Chords for Peter Frampton - Studio Phenix Tour
Tempo:
107.3 bpm
Chords used:
G
A
Em
C
Dm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Dm]
[C] [N] Hello!
Hi!
You want to come in?
This is the studio.
Welcome to Studio Phoenix.
Okay, here we have the entranceway where I thought I'd throw up some of the
my rogues gallery.
And these are some of the people I know.
And
I'll shut the door here.
And then me very young, me with him, me with them.
All those kind of things.
Early Frampton's Camel, all that sort of stuff.
And
okay.
So over here we've got more stuff.
For vinyl this is, I guess.
Yeah, would be.
Got your humble pie, as well as your Frampton stuff here.
So this is good.
And this is my
one of my favorite things that a dear friend and astronaut,
Ron Garan, presented me with this.
He went up and did 2 ,624 orbits of the Earth in the space station, 230 miles up.
And he took with him Frampton Comes Alive.
And there it is, floating.
So that's very, very prized possession that he took me, would think,
to take me out for six months around the world.
Let's take a trip into where the music is made.
Set up here we have the drums from Frampton Comes Alive,
which is John Siomis played this kit right here on Comes Alive.
And Dan Wojohowski, our drummer, has been using it on the Blues Record
and on Frampton Forgets the Words, and more stuff.
Some humble pie guitars.
There's my Gretsch.
That's the one I used, the very first guitar I used with humble pie.
That's a humble pie SG there, as well.
We have bass would be in there.
Glenn Wolfe was playing with us on Forgets the Words.
Over here in the corner there's another ISO room there.
That's where Adam would have his amplifiers.
And he'd probably be sitting right here.
We walk into here and this is where Rob has his little world.
And of course, lovely piano here, Wurlitzer, and he would bring,
if he needed a synth or something, we have a nice Leslie there,
which I also use for guitar a lot, actually.
And then
Ah, nice guitars.
And this one here is interesting, actually.
One of Jimi Hendrix's three choral sitar guitars.
So if you're looking for the other one, people, I've got it.
There it is.
In here, this is my little room where I would,
when we were doing the old Blues Record,
I would do the singing in here.
And I would have a choice of my guitars.
This is a 1959.
It's my favourite.
If I had only was allowed to have one guitar, that would be it.
Right there.
People say, no, but look what's next to it.
Oh, it's the Phoenix.
Yes, there it is.
I never thought I'd see that again.
But with all its singeing on the top here,
I love the way, the only thing that's been left is this Lucky 7.
So that's now my logo I've made that into, which is so cool.
This is a 58 Tele, Fender Telecaster.
And that was used on the Blues Record
and on Frampton Forgets the Words.
And then next to that, we have a 1960 Les Paul,
which was originally owned by J.J. Cale.
I'm honoured to be able to play something that J.J. had his hands on.
That's for sure.
These are the two amps that became the ones that I would either use together linked,
or I would use one or the other.
You don't need any pedals.
You just, if you wanted to distort, you just turn them up.
And they'll do it for you.
And they'll be nice and clean too, if you want that too.
Then over here, we've got a Vibraverb,
which is a phenomenal Fender amp that I, a 1963 one.
And a brand new-ish, last couple of years, Marshall on the top there.
That's a beauty too.
We've got some old Marshalls here.
And we thought that Humble Pie were going to sort of reform
before we'd lost Greg, without Steve,
but hopefully have a guest singer to take his place.
And unfortunately, it didn't come together.
But in the meantime, I thought I'd get the same amplifiers that I had back then,
so I would sound exactly the same.
So in Humble Pie, I started off with one of these cabinets
and one of these 100-watt amps.
And I would link both channels, like here,
plug into the B channel here, the bassy channel basically,
and set my EQ there.
And then I would jump it to the bright channel
and then just add a tiny touch of it to get some air.
So, but then, as we got louder, I needed another amp.
So I would [Em] have another one of these cabinets next to it,
and I got this 50-watt, or one like it, Marshall.
So I drove that cabinet with the 50-watt.
And Steve was over the other side, doing exactly the same thing.
He would get 100-watt.
Okay, so I got 150-watt.
And then he'd get another 50-watt.
So in the end, I gave up.
But, so, that's it.
There's the Humble Pie [G] sound, pretty much, [A] in a box.
[G] [E]
[G] [A]
[A] [Em] [Bm] This [C] is [G] a [A] perfect vantage [Em] point for [B] me
to be able to see [N] through the window here.
I can see Rob, and we can sort of wink at each other
as to where we're going in the song.
But then my door would be closed here.
Let me do that for you.
And then we'll show you, I would be standing.
I would have a microphone here, whether I was singing or not,
to be able to speak to the guys through the headphones, or sing live.
And then I would be able to see Dan playing the drums there,
and sometimes Adam.
We should visit the control room,
where we've just had a look through to see where Chuck would sit.
So here we have it.
Here is the control room that Chuck has had a lot of suggestions,
and we've done nearly all of them.
He costs me a fortune every time he comes in the room,
as he suggests something else.
But really, right here is where he would be,
or working the computer, which is right there.
So over here on the wall of gear,
this is stuff that I've been collecting for years,
like from the late 60s, early 70s.
I've always been, ever since I could play guitar,
I wanted to be an engineer.
So I've been collecting stuff for donkey's years.
There's really some phenomenal vintage gear here,
that I actually bought when it was cheap.
But it's just so great to have it all,
because Chuck doesn't have to bring any of his stuff,
or fewer pieces.
He's got some wonderful gear though, great mics.
This is where we sit, and Chuck will say,
when we listen back to a track,
he has me sit right in the middle here.
I listen to the magic he has done,
to what we've just played.
And boy, it's wonderful.
This is where the Blues album,
All Blues, and Frampton Forgets the Words,
and there's another album that was half finished,
already here.
That's where we did it, all here.
It's been a tremendous place.
I'm very lucky to have been able to purchase this place,
when I first moved back to Nashville.
And it's just my dream studio.
So I hope you like the tour,
and I better get back to recording.
All right, bye for now guys,
and thanks for joining me on this,
I think this is like the $150 tour.
Bye.
[C] [N] Hello!
Hi!
You want to come in?
This is the studio.
Welcome to Studio Phoenix.
Okay, here we have the entranceway where I thought I'd throw up some of the
my rogues gallery.
And these are some of the people I know.
And
I'll shut the door here.
And then me very young, me with him, me with them.
All those kind of things.
Early Frampton's Camel, all that sort of stuff.
And
okay.
So over here we've got more stuff.
For vinyl this is, I guess.
Yeah, would be.
Got your humble pie, as well as your Frampton stuff here.
So this is good.
And this is my
one of my favorite things that a dear friend and astronaut,
Ron Garan, presented me with this.
He went up and did 2 ,624 orbits of the Earth in the space station, 230 miles up.
And he took with him Frampton Comes Alive.
And there it is, floating.
So that's very, very prized possession that he took me, would think,
to take me out for six months around the world.
Let's take a trip into where the music is made.
Set up here we have the drums from Frampton Comes Alive,
which is John Siomis played this kit right here on Comes Alive.
And Dan Wojohowski, our drummer, has been using it on the Blues Record
and on Frampton Forgets the Words, and more stuff.
Some humble pie guitars.
There's my Gretsch.
That's the one I used, the very first guitar I used with humble pie.
That's a humble pie SG there, as well.
We have bass would be in there.
Glenn Wolfe was playing with us on Forgets the Words.
Over here in the corner there's another ISO room there.
That's where Adam would have his amplifiers.
And he'd probably be sitting right here.
We walk into here and this is where Rob has his little world.
And of course, lovely piano here, Wurlitzer, and he would bring,
if he needed a synth or something, we have a nice Leslie there,
which I also use for guitar a lot, actually.
And then
Ah, nice guitars.
And this one here is interesting, actually.
One of Jimi Hendrix's three choral sitar guitars.
So if you're looking for the other one, people, I've got it.
There it is.
In here, this is my little room where I would,
when we were doing the old Blues Record,
I would do the singing in here.
And I would have a choice of my guitars.
This is a 1959.
It's my favourite.
If I had only was allowed to have one guitar, that would be it.
Right there.
People say, no, but look what's next to it.
Oh, it's the Phoenix.
Yes, there it is.
I never thought I'd see that again.
But with all its singeing on the top here,
I love the way, the only thing that's been left is this Lucky 7.
So that's now my logo I've made that into, which is so cool.
This is a 58 Tele, Fender Telecaster.
And that was used on the Blues Record
and on Frampton Forgets the Words.
And then next to that, we have a 1960 Les Paul,
which was originally owned by J.J. Cale.
I'm honoured to be able to play something that J.J. had his hands on.
That's for sure.
These are the two amps that became the ones that I would either use together linked,
or I would use one or the other.
You don't need any pedals.
You just, if you wanted to distort, you just turn them up.
And they'll do it for you.
And they'll be nice and clean too, if you want that too.
Then over here, we've got a Vibraverb,
which is a phenomenal Fender amp that I, a 1963 one.
And a brand new-ish, last couple of years, Marshall on the top there.
That's a beauty too.
We've got some old Marshalls here.
And we thought that Humble Pie were going to sort of reform
before we'd lost Greg, without Steve,
but hopefully have a guest singer to take his place.
And unfortunately, it didn't come together.
But in the meantime, I thought I'd get the same amplifiers that I had back then,
so I would sound exactly the same.
So in Humble Pie, I started off with one of these cabinets
and one of these 100-watt amps.
And I would link both channels, like here,
plug into the B channel here, the bassy channel basically,
and set my EQ there.
And then I would jump it to the bright channel
and then just add a tiny touch of it to get some air.
So, but then, as we got louder, I needed another amp.
So I would [Em] have another one of these cabinets next to it,
and I got this 50-watt, or one like it, Marshall.
So I drove that cabinet with the 50-watt.
And Steve was over the other side, doing exactly the same thing.
He would get 100-watt.
Okay, so I got 150-watt.
And then he'd get another 50-watt.
So in the end, I gave up.
But, so, that's it.
There's the Humble Pie [G] sound, pretty much, [A] in a box.
[G] [E]
[G] [A]
[A] [Em] [Bm] This [C] is [G] a [A] perfect vantage [Em] point for [B] me
to be able to see [N] through the window here.
I can see Rob, and we can sort of wink at each other
as to where we're going in the song.
But then my door would be closed here.
Let me do that for you.
And then we'll show you, I would be standing.
I would have a microphone here, whether I was singing or not,
to be able to speak to the guys through the headphones, or sing live.
And then I would be able to see Dan playing the drums there,
and sometimes Adam.
We should visit the control room,
where we've just had a look through to see where Chuck would sit.
So here we have it.
Here is the control room that Chuck has had a lot of suggestions,
and we've done nearly all of them.
He costs me a fortune every time he comes in the room,
as he suggests something else.
But really, right here is where he would be,
or working the computer, which is right there.
So over here on the wall of gear,
this is stuff that I've been collecting for years,
like from the late 60s, early 70s.
I've always been, ever since I could play guitar,
I wanted to be an engineer.
So I've been collecting stuff for donkey's years.
There's really some phenomenal vintage gear here,
that I actually bought when it was cheap.
But it's just so great to have it all,
because Chuck doesn't have to bring any of his stuff,
or fewer pieces.
He's got some wonderful gear though, great mics.
This is where we sit, and Chuck will say,
when we listen back to a track,
he has me sit right in the middle here.
I listen to the magic he has done,
to what we've just played.
And boy, it's wonderful.
This is where the Blues album,
All Blues, and Frampton Forgets the Words,
and there's another album that was half finished,
already here.
That's where we did it, all here.
It's been a tremendous place.
I'm very lucky to have been able to purchase this place,
when I first moved back to Nashville.
And it's just my dream studio.
So I hope you like the tour,
and I better get back to recording.
All right, bye for now guys,
and thanks for joining me on this,
I think this is like the $150 tour.
Bye.
Key:
G
A
Em
C
Dm
G
A
Em
_ _ _ _ _ [Dm] _ _ _
_ [C] _ _ [N] _ _ _ Hello!
Hi!
You want to come in?
This is the studio.
Welcome to Studio Phoenix.
_ Okay, here we have the entranceway where I thought I'd throw up some of the_
my rogues gallery.
And these are some of the people I know.
And_
I'll shut the door here.
And then _ me very young, me with him, me with them.
All those kind of things.
Early Frampton's Camel, all that sort of stuff.
_ And_
okay.
So over here we've got more stuff.
_ For vinyl this is, I guess.
Yeah, would be.
Got your humble pie, as well as your Frampton stuff here.
So this is good.
_ And this is my_
one of my favorite things that a dear friend and astronaut,
Ron Garan, presented me with this.
_ He went up and did _ 2 _ ,624 orbits of the Earth in the space station, 230 miles up.
And he took with him Frampton Comes Alive.
And there it is, floating.
So that's very, very prized possession that he took me, would think,
to take me out for six months around the world.
Let's take a trip into where the music is made.
_ _ Set up here we have the drums _ from Frampton Comes Alive,
which is John Siomis played this kit right here on Comes Alive.
And Dan Wojohowski, our drummer, has been using it _ on the Blues Record
_ and on Frampton Forgets the Words, and more stuff.
Some humble pie guitars.
There's my Gretsch.
That's the one I used, the very first guitar I used with humble pie.
That's a humble pie SG there, as well.
We have bass would be in there.
Glenn Wolfe was playing with us on _ Forgets the Words.
Over here _ in the corner there's another ISO room there.
That's where Adam would have his amplifiers.
_ And he'd probably be sitting right here.
We walk into here and this is where Rob has his little world.
And of course, lovely piano here, Wurlitzer, and he would bring,
if he needed a synth or something, we have a nice Leslie there,
which I also use for guitar a lot, actually. _ _ _ _
And then_
Ah, nice guitars.
_ And this one here is interesting, actually.
One of Jimi Hendrix's three choral sitar guitars.
So if you're looking for the other one, people, I've got it.
There it is.
In here, this is my little room where I would,
when we were doing the old Blues Record,
_ I would do the singing _ in here.
_ And I would have a choice of my guitars.
This is a 1959.
It's my favourite.
If I had only was allowed to have one guitar, that would be it.
Right there.
_ People say, no, but look what's next to it.
Oh, it's the Phoenix.
Yes, there it is.
I never thought I'd see that again.
But with all its singeing on the top here,
I love the way, the only thing that's been left is this Lucky 7.
So that's now my _ logo I've made that into, which is so cool.
This is a 58 Tele, Fender Telecaster.
_ _ And that was used on the Blues Record
_ and on Frampton Forgets the Words.
_ _ And then next to that, we have a 1960 Les Paul,
which was originally owned _ by J.J. Cale.
I'm honoured to be able to play something that J.J. had his hands on.
That's for sure.
These are the two amps that became the ones that I would either use together linked,
or I would use one or the other.
You don't need any pedals.
You just, if you wanted to distort, you just turn them up.
_ And they'll do it for you.
And they'll be nice and clean too, if you want that too.
Then over here, we've got a Vibraverb,
_ which is a phenomenal Fender amp that I, a 1963 one.
And a brand new-ish, last couple of years, Marshall on the top there.
That's a beauty too.
We've got some old Marshalls here.
And we thought that Humble Pie were going to sort of reform
before we'd lost Greg, without Steve,
but hopefully have a guest singer to take his place.
And unfortunately, it didn't come together.
But in the meantime, I thought I'd get the same amplifiers that I had back then,
so I would sound exactly the same.
So in Humble Pie, I started off with one of these cabinets
_ and one of these 100-watt amps.
And I would link both channels, like here,
plug into the B channel here, the bassy channel basically,
and set my EQ there.
And then I would jump it to the bright channel
and then just add a tiny touch of it to get some air.
So, but then, as we got louder, I needed another amp.
So I would [Em] have another one of these cabinets next to it,
and I got this 50-watt, or one like it, _ _ Marshall.
So I drove that cabinet with the 50-watt.
And Steve was over the other _ side, doing exactly the same thing.
He would get 100-watt.
Okay, so I got 150-watt.
And then he'd get another 50-watt.
So in the end, I gave up.
_ _ But, so, that's it.
_ There's the Humble Pie [G] sound, pretty much, [A] in a box.
_ _ [G] _ [E] _
_ _ _ _ [G] _ [A] _ _ _
_ _ [A] _ [Em] _ _ _ [Bm] This [C] is [G] a [A] perfect vantage [Em] point for [B] me _
to be able to see [N] through the window here. _
I can see Rob, and we can sort of wink at each other
as to where we're going in the song.
But then my door would be closed here.
Let me do that for you.
And then we'll show you, _ I would be standing.
_ _ I would have a microphone here, whether I was singing or not,
to be able to speak to the guys through the headphones, or sing live.
And then I would be able to see Dan playing the drums there,
and sometimes Adam.
We should visit the control room,
where we've just had a look through to see where Chuck would sit.
So here we have it.
Here is the control room that _ Chuck has had a lot of suggestions,
and we've done nearly all of them.
He costs me a fortune every time he comes in the room,
as he suggests something else.
_ _ _ But really, right here is where he would be,
or working the computer, which is right there.
So over here on the wall of gear,
this is stuff that I've been collecting for years,
_ like from the late 60s, early 70s.
I've always been, ever since I could play guitar,
I wanted to be an engineer.
So I've been collecting stuff for donkey's years.
_ There's really some phenomenal vintage gear here,
that I actually bought when it was cheap.
_ _ But it's just so great to have it all,
because _ Chuck doesn't have to bring any of his stuff,
or fewer pieces.
He's got some wonderful gear though, great mics.
This is where we sit, and Chuck will say,
when we listen back to a track,
he has me sit right in the middle here.
I listen to the magic he has done,
to what we've just played.
And boy, it's wonderful.
_ _ This is where the Blues album,
All Blues, and Frampton Forgets the Words,
_ and there's another album that was half finished,
already here.
That's where we did it, all here.
_ It's been a tremendous place.
I'm very lucky to have been able to purchase this place,
when I first moved back to Nashville.
And it's just my dream studio.
So I hope you like the tour,
and _ I better get back to recording.
All right, bye for now guys,
and thanks for joining me on this,
I think this is like the $150 tour.
_ Bye. _ _ _
_ [C] _ _ [N] _ _ _ Hello!
Hi!
You want to come in?
This is the studio.
Welcome to Studio Phoenix.
_ Okay, here we have the entranceway where I thought I'd throw up some of the_
my rogues gallery.
And these are some of the people I know.
And_
I'll shut the door here.
And then _ me very young, me with him, me with them.
All those kind of things.
Early Frampton's Camel, all that sort of stuff.
_ And_
okay.
So over here we've got more stuff.
_ For vinyl this is, I guess.
Yeah, would be.
Got your humble pie, as well as your Frampton stuff here.
So this is good.
_ And this is my_
one of my favorite things that a dear friend and astronaut,
Ron Garan, presented me with this.
_ He went up and did _ 2 _ ,624 orbits of the Earth in the space station, 230 miles up.
And he took with him Frampton Comes Alive.
And there it is, floating.
So that's very, very prized possession that he took me, would think,
to take me out for six months around the world.
Let's take a trip into where the music is made.
_ _ Set up here we have the drums _ from Frampton Comes Alive,
which is John Siomis played this kit right here on Comes Alive.
And Dan Wojohowski, our drummer, has been using it _ on the Blues Record
_ and on Frampton Forgets the Words, and more stuff.
Some humble pie guitars.
There's my Gretsch.
That's the one I used, the very first guitar I used with humble pie.
That's a humble pie SG there, as well.
We have bass would be in there.
Glenn Wolfe was playing with us on _ Forgets the Words.
Over here _ in the corner there's another ISO room there.
That's where Adam would have his amplifiers.
_ And he'd probably be sitting right here.
We walk into here and this is where Rob has his little world.
And of course, lovely piano here, Wurlitzer, and he would bring,
if he needed a synth or something, we have a nice Leslie there,
which I also use for guitar a lot, actually. _ _ _ _
And then_
Ah, nice guitars.
_ And this one here is interesting, actually.
One of Jimi Hendrix's three choral sitar guitars.
So if you're looking for the other one, people, I've got it.
There it is.
In here, this is my little room where I would,
when we were doing the old Blues Record,
_ I would do the singing _ in here.
_ And I would have a choice of my guitars.
This is a 1959.
It's my favourite.
If I had only was allowed to have one guitar, that would be it.
Right there.
_ People say, no, but look what's next to it.
Oh, it's the Phoenix.
Yes, there it is.
I never thought I'd see that again.
But with all its singeing on the top here,
I love the way, the only thing that's been left is this Lucky 7.
So that's now my _ logo I've made that into, which is so cool.
This is a 58 Tele, Fender Telecaster.
_ _ And that was used on the Blues Record
_ and on Frampton Forgets the Words.
_ _ And then next to that, we have a 1960 Les Paul,
which was originally owned _ by J.J. Cale.
I'm honoured to be able to play something that J.J. had his hands on.
That's for sure.
These are the two amps that became the ones that I would either use together linked,
or I would use one or the other.
You don't need any pedals.
You just, if you wanted to distort, you just turn them up.
_ And they'll do it for you.
And they'll be nice and clean too, if you want that too.
Then over here, we've got a Vibraverb,
_ which is a phenomenal Fender amp that I, a 1963 one.
And a brand new-ish, last couple of years, Marshall on the top there.
That's a beauty too.
We've got some old Marshalls here.
And we thought that Humble Pie were going to sort of reform
before we'd lost Greg, without Steve,
but hopefully have a guest singer to take his place.
And unfortunately, it didn't come together.
But in the meantime, I thought I'd get the same amplifiers that I had back then,
so I would sound exactly the same.
So in Humble Pie, I started off with one of these cabinets
_ and one of these 100-watt amps.
And I would link both channels, like here,
plug into the B channel here, the bassy channel basically,
and set my EQ there.
And then I would jump it to the bright channel
and then just add a tiny touch of it to get some air.
So, but then, as we got louder, I needed another amp.
So I would [Em] have another one of these cabinets next to it,
and I got this 50-watt, or one like it, _ _ Marshall.
So I drove that cabinet with the 50-watt.
And Steve was over the other _ side, doing exactly the same thing.
He would get 100-watt.
Okay, so I got 150-watt.
And then he'd get another 50-watt.
So in the end, I gave up.
_ _ But, so, that's it.
_ There's the Humble Pie [G] sound, pretty much, [A] in a box.
_ _ [G] _ [E] _
_ _ _ _ [G] _ [A] _ _ _
_ _ [A] _ [Em] _ _ _ [Bm] This [C] is [G] a [A] perfect vantage [Em] point for [B] me _
to be able to see [N] through the window here. _
I can see Rob, and we can sort of wink at each other
as to where we're going in the song.
But then my door would be closed here.
Let me do that for you.
And then we'll show you, _ I would be standing.
_ _ I would have a microphone here, whether I was singing or not,
to be able to speak to the guys through the headphones, or sing live.
And then I would be able to see Dan playing the drums there,
and sometimes Adam.
We should visit the control room,
where we've just had a look through to see where Chuck would sit.
So here we have it.
Here is the control room that _ Chuck has had a lot of suggestions,
and we've done nearly all of them.
He costs me a fortune every time he comes in the room,
as he suggests something else.
_ _ _ But really, right here is where he would be,
or working the computer, which is right there.
So over here on the wall of gear,
this is stuff that I've been collecting for years,
_ like from the late 60s, early 70s.
I've always been, ever since I could play guitar,
I wanted to be an engineer.
So I've been collecting stuff for donkey's years.
_ There's really some phenomenal vintage gear here,
that I actually bought when it was cheap.
_ _ But it's just so great to have it all,
because _ Chuck doesn't have to bring any of his stuff,
or fewer pieces.
He's got some wonderful gear though, great mics.
This is where we sit, and Chuck will say,
when we listen back to a track,
he has me sit right in the middle here.
I listen to the magic he has done,
to what we've just played.
And boy, it's wonderful.
_ _ This is where the Blues album,
All Blues, and Frampton Forgets the Words,
_ and there's another album that was half finished,
already here.
That's where we did it, all here.
_ It's been a tremendous place.
I'm very lucky to have been able to purchase this place,
when I first moved back to Nashville.
And it's just my dream studio.
So I hope you like the tour,
and _ I better get back to recording.
All right, bye for now guys,
and thanks for joining me on this,
I think this is like the $150 tour.
_ Bye. _ _ _