Chords for Rehearsing Orphans for Everyday Life – Live in Jordan
Tempo:
74.5 bpm
Chords used:
Bm
B
E
D
F#m
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
I've always been this piece of music, I remember this from my life.
We better figure out how to play all this in Jordan.
[E] It's a [G] long story.
Oh, you want me to tell it?
[Bm] First of all, I think we should sort out what [D] action we're trying to get out of this.
Right now?
Right now.
I'm genuinely [F#] saying, how are we going to make this cool live?
Yes.
Because we have to play it live [Gm] pretty soon.
But let's go through it one more time.
[F#m]
[A] [B]
[D] [Bm] [D]
[A] [Bm]
[A] Dad, how is this sounding?
[F#m] [E] One, [A] two, three, four.
[D]
[F#m] [A]
[D] [F#m] [A] Flower will go where the flowers grow, [D] almond and [F#m] peach trees are blue.
[A] Key word though, just wonder what to do.
[D] So then [F#m] I'll teach you, [B] the way.
Ah, ah, ah, oh, [Em] no.
Right.
It just looks cool.
[Bm] I love you.
[B] [Bm]
I love you.
[Em] [G]
[Bm] Ten years ago, Brian Eno was working with us and he kicked me out of the band for two weeks.
Because he didn't want any songs.
When I came back, there was [B] a bunch of awesome [G] jams.
There was this one that [G#m] Will and John and Guy had done with Brian that [B] went
[Bm] [F#m]
And [E] I really liked it for years.
There was another song called Arabesque and we were starting to work on that for this record.
And then in my head this melody was going
[B] And then we were like, we have to [G#] ask Femi Kuti to play on this.
Because it's so influenced [Em] by Nigerian music, particularly Fela Kuti music.
Femi and [G] his son Made and all their guys [Bm] came and played the horns.
[E] It's the first time we've ever had a saxophone on our album, which we swore we would never do.
But life is about growing and changing and this song represents [B] that.
Goodnight.
What's it now?
Well done.
[Bm] [E]
[Bm] [E] [B]
[Bm] [E] [Bm]
[E] [B] [G] Cool.
Got it.
[B] [Bm] [C#]
We better figure out how to play all this in Jordan.
[E] It's a [G] long story.
Oh, you want me to tell it?
[Bm] First of all, I think we should sort out what [D] action we're trying to get out of this.
Right now?
Right now.
I'm genuinely [F#] saying, how are we going to make this cool live?
Yes.
Because we have to play it live [Gm] pretty soon.
But let's go through it one more time.
[F#m]
[A] [B]
[D] [Bm] [D]
[A] [Bm]
[A] Dad, how is this sounding?
[F#m] [E] One, [A] two, three, four.
[D]
[F#m] [A]
[D] [F#m] [A] Flower will go where the flowers grow, [D] almond and [F#m] peach trees are blue.
[A] Key word though, just wonder what to do.
[D] So then [F#m] I'll teach you, [B] the way.
Ah, ah, ah, oh, [Em] no.
Right.
It just looks cool.
[Bm] I love you.
[B] [Bm]
I love you.
[Em] [G]
[Bm] Ten years ago, Brian Eno was working with us and he kicked me out of the band for two weeks.
Because he didn't want any songs.
When I came back, there was [B] a bunch of awesome [G] jams.
There was this one that [G#m] Will and John and Guy had done with Brian that [B] went
[Bm] [F#m]
And [E] I really liked it for years.
There was another song called Arabesque and we were starting to work on that for this record.
And then in my head this melody was going
[B] And then we were like, we have to [G#] ask Femi Kuti to play on this.
Because it's so influenced [Em] by Nigerian music, particularly Fela Kuti music.
Femi and [G] his son Made and all their guys [Bm] came and played the horns.
[E] It's the first time we've ever had a saxophone on our album, which we swore we would never do.
But life is about growing and changing and this song represents [B] that.
Goodnight.
What's it now?
Well done.
[Bm] [E]
[Bm] [E] [B]
[Bm] [E] [Bm]
[E] [B] [G] Cool.
Got it.
[B] [Bm] [C#]
Key:
Bm
B
E
D
F#m
Bm
B
E
_ I've always been this piece of music, I remember this from my life.
We better figure out how to play all this in Jordan.
[E] It's a [G] long story.
Oh, you want me to tell it?
[Bm] First of all, I think we should sort out what [D] action we're trying to get out of this.
Right now?
Right now.
I'm genuinely [F#] saying, how are we going to make this cool live?
Yes.
Because we have to play it live [Gm] pretty soon.
But let's go through it one more time.
[F#m] _ _
_ [A] _ _ _ _ _ [B] _ _
_ [D] _ _ _ [Bm] _ _ _ [D] _
_ _ [A] _ _ _ _ [Bm] _ _
[A] Dad, how is this sounding? _ _ _ _
_ [F#m] _ _ _ _ _ [E] One, _ [A] _ _ _ _ two, three, four.
_ _ _ _ _ [D] _ _
_ [F#m] _ _ [A] _ _ _ _ _
_ [D] _ _ _ [F#m] _ _ [A] Flower will go where the flowers grow, [D] almond and [F#m] peach trees are blue.
[A] Key word though, just wonder what to do.
[D] So then [F#m] I'll teach you, [B] the way.
Ah, ah, ah, oh, [Em] no.
Right.
It just looks cool.
[Bm] I love you.
[B] _ _ [Bm] _ _
_ _ I love you. _ _ _ _
_ _ _ [Em] _ _ _ [G] _ _
[Bm] Ten years ago, Brian Eno was working with us and he kicked me out of the band for two weeks.
Because he didn't want any songs.
When I came back, there was [B] a bunch of awesome [G] jams.
There was this one that [G#m] Will and John and Guy had done with Brian that [B] went_ _
_ [Bm] _ _ _ _ _ [F#m] _
And [E] I really liked it for years.
There was another song called Arabesque and we were starting to work on that for this record.
And then in my head this melody was going_ _
_ [B] _ _ And then we were like, we have to [G#] ask Femi Kuti to play on this.
Because it's so influenced [Em] by Nigerian music, particularly Fela Kuti music.
Femi and [G] his son Made and all their guys [Bm] came and played the horns. _
_ _ _ _ _ _ _ _
[E] It's the first time we've ever had a saxophone on our album, which we swore we would never do.
But life is about growing and changing and this song represents [B] that.
Goodnight.
What's it now? _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _
Well done.
_ [Bm] _ _ _ _ [E] _ _
_ [Bm] _ [E] _ _ _ [B] _ _ _
[Bm] _ _ _ _ [E] _ _ [Bm] _ _
[E] _ _ _ [B] _ _ _ [G] Cool.
Got it.
[B] _ _ [Bm] _ _ _ _ _ _ _ _ _ _ _ [C#] _
_ _ _ _ _ _ _ _
We better figure out how to play all this in Jordan.
[E] It's a [G] long story.
Oh, you want me to tell it?
[Bm] First of all, I think we should sort out what [D] action we're trying to get out of this.
Right now?
Right now.
I'm genuinely [F#] saying, how are we going to make this cool live?
Yes.
Because we have to play it live [Gm] pretty soon.
But let's go through it one more time.
[F#m] _ _
_ [A] _ _ _ _ _ [B] _ _
_ [D] _ _ _ [Bm] _ _ _ [D] _
_ _ [A] _ _ _ _ [Bm] _ _
[A] Dad, how is this sounding? _ _ _ _
_ [F#m] _ _ _ _ _ [E] One, _ [A] _ _ _ _ two, three, four.
_ _ _ _ _ [D] _ _
_ [F#m] _ _ [A] _ _ _ _ _
_ [D] _ _ _ [F#m] _ _ [A] Flower will go where the flowers grow, [D] almond and [F#m] peach trees are blue.
[A] Key word though, just wonder what to do.
[D] So then [F#m] I'll teach you, [B] the way.
Ah, ah, ah, oh, [Em] no.
Right.
It just looks cool.
[Bm] I love you.
[B] _ _ [Bm] _ _
_ _ I love you. _ _ _ _
_ _ _ [Em] _ _ _ [G] _ _
[Bm] Ten years ago, Brian Eno was working with us and he kicked me out of the band for two weeks.
Because he didn't want any songs.
When I came back, there was [B] a bunch of awesome [G] jams.
There was this one that [G#m] Will and John and Guy had done with Brian that [B] went_ _
_ [Bm] _ _ _ _ _ [F#m] _
And [E] I really liked it for years.
There was another song called Arabesque and we were starting to work on that for this record.
And then in my head this melody was going_ _
_ [B] _ _ And then we were like, we have to [G#] ask Femi Kuti to play on this.
Because it's so influenced [Em] by Nigerian music, particularly Fela Kuti music.
Femi and [G] his son Made and all their guys [Bm] came and played the horns. _
_ _ _ _ _ _ _ _
[E] It's the first time we've ever had a saxophone on our album, which we swore we would never do.
But life is about growing and changing and this song represents [B] that.
Goodnight.
What's it now? _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _
Well done.
_ [Bm] _ _ _ _ [E] _ _
_ [Bm] _ [E] _ _ _ [B] _ _ _
[Bm] _ _ _ _ [E] _ _ [Bm] _ _
[E] _ _ _ [B] _ _ _ [G] Cool.
Got it.
[B] _ _ [Bm] _ _ _ _ _ _ _ _ _ _ _ [C#] _
_ _ _ _ _ _ _ _