Chords for Richard Clapton pt 1 (on Talking Heads with Pete Thompson, 2008)

Tempo:
138.7 bpm
Chords used:

A

Bbm

E

Ebm

D

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Richard Clapton pt 1 (on Talking Heads with Pete Thompson, 2008) chords
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[Am]
[C] [Am]
[Dm] [Am]
[Dm] [Am]
If Richard Clapton [A] didn't want to be a pop star, then it was a pity he was such a talented
[E] songwriter.
Under orders to write a hit [Bb] song, he did.
[Cm]
[Eb] Eventually [Gm] he latched onto the hard
rocking lifestyle a bit too hard.
[Eb]
But [Bbm] [Bb] 30 years on, [Eb] Richard Clapton is a great survivor.
[Bb] [F] [Dm]
[Am]
[Dm] [C]
[Am]
[N]
A
Richard Clapton had the air guitar, and eventually a real one, courtesy of a friend's dad.
But
being a rock star wasn't such a lure.
Richard Clapton, welcome to Talking Head.
Peter, it's lovely to be here.
But you became a legend anyhow.
Well, a leg end, after a fashion.
Would you explain the difference?
Yes.
I feel more like Foghorn Leghorn than I do a legend.
I mean, yes, it's quite
I guess it's quite odd the way other people perceive you.
I mean, I can't really feel
that.
Well, over the years, there's been 18 albums.
What are the ones that the audiences want to hear most?
Quite honestly, I'd have to say that Good By Tiger really stands out.
Like Girls On
The Avenue, which I think the public at large mainly recognise, for my hardcore audience,
it was a bit of a flash in the pan.
It was not taken all that seriously by my audience.
I mean, it's a bit of a party song at the end of the gigs.
A rather nice article about you a few years ago said you've got lots of milestones, but
plenty of burnt out car wrecks on the way.
Yes.
Sums it up, really.
It does.
You wouldn't have changed a thing?
I wouldn't have changed a thing.
[C] I think because
ever since I was very young, you know, a young teenager, I was always kind of besotted with
that whole bohemian kind of lifestyle.
Richard, let's turn the clock back and look
at your early years, which, to be honest, you wouldn't really wish on anyone.
[Ebm]
[Bbm] [Eb] Well, I was born in [Bbm] Sydney during the [Ebm] Menzies era, [Bbm] and my mother was [Eb] the night sister at
[Bbm] Sydney Hospital, [Ebm] and my father was a doctor.
[Eb] [Bbm] [Ebm]
My parents had separated.
They were actually
divorced by the time I was two, so I got off to a pretty shaky start in life.
The early years of my mother are a bit of a blur.
Her life [Bbm] became a [B] rollercoaster, and
I was on the [Bbm] ride with her.
[Ebm] [Abm] [Db]
[Gb] She'd sort of had periods of fairly [B] normal existence and
not [Bbm] too different to everyone else's upbringing, but then [Db] she'd sort of fall down into these
holes [Gb] and, quite honestly, we'd end up pretty much out on the street, I mean, you know,
with no roof over our heads.
And I do recall a couple of times I think I was placed into
orphanages.
[Eb]
Well, my mother was sort of the antithesis
[Bbm] of my father [Ebm] because she'd always aspired to probably more the [A] bohemian, [Ebm]
artistic sort
of side of life.
And [Ab] I mean, she never did realise that sort [Ebm] of dream she had.
Until my mother died when I was ten, [A]
which was from suicide, I had no knowledge of my
father.
You know, she never mentioned him.
I knew nothing about him at all.
So, you know,
a few days after she died, it was a bit of a shock, you know, when my father came to
[B] boarding school where I spent all my high school years.
And we just never got on.
It
was a fiery clash from the very start.
My father obviously wanted me to, you know, become
a doctor or some similar sort of career.
[D] [A] My best friend at [E] school, Ross, was also [D] from
a fairly well [A]-off family.
[B] And we [Gbm] were [D] completely besotted [Gbm] with the Rolling [E] Stones.
[A] We were
into [D] that thing of, you know, [E] young teenage boy thing of, you know, [A] getting broomsticks
and looking yourself in the mirror and going, how cool am [E] I?
I can't get enough.
There was no way my father would have [A] ever
allowed me to have a musical [E] instrument.
So Ross's father actually bought me my first
electric guitar.
[A] When my father realised that I'd been [D] buying all these Rolling [A] Stones and
Bob Dylan albums and things like that, he [D] was [A] quite outraged.
[E]
On the day of the maths
exam, [Bm] my father and I [A] had yet [E]
another [D] falling out.
I went into the [A] city in Sydney and bought
a Rolling Stones album instead of going to the maths exam.
So that [D] was the end of that.
[A] I was so determined to get out of Australia.
And [E] my friends and I are [A] looking over, especially
the UK, and it [G] was just all happening.
And it was just, in England, and [A] specifically
London, there was this explosion of the whole hippie cultural revolution was happening.
So I saved up the money, got myself the [Em] cheapest fare on the [A] ship going across, and [C] that was
how I got to London.
Richard, it wasn't until your mum died when
you were 10 that you met your dad.
I wasn't even aware of my true identity.
So, you know, when a doctor who was distinctly Chinese-looking came to pick me up, it was,
yeah, a bit of a bombshell.
What impact did that have on you?
Well, I really had a lot of resentment, not just for
I had resentment towards my father,
and on the other side of things, I had resentment for my mother's family, because I just felt
they contributed to her demise to a very great extent.
Because, I mean, you know, quite frankly,
my mum went from being unsettled to quite unhinged, you know, towards the last couple
of years of her life.
And so I carried this baggage for a long time, and it really did
literally take decades to sort of try and reconcile it.
God knows, for a 10-year-old, you went through an awful lot.
Yeah, I've reflected on that.
And perhaps it's contributed a lot to the way I've lived
to the nature of my songwriting, you know, because I guess no pain, no gain, you know.
Bob Dylan had a pretty chequered childhood, when you read about it, and so did most of
my idols, really.
Is that where the sunglasses came from?
Partly.
Now, the sunglasses actually came from a condition called pterygium, which you
get on your eyes, and the eye surgeon
the eye surgeon, after he'd performed the operation
successfully, he said to me, if I were you, I would start wearing shades on stage.
And
I said, well, yeah, and it just became an image thing.
And now it's
you know, if
I don't want to be recognised, I take them off.
Let's see what happened when you got to London.
[N]
Key:  
A
1231
Bbm
13421111
E
2311
Ebm
13421116
D
1321
A
1231
Bbm
13421111
E
2311
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[Am] _ _ _ _ _ _ _ _
_ _ [C] _ _ _ _ _ [Am] _
_ _ [Dm] _ _ _ _ [Am] _ _
_ _ _ _ _ _ _ _
[Dm] _ _ _ _ _ [Am] _ _ _
_ _ If Richard Clapton [A] didn't want to be a pop star, then it was a pity he was such a talented
[E] songwriter. _
Under orders to write a hit [Bb] song, he did.
_ [Cm] _
_ _ _ _ [Eb] Eventually [Gm] he latched onto the hard
rocking lifestyle a bit too hard.
_ [Eb] _
But _ [Bbm] _ _ [Bb] 30 years on, [Eb] Richard Clapton is a great survivor. _ _ _ _
[Bb] _ _ [F] _ _ [Dm] _ _ _ _
[Am] _ _ _ _ _ _ _ _
_ _ [Dm] _ _ _ _ [C] _ _
_ _ [Am] _ _ _ _ _ _
_ [N] _ _ _ _ _ _ _
_ A
Richard Clapton had the air guitar, and eventually a real one, courtesy of a friend's dad.
But
being a rock star wasn't such a lure.
Richard Clapton, welcome to Talking Head.
Peter, it's lovely to be here.
But you became a legend anyhow.
Well, a leg end, after a fashion.
Would you explain the difference? _
Yes.
_ I feel more like Foghorn Leghorn than I do a legend.
_ I mean, yes, it's quite_
I guess it's quite odd the way other people perceive you.
I mean, I can't really feel
that.
Well, over the years, there's been 18 albums.
What are the ones that the audiences want to hear most? _ _
_ Quite honestly, I'd have to say that Good By Tiger really stands out.
_ _ Like Girls On
The Avenue, which I think the public at large mainly recognise, for my hardcore audience,
it was a bit of a flash in the pan.
It was not taken all that seriously by my audience.
I mean, it's a bit of a party song at the end of the gigs.
A rather nice article about you a few years ago said you've got lots of milestones, but
plenty of burnt out car wrecks on the way.
_ Yes. _ _
_ _ _ Sums it up, really.
It does.
You wouldn't have changed a thing?
I wouldn't have changed a thing.
_ _ [C] _ I think because
_ ever since I was very young, you know, a young teenager, I was always kind of _ besotted with
_ that whole bohemian kind of lifestyle. _
Richard, let's turn the clock back and look
at your early years, which, to be honest, you wouldn't really wish on anyone.
_ _ _ [Ebm] _
[Bbm] _ [Eb] Well, I was born in [Bbm] Sydney during the [Ebm] Menzies era, [Bbm] and my mother was [Eb] the night sister at
[Bbm] Sydney Hospital, [Ebm] and my father was a doctor.
[Eb] _ _ _ [Bbm] _ [Ebm] _
My parents had separated.
They were actually
divorced by the time I was two, so I got off to a pretty shaky start in life.
The early years of my mother are a bit of a blur.
Her life [Bbm] became a [B] rollercoaster, and
I was on the [Bbm] ride with her.
_ [Ebm] _ _ [Abm] _ _ [Db] _
[Gb] She'd sort of had periods of fairly [B] normal existence and
not [Bbm] too different to everyone else's upbringing, but then [Db] she'd sort of fall down into these
holes [Gb] and, quite honestly, we'd end up pretty much out on the street, I mean, you know,
with no roof over our heads.
And I do recall a couple of times I think I was placed into
orphanages.
[Eb] _
Well, my mother was sort of the antithesis
[Bbm] of my father [Ebm] because she'd always aspired to probably more the [A] bohemian, [Ebm]
artistic sort
of side of life.
And [Ab] I mean, she never did realise that sort [Ebm] of dream she had. _
Until my mother died when I was ten, _ _ [A] _
which was from suicide, _ _ _ I had no knowledge of my
father.
You know, she never mentioned him.
I knew nothing about him at all.
_ So, you know,
a few days after she died, it was a bit of a shock, you know, when my father came _ _ _ _ _ _ to
[B] boarding school where I spent all my high school years.
And we just never got on.
It
was a fiery clash from the very start.
My father obviously wanted me to, you know, become
a doctor or some _ similar sort of career. _ _
_ [D] _ _ [A] My best friend at [E] school, Ross, was also [D] from
a fairly well [A]-off family.
[B] And we [Gbm] were [D] completely besotted [Gbm] with the Rolling [E] Stones.
[A] We were
into [D] that thing of, you know, [E] young teenage boy thing of, you know, [A] getting broomsticks
and looking yourself in the mirror and going, how cool am [E] I?
I _ can't get enough.
There was no way my father would have [A] ever
allowed me to have a musical [E] instrument.
So Ross's father actually bought me my first
electric guitar.
_ [A] _ _ When my father realised that I'd been [D] buying all these Rolling [A] Stones and
Bob Dylan albums and things like that, he [D] was _ [A] quite outraged.
[E]
On the day of the maths
exam, [Bm] my father and I [A] had yet [E] _
another [D] falling out.
I went into the [A] city in Sydney and bought
a Rolling Stones album instead of going to the maths exam.
So that [D] was the end of that.
_ _ [A] I was so determined to get out of Australia.
And [E] my friends and I are [A] looking over, especially
the UK, and it [G] was just all happening.
And it was just, in England, and [A] specifically
London, there was this explosion of the whole hippie cultural revolution was happening.
_ So I saved up the money, got myself the [Em] cheapest fare on the [A] ship going across, and _ [C] that was
how I got to London. _
_ _ _ Richard, it wasn't until your mum died when
you were 10 that you met your dad.
_ I wasn't even aware of my true identity.
So, you know, when a doctor who was distinctly Chinese-looking came to pick me up, it was,
_ yeah, a bit of a bombshell.
What impact did that have on you? _
Well, I really had a lot of resentment, _ not just for_
I had resentment towards my father,
and on the other side of things, I had resentment for my mother's family, because I just felt
they contributed to her demise _ to a very great extent. _ _ _
Because, I mean, you know, quite frankly,
my mum went from being unsettled to quite unhinged, you know, towards the last couple
of years of her life.
_ _ _ _ And so I carried this baggage for a long time, and it really did
literally take decades to sort of try and reconcile it.
God knows, for a 10-year-old, you went through an awful lot. _
Yeah, I've reflected on that. _ _ _
_ And perhaps it's contributed a lot _ _ to the way I've lived
to the nature of my songwriting, you know, _ because I guess no pain, no gain, you know. _
Bob Dylan had a pretty chequered childhood, when you read about it, and so did most of
my idols, really.
Is that where the sunglasses came from?
_ _ Partly.
Now, the sunglasses actually came from _ _ a condition called pterygium, which you
get on your eyes, and the eye surgeon_
the eye surgeon, after he'd performed the operation
successfully, he said to me, if I were you, I would start wearing shades on stage.
And
I said, well, yeah, and it just became an image thing.
And now it's_
you know, if
I don't want to be recognised, I take them off. _ _ _
Let's see what happened when you got to London.
_ [N] _

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