Chords for Paul Smith on the Experience Limited 2018 Paul's Guitar | PRS Guitars
Tempo:
50.2 bpm
Chords used:
E
A
C#
B
F#m
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[A] [E] Hi everybody, it's Paul.
This is a new Poles guitar we're releasing at Experience in June.
And it has a new wiring and a new pickup system in it.
So let me go through that very carefully.
These are the pickups I like.
And we've been playing with the turns and the windings a lot.
And we've got them to a point where I really like them.
Not that I didn't like them before, but every single time I plug this in,
whether it's in the recording studio or live or rehearsal or whatever, I'm happy.
[F#m] [E] It's a humbucking with single coil sounds in it.
Now, we've got a new wiring that when you pull it up,
it completely disconnects the other coil.
[A] [C#]
So that would be on the bass pickup.
I was going between single coil and humbucking.
Let's do that on the treble pickup.
So humbucking [E] [D#] and single coil.
[C#]
[E] It's a fairly complicated wiring scheme.
But in the end, what you get is [F#] bass pickup humbucking, bass pickup single coil,
treble pickup humbucking, treble pickup single coil,
or any combination in the middle that you want.
We've got more wires coming out of the pickup.
But in the end, what you get is a tuned single coil
that doesn't sound in any way like an anemic humbucker.
It sounds [A] [E] completely its own animal.
Completely tuned single coil pickup that I'm real happy with.
When we started this whole project, in the beginning,
you would pull up the tone control,
and you would get single coil versions of our humbuckings.
And people would own McCarty's for half a decade
and never pull the pot up, and one day pull it up,
and, whoa, look, I got all these single coil sounds.
And then we came out with the 408s,
and we started playing around with having single coils
and humbuckings in the same guitar in which there was no volume loss.
That sent us on a journey [D#] about how to get a humbucking
to have a true single coil tone,
and it just keeps getting better and better and better and better.
We've got versions on our Custom 24, but this one,
boy, I don't know, there's just something about [C#] this that's
[G] [F#m] [E] It just doesn't sound like a humbucker,
and it's coming out of a humbucker.
It's wonderful to me.
So we keep improving.
Every time we learn something that gets more musical,
we try to put it on.
I just can't imagine somebody plugging this in and not liking the [Em] way it sounds.
[E] [F#] [B] [A]
[B] [A] [B]
[G] [E]
[A]
[D] [E]
This is a new Poles guitar we're releasing at Experience in June.
And it has a new wiring and a new pickup system in it.
So let me go through that very carefully.
These are the pickups I like.
And we've been playing with the turns and the windings a lot.
And we've got them to a point where I really like them.
Not that I didn't like them before, but every single time I plug this in,
whether it's in the recording studio or live or rehearsal or whatever, I'm happy.
[F#m] [E] It's a humbucking with single coil sounds in it.
Now, we've got a new wiring that when you pull it up,
it completely disconnects the other coil.
[A] [C#]
So that would be on the bass pickup.
I was going between single coil and humbucking.
Let's do that on the treble pickup.
So humbucking [E] [D#] and single coil.
[C#]
[E] It's a fairly complicated wiring scheme.
But in the end, what you get is [F#] bass pickup humbucking, bass pickup single coil,
treble pickup humbucking, treble pickup single coil,
or any combination in the middle that you want.
We've got more wires coming out of the pickup.
But in the end, what you get is a tuned single coil
that doesn't sound in any way like an anemic humbucker.
It sounds [A] [E] completely its own animal.
Completely tuned single coil pickup that I'm real happy with.
When we started this whole project, in the beginning,
you would pull up the tone control,
and you would get single coil versions of our humbuckings.
And people would own McCarty's for half a decade
and never pull the pot up, and one day pull it up,
and, whoa, look, I got all these single coil sounds.
And then we came out with the 408s,
and we started playing around with having single coils
and humbuckings in the same guitar in which there was no volume loss.
That sent us on a journey [D#] about how to get a humbucking
to have a true single coil tone,
and it just keeps getting better and better and better and better.
We've got versions on our Custom 24, but this one,
boy, I don't know, there's just something about [C#] this that's
[G] [F#m] [E] It just doesn't sound like a humbucker,
and it's coming out of a humbucker.
It's wonderful to me.
So we keep improving.
Every time we learn something that gets more musical,
we try to put it on.
I just can't imagine somebody plugging this in and not liking the [Em] way it sounds.
[E] [F#] [B] [A]
[B] [A] [B]
[G] [E]
[A]
[D] [E]
Key:
E
A
C#
B
F#m
E
A
C#
_ [A] _ _ [E] _ _ Hi everybody, it's Paul.
This is a new Poles guitar we're releasing at Experience in June.
And it has a new wiring and a new pickup system in it.
So let me go through that very carefully.
These are the pickups I like.
And we've been playing with the turns and the windings a lot.
And we've got them to a point where I really like them.
Not that I didn't like them before, but every single time I plug this in,
whether it's in the recording studio or live or rehearsal or whatever, I'm happy.
_ [F#m] _ [E] It's a humbucking with single coil sounds in it.
Now, we've got a new wiring that when you pull it up,
it completely disconnects the other coil. _ _ _ _
_ [A] _ [C#] _ _ _ _ _ _
_ _ So that would be on the bass pickup.
I was going between single coil and humbucking.
Let's do that on the treble pickup.
So humbucking [E] _ [D#] and single coil.
_ _ [C#] _ _
[E] _ It's a fairly complicated wiring scheme.
But in the end, what you get is [F#] bass pickup humbucking, bass pickup single coil,
treble pickup humbucking, treble pickup single coil,
or any combination in the middle that you want.
We've got more wires coming out of the pickup.
But in the end, what you get is a tuned single coil
that doesn't sound in any way like an anemic humbucker.
It sounds _ [A] _ [E] completely its own animal.
Completely tuned single coil pickup that I'm real happy with.
When we started this whole project, in the beginning,
you would pull up the tone control,
and you would get single coil versions of our humbuckings.
And people would own McCarty's for half a decade
and never pull the pot up, and one day pull it up,
and, whoa, look, I got all these single coil sounds.
And then we came out with the 408s,
and we started playing around with having single coils
and humbuckings in the same guitar in which there was no volume loss.
That sent us on a journey [D#] about how to get a humbucking
to have a true single coil tone,
and it just keeps getting better and better and better and better.
We've got versions on our Custom 24, but this one,
boy, I don't know, there's just something about [C#] this that's_
_ [G] _ [F#m] _ _ [E] It just doesn't sound like a humbucker,
and it's coming out of a humbucker.
It's wonderful to me.
So we keep improving.
Every time we learn something that gets more musical,
we try to put it on.
I just can't imagine somebody plugging this in and not liking the [Em] way it sounds.
_ _ _ _ _ [E] _ _ _ [F#] _ _ _ _ [B] _ _ [A] _
_ [B] _ _ [A] _ _ [B] _ _ _
_ _ _ [G] _ _ [E] _ _ _
_ [A] _ _ _ _ _ _ _
_ [D] _ _ [E] _ _ _ _ _
This is a new Poles guitar we're releasing at Experience in June.
And it has a new wiring and a new pickup system in it.
So let me go through that very carefully.
These are the pickups I like.
And we've been playing with the turns and the windings a lot.
And we've got them to a point where I really like them.
Not that I didn't like them before, but every single time I plug this in,
whether it's in the recording studio or live or rehearsal or whatever, I'm happy.
_ [F#m] _ [E] It's a humbucking with single coil sounds in it.
Now, we've got a new wiring that when you pull it up,
it completely disconnects the other coil. _ _ _ _
_ [A] _ [C#] _ _ _ _ _ _
_ _ So that would be on the bass pickup.
I was going between single coil and humbucking.
Let's do that on the treble pickup.
So humbucking [E] _ [D#] and single coil.
_ _ [C#] _ _
[E] _ It's a fairly complicated wiring scheme.
But in the end, what you get is [F#] bass pickup humbucking, bass pickup single coil,
treble pickup humbucking, treble pickup single coil,
or any combination in the middle that you want.
We've got more wires coming out of the pickup.
But in the end, what you get is a tuned single coil
that doesn't sound in any way like an anemic humbucker.
It sounds _ [A] _ [E] completely its own animal.
Completely tuned single coil pickup that I'm real happy with.
When we started this whole project, in the beginning,
you would pull up the tone control,
and you would get single coil versions of our humbuckings.
And people would own McCarty's for half a decade
and never pull the pot up, and one day pull it up,
and, whoa, look, I got all these single coil sounds.
And then we came out with the 408s,
and we started playing around with having single coils
and humbuckings in the same guitar in which there was no volume loss.
That sent us on a journey [D#] about how to get a humbucking
to have a true single coil tone,
and it just keeps getting better and better and better and better.
We've got versions on our Custom 24, but this one,
boy, I don't know, there's just something about [C#] this that's_
_ [G] _ [F#m] _ _ [E] It just doesn't sound like a humbucker,
and it's coming out of a humbucker.
It's wonderful to me.
So we keep improving.
Every time we learn something that gets more musical,
we try to put it on.
I just can't imagine somebody plugging this in and not liking the [Em] way it sounds.
_ _ _ _ _ [E] _ _ _ [F#] _ _ _ _ [B] _ _ [A] _
_ [B] _ _ [A] _ _ [B] _ _ _
_ _ _ [G] _ _ [E] _ _ _
_ [A] _ _ _ _ _ _ _
_ [D] _ _ [E] _ _ _ _ _