Chords for Róisín Murphy - Let Me Know (Acoustic Version)
Tempo:
144.85 bpm
Chords used:
Bm
F#m
D
E
F#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Music Control, you're losing control.
[C] Another video then from Ruchi Murphy, who's with me here at the Music Control show.
Thanks for coming to my show, Ruchi.
Thank you for having me.
[E] By the way, looking seriously stylish as ever.
The hat, is there a story, is there history with the hat?
Because you like your hat.
I got the hat for [A#] free.
It's one of the rare things that I get for free that I quite like wearing.
So
Did you get loads of stuff for [D] free, though?
I did one of those [G#] proper, like, almost like [D] [E] Oscar night things the other night.
I was at an awards ceremony and they let you go into a back room and there's all these stalls with different products on it
and you can just do a supermarket sweep.
No.
Honestly, it's genius.
Did you grab everything?
Well, no, because I already have a lot of stuff.
So I don't, I try not to [N] take things, even when they're free, unless I'm going to use them.
Because [E] they just gather dust.
That's a good philosophy.
Yeah.
Alright, you're going to do the brand new single, which is called
It's called Let Me Know.
Which we love playing on the show, we love playing it, it sounds amazing.
Story behind this song?
I wrote it in Barcelona and so Barcelona's a very [D] hedonistic place.
I was working with Andy Cato, he has his [E] studio there.
And I think that sort of hedonism rubbed off on me a little bit in this song.
The song's kind of about [D] a girl [G#] who perhaps used [D] to be in tatters, you know.
She's saying, oh, I used to have a broken heart and all that, but now we can just get down and be free and [G] easy with it.
And this is it then, okay.
Jan's on guitar, [G#m] Roshi's going to sing, it's the live version of the brand new single.
This is Let Me [C#m] Know on Music Control.
[C#] They're all the same [C#m] in [Bm] this cynical age.
[C#m] I won't be [Bm] your ball and chain.
[C#m]
I've risked my reputation [Bm]
just to get a role.
[C#m]
You always have a [D] reservation, so [Bm] come lie down beside me.
[F#m]
Happier now than I've been in the past.
[D] Gone are the [Bm] days, [E]
[C#m] gone are the tears.
That was the girl I used [D] to be.
[Bm] [F#]
The girl [A] that you now see standing [F#m] in front of you.
[Bm] [E] Could [F#m] keep going on [C#m] because she believed [F#m] in setting you free.
[Bm]
[F#m] Let me know when you're lonely, [Bm] babe.
[F#m]
Let me know when you're lonely, [Bm] babe.
Let
[F#m] me know when you're lonely, [Bm] babe.
[F#m] Let me know when you're lonely, [Bm] babe.
I [F#]
[Bm] [F#m]
[F#] [C#m]
turn the other [F#m] way.
[Bm] I never [A] turn you down.
[E] You [G#] turn me on.
[D] [B] Don't speak [F#] out every meaning.
[C#m]
I [F#m] don't belong to you.
Like you [G#] don't belong [F#] to me.
So don't hold [B] on too [D] tightly.
[Bm] Let [F#m] forever be.
Let me know when you're lonely, [Bm] babe.
[F#m] [Bm]
[F#m]
[Bm] [F#m]
[Bm]
[F#] [E] [D]
It [F#m] might [F#] be [E] sweet.
[Bm] [D] If we [F#] could [E] meet [Bm] [D] along [F#m]
[E] the way [B] That [D] could be [E] okay
[D] That [B] could be [E] okay [D] Let me know [E] when you're lonely baby
[F#m]
That [F#] could be okay
[D] [F#] Let me know when you're lonely baby
[G] [N]
[C] Another video then from Ruchi Murphy, who's with me here at the Music Control show.
Thanks for coming to my show, Ruchi.
Thank you for having me.
[E] By the way, looking seriously stylish as ever.
The hat, is there a story, is there history with the hat?
Because you like your hat.
I got the hat for [A#] free.
It's one of the rare things that I get for free that I quite like wearing.
So
Did you get loads of stuff for [D] free, though?
I did one of those [G#] proper, like, almost like [D] [E] Oscar night things the other night.
I was at an awards ceremony and they let you go into a back room and there's all these stalls with different products on it
and you can just do a supermarket sweep.
No.
Honestly, it's genius.
Did you grab everything?
Well, no, because I already have a lot of stuff.
So I don't, I try not to [N] take things, even when they're free, unless I'm going to use them.
Because [E] they just gather dust.
That's a good philosophy.
Yeah.
Alright, you're going to do the brand new single, which is called
It's called Let Me Know.
Which we love playing on the show, we love playing it, it sounds amazing.
Story behind this song?
I wrote it in Barcelona and so Barcelona's a very [D] hedonistic place.
I was working with Andy Cato, he has his [E] studio there.
And I think that sort of hedonism rubbed off on me a little bit in this song.
The song's kind of about [D] a girl [G#] who perhaps used [D] to be in tatters, you know.
She's saying, oh, I used to have a broken heart and all that, but now we can just get down and be free and [G] easy with it.
And this is it then, okay.
Jan's on guitar, [G#m] Roshi's going to sing, it's the live version of the brand new single.
This is Let Me [C#m] Know on Music Control.
[C#] They're all the same [C#m] in [Bm] this cynical age.
[C#m] I won't be [Bm] your ball and chain.
[C#m]
I've risked my reputation [Bm]
just to get a role.
[C#m]
You always have a [D] reservation, so [Bm] come lie down beside me.
[F#m]
Happier now than I've been in the past.
[D] Gone are the [Bm] days, [E]
[C#m] gone are the tears.
That was the girl I used [D] to be.
[Bm] [F#]
The girl [A] that you now see standing [F#m] in front of you.
[Bm] [E] Could [F#m] keep going on [C#m] because she believed [F#m] in setting you free.
[Bm]
[F#m] Let me know when you're lonely, [Bm] babe.
[F#m]
Let me know when you're lonely, [Bm] babe.
Let
[F#m] me know when you're lonely, [Bm] babe.
[F#m] Let me know when you're lonely, [Bm] babe.
I [F#]
[Bm] [F#m]
[F#] [C#m]
turn the other [F#m] way.
[Bm] I never [A] turn you down.
[E] You [G#] turn me on.
[D] [B] Don't speak [F#] out every meaning.
[C#m]
I [F#m] don't belong to you.
Like you [G#] don't belong [F#] to me.
So don't hold [B] on too [D] tightly.
[Bm] Let [F#m] forever be.
Let me know when you're lonely, [Bm] babe.
[F#m] [Bm]
[F#m]
[Bm] [F#m]
[Bm]
[F#] [E] [D]
It [F#m] might [F#] be [E] sweet.
[Bm] [D] If we [F#] could [E] meet [Bm] [D] along [F#m]
[E] the way [B] That [D] could be [E] okay
[D] That [B] could be [E] okay [D] Let me know [E] when you're lonely baby
[F#m]
That [F#] could be okay
[D] [F#] Let me know when you're lonely baby
[G] [N]
Key:
Bm
F#m
D
E
F#
Bm
F#m
D
_ Music Control, _ you're losing control.
_ [C] _ Another video then from Ruchi Murphy, who's with me here at the Music Control show.
Thanks for coming to my show, Ruchi.
Thank you for having me.
[E] By the way, looking seriously stylish as ever.
The hat, is there a story, is there history with the hat?
Because you like your hat.
I got the hat for [A#] free.
It's one of the rare things that I get for free that I quite like wearing.
So_
Did you get loads of stuff for [D] free, though?
I did one of those [G#] proper, like, almost like [D] _ [E] Oscar night things the other night.
I was at an awards ceremony and they let you go into a back room and there's all these stalls with different products on it
and you can just do a supermarket sweep.
No.
Honestly, it's genius.
Did you grab everything?
Well, no, because I already have a lot of stuff.
So I don't, I try not to [N] take things, even when they're free, unless I'm going to use them.
Because [E] they just gather dust.
That's a good philosophy.
Yeah.
Alright, you're going to do the brand new single, which is called_
It's called Let Me Know.
Which we love playing on the show, we love playing it, it sounds amazing.
Story behind this song?
I wrote it in Barcelona and so Barcelona's a very [D] hedonistic place.
I was working with Andy Cato, he has his [E] studio there.
And I think that sort of hedonism rubbed off on me a little bit in this song.
The song's kind of about [D] a girl [G#] who _ _ perhaps used [D] to be in tatters, you know.
She's saying, oh, I used to have a broken heart and all that, but now we can just get down and be free and [G] easy with it.
And this is it then, okay.
Jan's on guitar, [G#m] Roshi's going to sing, it's the live version of the brand new single.
This is Let Me [C#m] Know on Music Control.
_ _ [C#] They're all the _ same [C#m] in [Bm] this cynical _ _ _ age. _ _
_ [C#m] I won't be _ _ _ _ _ _ [Bm] your _ ball and chain.
_ _ _ _ [C#m] _
_ _ I've risked my _ _ _ reputation [Bm] _ _ _ _
just to get a role.
_ _ [C#m] _
You _ always have a _ [D] reservation, _ _ so [Bm] come lie down beside _ _ _ _ _ _ me.
[F#m] _ _ _ _
Happier now than I've been in the past.
_ [D] Gone are the _ [Bm] days, [E] _
_ _ [C#m] gone are the tears.
That was the girl _ I used [D] to be.
_ _ [Bm] _ _ _ _ [F#]
The girl _ [A] that you now see standing [F#m] in front of you. _
_ [Bm] _ [E] _ _ Could [F#m] keep going on [C#m] because she believed [F#m] in setting you free.
_ _ [Bm] _ _
_ [F#m] _ _ _ Let me know when you're lonely, [Bm] babe.
_ _ _ [F#m] _ _
Let me know when you're lonely, [Bm] babe.
_ Let _
[F#m] _ _ me know when you're lonely, [Bm] babe. _
_ _ _ [F#m] _ Let me know when you're lonely, [Bm] babe.
I _ [F#] _ _ _
_ _ _ [Bm] _ _ _ [F#m] _ _
[F#] _ _ _ _ [C#m] _ _ _
turn the other [F#m] way. _ _ _
[Bm] I never _ [A] turn you _ down.
_ [E] You [G#] turn me on.
[D] _ _ _ _ _ [B] Don't speak [F#] out every meaning.
[C#m] _ _ _
I _ [F#m] don't belong to you.
_ Like you [G#] don't belong [F#] to me.
So _ _ _ don't hold [B] on too [D] _ tightly. _
_ [Bm] Let _ [F#m] forever be.
Let me know when you're lonely, [Bm] babe. _ _ _ _
[F#m] _ _ _ _ _ _ [Bm] _ _
_ _ [F#m] _ _ _ _ _ _
_ [Bm] _ _ _ _ [F#m] _ _ _
_ _ _ [Bm] _ _ _ _ _
_ [F#] _ [E] _ _ _ _ [D] _
It [F#m] might [F#] be [E] sweet. _
[Bm] _ _ [D] _ If we [F#] could _ [E] meet _ [Bm] _ _ [D] along [F#m] _
[E] the _ way _ [B] That [D] could be [E] _ okay _ _
_ [D] _ That [B] could be [E] okay _ _ _ [D] _ Let me know [E] when you're lonely baby
_ _ _ _ [F#m] _ _
That [F#] could be _ okay _
_ [D] _ _ _ _ [F#] Let _ me know when you're lonely baby _ _ _ _
_ [G] _ _ _ _ _ [N] _ _
_ [C] _ Another video then from Ruchi Murphy, who's with me here at the Music Control show.
Thanks for coming to my show, Ruchi.
Thank you for having me.
[E] By the way, looking seriously stylish as ever.
The hat, is there a story, is there history with the hat?
Because you like your hat.
I got the hat for [A#] free.
It's one of the rare things that I get for free that I quite like wearing.
So_
Did you get loads of stuff for [D] free, though?
I did one of those [G#] proper, like, almost like [D] _ [E] Oscar night things the other night.
I was at an awards ceremony and they let you go into a back room and there's all these stalls with different products on it
and you can just do a supermarket sweep.
No.
Honestly, it's genius.
Did you grab everything?
Well, no, because I already have a lot of stuff.
So I don't, I try not to [N] take things, even when they're free, unless I'm going to use them.
Because [E] they just gather dust.
That's a good philosophy.
Yeah.
Alright, you're going to do the brand new single, which is called_
It's called Let Me Know.
Which we love playing on the show, we love playing it, it sounds amazing.
Story behind this song?
I wrote it in Barcelona and so Barcelona's a very [D] hedonistic place.
I was working with Andy Cato, he has his [E] studio there.
And I think that sort of hedonism rubbed off on me a little bit in this song.
The song's kind of about [D] a girl [G#] who _ _ perhaps used [D] to be in tatters, you know.
She's saying, oh, I used to have a broken heart and all that, but now we can just get down and be free and [G] easy with it.
And this is it then, okay.
Jan's on guitar, [G#m] Roshi's going to sing, it's the live version of the brand new single.
This is Let Me [C#m] Know on Music Control.
_ _ [C#] They're all the _ same [C#m] in [Bm] this cynical _ _ _ age. _ _
_ [C#m] I won't be _ _ _ _ _ _ [Bm] your _ ball and chain.
_ _ _ _ [C#m] _
_ _ I've risked my _ _ _ reputation [Bm] _ _ _ _
just to get a role.
_ _ [C#m] _
You _ always have a _ [D] reservation, _ _ so [Bm] come lie down beside _ _ _ _ _ _ me.
[F#m] _ _ _ _
Happier now than I've been in the past.
_ [D] Gone are the _ [Bm] days, [E] _
_ _ [C#m] gone are the tears.
That was the girl _ I used [D] to be.
_ _ [Bm] _ _ _ _ [F#]
The girl _ [A] that you now see standing [F#m] in front of you. _
_ [Bm] _ [E] _ _ Could [F#m] keep going on [C#m] because she believed [F#m] in setting you free.
_ _ [Bm] _ _
_ [F#m] _ _ _ Let me know when you're lonely, [Bm] babe.
_ _ _ [F#m] _ _
Let me know when you're lonely, [Bm] babe.
_ Let _
[F#m] _ _ me know when you're lonely, [Bm] babe. _
_ _ _ [F#m] _ Let me know when you're lonely, [Bm] babe.
I _ [F#] _ _ _
_ _ _ [Bm] _ _ _ [F#m] _ _
[F#] _ _ _ _ [C#m] _ _ _
turn the other [F#m] way. _ _ _
[Bm] I never _ [A] turn you _ down.
_ [E] You [G#] turn me on.
[D] _ _ _ _ _ [B] Don't speak [F#] out every meaning.
[C#m] _ _ _
I _ [F#m] don't belong to you.
_ Like you [G#] don't belong [F#] to me.
So _ _ _ don't hold [B] on too [D] _ tightly. _
_ [Bm] Let _ [F#m] forever be.
Let me know when you're lonely, [Bm] babe. _ _ _ _
[F#m] _ _ _ _ _ _ [Bm] _ _
_ _ [F#m] _ _ _ _ _ _
_ [Bm] _ _ _ _ [F#m] _ _ _
_ _ _ [Bm] _ _ _ _ _
_ [F#] _ [E] _ _ _ _ [D] _
It [F#m] might [F#] be [E] sweet. _
[Bm] _ _ [D] _ If we [F#] could _ [E] meet _ [Bm] _ _ [D] along [F#m] _
[E] the _ way _ [B] That [D] could be [E] _ okay _ _
_ [D] _ That [B] could be [E] okay _ _ _ [D] _ Let me know [E] when you're lonely baby
_ _ _ _ [F#m] _ _
That [F#] could be _ okay _
_ [D] _ _ _ _ [F#] Let _ me know when you're lonely baby _ _ _ _
_ [G] _ _ _ _ _ [N] _ _