Chords for Peter Gabriel - Full Moon March 2023 - Playing for Time

Tempo:
122.15 bpm
Chords used:

G

Em

C

D

A

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Peter Gabriel - Full Moon March 2023 - Playing for Time chords
Start Jamming...
Hi there lunatics, [C] welcome to another monthly [C#m] release.
It's the worm [Cm] moon March the 7th today [Bm] and
[G] Well, it isn't March [D] the 7th today because I'm pre [A] recording this but it will be by [Cm] the time you see it
[G] This is playing for time
[Dm]
[C#m] [Cm]
Out amongst [Bm] the stars
[G] [B] There's a planet spinning [A] slowly
[Cm] We call it ours
[Bm] [Dm] any [B] time
[Em] any day
[G] Any moment that we bring to life
[C] Will never fade away
[G] It's a song [Em] that I've been [B] working on for a [Em] long time
And [G] I've performed without lyrics [Em] unfinished
[Bm] So some of you may be familiar with it
[Dm] [A]
[Cm] [G]
[Dm] On the bones [C#] of a beat
[Cm] [G]
It's been an important [Bm] one for me and I [B] think it's a personal [Em] lyric, you know, it's partly about time [D] memories [G] getting older and
[G] Also, you know whether we're prisoners [B] of time or
Whether that's something that actually can free us
If you've ever seen someone whose [Em] memory has been lost through a car [G] accident or something they
[Em] Often feel quite lost.
I [D] think it is our history [Em] our sense of place in time [D] as well as geographical place
[Bm]
Is part of what gives us meaning?
so
[Am] Somehow and I do think [D] it's good in life to [Em] to push yourself
towards more
Bold or interesting experiences because then you'll have richer [G] memories to feed you when you get to
my antiquated years
[Am] And I think it [G] also, you know
You get taught by every experience
[A] particularly every sort of meaningful [C] experience that you go through so
[G]
So this was about
assembling and [B] organizing and ordering
[C] memories
It's been through many incarnations and
[D]
[C#] I've actually written this thing about
[G]
Planet full of memories that this idea that a couple have this place out there that [A] is
recording everything they do and
[Cm] You can dip back into it [G] somehow
I'd [Em] seen the work of Annette Messager
[D] who's a wonderful artist [G] many many years ago and
Nearly got her involved in the art from [Em] us project or nearly approached her on that but
[G] [Em] Didn't but this time I thought
With this [G] coincidence of this planet of [Em] memories
She'd be the right person to [G] ask to do something for this [Em] song
She's I think been a real [D] pioneering [Bm] sculptor if you look at the breadth of her work
[C] You'll find I think influenced on a lot of younger artists working today
It's [D] great that [G] she wanted to get involved with this [Em]
[G] this thinking about time [Em] also
[D] [G] Fed in [C] or was fed by
Danny Hillis his work is this
[B] Great [Am] friend, but he's brilliant
innovative [D#] computer scientist [G] of his many
Extraordinary inventions the 10,000 year clock is one of those [C] and it's an idea to
[G] Try and encourage us to think long term and [B] that's
[C] with
[G] People like Stuart Brand and Peter Schwartz.
They've sort of evolved this
[E]
thing into the long now foundation [F#] and they've [G] taken on
[C] to which your brand, you know is also working on but they've
[G] Had lots of ideas that I think
[Am] long-term thinking
And one thought was to try and preserve all the languages [G] that are being
eradicated
you [D] know because we think of extinction with [Em] with animals and plants, but but our
human [D] languages are also disappearing so they're trying to record those and
I'm sure that if we have a chance of
surviving the sort of
existential problems that we now face
We have to start thinking
Much bigger and longer
To make some real headway
So I think what they do is enormously valuable and there's some amazing talks there.
So
For those that want a deep dive into time and long-term thinking the long now foundation is a wonderful place to start
we tried a few versions of this song and
Some were better than others and if you want to take the deep dive you can hear some of these but
And the band are always very patient with me with these different interpretations
[G] And even though I performed and played piano [C] live quite a lot.
I felt
that [B] this is something [G] that I could get in a real piano [F#] player for and Tom [Em] Corley is
brilliant musician and
Played with me on the new blood tour John Metcalf introduced me
[G]
I
thought we [Em] could get him down and [Gm] at first first he [F#] came down and played with the band, but I
Thought there was still some things that could be done a little differently
like the intro and
he was kind enough to come down again to my house in [Am] London where I have a beautiful piano and
did a wonderful recording [G] and then we did the
string section that the British Grove Studios and
Made me very happy to see a lot of the same faces from the new blood orchestra
so
That was lovely and I hope to be able [D] to credit all of them because often you know orchestras are
moving
body of people they do change quite regularly and
Oops
They do yeah change quite regularly the orchestras so
That's my dog refer making a comment [A] in the background
So lovely to have some of [F#] the same team working on [Em] this particular song and
I think it's one of the most emotional songs on the record
Some wonderful performances [F] here from [G] from the band
Tony again doing some beautiful things [F#] and
[D] Yeah, thank you, thank you rapper
Tony has a [Em] fan down there
on the [C] album generally you'll find
[G] the brilliant work of [D] John Metcalf who is my normal [Em] so go-to arranger [C] and
He's done some fantastic [G] stuff
but [D] on this track and it was partly this sort of [Em] chromatic scale and
[C]
Slightly retro [G] feel that I wanted I thought back to
[A] That'll do the Randy Newman [C] song that I sang
[G] and
Ed Sheeran done a beautiful arrangement on that and I [A] thought maybe that [D] sort of thing would [C] really suit this song very [G] well and
So we managed to track it down [Em] again and
[C] When I first heard the demos
[G] Yeah, what a tear [D] to the eye because I just [Em] felt so much emotion in it particularly [C] at the end and so
[G] You know, [D] that's definitely what I want to [Bm] try and do with this song is give that give people [C] an emotional [G] journey
So that means a lot to me and I hope it does to you too
[A] They're all [C] too easy
playing [G] for time
[A] [C] Everybody's playing [G] for time
[A] You and I [C] still play
for [G] time
Key:  
G
2131
Em
121
C
3211
D
1321
A
1231
G
2131
Em
121
C
3211
Show All Diagrams
Chords
NotesBeta
Download PDF
Download Midi
Edit This Version
Hide Lyrics Hint
_ _ Hi there lunatics, [C] welcome to another monthly [C#m] release.
_ It's the worm [Cm] moon March the 7th today [Bm] and
_ [G] Well, it isn't March [D] the 7th today because I'm pre [A] recording this but it will be by [Cm] the time you see it
_ _ [G] This is playing for time
[Dm] _ _
_ _ [C#m] _ _ _ _ [Cm] _
Out amongst [Bm] the stars
_ [G] _ [B] There's a planet spinning [A] slowly
_ [Cm] We call it ours
[Bm] _ _ _ [Dm] any [B] time
_ [Em] _ _ _ any day
_ _ [G] _ _ _ Any moment that we bring to life
[C] Will never fade away
[G] _ _ It's a song [Em] that I've been [B] working on for a [Em] long time
And [G] I've performed without lyrics [Em] unfinished
_ _ [Bm] So some of you may be familiar with it
[Dm] _ _ _ _ [A] _ _
_ _ [Cm] _ _ _ _ [G] _ _
_ [Dm] On the bones [C#] of a beat
_ _ [Cm] _ _ _ _ [G] _
It's been an important [Bm] one for me and I [B] think it's a personal [Em] lyric, you know, it's partly about time [D] memories [G] getting older and
_ _ _ _ [G] Also, you know whether we're prisoners [B] of time or
Whether that's something that actually can free us
If you've ever seen someone whose [Em] memory has been lost through a car [G] accident or something they
_ [Em] Often feel quite lost.
I [D] think it is our history [Em] our sense of place in time [D] as well as geographical place
[Bm] _
Is part of what gives us meaning?
so _ _
_ _ [Am] _ _ Somehow and I do think [D] it's good in life to [Em] to push yourself _
towards more
Bold or interesting experiences because then you'll have richer [G] memories to feed you when you get to
my antiquated years
[Am] _ _ And I think it [G] also, you know _
You get taught by every experience
[A] particularly every sort of meaningful [C] experience that you go through so
[G] _ _
_ So this was about
_ assembling and [B] organizing and ordering
[C] _ memories _ _
It's been through many incarnations and
[D] _ _ _
_ [C#] I've actually written this thing about
[G] _
Planet full of memories that this idea that a couple have this place out there that [A] is
recording everything they do and
[Cm] You can dip back into it [G] somehow _
I'd [Em] seen the work of Annette Messager _
[D] who's a wonderful artist [G] many many years ago and _
_ Nearly got her involved in the art from [Em] us project or nearly approached her on that but
[G] _ [Em] Didn't but this time I thought
_ _ With this [G] coincidence of this planet of [Em] memories
She'd be the right person to [G] ask to do something for this [Em] song
She's I think been a real [D] pioneering [Bm] sculptor if you look at the breadth of her work
[C] You'll find I think influenced on a lot of younger artists working today _
It's [D] great that [G] she wanted to get involved with this [Em] _ _
_ _ [G] this thinking about time [Em] also
_ _ [D] _ [G] Fed in [C] or was fed by
_ Danny Hillis his work is this _
[B] Great [Am] friend, but he's brilliant
_ innovative [D#] computer scientist [G] of his many _ _
Extraordinary inventions the 10,000 year clock is one of those [C] and it's an idea to
[G] Try and encourage us to think long term and [B] that's
_ [C] _ with
[G] People like Stuart Brand and Peter Schwartz.
They've sort of evolved this
[E]
thing into the long now foundation _ [F#] and they've [G] taken on
_ [C] to which your brand, you know is also working on but they've
_ _ [G] Had lots of ideas that I think
[Am] long-term thinking
_ _ And one thought was to try and preserve all the languages [G] that are being _
eradicated
you [D] know because we think of extinction with [Em] with animals and plants, but but our
human [D] languages are also disappearing so they're trying to record those and _
_ I'm sure that if we have a chance of
surviving the sort of
existential problems that we now face
We have to start thinking
Much bigger and longer
_ _ To make some real headway
_ So I think what they do is enormously valuable and there's some amazing talks there.
So
_ For those that want a deep dive into time and long-term thinking the long now foundation is a wonderful place to start
_ _ we tried a few versions of this song and
_ Some were better than others and if you want to take the deep dive you can hear some of these but
_ And the band are always very patient with me with these different interpretations
_ [G] And even though I performed and played piano [C] live quite a lot.
I felt
that [B] this is something [G] that I could get in a real piano [F#] player for and Tom [Em] Corley is
brilliant musician and
Played with me on the new blood tour John Metcalf introduced me
[G] _
I
thought we [Em] could get him down and [Gm] at first first he [F#] came down and played with the band, but I
Thought there was still some things that could be done a little differently
like the intro and
he was kind enough to come down again to my house in [Am] London where I have a beautiful piano and
did a wonderful recording _ [G] and then we did the
string section that the British Grove Studios and
_ Made me very happy to see a lot of the same faces from the new blood orchestra _ _
so
_ _ That was lovely and I hope to be able [D] to credit all of them because often you know orchestras are
_ moving
_ body of people they do change quite regularly and _ _ _
_ Oops
_ _ _ They do yeah change quite regularly the orchestras so _ _
_ That's my dog refer _ making a comment [A] in the background _ _ _ _ _ _
So lovely to have some of [F#] the same team working on [Em] this particular song and _ _
I think it's one of the most emotional songs on the record _
_ _ Some wonderful performances [F] here from [G] from the band
_ _ _ Tony again doing some beautiful things [F#] and _ _
[D] Yeah, thank you, thank you rapper _ _
Tony has a [Em] fan down there
_ on the [C] album generally you'll find
[G] the brilliant work of [D] John Metcalf who is my normal [Em] so go-to arranger [C] and
He's done some fantastic [G] stuff
but [D] on this track and it was partly this sort of [Em] chromatic scale and
[C] _
Slightly retro [G] feel that I wanted I thought back to
[A] That'll do the Randy Newman [C] song that I sang
_ _ [G] and
Ed Sheeran done a beautiful arrangement on that and I [A] thought maybe that [D] sort of thing would [C] really suit this song very [G] well and
_ _ So we managed to track it down [Em] again and
_ [C] When I first heard the demos
_ [G] Yeah, what a tear [D] to the eye because I just [Em] felt so much emotion in it particularly [C] at the end and so
[G] _ You know, [D] that's definitely what I want to [Bm] try and do with this song is give that give people [C] an emotional [G] journey
So that means a lot to me and I hope it does to you too
[A] _ They're all [C] too easy
playing [G] for time _ _ _ _
_ _ [A] _ _ _ _ [C] Everybody's playing [G] for time _ _ _ _ _
_ _ [A] _ You and I [C] still play
_ _ for [G] time _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _