Chords for Paul McCartney - Norman Gunston 1975
Tempo:
118.2 bpm
Chords used:
G
Abm
Ab
Eb
Bb
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
containing material which is considered not suitable for viewing by those under the age of 15.
Hey Norm!
Hey, this side of the leg.
This is Mr McCartney.
And Mrs McCartney, how do you do?
[Eb] [Bb] Live across Australia from the studio to ABC70, [Cm] with a lot more stars than ever [B] Southern [Bb] Cross,
it's time again to gather around the gallery's [Eb] flatyard for another [G] dose of the Norman Gunstone Show.
[Cm]
[Bb] [Ab] [E]
[N] [D] [Gb]
It's time to come as a responsible [G] family man.
That's it, yes.
Very responsible.
[D] How hard was the [N] transition for you?
Terrible, wasn't it?
Very easy.
[Abm]
He sure is the best.
Best in town.
Do you find, you know, it must be difficult like Mrs [E] McCartney,
you know, being married all day, you know.
Yes, it's a bloody drive.
All day, eh?
[Abm] Yeah, and then at night having to perform together on stage.
Well, we're about to have a fight on stage one night, so we've got to fight.
Do [G] you ever feel that sometimes you like saying, not tonight, thanks darling, you know, I've got a headache?
Not tonight, Joseph.
I suppose they'd slow hand clapping if you did that.
[N]
[Eb] Would you encourage one of your children to go into [Abm] the overnight sensation
world of, you know, the music industry?
Well, if they wanted to, Norman, I would let [G] them.
I suppose anyway, if they didn't do too good, they could always open up a sandwich shop using
your name, you know, like, for McCartney's son's takeaway foods.
Except that fruit shop of yours
didn't do too good in London, but did it?
No, the McCartney fruit shop.
No, oh yeah, didn't do too good.
No, Apple, oh no.
Give that man a drink.
Was that one of John's ideas, you know?
[Ab] It was, Norman, yes.
Well, there are two sides to every story, but you know, I've heard that he was,
you know, the other Beatles used to get a bit [Abm] annoyed because Mr McCartney used to invite
them over for long, boring slide evenings.
That's what it was, yeah.
When you did that LP,
Abbey Road, was there any truth in the [G] rumour that you were dead?
Not much, you know.
Not really, yeah.
No, no.
Oh, no, he's here.
I'm talking to him and everything.
His own drugs, he leak attacks.
Did you ever, did you ever [N] have Beatlemania, Mrs McCartney?
Oh, which one of them was your favourite?
Yeah, before you were related or anything, you know?
Mick Jagger.
Was it Mick Jagger?
I [Gm] think she got him on the rebound.
[G] The [Ab] marriage is okay, bud, isn't it?
The marriage is okay.
Well, it's all right,
but you're not helping them.
It's [N] funny, you know, you don't look Japanese.
I was reading in Rolling Stone magazine, or it could have been, I could have been reading
Zydus actually.
It was something in the dentist room [D] where the front cover ripped off.
Anyway,
part of the reason for the success of your group is that people think the guitar is a sort [B] of
[Abm] symbol.
Well, it represents, you know.
Sex, you can say that.
You can say, try it.
[G] Sex.
It represents down under, you know, what I mean?
Do you reckon that's part of the reason for your success?
Well, I think so, Norm.
Yeah, I think this is it.
It's this guitar.
It's a
sanctum, right?
I think that's what [E] it does.
It's a toothpaste, Norm.
Anyway, I didn't think it was because, you know, Sister Janet, me, when she plays the guitar,
I don't get the [N] feeling from her.
Or Bill and Boyd, you know.
Thank you and good night.
Oh, come on, let's keep going.
It's nice and warm.
Can I have an order?
Sorry, can I have an order?
No.
Oh, I'm the rest of you.
Mr McCartney, I was very impressed with your performance last time I saw you.
Was that an
organ you were playing, or were you sitting behind a roll-pop desk?
I was sitting behind a model table.
Wait, I thought you might have been counting the house and, you know,
working out the pay [Ebm] stips for the boys.
Oh, yes.
[Gb] Can you pass it around?
I can sit down.
[G] It's so wonderful [B] listening to you.
Thank you.
[Ab] Look, Mr McCartney, I was standing next to him.
[N]
Hey Norm!
Hey, this side of the leg.
This is Mr McCartney.
And Mrs McCartney, how do you do?
[Eb] [Bb] Live across Australia from the studio to ABC70, [Cm] with a lot more stars than ever [B] Southern [Bb] Cross,
it's time again to gather around the gallery's [Eb] flatyard for another [G] dose of the Norman Gunstone Show.
[Cm]
[Bb] [Ab] [E]
[N] [D] [Gb]
It's time to come as a responsible [G] family man.
That's it, yes.
Very responsible.
[D] How hard was the [N] transition for you?
Terrible, wasn't it?
Very easy.
[Abm]
He sure is the best.
Best in town.
Do you find, you know, it must be difficult like Mrs [E] McCartney,
you know, being married all day, you know.
Yes, it's a bloody drive.
All day, eh?
[Abm] Yeah, and then at night having to perform together on stage.
Well, we're about to have a fight on stage one night, so we've got to fight.
Do [G] you ever feel that sometimes you like saying, not tonight, thanks darling, you know, I've got a headache?
Not tonight, Joseph.
I suppose they'd slow hand clapping if you did that.
[N]
[Eb] Would you encourage one of your children to go into [Abm] the overnight sensation
world of, you know, the music industry?
Well, if they wanted to, Norman, I would let [G] them.
I suppose anyway, if they didn't do too good, they could always open up a sandwich shop using
your name, you know, like, for McCartney's son's takeaway foods.
Except that fruit shop of yours
didn't do too good in London, but did it?
No, the McCartney fruit shop.
No, oh yeah, didn't do too good.
No, Apple, oh no.
Give that man a drink.
Was that one of John's ideas, you know?
[Ab] It was, Norman, yes.
Well, there are two sides to every story, but you know, I've heard that he was,
you know, the other Beatles used to get a bit [Abm] annoyed because Mr McCartney used to invite
them over for long, boring slide evenings.
That's what it was, yeah.
When you did that LP,
Abbey Road, was there any truth in the [G] rumour that you were dead?
Not much, you know.
Not really, yeah.
No, no.
Oh, no, he's here.
I'm talking to him and everything.
His own drugs, he leak attacks.
Did you ever, did you ever [N] have Beatlemania, Mrs McCartney?
Oh, which one of them was your favourite?
Yeah, before you were related or anything, you know?
Mick Jagger.
Was it Mick Jagger?
I [Gm] think she got him on the rebound.
[G] The [Ab] marriage is okay, bud, isn't it?
The marriage is okay.
Well, it's all right,
but you're not helping them.
It's [N] funny, you know, you don't look Japanese.
I was reading in Rolling Stone magazine, or it could have been, I could have been reading
Zydus actually.
It was something in the dentist room [D] where the front cover ripped off.
Anyway,
part of the reason for the success of your group is that people think the guitar is a sort [B] of
[Abm] symbol.
Well, it represents, you know.
Sex, you can say that.
You can say, try it.
[G] Sex.
It represents down under, you know, what I mean?
Do you reckon that's part of the reason for your success?
Well, I think so, Norm.
Yeah, I think this is it.
It's this guitar.
It's a
sanctum, right?
I think that's what [E] it does.
It's a toothpaste, Norm.
Anyway, I didn't think it was because, you know, Sister Janet, me, when she plays the guitar,
I don't get the [N] feeling from her.
Or Bill and Boyd, you know.
Thank you and good night.
Oh, come on, let's keep going.
It's nice and warm.
Can I have an order?
Sorry, can I have an order?
No.
Oh, I'm the rest of you.
Mr McCartney, I was very impressed with your performance last time I saw you.
Was that an
organ you were playing, or were you sitting behind a roll-pop desk?
I was sitting behind a model table.
Wait, I thought you might have been counting the house and, you know,
working out the pay [Ebm] stips for the boys.
Oh, yes.
[Gb] Can you pass it around?
I can sit down.
[G] It's so wonderful [B] listening to you.
Thank you.
[Ab] Look, Mr McCartney, I was standing next to him.
[N]
Key:
G
Abm
Ab
Eb
Bb
G
Abm
Ab
containing material which is considered not suitable for viewing by those under the age of 15. _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ Hey Norm!
Hey, this side of the leg.
_ _ _ This is Mr McCartney.
And Mrs McCartney, how do you do? _ _ _ _ _
_ [Eb] _ _ _ [Bb] Live across Australia from the studio to ABC70, [Cm] with a lot more stars than ever [B] Southern [Bb] Cross,
it's time again to gather around the gallery's [Eb] flatyard for another [G] dose of the Norman Gunstone Show.
[Cm] _ _
[Bb] _ _ _ [Ab] _ _ _ _ [E] _
[N] _ _ _ [D] _ _ _ _ [Gb] _
_ _ _ _ _ _ _
It's time to come as a responsible [G] family man.
That's it, yes.
Very responsible.
_ [D] How hard was the [N] transition for you?
Terrible, wasn't it?
Very easy.
_ _ _ [Abm] _ _
He _ _ sure is the best.
Best in town.
Do you find, you know, it must be difficult like Mrs [E] McCartney,
you know, being married all day, you know.
Yes, it's a bloody drive.
All day, eh?
[Abm] Yeah, and then at night having to perform together on stage.
_ Well, we're about to have a fight on stage one night, so we've got to fight.
Do [G] you ever feel that sometimes you like saying, not tonight, thanks darling, you know, I've got a headache?
Not tonight, Joseph.
_ _ I suppose they'd slow hand clapping if you did that.
[N] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [Eb] Would _ _ _ you encourage one of your children to go into [Abm] the overnight sensation
world of, you know, the music industry?
Well, if they wanted to, Norman, I would let [G] them.
I suppose anyway, if they didn't do too good, they could always open up a sandwich shop using
your name, you know, like, for McCartney's son's takeaway foods.
_ Except that fruit shop of yours
didn't do too good in London, but did it?
No, the McCartney fruit shop.
No, oh yeah, didn't do too good.
No, Apple, oh no. _ _ _ _ _ _
_ Give that man a drink.
Was that one of John's ideas, you know?
_ _ _ [Ab] _ It was, Norman, yes.
Well, there are two sides to every story, but you know, I've heard that he was,
you know, the other Beatles used to get a bit [Abm] annoyed because Mr McCartney used to invite
them over for long, boring slide evenings.
_ That's what it was, yeah.
When you did that LP,
_ Abbey Road, was there any truth in the [G] rumour that you were dead?
_ _ Not much, you know.
Not really, yeah.
No, no.
Oh, no, he's here.
I'm talking to him and everything.
His own drugs, he leak attacks. _
_ _ _ Did you ever, did you ever [N] have Beatlemania, Mrs McCartney?
Oh, which one of them was your favourite?
Yeah, before you were related or anything, you know?
Mick Jagger.
Was it Mick Jagger?
I [Gm] think she got him on the rebound. _ _ _
[G] _ The _ [Ab] marriage is okay, bud, isn't it?
The marriage is okay.
Well, it's all right,
but you're not helping them.
It's [N] funny, you know, you don't look Japanese. _ _ _ _
_ _ _ _ I was reading in Rolling Stone magazine, or it could have been, I could have been reading
Zydus actually.
It was something in the dentist room [D] where the front cover ripped off.
Anyway,
part of the reason for the success of your group is that _ people think the guitar is a sort [B] of _
[Abm] symbol.
Well, it represents, you know.
Sex, you can say that.
You can say, try it.
[G] Sex.
It represents down under, you know, what I mean?
_ _ _ Do you reckon that's part of the reason for your success?
Well, I think so, Norm.
Yeah, I think this is it.
It's this guitar.
It's a
sanctum, right?
I think that's what [E] it does.
It's a toothpaste, Norm.
Anyway, I didn't think it was because, you know, Sister Janet, me, when she plays the guitar,
I don't get the [N] feeling from her. _
Or Bill and Boyd, you know.
_ Thank you and good night. _ _ _ _ _ _
Oh, come on, let's keep going.
It's nice and warm.
Can I have an order?
_ _ _ Sorry, can I have an order?
No.
Oh, I'm the rest of you.
Mr McCartney, I was very impressed with your performance last time I saw you.
Was that an
organ you were playing, or were you sitting behind a roll-pop desk?
I was sitting behind a model table.
Wait, I thought you might have been counting the house and, you know,
working out the pay [Ebm] stips for the boys.
Oh, yes.
[Gb] Can you pass it around?
I can sit down.
[G] It's so wonderful [B] listening to you.
Thank you.
[Ab] Look, Mr McCartney, I was standing next to him.
[N] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ Hey Norm!
Hey, this side of the leg.
_ _ _ This is Mr McCartney.
And Mrs McCartney, how do you do? _ _ _ _ _
_ [Eb] _ _ _ [Bb] Live across Australia from the studio to ABC70, [Cm] with a lot more stars than ever [B] Southern [Bb] Cross,
it's time again to gather around the gallery's [Eb] flatyard for another [G] dose of the Norman Gunstone Show.
[Cm] _ _
[Bb] _ _ _ [Ab] _ _ _ _ [E] _
[N] _ _ _ [D] _ _ _ _ [Gb] _
_ _ _ _ _ _ _
It's time to come as a responsible [G] family man.
That's it, yes.
Very responsible.
_ [D] How hard was the [N] transition for you?
Terrible, wasn't it?
Very easy.
_ _ _ [Abm] _ _
He _ _ sure is the best.
Best in town.
Do you find, you know, it must be difficult like Mrs [E] McCartney,
you know, being married all day, you know.
Yes, it's a bloody drive.
All day, eh?
[Abm] Yeah, and then at night having to perform together on stage.
_ Well, we're about to have a fight on stage one night, so we've got to fight.
Do [G] you ever feel that sometimes you like saying, not tonight, thanks darling, you know, I've got a headache?
Not tonight, Joseph.
_ _ I suppose they'd slow hand clapping if you did that.
[N] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [Eb] Would _ _ _ you encourage one of your children to go into [Abm] the overnight sensation
world of, you know, the music industry?
Well, if they wanted to, Norman, I would let [G] them.
I suppose anyway, if they didn't do too good, they could always open up a sandwich shop using
your name, you know, like, for McCartney's son's takeaway foods.
_ Except that fruit shop of yours
didn't do too good in London, but did it?
No, the McCartney fruit shop.
No, oh yeah, didn't do too good.
No, Apple, oh no. _ _ _ _ _ _
_ Give that man a drink.
Was that one of John's ideas, you know?
_ _ _ [Ab] _ It was, Norman, yes.
Well, there are two sides to every story, but you know, I've heard that he was,
you know, the other Beatles used to get a bit [Abm] annoyed because Mr McCartney used to invite
them over for long, boring slide evenings.
_ That's what it was, yeah.
When you did that LP,
_ Abbey Road, was there any truth in the [G] rumour that you were dead?
_ _ Not much, you know.
Not really, yeah.
No, no.
Oh, no, he's here.
I'm talking to him and everything.
His own drugs, he leak attacks. _
_ _ _ Did you ever, did you ever [N] have Beatlemania, Mrs McCartney?
Oh, which one of them was your favourite?
Yeah, before you were related or anything, you know?
Mick Jagger.
Was it Mick Jagger?
I [Gm] think she got him on the rebound. _ _ _
[G] _ The _ [Ab] marriage is okay, bud, isn't it?
The marriage is okay.
Well, it's all right,
but you're not helping them.
It's [N] funny, you know, you don't look Japanese. _ _ _ _
_ _ _ _ I was reading in Rolling Stone magazine, or it could have been, I could have been reading
Zydus actually.
It was something in the dentist room [D] where the front cover ripped off.
Anyway,
part of the reason for the success of your group is that _ people think the guitar is a sort [B] of _
[Abm] symbol.
Well, it represents, you know.
Sex, you can say that.
You can say, try it.
[G] Sex.
It represents down under, you know, what I mean?
_ _ _ Do you reckon that's part of the reason for your success?
Well, I think so, Norm.
Yeah, I think this is it.
It's this guitar.
It's a
sanctum, right?
I think that's what [E] it does.
It's a toothpaste, Norm.
Anyway, I didn't think it was because, you know, Sister Janet, me, when she plays the guitar,
I don't get the [N] feeling from her. _
Or Bill and Boyd, you know.
_ Thank you and good night. _ _ _ _ _ _
Oh, come on, let's keep going.
It's nice and warm.
Can I have an order?
_ _ _ Sorry, can I have an order?
No.
Oh, I'm the rest of you.
Mr McCartney, I was very impressed with your performance last time I saw you.
Was that an
organ you were playing, or were you sitting behind a roll-pop desk?
I was sitting behind a model table.
Wait, I thought you might have been counting the house and, you know,
working out the pay [Ebm] stips for the boys.
Oh, yes.
[Gb] Can you pass it around?
I can sit down.
[G] It's so wonderful [B] listening to you.
Thank you.
[Ab] Look, Mr McCartney, I was standing next to him.
[N] _ _ _