
fret it, but you said no, bend it because, and I'm glad I did.
We got a couple of those in the record.
Yeah, absolutely.
[A] And _ _ _ _ [Em] _ [A] _ _ [E] _
_ _ _ [Bm] _ _ [A] _ _ [E] _
_ [D] _ _ _ _ _ _ [E] _
_ _ _ [Bm] _ [G] _ [A] _ [D] _ _
_ [A] _ _ _ _ _ _ [E] _
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_ [N] then suddenly out of nowhere I start screaming like a lunatic over an open power chord.
That's how the song goes.
And then for me it gets even more complicated because I got to figure out how to sing and play these rhythm parts at the same time.
Well fortunately, a couple of songs we're playing, you pull off the guitar completely.
_ [G#] _ _ [E] _ So _
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_ _ _ _ _ [C#m] _ [A] _ [D] _
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_ _ _ _ [C#m] _ [D] _ _ [A] _
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_ _ [C#m] _ _ [D] _ _ [A] _ _
_ [G] _ _ I can, [G#m] _
fortunately, a little distorted tone bass, I can do just that line alone.
If you don't happen to be in there, there's still enough_
Yeah, I take advantage of that.
He gives me a break a lot.
Actually sounds like a guitar and a bass at the same time.
Which is the idea initially _ _ that built this is playing in a three-piece band and now here we are again in a three [G]-piece band.
And you have a channel separated too.
Two separate amps completely.
So it really, it's not just putting a distortion on [E] the bass.
When you have the basics, sometimes it puts you more into the song.
True.
And less about [B] [A] this.
Yeah, exactly.
And with the [G#m] kind of music we're playing, [C#m] it works out really well.
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_ _ [G#m] _ _ [E] _ [F#] _ [E] _ [C#m] _
_ _ [E] _ _ [B] _ [C#] _ _ [A] _
_ [G#m] _ _ _ [E] _ _ _ _
_ _ _ _ [B] _ [A] _ _ _
_ [G#m] _ _ [D] _ _ [C#m] _ _ _
_ _ [Bm] _ [E] _ _ [A] _ _ _
_ [G#m] _ _ _ [C#m] _ _ _ _
_ [B] _ _ _ _ [D] _ _ [C#m] _
_ _ _ _ [G] _ _ [C#m] _ _
[B] _ _ _ _ _ [A] _ _ [B] _
[C#m] _ _ _ _ _ _ _ _
[E] _ _ _ [B] _ _ [A] _ _ _
_ Yeah. _ _ _ _ _
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