Chords for Pee Wee King & Golden West Cowboys - Pee Wee King - Slow Poke
Tempo:
136.2 bpm
Chords used:
G
A
Bm
B
E
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Don't quit, you got it!
[G] You keep me waiting till you know it's [F#] aggravating, you little [Bm] slowpoke.
[F#] [A] I sit and worry but you never seem to [G] hurry, you little slowpoke.
[Em] [G] Time means nothing to you, [C] I wait and then [E] [G] you're late again.
[A] Eight o'clock, nine [B] o'clock, quarter to ten, [G] why [Bm] should I linger [Em] every time you snap your finger, little slowpoke?
[F#] Why can't you hasten when you see the time's a [C]-wasting, [G] you're a slowpoke, [B] dear.
[C] Why should I [Cm] keep trying to change you, [G] it's not the thing [E] to do.
[Am] I guess I'll have to learn to be a [G] slowpoke, too.
[Em]
[Am] [Bm] [G]
[D]
[Dm] [D]
[G]
[Em] [C]
[Em]
[D]
[F#]
[G] [C] [D#]
[D] [F#]
[G] [D]
[B] [B] [C]
[Cm] [E] [G]
[Bm] [Am]
[D] [G]
Time means nothing [B] to you, I [G] wait and then [Em] you're late again.
[D] Eight o'clock, nine o'clock, nine forty [A#]-five, [G] why should I linger every time you snap [Am] your finger, [D] little [B] slowpoke?
Why can't you [D] hasten when you see the time's a [G]-wasting, you're a slowpoke, dear.
[B] [C] Why should I [Cm] keep trying to [G] change you, it's not the thing [Bm] to do.
[E] [Am] I guess I'll have to learn to be a slowpoke, [Em] too.
[B] [G]
[A#] That was a job well done, Charlie.
Wait, wait, wait, you're not through by any means.
Oh, now what I am.
Oh, no, you've got to help with the theme song.
Minnie Pearl, you've got to help with the theme song as well, all the boys.
[E] So, fellas, if you will.
[F] Stay all night, [C] stay a little longer, stay so nice and a few longer.
[F] Pull off the coat, throw it in the corner, don't see why you don't stay a little longer.
[A]
[Bm] [F#] [A]
[Bm] [A]
Remember, [E] you [A] young fellas that are thinking about your future, you now have many career fields from which to [Bm] choose.
And you get the [E] best training in the world in your United States Army.
[A] So go down to your local United States Army [Bm] recruiting station and ask [Am] to see the friendly sergeant that [B] wears this [A] armband.
He's got information for you.
[F#] Remember, he's your opportunity [A] man.
[Bm] Happy Style [A] USA was produced by the [F#] Recruiting Publicity Center [A] for the United States Army [B] Recruiting Service at the [A] Bradley Studios in Nashville, [E] Tennessee.
[A] [Bm] [E]
[B] [N]
[G] You keep me waiting till you know it's [F#] aggravating, you little [Bm] slowpoke.
[F#] [A] I sit and worry but you never seem to [G] hurry, you little slowpoke.
[Em] [G] Time means nothing to you, [C] I wait and then [E] [G] you're late again.
[A] Eight o'clock, nine [B] o'clock, quarter to ten, [G] why [Bm] should I linger [Em] every time you snap your finger, little slowpoke?
[F#] Why can't you hasten when you see the time's a [C]-wasting, [G] you're a slowpoke, [B] dear.
[C] Why should I [Cm] keep trying to change you, [G] it's not the thing [E] to do.
[Am] I guess I'll have to learn to be a [G] slowpoke, too.
[Em]
[Am] [Bm] [G]
[D]
[Dm] [D]
[G]
[Em] [C]
[Em]
[D]
[F#]
[G] [C] [D#]
[D] [F#]
[G] [D]
[B] [B] [C]
[Cm] [E] [G]
[Bm] [Am]
[D] [G]
Time means nothing [B] to you, I [G] wait and then [Em] you're late again.
[D] Eight o'clock, nine o'clock, nine forty [A#]-five, [G] why should I linger every time you snap [Am] your finger, [D] little [B] slowpoke?
Why can't you [D] hasten when you see the time's a [G]-wasting, you're a slowpoke, dear.
[B] [C] Why should I [Cm] keep trying to [G] change you, it's not the thing [Bm] to do.
[E] [Am] I guess I'll have to learn to be a slowpoke, [Em] too.
[B] [G]
[A#] That was a job well done, Charlie.
Wait, wait, wait, you're not through by any means.
Oh, now what I am.
Oh, no, you've got to help with the theme song.
Minnie Pearl, you've got to help with the theme song as well, all the boys.
[E] So, fellas, if you will.
[F] Stay all night, [C] stay a little longer, stay so nice and a few longer.
[F] Pull off the coat, throw it in the corner, don't see why you don't stay a little longer.
[A]
[Bm] [F#] [A]
[Bm] [A]
Remember, [E] you [A] young fellas that are thinking about your future, you now have many career fields from which to [Bm] choose.
And you get the [E] best training in the world in your United States Army.
[A] So go down to your local United States Army [Bm] recruiting station and ask [Am] to see the friendly sergeant that [B] wears this [A] armband.
He's got information for you.
[F#] Remember, he's your opportunity [A] man.
[Bm] Happy Style [A] USA was produced by the [F#] Recruiting Publicity Center [A] for the United States Army [B] Recruiting Service at the [A] Bradley Studios in Nashville, [E] Tennessee.
[A] [Bm] [E]
[B] [N]
Key:
G
A
Bm
B
E
G
A
Bm
_ _ _ _ Don't quit, you got it!
_ _ _ [G] You keep me waiting till you know it's [F#] aggravating, you little [Bm] slowpoke.
_ [F#] _ _ _ [A] I sit and worry but you never seem to [G] hurry, you little slowpoke.
_ [Em] _ _ _ [G] _ _ Time means nothing to you, [C] I wait and then _ [E] _ [G] you're late again.
_ _ [A] Eight o'clock, nine [B] o'clock, quarter to ten, [G] why [Bm] should I linger [Em] every time you snap your finger, little slowpoke?
_ _ [F#] _ _ Why can't you hasten when you see the time's a [C]-wasting, [G] you're a slowpoke, [B] dear.
_ _ [C] _ Why should I [Cm] keep trying to change you, [G] it's not the thing [E] to do.
_ [Am] I guess I'll have to learn to be a [G] _ slowpoke, too.
_ [Em] _ _
[Am] _ _ [Bm] _ _ [G] _ _ _ _
_ _ _ _ [D] _ _ _ _
[Dm] _ _ _ [D] _ _ _ _ _
_ _ _ _ [G] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [Em] _ _ _ [C] _ _
_ _ _ _ [Em] _ _ _ _
_ _ _ _ [D] _ _ _ _
_ _ _ [F#] _ _ _ _ _
[G] _ _ _ _ [C] _ _ [D#] _ _
[D] _ _ _ _ _ [F#] _ _ _
_ _ _ _ [G] _ _ [D] _ _
[B] _ _ [B] _ _ [C] _ _ _ _
[Cm] _ _ _ _ [E] _ _ [G] _ _
[Bm] _ _ _ _ [Am] _ _ _ _
[D] _ _ _ _ [G] _ _ _ _
_ _ _ _ _ _ Time means nothing [B] to you, I [G] wait and then _ _ [Em] you're late again.
_ _ [D] Eight o'clock, nine o'clock, nine forty [A#]-five, [G] why should I linger every time you snap [Am] your finger, [D] little [B] slowpoke?
_ _ _ _ Why can't you [D] hasten when you see the time's a [G]-wasting, you're a slowpoke, dear.
[B] _ _ [C] _ Why should I [Cm] keep trying to [G] change you, it's not the thing [Bm] to do.
_ [E] [Am] I guess I'll have to learn to be a slowpoke, [Em] too. _
[B] _ _ _ [G] _ _ _ _ _
[A#] _ That _ _ was a job well done, Charlie.
Wait, wait, wait, you're not through by any means.
Oh, now what I am.
Oh, no, you've got to help with the theme song.
Minnie Pearl, you've got to help with the theme song as well, all the boys.
[E] So, fellas, if you will.
_ [F] Stay all night, [C] stay a little longer, stay so nice and a few longer.
[F] Pull off the coat, throw it in the corner, don't see why you don't stay a little longer. _
_ [A] _ _ _ _ _ _ _
_ [Bm] _ _ _ [F#] _ [A] _ _ _
_ [Bm] _ _ [A] _ _ _ _ _
_ _ Remember, [E] you [A] young fellas that are thinking about your future, you now have many career fields from which to [Bm] choose.
And you get the [E] best training in the world in your United States Army.
[A] So go down to your local United States Army [Bm] recruiting station and ask [Am] to see the friendly sergeant that [B] wears this [A] armband.
He's got information for you.
[F#] Remember, he's your opportunity [A] man. _ _
_ _ _ _ _ _ _ _
_ _ [Bm] _ Happy Style [A] USA was produced by the [F#] Recruiting Publicity Center [A] for the United States Army [B] Recruiting Service at the [A] Bradley Studios in Nashville, [E] Tennessee.
_ [A] _ _ _ _ _ _ [Bm] _ _ _ [E] _ _ _
[B] _ _ _ _ [N] _ _ _ _
_ _ _ [G] You keep me waiting till you know it's [F#] aggravating, you little [Bm] slowpoke.
_ [F#] _ _ _ [A] I sit and worry but you never seem to [G] hurry, you little slowpoke.
_ [Em] _ _ _ [G] _ _ Time means nothing to you, [C] I wait and then _ [E] _ [G] you're late again.
_ _ [A] Eight o'clock, nine [B] o'clock, quarter to ten, [G] why [Bm] should I linger [Em] every time you snap your finger, little slowpoke?
_ _ [F#] _ _ Why can't you hasten when you see the time's a [C]-wasting, [G] you're a slowpoke, [B] dear.
_ _ [C] _ Why should I [Cm] keep trying to change you, [G] it's not the thing [E] to do.
_ [Am] I guess I'll have to learn to be a [G] _ slowpoke, too.
_ [Em] _ _
[Am] _ _ [Bm] _ _ [G] _ _ _ _
_ _ _ _ [D] _ _ _ _
[Dm] _ _ _ [D] _ _ _ _ _
_ _ _ _ [G] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [Em] _ _ _ [C] _ _
_ _ _ _ [Em] _ _ _ _
_ _ _ _ [D] _ _ _ _
_ _ _ [F#] _ _ _ _ _
[G] _ _ _ _ [C] _ _ [D#] _ _
[D] _ _ _ _ _ [F#] _ _ _
_ _ _ _ [G] _ _ [D] _ _
[B] _ _ [B] _ _ [C] _ _ _ _
[Cm] _ _ _ _ [E] _ _ [G] _ _
[Bm] _ _ _ _ [Am] _ _ _ _
[D] _ _ _ _ [G] _ _ _ _
_ _ _ _ _ _ Time means nothing [B] to you, I [G] wait and then _ _ [Em] you're late again.
_ _ [D] Eight o'clock, nine o'clock, nine forty [A#]-five, [G] why should I linger every time you snap [Am] your finger, [D] little [B] slowpoke?
_ _ _ _ Why can't you [D] hasten when you see the time's a [G]-wasting, you're a slowpoke, dear.
[B] _ _ [C] _ Why should I [Cm] keep trying to [G] change you, it's not the thing [Bm] to do.
_ [E] [Am] I guess I'll have to learn to be a slowpoke, [Em] too. _
[B] _ _ _ [G] _ _ _ _ _
[A#] _ That _ _ was a job well done, Charlie.
Wait, wait, wait, you're not through by any means.
Oh, now what I am.
Oh, no, you've got to help with the theme song.
Minnie Pearl, you've got to help with the theme song as well, all the boys.
[E] So, fellas, if you will.
_ [F] Stay all night, [C] stay a little longer, stay so nice and a few longer.
[F] Pull off the coat, throw it in the corner, don't see why you don't stay a little longer. _
_ [A] _ _ _ _ _ _ _
_ [Bm] _ _ _ [F#] _ [A] _ _ _
_ [Bm] _ _ [A] _ _ _ _ _
_ _ Remember, [E] you [A] young fellas that are thinking about your future, you now have many career fields from which to [Bm] choose.
And you get the [E] best training in the world in your United States Army.
[A] So go down to your local United States Army [Bm] recruiting station and ask [Am] to see the friendly sergeant that [B] wears this [A] armband.
He's got information for you.
[F#] Remember, he's your opportunity [A] man. _ _
_ _ _ _ _ _ _ _
_ _ [Bm] _ Happy Style [A] USA was produced by the [F#] Recruiting Publicity Center [A] for the United States Army [B] Recruiting Service at the [A] Bradley Studios in Nashville, [E] Tennessee.
_ [A] _ _ _ _ _ _ [Bm] _ _ _ [E] _ _ _
[B] _ _ _ _ [N] _ _ _ _