Chords for RICHARD BLUES GOOD GUITARIST IN COVENT GARDEN LONDON BUSKING

Tempo:
66.55 bpm
Chords used:

C#

G#m

C#m

F#

G#

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
RICHARD BLUES GOOD  GUITARIST IN COVENT GARDEN LONDON BUSKING chords
Start Jamming...
I'm gonna play something by a fella [G#m] called Howlin' [F#] Wolf.
Oh yeah.
[C#m] That's what I like.
[G#m] [C#m]
[G#m] [C#] Now video people, video people.
Video people.
Video people.
[E] Don't forget [F#] now, video people.
Video this.
[C#m] You see that?
Okay, [G#] Mr.
Video Man.
Don't forget now for the video, okay?
You [D#m] got that?
No pennies now.
[C#m] How about you?
You got that, Mr.
Video [G#m] Man?
You videoing [C#] this?
Okay, don't forget [C#m] now, okay?
Watch them.
Watch them good.
Alright, everybody standing over there, come closer.
[C#] Come on.
Including Mr.
Video Man.
Hey young boy, daddy, look, come on over here.
[G#]
[D#] When I was in the studio,
[C#] everybody in the front, come closer, I got something [G#m] to say.
Come on, come on.
Come [C#] on, come on.
You two fellas, right here.
Come on.
[G#] When I was in the studio making this here CD,
the [G#m] bass player, he said to me, he said,
Boy, why [C#m] don't you go outside a little while and stretch your legs?
[G#m] So I was outside, and while I was [F#] outside,
I met myself a fine [C#m] looking woman.
Yes, I did.
Oh, [G#] yeah.
And I said to that [C#] woman,
Why, there she is right there.
Hello, baby.
Yeah, the blonde.
How you doing?
You remember me, honey?
Too [G#] many men, baby.
Too many men.
How's that?
[C#m] You don't remember.
I'm going to remind you
when we first met, [G#] the first thing I said to this woman right [F#] here
was when I first [C#m] met her, I said,
Excuse me, [G#m] would you like to come back to [C#] the studio with me
for some tea and ginger biscuits?
And she looked at [G#] me like,
Tea and ginger [F#] biscuits?
Why, I love ginger biscuits.
I'm coming.
[C#m] How's that?
Is that right, baby?
Oh, you know you're a [G#m] ginger freak.
So I brought her onto [C#] the studio,
and I introduced [G#m] that woman to the bass player.
[C#] He took one look at that woman, and he said,
Boy, you better leave this woman.
I said, What's wrong with this woman?
[F#]
She ain't no good.
[C#] She's a heartbreaker.
Well, you know what?
I never listen [G#] to my friends when it comes to women.
[B] I like to find out the hard way.
Much more [G#m] fun.
But you know what?
[C#] He was right.
That woman,
she broke my heart in five places.
Look at her there [F#] with her new man.
[C#] My poor children.
How you doing, son?
You okay?
You okay?
[G#] I mean, look at that.
You can see the [B] resemblance, right?
[C#] That's right.
Maybe I should have listened to that bass player a little bit.
I should have quit [G#m] you
a [C#] long time ago.
[F#] I should have quit you
[C#] a long time ago.
[G#m] And I won't be here
when [C#] I'm done with this killer [B] flower.
[C#m] I should have been [C#] gone
when my friend comes for me.
[F#]
Gone, gone, gone.
When my friend comes for me.
And I won't be [D#m] here.
When [C#m] I'm done with
Oh, you're leaving me again, baby?
[G#m] Lord have mercy.
[C#m]
[C#]
[C#m] Now, Mr.
Video Man, [G#m] don't forget now, okay?
[C#]
[E] [C#m] I need a little help right here.
My whole family's gone.
Everybody, come on.
Everybody, get them hands.
That's what I'm talking about.
Wash the foot [B] now.
[C#] That's right.
You too, baby.
Hey, come on, fella.
Get them hands out.
That's right.
Little man has to come over there now, okay?
That's right.
Lord knows.
I should have been gone.
[F#] [G#m] [F#] Lord knows. Lord knows.
[C#] Yeah, I should have been gone.
[G#] It's still down here.
Way down in this killer flower.
[F]
[Cm] Thank you very much, people.
Key:  
C#
12341114
G#m
123111114
C#m
13421114
F#
134211112
G#
134211114
C#
12341114
G#m
123111114
C#m
13421114
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_ I'm gonna play something by a fella [G#m] called Howlin' [F#] Wolf.
Oh yeah.
_ [C#m] That's what I like. _
[G#m] _ _ _ _ [C#m] _ _
[G#m] _ _ [C#] _ Now video people, video people.
Video people.
Video people.
[E] Don't forget [F#] now, video people.
Video this.
[C#m] You see that?
Okay, [G#] Mr.
Video Man.
Don't forget now for the video, okay?
You [D#m] got that?
No pennies now.
[C#m] How about you?
You got that, Mr.
Video [G#m] Man?
You videoing [C#] this?
Okay, don't forget [C#m] now, okay?
Watch them.
Watch them good.
Alright, everybody standing over there, come closer.
[C#] Come on.
Including Mr.
Video Man.
Hey young boy, daddy, look, come on over here.
[G#] _ _
_ [D#] When I was in the studio,
[C#] everybody in the front, come closer, I got something [G#m] to say.
Come on, come on.
Come [C#] on, come on.
You two fellas, right here.
Come on.
[G#] When I was in the studio making this here CD,
the [G#m] bass player, he said to me, he said,
Boy, why [C#m] don't you go outside a little while and stretch your legs?
[G#m] So I was outside, and while I was [F#] outside,
I met myself a fine [C#m] looking woman.
Yes, I did.
Oh, [G#] yeah.
And I said to that [C#] woman,
Why, there she is right there.
Hello, baby.
Yeah, the blonde.
How you doing?
You remember me, honey?
Too [G#] many men, baby.
Too many men.
How's that?
[C#m] You don't remember.
I'm going to remind you
when we first met, [G#] the first thing I said to this woman right [F#] here
was when I first [C#m] met her, I said,
Excuse me, [G#m] would you like to come back to [C#] the studio with me
for some tea and ginger biscuits?
And she looked at [G#] me like,
Tea and ginger [F#] biscuits?
Why, I love ginger biscuits.
I'm coming.
[C#m] How's that?
Is that right, baby?
Oh, you know you're a [G#m] ginger freak.
So I brought her onto [C#] the studio,
and I introduced [G#m] that woman to the bass player.
[C#] He took one look at that woman, and he said,
Boy, you better leave this woman.
I said, What's wrong with this woman?
[F#]
She ain't no good.
[C#] She's a heartbreaker.
Well, you know what?
I never listen [G#] to my friends when it comes to women.
[B] I like to find out the hard way.
Much more [G#m] fun.
But you know what?
[C#] He was right.
That woman,
she broke my heart in five places.
Look at her there [F#] with her new man. _
[C#] My poor children.
How you doing, son?
You okay?
You okay?
[G#] I mean, look at that.
You can see the [B] resemblance, right?
_ [C#] That's right.
Maybe I should have listened to that bass player a little bit.
I should have quit [G#m] you
a [C#] long time ago.
_ [F#] I should have quit you
[C#] a long time ago. _
[G#m] And I won't be here
when [C#] I'm done with this killer [B] flower.
_ [C#m] I should have been [C#] gone
when my friend comes for me.
_ _ [F#]
Gone, gone, gone.
When my friend comes for me. _
And I won't be [D#m] here.
When [C#m] I'm done with_
Oh, you're leaving me again, baby?
[G#m] Lord have mercy.
[C#m] _ _ _ _
_ [C#] _ _ _ _ _
[C#m] _ _ Now, Mr.
Video Man, [G#m] don't forget now, okay?
_ _ [C#] _ _ _ _
[E] _ [C#m] I need a little help right here.
My whole family's gone.
Everybody, come on.
Everybody, get them hands.
That's what I'm talking about.
Wash the foot [B] now. _
[C#] That's right.
You too, baby.
Hey, come on, fella.
Get them hands out.
That's right.
Little man has to come over there now, okay?
That's right.
_ _ Lord knows.
I should have been gone.
[F#] _ _ [G#m] [F#] Lord knows. Lord knows.
[C#] Yeah, I should have been gone. _
[G#] It's still down here.
Way down in this killer flower.
_ [F] _ _ _ _
_ _ _ [Cm] Thank you very much, people.

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