Chords for Perché Frank Gambale non usa più le valvole (sub ITA)
Tempo:
92.5 bpm
Chords used:
G
C
A
E
Em
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Well, you know, valve versus, you know, solid state.
[A] Again, [A] that's one of these arguments like light strings and heavy strings, you know.
[C]
It's preference.
It's my preference.
I prefer [G] solid state because it's not the solid state of 10 years ago.
It's not the solid state of 20 years ago.
[C] You've seen how electronics and digital equipment, devices, more and more powerful,
more [G] smaller or bigger screen, but smaller computers, more powerful.
The technology moves and it [C] is moving very rapidly.
It sort of doubles every year.
So for me, the sampling rates of digital amplifiers now is brilliant.
It's just like digital recording.
I could never go back to tape.
I mean, I've lived through the whole evolution or most of the evolution of home recording.
I remember the first four-track cassette player, then reel to reel, and then, you know,
I've recorded albums on vinyl, I've done, you know, [C] cassettes, the whole history to digital.
And when digital first arrived, it was harsh.
It didn't sound that great [E] because the sampling rates were not [A] great.
So it didn't [G] sound
I can't stand mosquitoes, sorry.
The sampling [C] rate wasn't good, so the [G] sound wasn't good.
And so guitar [C] players went, oh, digital sucks, I'm just going [G] to stick with my tubes, it's warm, it's this, it's that.
But to me, that's [Cm] closed-minded because [G] it's like saying, I'll still use a dial-up telephone.
You know, sure, it works, it's great, but how many people [G] are using dial-up [D] telephones now?
Nobody, right?
[G] You have to move with it, otherwise you [Em] get left behind, I think.
And, you know, guitar [C] is one of the only worlds [G] left that still hangs on to tubes, valves.
[Em] And, as I said, I like to be innovative.
I like to be on this [A] edge, not back here.
[E] I want to see what's going on now.
I want to stay with that.
And so, [A] yeah, of course, tube amps sound great.
Absolutely.
They weigh a ton, they're so heavy, you [C] know, the [E] tubes change, you know, they're delicate, they're expensive to change.
There's a lot of minuses also with the tube [C] technology.
[A] It's okay if you're in a studio where it sits and it doesn't move, but [E] if you're traveling, I mean, for me, I have hundreds of sounds in my [C] multi-amp.
I can store it on an SD card, I can show up anywhere in the world with an SD card, [Em] plug it into a multi-amp FG, and I've got all my sounds, it's all [D] set.
It's got effects built [A] in, it's, you know, [G] multiple amplifier selections.
[G] [E] It's incredible.
[G] It's small, it's compact, and [Em] it sounds amazing.
The [E] sampling rate is amazing.
People [G] love my sound now.
They go, this is the best sound I've had.
And I hear that comment all the time, [E] and I go, well, you know, there's [A] no tubes.
People think it's tubes.
[G] So when people
[A] Again, [A] that's one of these arguments like light strings and heavy strings, you know.
[C]
It's preference.
It's my preference.
I prefer [G] solid state because it's not the solid state of 10 years ago.
It's not the solid state of 20 years ago.
[C] You've seen how electronics and digital equipment, devices, more and more powerful,
more [G] smaller or bigger screen, but smaller computers, more powerful.
The technology moves and it [C] is moving very rapidly.
It sort of doubles every year.
So for me, the sampling rates of digital amplifiers now is brilliant.
It's just like digital recording.
I could never go back to tape.
I mean, I've lived through the whole evolution or most of the evolution of home recording.
I remember the first four-track cassette player, then reel to reel, and then, you know,
I've recorded albums on vinyl, I've done, you know, [C] cassettes, the whole history to digital.
And when digital first arrived, it was harsh.
It didn't sound that great [E] because the sampling rates were not [A] great.
So it didn't [G] sound
I can't stand mosquitoes, sorry.
The sampling [C] rate wasn't good, so the [G] sound wasn't good.
And so guitar [C] players went, oh, digital sucks, I'm just going [G] to stick with my tubes, it's warm, it's this, it's that.
But to me, that's [Cm] closed-minded because [G] it's like saying, I'll still use a dial-up telephone.
You know, sure, it works, it's great, but how many people [G] are using dial-up [D] telephones now?
Nobody, right?
[G] You have to move with it, otherwise you [Em] get left behind, I think.
And, you know, guitar [C] is one of the only worlds [G] left that still hangs on to tubes, valves.
[Em] And, as I said, I like to be innovative.
I like to be on this [A] edge, not back here.
[E] I want to see what's going on now.
I want to stay with that.
And so, [A] yeah, of course, tube amps sound great.
Absolutely.
They weigh a ton, they're so heavy, you [C] know, the [E] tubes change, you know, they're delicate, they're expensive to change.
There's a lot of minuses also with the tube [C] technology.
[A] It's okay if you're in a studio where it sits and it doesn't move, but [E] if you're traveling, I mean, for me, I have hundreds of sounds in my [C] multi-amp.
I can store it on an SD card, I can show up anywhere in the world with an SD card, [Em] plug it into a multi-amp FG, and I've got all my sounds, it's all [D] set.
It's got effects built [A] in, it's, you know, [G] multiple amplifier selections.
[G] [E] It's incredible.
[G] It's small, it's compact, and [Em] it sounds amazing.
The [E] sampling rate is amazing.
People [G] love my sound now.
They go, this is the best sound I've had.
And I hear that comment all the time, [E] and I go, well, you know, there's [A] no tubes.
People think it's tubes.
[G] So when people
Key:
G
C
A
E
Em
G
C
A
_ _ _ _ _ _ Well, you know, valve versus, you know, solid state.
[A] Again, [A] that's one of these arguments like light strings and heavy strings, you know.
[C] _ _
It's preference.
It's my preference.
I prefer _ [G] solid state because _ _ it's not the solid state of 10 years ago.
It's not the solid state of 20 years ago.
[C] You've seen how electronics and digital equipment, devices, more and more powerful,
more [G] smaller or bigger screen, but smaller computers, more powerful.
The technology moves and it [C] is moving very rapidly.
It sort of doubles every year.
So for me, the sampling rates of digital amplifiers now is brilliant.
It's just like digital recording.
I could never go back to tape.
I mean, I've lived through the whole evolution or most of the evolution of home recording.
I remember the first four-track cassette player, then reel to reel, and then, you know,
I've recorded albums on vinyl, I've done, you know, [C] cassettes, the whole history to digital.
And when digital first arrived, it was harsh.
It didn't sound that great [E] because the sampling rates were not [A] great.
So it didn't [G] sound_
I can't stand mosquitoes, sorry.
_ _ _ The sampling [C] rate wasn't good, so the [G] sound wasn't good.
And so guitar [C] players went, oh, digital sucks, I'm just going [G] to stick with my tubes, it's warm, it's this, it's that.
But to me, that's [Cm] closed-minded because [G] it's like saying, I'll still use a dial-up telephone.
You know, sure, it works, it's great, but how many people [G] are using dial-up [D] telephones now?
Nobody, right?
[G] You have to move with it, otherwise you [Em] get left behind, I think.
And, you know, guitar [C] is one of the only worlds [G] left that still hangs on to tubes, valves. _ _ _
[Em] And, as I said, I like to be innovative.
I like to be on this [A] edge, not back here.
[E] I want to see what's going on now.
I want to stay with that.
And so, [A] yeah, of course, tube amps sound great.
Absolutely.
They weigh a ton, they're so heavy, you [C] know, the [E] tubes change, you know, they're delicate, they're expensive to change. _
There's a lot of minuses also with the tube [C] technology.
[A] It's okay if you're in a studio where it sits and it doesn't move, but [E] if you're traveling, I mean, for me, I have hundreds of sounds in my [C] multi-amp.
I can store it on an SD card, I can show up anywhere in the world with an SD card, [Em] plug it into a multi-amp FG, and I've got all my sounds, it's all [D] set.
It's got effects built [A] in, it's, you know, [G] multiple _ _ amplifier selections.
[G] _ [E] It's incredible.
[G] It's small, it's compact, _ and [Em] it sounds amazing.
The [E] sampling rate is amazing.
People [G] love my sound now.
They go, this is the best sound I've had.
And I hear that comment all the time, [E] and I go, well, you know, there's [A] no tubes.
People think it's tubes.
[G] So when people
[A] Again, [A] that's one of these arguments like light strings and heavy strings, you know.
[C] _ _
It's preference.
It's my preference.
I prefer _ [G] solid state because _ _ it's not the solid state of 10 years ago.
It's not the solid state of 20 years ago.
[C] You've seen how electronics and digital equipment, devices, more and more powerful,
more [G] smaller or bigger screen, but smaller computers, more powerful.
The technology moves and it [C] is moving very rapidly.
It sort of doubles every year.
So for me, the sampling rates of digital amplifiers now is brilliant.
It's just like digital recording.
I could never go back to tape.
I mean, I've lived through the whole evolution or most of the evolution of home recording.
I remember the first four-track cassette player, then reel to reel, and then, you know,
I've recorded albums on vinyl, I've done, you know, [C] cassettes, the whole history to digital.
And when digital first arrived, it was harsh.
It didn't sound that great [E] because the sampling rates were not [A] great.
So it didn't [G] sound_
I can't stand mosquitoes, sorry.
_ _ _ The sampling [C] rate wasn't good, so the [G] sound wasn't good.
And so guitar [C] players went, oh, digital sucks, I'm just going [G] to stick with my tubes, it's warm, it's this, it's that.
But to me, that's [Cm] closed-minded because [G] it's like saying, I'll still use a dial-up telephone.
You know, sure, it works, it's great, but how many people [G] are using dial-up [D] telephones now?
Nobody, right?
[G] You have to move with it, otherwise you [Em] get left behind, I think.
And, you know, guitar [C] is one of the only worlds [G] left that still hangs on to tubes, valves. _ _ _
[Em] And, as I said, I like to be innovative.
I like to be on this [A] edge, not back here.
[E] I want to see what's going on now.
I want to stay with that.
And so, [A] yeah, of course, tube amps sound great.
Absolutely.
They weigh a ton, they're so heavy, you [C] know, the [E] tubes change, you know, they're delicate, they're expensive to change. _
There's a lot of minuses also with the tube [C] technology.
[A] It's okay if you're in a studio where it sits and it doesn't move, but [E] if you're traveling, I mean, for me, I have hundreds of sounds in my [C] multi-amp.
I can store it on an SD card, I can show up anywhere in the world with an SD card, [Em] plug it into a multi-amp FG, and I've got all my sounds, it's all [D] set.
It's got effects built [A] in, it's, you know, [G] multiple _ _ amplifier selections.
[G] _ [E] It's incredible.
[G] It's small, it's compact, _ and [Em] it sounds amazing.
The [E] sampling rate is amazing.
People [G] love my sound now.
They go, this is the best sound I've had.
And I hear that comment all the time, [E] and I go, well, you know, there's [A] no tubes.
People think it's tubes.
[G] So when people