Chords for PHIL X does BETH and LOLA! on a 1924 Gibson Lioyd Loar L-5 01163
Tempo:
124.65 bpm
Chords used:
G
D
A
C
E
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[G]
[C]
[D]
[Am] [G] [E]
[G] Hey man, it's Phil X and I'm sitting down again because this is an acoustic guitar and
it's a 1924.
This is the oldest guitar we've ever done, 1924 Gibson.
I'm blown away that I'm holding a guitar that old, really old.
This is one of 12 known examples, known today.
It's an L5 designed by Lloyd Lohr and the color is called Cremona Brown and it's all
original and it has a Verzi, V-I-R-Z-I, I don't know if I'm pronouncing it right, I
don't know if it's Verzi or Verzi Tone Producer, [E] which is, it's got a little disc inside that
kind of floats between the front and the back and magically.
And this is the first guitar with holes, which they got the idea from violins and cellos
and stand up basses from the Baroque period, if you know what I'm talking about.
And this is the first pickguard ever.
And so this is quite a piece of history that I'm holding [F#] here.
I'm very awesomely amazed.
And it's [C] signed by Lloyd Lohr.
Inside right?
See?
You'd have to take it apart to see it, but it's there.
And you don't want to do that.
[E]
[A] [D] [E]
[A]
[D] [E]
[A] [D] [E]
[A] [D]
[C]
[E] [F#] [E]
I'm not dumb, but I can't [A] understand how she walk like a [D] woman and talk like a man.
I'm [E] a Lola.
[A]
[D] [C]
[A] [E] Lola, [A] Lola, Lola, [D] [C] Lola, Lola, Lola, Lola, Lola,
[D] Lola, Lola, Lola, Lola, [A]
Lola, Lola,
[D] [N] I was getting carried away there.
I'm sorry.
I'll take it back.
I don't take it back.
All right.
[C] How about this one?
[D] Wait, this was a 12 string.
It's not a 12 string, but I'm playing an acoustic.
I got to do something.
[B] [D] How's my mic doing?
[C] [G]
[D] [G] [G]
[D] I woke up this morning feeling [G] fine.
[D] Turn on some [G] music to start my day.
[D] Oh, papa girl, [C] I used [G] to know.
[D] I close my eyes [G] and she slipped away.
[A] Guitar.
[Gm]
[D] [G]
[A] All [G] right.
[Em] [D] [G] More than a
[Em] feeling [D] [G] when I hear that old song [Em] they used to [D] play.
[G] I've been dreaming [Em] [D] [Gm] and I see [C] Mary [D#] walk away.
I close my eyes and she slipped away.
I close my eyes and she slipped away.
I close my eyes and she slipped away.
[Em] See [A] my Mary and walking [Bm] [A] away.
[G] [A]
[B] Yeah.
Not supposed to be done like that, but that's all I got.
All right.
What am I going to do, man?
Okay, it came straight on this guitar because the action is a little high and
it hardly has any frets because it's like a 1924 Gibson.
[Gm] So, let's do another acoustic [C] song that I may get through.
All right.
Try this.
Yeah.
campfire style.
Okay this campfire style without [B] the campfire and other people singing along.
[C] In the QC.
[G]
[Am] [G]
[F]
[Am]
[F] [Em]
[F] [Em]
[Dm] I [G] hear them calling.
[Am] Oh Beth what can I do?
[Gm] Beth what [C] can I do?
You say you're [G] so empty [Am] that I just just ain't at [G] home.
[F] I'm always [G] somewhere else and you're always there alone.
[Em] [F] Just a few [Em] more hours [F] and I'll be back home [Em] to you.
[D] I think I hear [G] them calling.
[Am] Oh Beth what can I do?
Yeah [G] Beth [C] what can I do?
[N] Okay here's the problem here.
Everybody's gonna be
like hey man he hit some wrong chords and yes I did I'll be the first to say and I don't know
which ones either.
It just sounded wrong.
I didn't know how to fix it on the spot.
Give me a break.
All right what else we got on this sucker?
1924 Gibson Lloyd Lore [G] L5.
First F [N] Halls.
F Hall.
And first pick card.
And uh what else we got here?
And I'm playing an
acoustic and Dusty made a request for some Ozzy Osbourne in this 1924 Gibson.
Uh Randy Rhoads.
The record was Diary of a Madman.
The [A] song is Diary of a Madman as well
and it goes like [F#] it's this finger it just doesn't want to cooperate.
[A]
[Am] [A]
[B] [E]
[Em] [Dm] [B]
[Bm] [Am]
[E] [B] Hence when the Les Paul through the marshals come screaming through the speakers.
All right that was uh Diary of a Madman by Ozzy Osbourne with Randy Rhoads on guitar and I'm
really fast at heads.
Phil X.
Phil X.
[E] Axe.
Phil X.
Axe.
That's it.
Phil X signing out.
Off.
Done.
See ya.
[C#]
[C]
[D]
[Am] [G] [E]
[G] Hey man, it's Phil X and I'm sitting down again because this is an acoustic guitar and
it's a 1924.
This is the oldest guitar we've ever done, 1924 Gibson.
I'm blown away that I'm holding a guitar that old, really old.
This is one of 12 known examples, known today.
It's an L5 designed by Lloyd Lohr and the color is called Cremona Brown and it's all
original and it has a Verzi, V-I-R-Z-I, I don't know if I'm pronouncing it right, I
don't know if it's Verzi or Verzi Tone Producer, [E] which is, it's got a little disc inside that
kind of floats between the front and the back and magically.
And this is the first guitar with holes, which they got the idea from violins and cellos
and stand up basses from the Baroque period, if you know what I'm talking about.
And this is the first pickguard ever.
And so this is quite a piece of history that I'm holding [F#] here.
I'm very awesomely amazed.
And it's [C] signed by Lloyd Lohr.
Inside right?
See?
You'd have to take it apart to see it, but it's there.
And you don't want to do that.
[E]
[A] [D] [E]
[A]
[D] [E]
[A] [D] [E]
[A] [D]
[C]
[E] [F#] [E]
I'm not dumb, but I can't [A] understand how she walk like a [D] woman and talk like a man.
I'm [E] a Lola.
[A]
[D] [C]
[A] [E] Lola, [A] Lola, Lola, [D] [C] Lola, Lola, Lola, Lola, Lola,
[D] Lola, Lola, Lola, Lola, [A]
Lola, Lola,
[D] [N] I was getting carried away there.
I'm sorry.
I'll take it back.
I don't take it back.
All right.
[C] How about this one?
[D] Wait, this was a 12 string.
It's not a 12 string, but I'm playing an acoustic.
I got to do something.
[B] [D] How's my mic doing?
[C] [G]
[D] [G] [G]
[D] I woke up this morning feeling [G] fine.
[D] Turn on some [G] music to start my day.
[D] Oh, papa girl, [C] I used [G] to know.
[D] I close my eyes [G] and she slipped away.
[A] Guitar.
[Gm]
[D] [G]
[A] All [G] right.
[Em] [D] [G] More than a
[Em] feeling [D] [G] when I hear that old song [Em] they used to [D] play.
[G] I've been dreaming [Em] [D] [Gm] and I see [C] Mary [D#] walk away.
I close my eyes and she slipped away.
I close my eyes and she slipped away.
I close my eyes and she slipped away.
[Em] See [A] my Mary and walking [Bm] [A] away.
[G] [A]
[B] Yeah.
Not supposed to be done like that, but that's all I got.
All right.
What am I going to do, man?
Okay, it came straight on this guitar because the action is a little high and
it hardly has any frets because it's like a 1924 Gibson.
[Gm] So, let's do another acoustic [C] song that I may get through.
All right.
Try this.
Yeah.
campfire style.
Okay this campfire style without [B] the campfire and other people singing along.
[C] In the QC.
[G]
[Am] [G]
[F]
[Am]
[F] [Em]
[F] [Em]
[Dm] I [G] hear them calling.
[Am] Oh Beth what can I do?
[Gm] Beth what [C] can I do?
You say you're [G] so empty [Am] that I just just ain't at [G] home.
[F] I'm always [G] somewhere else and you're always there alone.
[Em] [F] Just a few [Em] more hours [F] and I'll be back home [Em] to you.
[D] I think I hear [G] them calling.
[Am] Oh Beth what can I do?
Yeah [G] Beth [C] what can I do?
[N] Okay here's the problem here.
Everybody's gonna be
like hey man he hit some wrong chords and yes I did I'll be the first to say and I don't know
which ones either.
It just sounded wrong.
I didn't know how to fix it on the spot.
Give me a break.
All right what else we got on this sucker?
1924 Gibson Lloyd Lore [G] L5.
First F [N] Halls.
F Hall.
And first pick card.
And uh what else we got here?
And I'm playing an
acoustic and Dusty made a request for some Ozzy Osbourne in this 1924 Gibson.
Uh Randy Rhoads.
The record was Diary of a Madman.
The [A] song is Diary of a Madman as well
and it goes like [F#] it's this finger it just doesn't want to cooperate.
[A]
[Am] [A]
[B] [E]
[Em] [Dm] [B]
[Bm] [Am]
[E] [B] Hence when the Les Paul through the marshals come screaming through the speakers.
All right that was uh Diary of a Madman by Ozzy Osbourne with Randy Rhoads on guitar and I'm
really fast at heads.
Phil X.
Phil X.
[E] Axe.
Phil X.
Axe.
That's it.
Phil X signing out.
Off.
Done.
See ya.
[C#]
Key:
G
D
A
C
E
G
D
A
_ _ [G] _ _ _ _ _ _
_ _ [C] _ _ _ _ _ _
_ _ [D] _ _ _ _ _ _
[Am] _ _ [G] _ _ [E] _ _ _ _
_ _ _ [G] _ _ Hey man, it's Phil X and I'm sitting down again because this is an acoustic guitar and
it's a 1924.
This is the oldest guitar we've ever done, 1924 Gibson. _
_ I'm blown away that I'm holding a guitar that old, really old.
This is one of 12 known examples, known today.
It's an L5 designed by Lloyd Lohr _ and the color is called Cremona Brown and it's all
original _ and it has a Verzi, _ V-I-R-Z-I, I don't know if I'm pronouncing it right, I
don't know if it's Verzi or Verzi Tone Producer, [E] which is, it's got a little disc inside that
kind of floats between the front and the back and magically.
And _ _ this is the first guitar with holes, which they got the idea from violins and cellos
and stand up basses from the Baroque period, if you know what I'm talking about.
And this is the first pickguard _ _ ever.
_ _ _ _ And so this is quite a piece of history that I'm holding [F#] here.
I'm very _ awesomely amazed.
_ And it's [C] signed by Lloyd Lohr.
Inside right?
See?
You'd have to take it apart to see it, but it's there.
And you don't want to do that. _ _
_ _ _ _ [E] _ _ _ _
_ _ _ _ _ _ _ _
[A] _ _ _ [D] _ _ _ _ [E] _
_ _ _ _ [A] _ _ _ _
[D] _ _ [E] _ _ _ _ _ _
[A] _ _ _ [D] _ _ _ [E] _ _
_ _ _ _ [A] _ _ _ [D] _
_ _ [C] _ _ _ _ _ _
[E] _ _ _ [F#] _ _ _ _ [E] _
_ _ _ _ I'm not dumb, but I can't [A] understand how she walk like a [D] woman and talk like a man.
I'm [E] a Lola.
_ _ _ [A] _ _ _
[D] _ _ _ [C] _ _ _ _ _
[A] _ [E] _ _ Lola, [A] Lola, Lola, [D] _ _ [C] Lola, Lola, Lola, Lola, Lola, _
[D] Lola, _ Lola, Lola, Lola, _ [A]
Lola, Lola,
_ [D] _ _ [N] I was getting carried away there.
I'm sorry.
I'll take it back.
I don't take it back.
_ All right.
_ _ [C] _ How about this one?
[D] Wait, _ this was a 12 string.
It's not a 12 string, but I'm playing an acoustic.
I got to do something.
[B] _ _ _ _ [D] How's my mic doing?
_ _ _ [C] _ _ [G] _ _
_ [D] _ _ _ [G] _ _ _ [G] _
[D] I woke up this morning feeling [G] fine.
[D] Turn on some [G] music to start my day.
[D] Oh, papa girl, [C] I used [G] to know.
[D] I close my eyes [G] and she slipped away.
_ _ [A] Guitar.
_ _ [Gm] _ _
[D] _ _ _ _ [G] _ _ _ _
[A] All _ [G] right. _ _ _
[Em] _ _ _ [D] _ [G] More than a _
[Em] feeling [D] _ [G] when I hear that old song [Em] they used to [D] play.
_ [G] I've been dreaming [Em] _ _ [D] _ [Gm] and I see [C] Mary [D#] walk away.
I close my eyes and she slipped away.
I close my eyes and she slipped away.
I close my eyes and she slipped away.
_ _ [Em] _ _ See [A] my Mary and walking [Bm] _ _ [A] away.
[G] _ _ _ [A] _ _ _ _ _
_ _ _ [B] Yeah.
_ Not supposed to be done like that, but that's all I got.
All right.
What am I going to do, man?
Okay, it came straight on this guitar because the action is a little high and
it hardly has any frets because it's like a 1924 Gibson. _ _
[Gm] So, let's do another acoustic [C] song that I may get through. _ _
_ _ All right.
Try this.
Yeah.
campfire style. _
Okay this campfire style without [B] the campfire and other people singing along.
_ _ [C] _ In the QC. _
_ _ _ _ _ [G] _ _ _
_ [Am] _ _ _ _ _ _ [G] _
_ _ [F] _ _ _ _ _ _
_ [Am] _ _ _ _ _ _ _
[F] _ _ _ _ [Em] _ _ _ _
[F] _ _ _ [Em] _ _ _ _ _
[Dm] _ I [G] hear them calling. _
[Am] Oh Beth what can I do? _ _
[Gm] Beth what [C] can I do?
_ You say you're [G] so empty _ [Am] that I just just ain't at [G] home.
_ [F] _ I'm always [G] somewhere else and you're always there alone.
_ [Em] _ _ [F] Just a few [Em] more _ hours [F] and I'll be back home [Em] to you.
_ [D] I think I hear [G] them calling.
_ [Am] Oh Beth what can I do?
Yeah _ [G] Beth [C] what can I do?
[N] Okay here's the problem here.
_ Everybody's gonna be
like hey man he hit some wrong chords and yes I did I'll be the first to say and I don't know
which ones either.
It just sounded wrong.
I didn't know how to fix it on the spot.
Give me a break.
All right what else we got on this sucker? _
1924 Gibson Lloyd Lore [G] L5.
First F [N] Halls.
F Hall.
And first pick card.
And uh what else we got here?
And I'm playing an
acoustic and Dusty made a request for some Ozzy Osbourne in this 1924 Gibson. _ _ _ _
Uh Randy Rhoads. _ _ _
The record was Diary of a Madman.
The [A] song is Diary of a Madman as well
and it goes like _ _ _ _ _ [F#] it's _ this finger it just doesn't want to cooperate.
_ _ _ [A] _ _ _ _
_ _ _ _ [Am] _ [A] _ _ _
[B] _ _ [E] _ _ _ _ _ _
[Em] _ _ _ _ [Dm] _ _ [B] _ _
_ _ _ _ [Bm] _ _ [Am] _ _
_ _ _ _ _ _ _ _
[E] _ _ _ [B] _ Hence when the Les Paul through the marshals come screaming through the speakers.
_ All right that was uh Diary of a Madman by Ozzy Osbourne with Randy Rhoads on guitar and I'm
really fast at heads.
Phil X.
Phil X.
[E] Axe.
Phil X.
Axe.
That's it.
Phil X signing out.
Off.
Done.
See ya.
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [C#] _ _
_ _ _ _ _ _ _ _
_ _ [C] _ _ _ _ _ _
_ _ [D] _ _ _ _ _ _
[Am] _ _ [G] _ _ [E] _ _ _ _
_ _ _ [G] _ _ Hey man, it's Phil X and I'm sitting down again because this is an acoustic guitar and
it's a 1924.
This is the oldest guitar we've ever done, 1924 Gibson. _
_ I'm blown away that I'm holding a guitar that old, really old.
This is one of 12 known examples, known today.
It's an L5 designed by Lloyd Lohr _ and the color is called Cremona Brown and it's all
original _ and it has a Verzi, _ V-I-R-Z-I, I don't know if I'm pronouncing it right, I
don't know if it's Verzi or Verzi Tone Producer, [E] which is, it's got a little disc inside that
kind of floats between the front and the back and magically.
And _ _ this is the first guitar with holes, which they got the idea from violins and cellos
and stand up basses from the Baroque period, if you know what I'm talking about.
And this is the first pickguard _ _ ever.
_ _ _ _ And so this is quite a piece of history that I'm holding [F#] here.
I'm very _ awesomely amazed.
_ And it's [C] signed by Lloyd Lohr.
Inside right?
See?
You'd have to take it apart to see it, but it's there.
And you don't want to do that. _ _
_ _ _ _ [E] _ _ _ _
_ _ _ _ _ _ _ _
[A] _ _ _ [D] _ _ _ _ [E] _
_ _ _ _ [A] _ _ _ _
[D] _ _ [E] _ _ _ _ _ _
[A] _ _ _ [D] _ _ _ [E] _ _
_ _ _ _ [A] _ _ _ [D] _
_ _ [C] _ _ _ _ _ _
[E] _ _ _ [F#] _ _ _ _ [E] _
_ _ _ _ I'm not dumb, but I can't [A] understand how she walk like a [D] woman and talk like a man.
I'm [E] a Lola.
_ _ _ [A] _ _ _
[D] _ _ _ [C] _ _ _ _ _
[A] _ [E] _ _ Lola, [A] Lola, Lola, [D] _ _ [C] Lola, Lola, Lola, Lola, Lola, _
[D] Lola, _ Lola, Lola, Lola, _ [A]
Lola, Lola,
_ [D] _ _ [N] I was getting carried away there.
I'm sorry.
I'll take it back.
I don't take it back.
_ All right.
_ _ [C] _ How about this one?
[D] Wait, _ this was a 12 string.
It's not a 12 string, but I'm playing an acoustic.
I got to do something.
[B] _ _ _ _ [D] How's my mic doing?
_ _ _ [C] _ _ [G] _ _
_ [D] _ _ _ [G] _ _ _ [G] _
[D] I woke up this morning feeling [G] fine.
[D] Turn on some [G] music to start my day.
[D] Oh, papa girl, [C] I used [G] to know.
[D] I close my eyes [G] and she slipped away.
_ _ [A] Guitar.
_ _ [Gm] _ _
[D] _ _ _ _ [G] _ _ _ _
[A] All _ [G] right. _ _ _
[Em] _ _ _ [D] _ [G] More than a _
[Em] feeling [D] _ [G] when I hear that old song [Em] they used to [D] play.
_ [G] I've been dreaming [Em] _ _ [D] _ [Gm] and I see [C] Mary [D#] walk away.
I close my eyes and she slipped away.
I close my eyes and she slipped away.
I close my eyes and she slipped away.
_ _ [Em] _ _ See [A] my Mary and walking [Bm] _ _ [A] away.
[G] _ _ _ [A] _ _ _ _ _
_ _ _ [B] Yeah.
_ Not supposed to be done like that, but that's all I got.
All right.
What am I going to do, man?
Okay, it came straight on this guitar because the action is a little high and
it hardly has any frets because it's like a 1924 Gibson. _ _
[Gm] So, let's do another acoustic [C] song that I may get through. _ _
_ _ All right.
Try this.
Yeah.
campfire style. _
Okay this campfire style without [B] the campfire and other people singing along.
_ _ [C] _ In the QC. _
_ _ _ _ _ [G] _ _ _
_ [Am] _ _ _ _ _ _ [G] _
_ _ [F] _ _ _ _ _ _
_ [Am] _ _ _ _ _ _ _
[F] _ _ _ _ [Em] _ _ _ _
[F] _ _ _ [Em] _ _ _ _ _
[Dm] _ I [G] hear them calling. _
[Am] Oh Beth what can I do? _ _
[Gm] Beth what [C] can I do?
_ You say you're [G] so empty _ [Am] that I just just ain't at [G] home.
_ [F] _ I'm always [G] somewhere else and you're always there alone.
_ [Em] _ _ [F] Just a few [Em] more _ hours [F] and I'll be back home [Em] to you.
_ [D] I think I hear [G] them calling.
_ [Am] Oh Beth what can I do?
Yeah _ [G] Beth [C] what can I do?
[N] Okay here's the problem here.
_ Everybody's gonna be
like hey man he hit some wrong chords and yes I did I'll be the first to say and I don't know
which ones either.
It just sounded wrong.
I didn't know how to fix it on the spot.
Give me a break.
All right what else we got on this sucker? _
1924 Gibson Lloyd Lore [G] L5.
First F [N] Halls.
F Hall.
And first pick card.
And uh what else we got here?
And I'm playing an
acoustic and Dusty made a request for some Ozzy Osbourne in this 1924 Gibson. _ _ _ _
Uh Randy Rhoads. _ _ _
The record was Diary of a Madman.
The [A] song is Diary of a Madman as well
and it goes like _ _ _ _ _ [F#] it's _ this finger it just doesn't want to cooperate.
_ _ _ [A] _ _ _ _
_ _ _ _ [Am] _ [A] _ _ _
[B] _ _ [E] _ _ _ _ _ _
[Em] _ _ _ _ [Dm] _ _ [B] _ _
_ _ _ _ [Bm] _ _ [Am] _ _
_ _ _ _ _ _ _ _
[E] _ _ _ [B] _ Hence when the Les Paul through the marshals come screaming through the speakers.
_ All right that was uh Diary of a Madman by Ozzy Osbourne with Randy Rhoads on guitar and I'm
really fast at heads.
Phil X.
Phil X.
[E] Axe.
Phil X.
Axe.
That's it.
Phil X signing out.
Off.
Done.
See ya.
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [C#] _ _
_ _ _ _ _ _ _ _